Rendez‐vous With the Great Composers

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |

1▼CD
#	Title	Artist	Rating	Length
1	Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace orchestra: London Philharmonic Orchestra (Alfred Scholz pseudonym) and London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) conductor: Alfred Scholz recording of: Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: I. Allegro vivace composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10) part of: Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”	Wolfgang Amadeus Mozart		11:23
2	Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile orchestra: London Philharmonic Orchestra (Alfred Scholz pseudonym) and London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) conductor: Alfred Scholz recording of: Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: II. Andante cantabile composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10) part of: Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”	Wolfgang Amadeus Mozart		9:28
3	Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto orchestra: Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Philharmonic Orchestra (Alfred Scholz pseudonym) and London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) conductor: Colin Armstrong (bogus conductor) and Alfred Scholz recording of: Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10) part of: Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”	Wolfgang Amadeus Mozart		5:03
4	Symphony no. 41 in C major, K. 551 "Jupiter": IV. Finale. Allegro molto orchestra: London Philharmonic Orchestra (Alfred Scholz pseudonym) and London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) conductor: Alfred Scholz recording of: Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: IV. Molto allegro composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10) part of: Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”	Wolfgang Amadeus Mozart		8:54
5	Ouverture "Die Zauberflöte" recording of: Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) part of: Die Zauberflöte, K. 620 (The Magic Flute, K. 620)	Wolfgang Amadeus Mozart		7:24
6	Piano Concerto no. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto recording of: Concerto for Piano no. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto composer: Wolfgang Amadeus Mozart (classical composer) (in 1784) part of: Concerto for Piano no. 17 in G major, K. 453 "Second Ployer"	Wolfgang Amadeus Mozart		7:52
7	Eine kleine Nachtmusik - Menuetto sound engineer: Bernhard Mahne (Classical music producer) (from 1986-04-22 until 1986-04-24) and Lutz Wildner (from 1986-04-22 until 1986-04-24) orchestra: Camerata Academia Salzburg (Austrian chamber orchestra), Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Philharmonic Orchestra London (Alfred Scholz pseudonym) and Camerata Labacensis (Slovenian chamber orchestra) (from 1986-04-22 until 1986-04-24) conductor: Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz and Alexander von Pitamic (Alfred Scholz pseudonym) (from 1986-04-22 until 1986-04-24) recorded at: Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (from 1986-04-22 until 1986-04-24) recording of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (from 1986-04-22 until 1986-04-24) composer: Wolfgang Amadeus Mozart (classical composer) (in 1787) part of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“	Wolfgang Amadeus Mozart		2:19
8	Eine kleine Nachtmusik - Rondo sound engineer: Bernhard Mahne (Classical music producer) (from 1986-04-22 until 1986-04-24) and Lutz Wildner (from 1986-04-22 until 1986-04-24) orchestra: Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Academica of Salzburg (Austrian chamber orchestra), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Mozart Festival Orchestra (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Camerata Labacensis (Slovenian chamber orchestra) (from 1986-04-22 until 1986-04-24) conductor: Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz and Alexander von Pitamic (Alfred Scholz pseudonym) (from 1986-04-22 until 1986-04-24) recorded at: Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (from 1986-04-22 until 1986-04-24) recording of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (from 1986-04-22 until 1986-04-24) composer: Wolfgang Amadeus Mozart (classical composer) (in 1787) part of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“	Wolfgang Amadeus Mozart		3:28
9	Ouverture "Figaros Hochzeit" - The Marriage of Figaro recording of: Le nozze di Figaro, K. 492: Sinfonia composer: Wolfgang Amadeus Mozart (classical composer) (in 1786) part of: Die Hochzeit des Figaro (German translation) part of: Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)	Wolfgang Amadeus Mozart		4:18
10	Symphony no. 29 in A major, K. 186a / 201: I. Allegro moderato recording of: Symphony no. 29 for Orchestra in A major, K. 186a / 201: I. Allegro moderato composer: Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-04-06) part of: Symphony no. 29 for Orchestra in A major, K. 186a / 201	Wolfgang Amadeus Mozart		8:29

