Così fan tutte

~ Release by Wolfgang Amadeus Mozart; Karl Böhm (see all versions of this release, 4 available)

Annotation

ISBN-10: 3-86562-242-9
Disc ID (CD1): KMQTKR1CLw2LuVVxUrXhEXunX7M-
Disc ID (CD2): zkCgowcH14Rb8zGgRaszIMHbgzk-

Fiordiligi: Lisa della Casa (soprano)
Dorabella: Christa Ludwig (soprano)
Guglielmo: Erich Kunz (baritone)
Ferrando: Anton Dermota (tenor)
Despina: Emmy Loose (soprano)
Don Alfonso: Paul Schöffler (bass-baritone)

recorded: 1955

Annotation last modified on 2014-08-28 05:19 UTC.

Tracklist

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1Così fan tutte: Ouverture
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Ouvertura (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1790)
part of:
Così fan tutte ossia La scuola degli amanti, K. 588
Wolfgang Amadeus Mozart4:29
2Così fan tutte: Atto I. No. 1 Terzetto “La mia Dorabella capace non è” (Ferrando, Guglielmo, Don Alfonso)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Guglielmo]:
Erich Kunz (baritone) (from 1955-05-16 until 1955-05-21)
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
tenor vocals [Ferrando]:
Anton Dermota (tenor) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto I. No. 1 Terzetto “La mia Dorabella capace non è” (Ferrando, Guglielmo, Don Alfonso) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:06
3Così fan tutte: Atto I. No. 2 Terzetto “E la fede delle femmine” (Ferrando, Guglielmo, Don Alfonso)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Guglielmo]:
Erich Kunz (baritone) (from 1955-05-16 until 1955-05-21)
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
tenor vocals [Ferrando]:
Anton Dermota (tenor) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto I. No. 2 Terzetto “È la fede delle femmine” (Ferrando, Guglielmo, Don Alfonso) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:32
4Così fan tutte: Atto I. No. 3 Terzetto “Una bella serenata” (Ferrando, Guglielmo, Don Alfonso)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Guglielmo]:
Erich Kunz (baritone) (from 1955-05-16 until 1955-05-21)
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
tenor vocals [Ferrando]:
Anton Dermota (tenor) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto I. No. 3 Terzetto “Una bella serenata” (Ferrando, Guglielmo, Don Alfonso) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:17
5Così fan tutte: Atto I. “Ah, guarda, sorella”
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto I. No. 4 Duetto “Ah, guarda, sorella” (Fiordiligi, Dorabella) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart5:06
6Così fan tutte: Atto I. No. 5 Aria “Vorrei dir, e cor non ho” (Don Alfonso)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto I. No. 5 Aria “Vorrei dir e cor non ho” (Don Alfonso) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:40
7Così fan tutte: Atto I. No. 6 Quintetto “Sento, oh Dio, che questo piede” (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Guglielmo]:
Erich Kunz (baritone) (from 1955-05-16 until 1955-05-21)
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
tenor vocals [Ferrando]:
Anton Dermota (tenor) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto I. No. 6 Quintetto “Sento, oh Dio, che questo piede” (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:56
8Così fan tutte: Atto I. No. 8 Coro “Bella vita militar!” (Coro, Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Guglielmo]:
Erich Kunz (baritone) (from 1955-05-16 until 1955-05-21)
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
choir vocals [Coro di marinai]:
Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-16 until 1955-05-21)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
tenor vocals [Ferrando]:
Anton Dermota (tenor) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto I. No. 8 Coro “Bella vita militar!” (Coro) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:37
9Così fan tutte: Atto I. Quintetto con Coro “Di scrivermi ogni giorno” (Dorabella, Don Alfonso, Fiordiligi)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Guglielmo]:
Erich Kunz (baritone) (from 1955-05-16 until 1955-05-21)
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
choir vocals [Coro di marinai]:
Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-16 until 1955-05-21)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
tenor vocals [Ferrando]:
Anton Dermota (tenor) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto I. No. 9 Quintetto e coro “Di scrivermi ogni giorno” (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso, coro) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:39
10Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:51
11Così fan tutte: Atto I. “Che vita maledetta”
