Die Bach Kantate: O Ewigkeit, du Donnerwort / Tue Rechnung! Donnerwort

~ Release by Johann Sebastian Bach; Bachensemble, Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

1▼12" Vinyl
#TitleArtistRatingLength
1Kantate, BWV 20 “O Ewigkeit, du Donnerwort”: Teil I, I. Chorale “O Ewigkeit, du Donnertwort”
choir vocals:
Frankfurter Kantorei (from 1970-06 until 1970-07)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, I. Chorale "O Ewigkeit, du Donnertwort" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach6:37
2Kantate, BWV 20 “O Ewigkeit, du Donnerwort”: Teil I, II. Recitativo (Tenore) “Kein Unglück ist in aller Welt zu finden”
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, II. Recitativo (Tenore) "Kein Unglück ist in aller Welt zu finden" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach1:02
3Kantate, BWV 20 “O Ewigkeit, du Donnerwort”: Teil I, III. Aria (Tenore) “Ewigkeit, du machst mir bange”
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, III. Aria (Tenore) "Ewigkeit, du machst mir bange" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach3:59
4Kantate, BWV 20 “O Ewigkeit, du Donnerwort”: Teil I, IV. Recitativo (Basso) “Gesetzt, es dau'rte der Verdammten Qual”
bass vocals:
Wolfgang Schöne (bass-baritone) (from 1970-06 until 1970-07)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, IV. Recitativo (Basso) "Gesetzt, es dau'rte der Verdammten Qual" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach1:39
5Kantate, BWV 20 “O Ewigkeit, du Donnerwort”: Teil I, V. Aria (Basso) “Gott ist gerecht in seinen Werken”
bass vocals:
Wolfgang Schöne (bass-baritone) (from 1970-06 until 1970-07)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, V. Aria (Basso) "Gott ist gerecht in seinen Werken" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach5:49
6Kantate, BWV 20 “O Ewigkeit, du Donnerwort”: Teil I, VI. Aria (Alto) “O Mensch, errette deine Seele”
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, VI. Aria (Alto) "O Mensch, errette deine Seele" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach3:20
7Kantate, BWV 20 “O Ewigkeit, du Donnerwort”: Teil I, VII. Chorale “Solang ein Gott im Himmel lebt”
choir vocals:
Frankfurter Kantorei (from 1970-06 until 1970-07)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, VII. Chorale "Solang ein Gott im Himmel lebt" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach1:22
8Kantate, BWV 20 “O Ewigkeit, du Donnerwort”: Teil II, VIII. Aria (Basso) “Wacht auf, wacht auf, verlorne Schafe”
bass vocals:
Wolfgang Schöne (bass-baritone) (from 1970-06 until 1970-07)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, VIII. Aria (Basso) "Wacht auf, wacht auf, verlorne Schafe" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach3:01
9Kantate, BWV 20 “O Ewigkeit, du Donnerwort”: Teil II, IX. Recitativo (Alto) “Verlaß, o Mensch, die Wollust dieser Welt”
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, IX. Recitativo (Alto) "Verlaß, o Mensch, die Wollust dieser Welt" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach1:32
10Kantate, BWV 20 “O Ewigkeit, du Donnerwort”: Teil II, X. Aria (Duetto: Alto, Tenore) “O Menschenkind, hör auf geschwind”
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, X. Aria (Duetto: Alto, Tenore) "O Menschenkind, hör auf geschwind" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach3:28
11Kantate, BWV 20 “O Ewigkeit, du Donnerwort”: Teil II, XI. Chorale “O Ewigkeit, du Donnerwort"
choir vocals:
Frankfurter Kantorei (from 1970-06 until 1970-07)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1970-06 until 1970-07)
conductor:
Helmuth Rilling (conductor) (from 1970-06 until 1970-07)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, XI. Chorale "O Ewigkeit, du Donnerwort" (from 1970-06 until 1970-07)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 276)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach1:30
12Kantate, BWV 168 “Tue Rechnung! Donnerwort”: I. Aria (Bass) “Tue Rechnung, Donnerwort”
bass vocals:
Siegmund Nimsgern (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": I. Aria (Bass) "Tue Rechnung, Donnerwort" (from 1970-06 until 1970-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach4:04
13Kantate, BWV 168 “Tue Rechnung! Donnerwort”: II. Recitativo (Tenor) “Es ist nur fremdes Gut”
tenor vocals:
Theo Altmeyer (German tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": II. Recitativo (Tenor) "Es ist nur fremdes Gut" (from 1970-06 until 1970-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach2:13
14Kantate, BWV 168 “Tue Rechnung! Donnerwort”: III. Aria (Tenor) “Kapital und Interessen”
tenor vocals:
Theo Altmeyer (German tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": III. Aria (Tenor) "Kapital und Interessen" (from 1970-06 until 1970-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach3:55
15Kantate, BWV 168 “Tue Rechnung! Donnerwort”: IV. Recitativo (Bass) “Jedoch, erschrocknes Herz”
bass vocals:
Siegmund Nimsgern (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": IV. Recitativo (Bass) "Jedoch, erschrocknes Herz" (from 1970-06 until 1970-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach2:03
16Kantate, BWV 168 “Tue Rechnung! Donnerwort”: V. Aria (Sopran, Alt) “Herz, zerreiß des Mammons Kette”
alto vocals:
Verena Gohl (Swiss contralto)
soprano vocals:
Nancy Burns (American soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": V. Aria (Sopran, Alt) "Herz, zerreiß des Mammons Kette" (from 1970-06 until 1970-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach2:56
17Kantate, BWV 168 “Tue Rechnung! Donnerwort”: VI. Choral “Stärk mich mit deinem Freudengeist”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": VI. Choral "Stärk mich mit deinem Freudengeist" (from 1970-06 until 1970-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Bartholomäus Ringwaldt (in 1588)
part of:
Breitkopf 389 Choralgesänge (number: 143)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach1:17