2▼CD
#	Title	Artist	Rating	Length
1	Symphony no. 5 in C minor, op. 67: I. Allegro con brio orchestra: Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (Alfred Scholz pseudonym) recording of: Symphony no. 5 in C minor, op. 67: I. Allegro con brio composer: Ludwig van Beethoven (German composer) (from 1804 until 1808) part of: Symphony no. 5 in C minor, op. 67	Ludwig van Beethoven		7:23
2	Symphony no. 5 in C minor, op. 67: II. Andante con moto orchestra: London Festival Orchestra (Alfred Scholz pseudonym) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Symphony no. 5 in C minor, op. 67: II. Andante con moto composer: Ludwig van Beethoven (German composer) (from 1804 until 1808) part of: Symphony no. 5 in C minor, op. 67	Ludwig van Beethoven		11:02
3	Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro orchestra: Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) recording of: Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro composer: Ludwig van Beethoven (German composer) (from 1804 until 1808) part of: Symphony no. 5 in C minor, op. 67	Ludwig van Beethoven		5:23
4	Symphony no. 5 in C minor, op. 67: IV. Allegro recording of: Symphony no. 5 in C minor, op. 67: IV. Allegro composer: Ludwig van Beethoven (German composer) (from 1804 until 1808) part of: Symphony no. 5 in C minor, op. 67	Ludwig van Beethoven		8:53
5	Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo piano: Dubravka Tomšič (pianist) orchestra: Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) recording of: Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo composer: Ludwig van Beethoven (German composer) (from 1796 until 1797) part of: Concerto for Piano and Orchestra no. 1 in C major, op. 15	Ludwig van Beethoven		12:00
6	Ouverture Fidelio: Ouverture, op. 72b recording of: Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) composer: Ludwig van Beethoven (German composer) (in 1814) part of: Fidelio, op. 72 (1814 version) revision of: Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)	Ludwig van Beethoven		6:23
7	Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto audio engineer: Südwest Tonstudio (engineering) grand piano and solo piano: Dubravka Tomšič (pianist) piano: Silvia Čápová (pianist), Debra Ruth Zobel and Dubravka Tomšič (pianist) (in 1986-04) recording of: Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 1986-04) composer: Ludwig van Beethoven (German composer) (in 1801) part of: Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”	Ludwig van Beethoven		6:05
8	Egmont, op. 84: Overture. Sostenuto, ma non troppo – Allegro orchestra: Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), London Philharmonic Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor), Alfred Scholz and Peter Wohlert (conductor, Alfred Scholz related) recording of: Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro premiered in: Wien (Vienna), Austria (on 1810-06-15) composer: Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06) part of: Egmont, op. 84	Ludwig van Beethoven		8:24
9	Sonata for Piano no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile piano: Dubravka Tomšič (pianist) (in 1986-04) solo piano: Dubravka Tomšič (pianist) recording of: Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (in 1986-04) composer: Ludwig van Beethoven (German composer) (in 1798) part of: Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”	Ludwig van Beethoven		5:35