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Despina]:
Emmy Loose (soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto I. Recitativo “Che vita maledetta” (Despina, Fiordiligi, Dorabella) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:00
12Così fan tutte: Atto I. “Ah, scostati! … Smanie implacabili”
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Despina]:
Emmy Loose (soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto I. No. 11 Aria “Smanie implacabili che m’agitate” (Dorabella) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “Ah, scostati!” (Dorabella) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:36
13Così fan tutte: Atto I. No. 12 Aria “In uomini, in soldati sperare” (Despina)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Despina]:
Emmy Loose (soprano) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto I. No. 12 Aria “In uomini, in soldati sperare” (Despina) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:41
14Così fan tutte: Atto I. “Che silenzio! Che aspetto di tristezza”
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
soprano vocals [Despina]:
Emmy Loose (soprano) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto I. Recitativo “Che silenzio: che aspetto di tristezza” (Don Alfonso, Despina) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:09
15Così fan tutte: Atto I. Sestetto “Alla bella Despinetta” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Guglielmo]:
Erich Kunz (baritone) (from 1955-05-16 until 1955-05-21)
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Despina]:
Emmy Loose (soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
tenor vocals [Ferrando]:
Anton Dermota (tenor) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto I. No. 13 Sestetto “Alla bella Despinetta” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart6:44
16Così fan tutte: Atto I. Recitativo “Temerari! Sortite fuori di questo loco!” (Fiordiligi)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto I. Recitativo “Temerari! Sortite fuori di questo loco!” (Fiordiligi) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart6:33
17Così fan tutte: Atto I. Appendix. No. 15 Aria “Non siate ritrosi” (Guglielmo)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Guglielmo]:
Erich Kunz (baritone) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto I. No. 15 Aria “Non siate ritrosi” (Guglielmo) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:27
18Così fan tutte: Atto I. No. 16 Terzetto “E voi ridete?” (Don Alfonso, Ferrando, Guglielmo)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Guglielmo]:
Erich Kunz (baritone) (from 1955-05-16 until 1955-05-21)
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
tenor vocals [Ferrando]:
Anton Dermota (tenor) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto I. No. 16 Terzetto “E voi ridete?” (Don Alfonso, Ferrando, Guglielmo) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:29
19Così fan tutte: Atto I. No. 17 Aria “Un’aura amorosa” (Ferrando)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
tenor vocals [Ferrando]:
Anton Dermota (tenor) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:54
20Così fan tutte: Atto I. No. 18 Finale I “Ah, che tutta in un momento” (Fiordiligi, Dorabella)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto I. No. 18 Finale “Ah, che tutta in un momento” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:16
21Così fan tutte: Atto I. Finale I “Si mora, sì, si mora” (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Guglielmo]:
Erich Kunz (baritone) (from 1955-05-16 until 1955-05-21)
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Despina]:
Emmy Loose (soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
tenor vocals [Ferrando]:
Anton Dermota (tenor) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto I. “Si mora sì, si mora” … “Ah che del sole il raggio” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart5:15
22Così fan tutte: Atto I. “Eccovi il medico” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Guglielmo]:
Erich Kunz (baritone) (from 1955-05-16 until 1955-05-21)
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Despina]:
Emmy Loose (soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
tenor vocals [Ferrando]:
Anton Dermota (tenor) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto I. “Eccovi il medico” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:14
2▼CD
#TitleArtistRatingLength
1Così fan tutte: Atto I. “Dove son? Che loco è questo”
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Guglielmo]:
Erich Kunz (baritone) (from 1955-05-16 until 1955-05-21)
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Despina]:
Emmy Loose (soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
