Antal Doráti Conducts Stravinsky, Prokofiev, Gershwin, Copland, R. Strauss, etc. (Minneapolis Symphony Orchestra, London Symphony Orchestra)

~ Release by Antal Doráti (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Petrouchka: I. The Shrovetide Fair
recorded in:
United States (in 1959-04)
orchestra:
Minnesota Orchestra (in 1959-04)
conductor:
Antal Doráti (conductor) (in 1959-04)
recording of:
Pétrouchka : Tableau I. Fête populaire de la semaine grasse (1946 revised version) (in 1959-04)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pétrouchka (1946 revised version)
revision of:
Pétrouchka : Tableau I. Fête populaire de la semaine grasse (1911 version)
Игорь Фёдорович Стравинский9:16
2Petrouchka: II. Petrouchka's Room
recorded in:
United States (in 1959-04)
orchestra:
Minnesota Orchestra (in 1959-04)
conductor:
Antal Doráti (conductor) (in 1959-04)
recording of:
Pétrouchka : Tableau II. Chez Pétrouchka (1946 revised version) (in 1959-04)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pétrouchka (1946 revised version)
revision of:
Pétrouchka : Tableau II. Chez Pétrouchka (1911 version)
Игорь Фёдорович Стравинский4:02
3Petrouchka: III. The Moor's Room
recorded in:
United States (in 1959-04)
orchestra:
Minnesota Orchestra (in 1959-04)
conductor:
Antal Doráti (conductor) (in 1959-04)
recording of:
Pétrouchka : Tableau III. Chez le Maure (1946 revised version) (in 1959-04)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pétrouchka (1946 revised version)
revision of:
Pétrouchka : Tableau III. Chez le Maure (1911 version)
Игорь Фёдорович Стравинский6:26
4Petrouchka: IV. The Shrovetide Fair (Toward Evening)
recorded in:
United States (in 1959-04)
orchestra:
Minnesota Orchestra (in 1959-04)
conductor:
Antal Doráti (conductor) (in 1959-04)
recording of:
Pétrouchka : Tableau IV. Fête populaire de la semaine grasse (vers le soir) (1946 revised version) (in 1959-04)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pétrouchka (1946 revised version)
revision of:
Pétrouchka : Tableau IV. Fête populaire de la semaine grasse (vers le soir) (1911 version)
Игорь Фёдорович Стравинский12:49
5Le Sacre du printemps: Part I. The Adoration of the Earth
recorded in:
United States (in 1959-11)
orchestra:
Minnesota Orchestra (in 1959-11)
conductor:
Antal Doráti (conductor) (in 1959-11)
compilation of:
Le Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction by Minneapolis Symphony Orchestra, Antal Doráti (conductor), Le Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes by Minneapolis Symphony Orchestra, Antal Doráti (conductor), Le Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt by Minneapolis Symphony Orchestra, Antal Doráti (conductor), Le Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières by Minneapolis Symphony Orchestra, Antal Doráti (conductor), Le Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales by Minneapolis Symphony Orchestra, Antal Doráti (conductor), Le Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage by Minneapolis Symphony Orchestra, Antal Doráti (conductor), Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage by Minneapolis Symphony Orchestra, Antal Doráti (conductor) and Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre by Minneapolis Symphony Orchestra, Antal Doráti (conductor)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth) (in 1959-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
part of:
Le Sacre du printemps
Игорь Фёдорович Стравинский14:04
6Le Sacre du printemps: Part II. The Sacrifice
recorded in:
United States (in 1959-11)
orchestra:
Minnesota Orchestra (in 1959-11)
conductor:
Antal Doráti (conductor) (in 1959-11)
compilation of:
Le Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction by Minneapolis Symphony Orchestra, Antal Doráti (conductor), Le Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes by Minneapolis Symphony Orchestra, Antal Doráti (conductor), Le Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue by Minneapolis Symphony Orchestra, Antal Doráti (conductor), Le Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres by Minneapolis Symphony Orchestra, Antal Doráti (conductor), Le Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres by Minneapolis Symphony Orchestra, Antal Doráti (conductor) and Le Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue by Minneapolis Symphony Orchestra, Antal Doráti (conductor)