3▼CD
#	Title	Artist	Rating	Length
1	Brandenburg Concerto No. 2 in F major, BWV 1047: I. Allegro orchestra: Munich Chamber Ensemble (possibly an Alfred Scholtz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)	Johann Sebastian Bach		5:35
2	Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante orchestra: Munich Chamber Ensemble (possibly an Alfred Scholtz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)	Johann Sebastian Bach		3:44
3	Brandenburg Concerto No. 2 in F major, BWV 1047: III. Allegro assai orchestra: Munich Chamber Ensemble (possibly an Alfred Scholtz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)	Johann Sebastian Bach		3:04
4	Fireworks Music Concerto Grosso No.26 in D Major - Ouverture orchestra: Pro Musica Antiqua (conducted by Randolph Jones) conductor: Randolph Jones (conductor) recording of: Music for the Royal Fireworks, HWV 351: I. Ouverture composer: George Frideric Handel (German‐British baroque composer) (in 1749) part of: Music for the Royal Fireworks, HWV 351	George Frideric Handel		9:34
5	Fireworks Music Concerto Grosso No.26 in D Major - Bourée orchestra: Pro Musica Antiqua (conducted by Randolph Jones) conductor: Randolph Jones (conductor) recording of: Music for the Royal Fireworks, HWV 351: II. Bourrée composer: George Frideric Handel (German‐British baroque composer) (in 1749) part of: Music for the Royal Fireworks, HWV 351	George Frideric Handel		1:15
6	Fireworks Music Concerto Grosso No.26 in D Major - La paix orchestra: Pro Musica Antiqua (conducted by Randolph Jones) conductor: Randolph Jones (conductor) recording of: Music for the Royal Fireworks, HWV 351: III. La Paix: Largo alla siciliana composer: George Frideric Handel (German‐British baroque composer) (in 1749) part of: Music for the Royal Fireworks, HWV 351	George Frideric Handel		3:39
7	Fireworks Music Concerto Grosso No.26 in D Major - Menuett I orchestra: Pro Musica Antiqua (conducted by Randolph Jones) conductor: Randolph Jones (conductor) partial recording of: Music for the Royal Fireworks, HWV 351: V. Menuet I and II composer: George Frideric Handel (German‐British baroque composer) (in 1749) part of: Music for the Royal Fireworks, HWV 351	George Frideric Handel		1:00
8	Fireworks Music Concerto Grosso No.26 in D Major - Menuett II orchestra: Pro Musica Antiqua (conducted by Randolph Jones) conductor: Randolph Jones (conductor) partial recording of: Music for the Royal Fireworks, HWV 351: V. Menuet I and II composer: George Frideric Handel (German‐British baroque composer) (in 1749) part of: Music for the Royal Fireworks, HWV 351	George Frideric Handel		1:19
9	Fireworks Music Concerto Grosso No.26 in D Major - La réjouissance orchestra: Pro Musica Antiqua (conducted by Randolph Jones) conductor: Randolph Jones (conductor) recording of: Music for the Royal Fireworks, HWV 351: IV. La Réjouissance composer: George Frideric Handel (German‐British baroque composer) (in 1749) part of: Music for the Royal Fireworks, HWV 351	George Frideric Handel		2:19
10	Brandenburg Concerto No. 5 in D major, BWV 1050: I. Allegro orchestra: Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker), Munich Chamber Ensemble (possibly an Alfred Scholtz pseudonym) and Musici di San Marco (an Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym) and Luigi Varese (an Alfred Scholz pseudonym) recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: I. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		10:44
11	Brandenburg Concerto No. 5 in D major, BWV 1050: II. Affettuoso orchestra: Munich Chamber Ensemble (possibly an Alfred Scholtz pseudonym) and Musici di San Marco (an Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Luigi Varese (an Alfred Scholz pseudonym) recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: II. Adagio part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		5:54
12	Brandenburg Concerto No. 5 in D major, BWV 1050: III. Allegro orchestra: Munich Chamber Ensemble (possibly an Alfred Scholtz pseudonym) and Musici di San Marco (an Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Luigi Varese (an Alfred Scholz pseudonym) recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: III. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		5:34
13	Italian Concert in F major BWV 971: I. Moderato producer: Udo Unger piano and solo piano: Dubravka Tomšič (pianist) recording of: Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro]) (in 1987) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1735) part of: Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)	Johann Sebastian Bach		4:25
14	Italian Concert in F major BWV 971: II. Andante producer: Udo Unger piano and solo piano: Dubravka Tomšič (pianist) recording of: Italienisches Konzert F-Dur, BWV 971: II. Andante (Italian Concerto in F major, BWV 971: II. Andante) (in 1987) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1735) part of: Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)	Johann Sebastian Bach		5:29
15	Italian Concert in F major BWV 971: III. Allegro vivace producer: Udo Unger piano and solo piano: Dubravka Tomšič (pianist) recording of: Italienisches Konzert F-Dur, BWV 971: III. Presto (Italian Concerto in F major, BWV 971: III. Presto) (in 1987) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1735) part of: Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971) recording of: Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro]) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1735) part of: Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)	Johann Sebastian Bach		3:24