tenor vocals [Ferrando]:
Anton Dermota (tenor) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto I. “Dove son! Che loco è questo!” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:31
2Così fan tutte: Atto I. “Dammi un bacio, oh mio tesoro” (Ferrando, Guglielmo, Fiordiligi, Dorabella, Despina, Alfonso)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Guglielmo]:
Erich Kunz (baritone) (from 1955-05-16 until 1955-05-21)
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Despina]:
Emmy Loose (soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
tenor vocals [Ferrando]:
Anton Dermota (tenor) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto I. “Dammi un bacio, o mio tesoro” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:07
3Così fan tutte: Atto II. “Trattar l’amore en bagatelle”
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Despina]:
Emmy Loose (soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
Wolfgang Amadeus Mozart1:35
4Così fan tutte: Atto II. No. 19 Aria “Una donna a quindici anni” (Despina)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Despina]:
Emmy Loose (soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto II. No. 19 Aria “Una donna a quindici anni” (Despina) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart4:39
5Così fan tutte: Atto II. No. 20 Duetto “Prenderò quel brunettino” (Fiordiligi, Dorabella)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto II. No. 20 Duetto “Prenderò quel brunettino” (Fiordiligi, Dorabella) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:55
6Così fan tutte: Atto II. Duetto con coro “Secondate, aurette amiche” (Ferrando, Guglielmo)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Guglielmo]:
Erich Kunz (baritone) (from 1955-05-16 until 1955-05-21)
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
choir vocals [Coro di servi]:
Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-16 until 1955-05-21)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Despina]:
Emmy Loose (soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
tenor vocals [Ferrando]:
Anton Dermota (tenor) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto II. No. 21 Duetto con coro “Secondate, aurette amiche” (Ferrando, Guglielmo, Chor) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart4:11
7Così fan tutte: Atto II. No. 22 Quartetto “La mano a me date” (Don Alfonso, Ferrando, Guglielmo, Despina)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Guglielmo]:
Erich Kunz (baritone) (from 1955-05-16 until 1955-05-21)
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Despina]:
Emmy Loose (soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
tenor vocals [Ferrando]:
Anton Dermota (tenor) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto II. No. 22 “La mano a me date” (Don Alfonso, Ferrando, Guglielmo, Despina) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart5:31
8Così fan tutte: Atto II. No. 23 Duetto “Il core vi dono, bell’idolo mio” (Dorabella, Guglielmo)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Guglielmo]:
Erich Kunz (baritone) (from 1955-05-16 until 1955-05-21)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto II. No. 23 Duetto “Il core vi dono, bell’idolo mio” (Dorabella, Guglielmo) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart4:15
9Così fan tutte: Atto II. Recitativo “Barbara, perché fuggi?” (Ferrando, Fiordiligi)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
tenor vocals [Ferrando]:
Anton Dermota (tenor) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto II. Recitativo “Barbara! Perché fuggi?” (Ferrando, Fiordiligi) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:25
10Così fan tutte: Atto II. “Ei parte … Per pietà, ben mio, perdona”
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto II. No. 25 Rondò “Per pietà, ben mio, perdona” (Fiordiligi) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart7:51
11Così fan tutte: Atto II. Recitativo “Amico, abbiamo vinto!” (Ferrando, Guglielmo)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Guglielmo]:
Erich Kunz (baritone) (from 1955-05-16 until 1955-05-21)
tenor vocals [Ferrando]:
Anton Dermota (tenor) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto II. Recitativo “Amico, abbiamo vinto!” (Ferrando, Guglielmo) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:56
12Così fan tutte: Atto II. No. 26 Aria “Donne mie, la fate a tanti” (Guglielmo)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Guglielmo]:
Erich Kunz (baritone) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto II. No. 26 Aria “Donne mie, la fate a tanti” (Guglielmo) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:34
13Così fan tutte: Atto II. “Ora vedo che siete”