recording of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice) (in 1959-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
part of:
Le Sacre du printemps
Игорь Фёдорович Стравинский15:53
7Four Études for Orchestra: I. Danse
engineer:
Robert Eberenz (on 1964-07-07)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (on 1964-07-07)
conductor:
Antal Doráti (conductor) (on 1964-07-07)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1964-07-07)
recording of:
Four Etudes For Orchestra: I. Danse (on 1964-07-07)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Quatre études pour orchestre
Игорь Фёдорович Стравинский0:52
8Four Études for Orchestra: II. Excentrique
engineer:
Robert Eberenz (on 1964-07-07)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (on 1964-07-07)
conductor:
Antal Doráti (conductor) (on 1964-07-07)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1964-07-07)
recording of:
Four Etudes For Orchestra: II. Excentrique (on 1964-07-07)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Quatre études pour orchestre
Игорь Фёдорович Стравинский2:03
9Four Études for Orchestra: III. Cantique
engineer:
Robert Eberenz (on 1964-07-07)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (on 1964-07-07)
conductor:
Antal Doráti (conductor) (on 1964-07-07)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1964-07-07)
recording of:
Four Etudes For Orchestra: III. Cantique (on 1964-07-07)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Quatre études pour orchestre
Игорь Фёдорович Стравинский3:45
10Four Études for Orchestra: IV. Madrid
engineer:
Robert Eberenz (on 1964-07-07)
producer:
Harold Lawrence
orchestra:
London Symphony Orchestra (on 1964-07-07)
conductor:
Antal Doráti (conductor) (on 1964-07-07)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1964-07-07)
recording of:
Four Etudes For Orchestra: IV. Madrid (on 1964-07-07)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Quatre études pour orchestre
Игорь Фёдорович Стравинский2:38
2▼CD
#TitleArtistRatingLength
1Scythian Suite, Op. 20: I. Invocation to Veles and Ala
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Скифская сюита, соч. 20: I. Поклонение Велесу и Але (Scythian Suite, op. 20: I. The Adoration of Veles and Ala) (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Сергей Сергеевич Прокофьев5:48
2Scythian Suite, Op. 20: II. The Evil God and Dance of the Pagan Monsters
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Скифская сюита, соч. 20: II. Чужбог и пляска нечисти (Scythian Suite, op. 20: II. The Enemy God and the Dance of the Spirits of Darkness) (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Сергей Сергеевич Прокофьев3:10
3Scythian Suite, Op. 20: III. Night
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Скифская сюита, соч. 20: III. Ночь (Scythian Suite, op. 20: III. Night) (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Сергей Сергеевич Прокофьев5:46
4Scythian Suite, Op. 20: IV. Lolli's Pursuit of the Evil God, and Sunrise
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Скифская сюита, соч. 20: IV. Поход Лоллия и шествие Солнца (Scythian Suite, op. 20: IV. The Glorious Departure of Lolly and Procession of the Sun) (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Сергей Сергеевич Прокофьев4:50
5Suite from "The Love For Three Oranges", Op. 33a: I. Les ridicules
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Suite from "Love for Three Oranges", op. 33A: I. Les ridicules (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Сергей Сергеевич Прокофьев3:05
6Suite from "The Love For Three Oranges", Op. 33a: II. Scène infernale
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Suite from "Love for Three Oranges", op. 33A: II. Scène infernale (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Сергей Сергеевич Прокофьев3:33
7Suite from "The Love For Three Oranges", Op. 33a: III. Marche
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Suite from “Love for Three Oranges”, op. 33A: III. Marche (original for orchestra) (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Сергей Сергеевич Прокофьев1:37
8Suite from "The Love For Three Oranges", Op. 33a: IV. Scherzo
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Suite from "Love for Three Oranges", op. 33A: IV. Scherzo (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Сергей Сергеевич Прокофьев1:36
9Suite from "The Love For Three Oranges", Op. 33a: V. Le Prince et la Princesse