4▼CD
#	Title	Artist	Rating	Length
1	Symphony No. 9 in C major, D. 944: I. Andante - Allegro ma non troppo orchestra: Süddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: Symphony no. 9 in C major, D. 944 “The Great”: I. Andante – Allegro ma non troppo composer: Franz Schubert (composer) (from 1825-07 until 1826-07) part of: Symphony no. 9 in C major, D. 944 “The Great” partial recording of: Symphony no. 9 in C major, D. 944 “The Great”: I. Andante – Allegro ma non troppo composer: Franz Schubert (composer) (from 1825-07 until 1826-07) part of: Symphony no. 9 in C major, D. 944 “The Great”	Franz Schubert		15:10
2	Symphony No. 9 in C major, D. 944: II. Andante con moto orchestra: Süddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: Symphony no. 9 in C major, D. 944 “The Great”: II. Andante con moto composer: Franz Schubert (composer) (from 1825-07 until 1826-07) part of: Symphony no. 9 in C major, D. 944 “The Great”	Franz Schubert		16:14
3	Symphony No. 9 in C major, D. 944: III. Scherzo. Allegro vivace orchestra: Süddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: Symphony no. 9 in C major, D. 944 “The Great”: III. Scherzo. Allegro vivace composer: Franz Schubert (composer) (from 1825-07 until 1826-07) part of: Symphony no. 9 in C major, D. 944 “The Great”	Franz Schubert		11:32
4	Symphony No. 9 in C major, D. 944: IV. Finale. Allegro vivace orchestra: Süddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: Symphony no. 9 in C major, D. 944 “The Great”: IV. Finale. Allegro vivace composer: Franz Schubert (composer) (from 1825-07 until 1826-07) part of: Symphony no. 9 in C major, D. 944 “The Great”	Franz Schubert		12:27
5	Symphony No. 8 in B minor, "Unfinished" recording of: Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato composer: Franz Schubert (composer) (in 1822) part of: Symphony no. 8 in B minor, D. 759 “Unfinished”	Franz Schubert		13:38