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Despina]:
Emmy Loose (soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto II. Recitativo “Ora vedo che siete” (Despina, Dorabella, Fiordiligi) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:18
14Così fan tutte: Atto II. No. 29 Duetto “Fra gli amplessi in pochi istanti” (Fiordiligi, Ferrando)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Guglielmo]:
Erich Kunz (baritone) (from 1955-05-16 until 1955-05-21)
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
tenor vocals [Ferrando]:
Anton Dermota (tenor) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto II. No. 29 Duetto “Fra gli amplessi in pochi istanti” (Fiordiligi, Ferrando) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart7:14
15Così fan tutte: Atto II. No. 30 Aria “Tutti accusan le donne” (Don Alfonso, Guglielmo)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Guglielmo]:
Erich Kunz (baritone) (from 1955-05-16 until 1955-05-21)
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
tenor vocals [Ferrando]:
Anton Dermota (tenor) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto II. No. 30 Aria “Tutti accusan le donne” (Don Alfonso, Ferrando, Guglielmo) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart0:59
16Così fan tutte: Atto II. Finale “Fate presto, oh cari amici” (Despina, Coro, Don Alfonso)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
choir vocals [Coro di servi]:
Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-16 until 1955-05-21)
soprano vocals [Despina]:
Emmy Loose (soprano) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto II. No. 31 Finale “Fate presto, oh cari amici” (Despina, Coro, Don Alfonso) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:44
17Così fan tutte: Atto II. Coro “Benedetti i doppi conjugi” (Coro, Fiordiligi, Dorabella, Ferrando, Guglielmo)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Guglielmo]:
Erich Kunz (baritone) (from 1955-05-16 until 1955-05-21)
choir vocals [Coro di servi]:
Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-16 until 1955-05-21)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
tenor vocals [Ferrando]:
Anton Dermota (tenor) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto II. “Benedetti i doppi coniugi” (Coro, Fiordiligi, Dorabella, Ferrando, Guglielmo) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart4:07
18Così fan tutte: Atto II. “Miei Signori, tutto e fatto” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina)
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Guglielmo]:
Erich Kunz (baritone) (from 1955-05-16 until 1955-05-21)
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
choir vocals [Coro di marinai] and choir vocals [Coro di soldati]:
Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1955-05-16 until 1955-05-21)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Despina]:
Emmy Loose (soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
tenor vocals [Ferrando]:
Anton Dermota (tenor) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto II. “Miei signori, tutto è fatto” … “Bella vita militar!” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Coro) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:39
19Così fan tutte: Atto II. “Richiamati da regio contrordine”
recording engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Guglielmo]:
Erich Kunz (baritone) (from 1955-05-16 until 1955-05-21)
bass-baritone vocals [Don Alfonso]:
Paul Schöffler (bass-baritone) (from 1955-05-16 until 1955-05-21)
mezzo-soprano vocals [Dorabella]:
Christa Ludwig (mezzo-soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Despina]:
Emmy Loose (soprano) (from 1955-05-16 until 1955-05-21)
soprano vocals [Fiordiligi]:
Lisa della Casa (soprano) (from 1955-05-16 until 1955-05-21)
tenor vocals [Ferrando]:
Anton Dermota (tenor) (from 1955-05-16 until 1955-05-21)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-05-16 until 1955-05-21)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-16 until 1955-05-21)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (from 1955-05-16 until 1955-05-21)
recording of:
Così fan tutte: Atto II. “Sani e salvi agli amplessi” … “Richiamati da regio contrordine” … “No Signor, non è un notaio” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Coro) (from 1955-05-16 until 1955-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart8:09

Credits

Release

baritone vocals:Erich Kunz (baritone)
bass-baritone vocals:Paul Schöffler (bass-baritone)
choir vocals:Wiener Staatsopernchor (Wiener Staatsoper Choir)
soprano vocals:Lisa della Casa (soprano)
Emmy Loose (soprano)
Christa Ludwig (mezzo-soprano)
tenor vocals:Anton Dermota (tenor)
ASIN:DE: B000CQ7460 [info]