5▼CD
#	Title	Artist	Rating	Length
1	Piano Concerto No. 1 in E-flat major recording of: Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124 composer: Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856) dedicated to: Henry Litolff (English composer) premiered at: [concert] (1855-02-17) publisher: Carl Haslinger (Vienna) (in 1857) part of: The Music of Liszt (number: S. 124)	Franz Liszt		18:47
2	Piano Concerto No. 2 in A major recording of: Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement) composer: Franz Liszt (Hungarian composer, pianist and conductor) (from 1839 until 1861, from 1849 until 1861) dedicated to: Hans Bronsart Von Schellendorff (German composer) premiered at: [concert] (1857-01-07) publisher: Schott Music International (publisher; do not use as label) (in 1863) part of: The Music of Liszt (number: S. 125) is based on: Concerto sans orchestre, S. 524a	Franz Liszt		18:30
3	Waltz No. 6 in D-flat major, Op. 64 No. 1 "Minute Waltz" recording of: Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz” composer: Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847) part of: Waltzes, op. 64	Frédéric Chopin		1:45
4	Waltz No. 12 in F minor, Op. 70 No. 2 recording of: Waltz no. 12 in F minor, op. 70 no. 2 composer: Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1832) part of: Waltzes, op. 70	Frédéric Chopin		2:57
5	Nocturne No. 1 in B-flat minor, Op. 9 No. 1 recording of: Nocturne no. 1 in B‐flat minor, op. 9 no. 1: Larghetto composer: Frédéric Chopin (composer) (from 1830 until 1832) part of: Nocturnes, op. 9 (original for piano)	Frédéric Chopin		5:25
6	Prelude No. 3 in G major, Op. 28 piano: Ida Černecká (pianist) recording of: Prélude no. 3 in G major, op. 28: Vivace composer: Fryderyk Chopin (Frédéric Chopin, composer) part of: 24 Préludes pour le piano, op. 28	Frédéric Chopin		1:03
7	Prelude No. 6 in B minor, Op. 28 recording of: Prélude no. 6 in B minor, op. 28: Lento assai composer: Fryderyk Chopin (Frédéric Chopin, composer) part of: 24 Préludes pour le piano, op. 28	Frédéric Chopin		2:07
8	Prelude No. 7 in A major, Op. 28 piano: Ida Černecká (pianist) recording of: Prélude no. 7 in A major, op. 28: Andantino composer: Fryderyk Chopin (Frédéric Chopin, composer) (in 1836) part of: 24 Préludes pour le piano, op. 28	Frédéric Chopin		0:59
9	Prelude No. 8 in F minor, Op. 28 recording of: Prélude no. 8 in F‐sharp minor, op. 28: Molto agitato composer: Fryderyk Chopin (Frédéric Chopin, composer) part of: 24 Préludes pour le piano, op. 28	Frédéric Chopin		1:51
10	Prelude No. 14 in E-flat minor, Op. 28 recording of: Prélude no. 14 in E‐flat minor, op. 28: Allegro composer: Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839) part of: 24 Préludes pour le piano, op. 28	Frédéric Chopin		0:34
11	Prelude No. 15 in D-flat major, Op. 28 "Raindrop" recording of: Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto composer: Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839) part of: 24 Préludes pour le piano, op. 28	Frédéric Chopin		4:51
12	Prelude No. 17 in A-flat major, Op. 28 recording of: Prélude no. 17 in A‐flat major, op. 28: Allegretto composer: Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839) part of: 24 Préludes pour le piano, op. 28	Frédéric Chopin		2:58
13	Prelude No. 18 in F minor, Op. 28 recording of: Prélude no. 18 in F minor, op. 28: Molto allegro composer: Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839) part of: 24 Préludes pour le piano, op. 28	Frédéric Chopin		1:00
14	Mazurka No. 47 in A minor, Op. 68 No. 2 recording of: Mazurka no. 47 in A minor, op. 68 no. 2 composer: Fryderyk Chopin (Frédéric Chopin, composer) part of: Chopin National Edition: WN Catalogue (number: WN 14) part of: Mazurkas, op. 68	Frédéric Chopin		2:56
15	Mazurka No. 3 in F major, Op. 68 recording of: Mazurka no. 48 in F major, op. 68 no. 3 composer: Fryderyk Chopin (Frédéric Chopin, composer) part of: Chopin National Edition: WN Catalogue (number: WN 25) part of: Mazurkas, op. 68	Frédéric Chopin		1:17

6▼CD
#	Title	Artist	Rating	Length
1	The Nutcracker Ballet Suite - Ouverture orchestra: Berlin Festival Orchestra (Alfred Scholtz pseudonym), Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Gerhard Bosse (as used for an Alfred Scholz release - NOT the real artist), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (until 1892) part of: The Nutcracker (suite from the ballet), op. 71a	Пётр Ильич Чайковский		3:17
2	The Nutcracker Ballet Suite - Marche orchestra: Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques recording of: Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (The Nutcracker, op. 71: March, March) composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) part of: Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1, The Nutcracker, op. 71: Act 1)	Пётр Ильич Чайковский		2:47
3	The Nutcracker Ballet Suite - Danse de la fee-dragee orchestra: Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques revision of: Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)	Пётр Ильич Чайковский		2:09
4	The Nutcracker Ballet Suite - Danse rusee trepak orchestra: Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques	Пётр Ильич Чайковский		1:15
5	The Nutcracker Ballet Suite - Danse Arabe orchestra: Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques	Пётр Ильич Чайковский		3:39
6	The Nutcracker Ballet Suite - Danse Chinoise orchestra: Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques	Пётр Ильич Чайковский		1:25
7	The Nutcracker Ballet Suite - Danse des mirlitons orchestra: Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques revision of: Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)	Пётр Ильич Чайковский		2:40
8	The Nutcracker Ballet Suite - Valse des fleurs orchestra: Berlin Festival Orchestra (Alfred Scholtz pseudonym), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) part of: The Nutcracker (suite from the ballet), op. 71a revision of: Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)	Пётр Ильич Чайковский		7:08
9	Romeo & Juliet "Fantasy Ouverture" orchestra: Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Royal Promenade Orchestra (possibly fictitious by association with Alfred Gehardt), Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: Alfred Gehardt (fictitious conductor), Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym), Nodar Tsatishvili, George Ralph Warren and Peter Wohlert (conductor, Alfred Scholz related) phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988) recording of: Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed) composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869) revised by: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880) dedicated to: Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor) part of: The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39) revision of: Romeo and Juliet (1870, rarely performed)	Пётр Ильич Чайковский		18:13
10	Swan Lake Ballet Suite - 1. Szene orchestra: London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) recording of: Schwanensee / Swan Lake, Ballett / Ballet: 1. Szene composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) recording of: The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight) composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)	Пётр Ильич Чайковский		3:12
11	Swan Lake Ballet Suite - Danse du cygne orchestra: London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) recording of: The Swan Lake (suite from the ballet), op. 20a: II. Valse composer: Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements) recording of: The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)	Пётр Ильич Чайковский		1:36
12	Swan Lake Ballet Suite - Danse Hongroise orchestra: London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: The Swan Lake (suite from the ballet), op. 20a: V. Czardas: Danse hongroise composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)	Пётр Ильич Чайковский		2:52
13	Swan Lake Ballet Suite - Danse Espagnole orchestra: London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: The Swan Lake (suite from the ballet), op. 20a: VI. Danse espagnole composer: Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)	Пётр Ильич Чайковский		2:25
14	Swan Lake Ballet Suite - Danse Napolitaine orchestra: London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: The Swan Lake (suite from the ballet), op. 20a: VII. Danse napolitaine composer: Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)	Пётр Ильич Чайковский		2:07
15	Swan Lake Ballet Suite - Mazurka	Пётр Ильич Чайковский		3:53
16	Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso orchestra: Camerata Labacensis (Slovenian chamber orchestra), Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Prague Festival Orchestra and The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) conductor: Marko Munih (conductor), Anton Nanut (conductor), Alexander von Pitamic (Alfred Scholz pseudonym) and Pavel Urbanek (an Alfred Scholz pseudonym) recording of: Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso composer: Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1893-02 until 1893-08) part of: Symphony no. 6 in B minor, op. 74 “Pathétique”	Пётр Ильич Чайковский		9:58

7▼CD
#	Title	Artist	Rating	Length
1	Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace recording of: Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace composer: Felix Mendelssohn (composer) (in 1833) part of: Symphony no. 4 in A major, op. 90 “Italian” part of: Symphony no. 4 in A major, op. 90 “Italian” (1834 revision, uncommon)	Felix Mendelssohn		11:39
2	Symphony No. 4 in A major, Op. 90 "Italian": II. Andante con moto recording of: Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto composer: Felix Mendelssohn (composer) (in 1833) part of: Symphony no. 4 in A major, op. 90 “Italian”	Felix Mendelssohn		6:43
3	Symphony No. 4 in A major, Op. 90 "Italian": III. Con moto moderato recording of: Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato composer: Felix Mendelssohn (composer) (in 1833) part of: Symphony no. 4 in A major, op. 90 “Italian”	Felix Mendelssohn		6:59
4	Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello. Presto recording of: Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto composer: Felix Mendelssohn (composer) (in 1833) part of: Symphony no. 4 in A major, op. 90 “Italian”	Felix Mendelssohn		6:22
5	A Midsummernightsdream - Incidental Music to Shakespeare's play - Ouverture: Allegro di molto recording of: Ein Sommernachtstraum, op. 21 (op. 61 no. 1): Ouvertüre composer: Felix Mendelssohn (composer) (in 1826) part of: Works of Felix Mendelssohn by opus number (number: op. 21) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 3) part of: Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)	Felix Mendelssohn		12:05
6	A Midsummernightsdream - Incidental Music to Shakespeare's play - Scherzo: Allegro vivace recording of: Ein Sommernachtstraum, op. 61: 1. Scherzo. Allegro vivace composer: Felix Mendelssohn (composer) (in 1842) part of: Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)	Felix Mendelssohn		4:56
7	A Midsummernightsdream - Incidental Music to Shakespeare's play - Notturrno: Con moto tranquillo recording of: Ein Sommernachtstraum, op. 61: 7. Notturno. Con moto tranquillo composer: Felix Mendelssohn (composer) (in 1842) part of: Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)	Felix Mendelssohn		6:31
8	A Midsummernightsdream - Incidental Music to Shakespeare's play - Wedding March recording of: Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace) composer: Felix Mendelssohn (composer) (in 1842) part of: Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)	Felix Mendelssohn		5:12
9	A Midsummernightsdream - Incidental Music to Shakespeare's play - Dance of the Clowns recording of: Ein Sommernachtstraum, op. 61: 11. Ein Tanz von Rüpeln (Bergamasca). Allegro di molto composer: Felix Mendelssohn (composer) (in 1842) part of: Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)	Felix Mendelssohn		1:41

8▼CD
#	Title	Artist	Rating	Length
1	The Four Seasons Concerto Op.8 No.1 "Spring" - Allegro orchestra: Salzburger Kammerorchester (Salzburg Chamber Orchestra) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)	Antonio Vivaldi		3:34
2	The Four Seasons Concerto Op.8 No.1 "Spring" - Largo orchestra: Salzburger Kammerorchester (Salzburg Chamber Orchestra) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)	Antonio Vivaldi		2:48
3	The Four Seasons Concerto Op.8 No.1 "Spring" - Allegro orchestra: Salzburger Kammerorchester (Salzburg Chamber Orchestra) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)	Antonio Vivaldi		4:06
4	The Four Seasons Concerto Op.8 No.2 "Summer" - Allegro non molto orchestra: Salzburger Kammerorchester (Salzburg Chamber Orchestra) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)	Antonio Vivaldi		5:57
5	The Four Seasons Concerto Op.8 No.2 "Summer" - Adagio orchestra: Salzburger Kammerorchester (Salzburg Chamber Orchestra) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)	Antonio Vivaldi		2:11
6	The Four Seasons Concerto Op.8 No.2 "Summer" - Presto orchestra: Salzburger Kammerorchester (Salzburg Chamber Orchestra) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)	Antonio Vivaldi		2:58
7	The Four Seasons Concerto Op.8 No.3 "Autumn" - Allegro orchestra: Salzburger Kammerorchester (Salzburg Chamber Orchestra) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)	Antonio Vivaldi		5:01
8	The Four Seasons Concerto Op.8 No.3 "Autumn" - Adagio Molto orchestra: Salzburger Kammerorchester (Salzburg Chamber Orchestra) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)	Antonio Vivaldi		2:24
9	The Four Seasons Concerto Op.8 No.3 "Autumn" - Allegro orchestra: Salzburger Kammerorchester (Salzburg Chamber Orchestra) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)	Antonio Vivaldi		3:21
10	The Four Seasons Concerto Op.8 No.4 "Winter" - Allegro non molto orchestra: Salzburger Kammerorchester (Salzburg Chamber Orchestra) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)	Antonio Vivaldi		3:33
11	The Four Seasons Concerto Op.8 No.4 "Winter" - Largo orchestra: Salzburger Kammerorchester (Salzburg Chamber Orchestra) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)	Antonio Vivaldi		2:22
12	The Four Seasons Concerto Op.8 No.4 "Winter" - Allegro orchestra: Salzburger Kammerorchester (Salzburg Chamber Orchestra) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)	Antonio Vivaldi		3:35
13	Concerto for Violin and Orchestra in A minor Op.3 No.6 - Allegro recording of: Violin Concerto in A minor, op. 3 no. 6, RV 356: I. Allegro moderato composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1711) part of: Violin Concerto in A minor, op. 3 no. 6, RV 356	Antonio Vivaldi		3:45
14	Concerto for Violin and Orchestra in A minor Op.3 No.6 - Largo recording of: Violin Concerto in A minor, op. 3 no. 6, RV 356: II. Largo composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1711) part of: Violin Concerto in A minor, op. 3 no. 6, RV 356	Antonio Vivaldi		2:25
15	Concerto for Violin and Orchestra in A minor Op.3 No.6 - Presto recording of: Violin Concerto in A minor, op. 3 no. 6, RV 356: III. Presto composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1711) part of: Violin Concerto in A minor, op. 3 no. 6, RV 356	Antonio Vivaldi		2:49
16	Concerto for Violin and Orchestra in G minor Op.6 No.1 - Allegro, Ma con forza recording of: Violin Concerto in G minor, op. 6 no. 1, RV 324: I. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Violin Concerto in G minor, op. 6 no. 1, RV 324	Antonio Vivaldi		4:20
17	Concerto for Violin and Orchestra in G minor Op.6 No.1 - Grave recording of: Violin Concerto in G minor, op. 6 no. 1, RV 324: II. Grave composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Violin Concerto in G minor, op. 6 no. 1, RV 324	Antonio Vivaldi		4:11
18	Concerto for Violin and Orchestra in G minor Op.6 No.1 - Allegro recording of: Violin Concerto in G minor, op. 6 no. 1, RV 324: III. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Violin Concerto in G minor, op. 6 no. 1, RV 324	Antonio Vivaldi		3:07
19	Concerto for Flute and Orchestra in D major Op.10 No.3 - Allegro recording of: Concerto in D major, op. 10 no. 3, RV 428 “Il gardellino”: I. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Concerto in D major, op. 10 no. 3, RV 428 “Il gardellino”	Antonio Vivaldi		3:59
20	Concerto for Flute and Orchestra in D major Op.10 No.3 - Cantabile orchestra: Camerata Romana (an Alfred Scholz pseudonym) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym) recording of: Concerto in D major, op. 10 no. 3, RV 428 “Il gardellino”: II. Cantabile composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Concerto in D major, op. 10 no. 3, RV 428 “Il gardellino”	Antonio Vivaldi		2:25
21	Concerto for Flute and Orchestra in D major Op.10 No.3 - Allegro recording of: Concerto in D major, op. 10 no. 3, RV 428 “Il gardellino”: III. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Concerto in D major, op. 10 no. 3, RV 428 “Il gardellino”	Antonio Vivaldi		3:07

9▶CD

10▶CD

Credits

Release

Discogs:	https://www.discogs.com/release/12058019 [info]
ASIN:	UK: B0046Y22KW [info]
other databases:	https://www.musik-sammler.de/media/968990/ [info]

Rendez‐vous With the Great Composers

Tracklist

Credits

Release

Release information

Additional details

Labels

Release events

Release group rating

Release group reviews

Tags

Genres

Other tags

External links

Editing

Collections