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Suite from "Love for Three Oranges", op. 33A: V. Le prince et la princesse (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Сергей Сергеевич Прокофьев3:48
10Suite from "The Love For Three Oranges", Op. 33a: VI. La fuite
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Suite from "Love for Three Oranges", op. 33A: VI. La fuite (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Сергей Сергеевич Прокофьев2:17
11Symphony No. 5, Op. 100: I. Andante
recorded in:
United States (in 1959-11)
orchestra:
Minnesota Orchestra (in 1959-11)
conductor:
Antal Doráti (conductor) (in 1959-11)
recording of:
Symphony no. 5 in B-flat major, op. 100: I. Andante (in 1959-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1944)
part of:
Symphony no. 5 in B-flat major, op. 100
Сергей Сергеевич Прокофьев11:05
12Symphony No. 5, Op. 100: II. Allegro marcato
recorded in:
United States (in 1959-11)
orchestra:
Minnesota Orchestra (in 1959-11)
conductor:
Antal Doráti (conductor) (in 1959-11)
recording of:
Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato (in 1959-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1944)
part of:
Symphony no. 5 in B-flat major, op. 100
Сергей Сергеевич Прокофьев7:53
13Symphony No. 5, Op. 100: III. Adagio
recorded in:
United States (in 1959-11)
orchestra:
Minnesota Orchestra (in 1959-11)
conductor:
Antal Doráti (conductor) (in 1959-11)
recording of:
Symphony no. 5 in B-flat major, op. 100: III. Adagio (in 1959-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1944)
part of:
Symphony no. 5 in B-flat major, op. 100
Сергей Сергеевич Прокофьев10:11
14Symphony No. 5, Op. 100: IV. Allegro giocoso
recorded in:
United States (in 1959-11)
orchestra:
Minnesota Orchestra (in 1959-11)
conductor:
Antal Doráti (conductor) (in 1959-11)
recording of:
Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso (in 1959-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1944)
part of:
Symphony no. 5 in B-flat major, op. 100
Сергей Сергеевич Прокофьев10:09
3▼CD
#TitleArtistRatingLength
1An American in Paris
orchestra:
Minneapolis Symphony Orchestra (on 1957-12-20)
conductor:
Antal Doráti (conductor) (on 1957-12-20)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1957-12-20)
recording of:
An American in Paris (on 1957-12-20)
composer:
George Gershwin (composer) (in 1928)
publisher:
Chappell Music Ltd.
premiered at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1928-12-13)
included in:
An American in Paris (2015 Broadway musical)
George Gershwin16:18
2Rodeo: I. Buckaroo Holiday
orchestra:
Minneapolis Symphony Orchestra (on 1957-12-20)
conductor:
Antal Doráti (conductor) (on 1957-12-20)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1957-12-20)
recording of:
Rodeo: I. Buckaroo Holiday (on 1957-12-20)
composer:
Aaron Copland (composer) (in 1942)
part of:
Four Dance Episodes from Rodeo (version for orchestra)
Aaron Copland8:03
3Rodeo: II. Corral Nocturne
orchestra:
Minneapolis Symphony Orchestra (on 1957-12-20)
conductor:
Antal Doráti (conductor) (on 1957-12-20)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1957-12-20)
recording of:
Rodeo: II. Corral Nocturne (on 1957-12-20)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Four Dance Episodes from Rodeo (version for orchestra)
Aaron Copland3:26
4Rodeo: III. Saturday Night Waltz
orchestra:
Minneapolis Symphony Orchestra (on 1957-12-20)
conductor:
Antal Doráti (conductor) (on 1957-12-20)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1957-12-20)
recording of:
Rodeo: III. Saturday Night Waltz (on 1957-12-20)
composer:
Aaron Copland (composer) (in 1942)
part of:
Four Dance Episodes from Rodeo (version for orchestra)
Aaron Copland4:05
5Rodeo: IV. Hoedown
orchestra:
Minneapolis Symphony Orchestra (on 1957-12-20)
conductor:
Antal Doráti (conductor) (on 1957-12-20)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1957-12-20)
recording of:
Rodeo: IV. Hoedown (on 1957-12-20)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
is based on:
Bonaparte’s Retreat
part of:
Four Dance Episodes from Rodeo (version for orchestra)
Aaron Copland3:33
6Seven Studies on Themes of Paul Klee, No. 1: Antique Harmonies
orchestra:
Minneapolis Symphony Orchestra (from 1960-04-16 until 1960-04-17)
conductor:
Antal Doráti (conductor) (from 1960-04-16 until 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (from 1960-04-16 until 1960-04-17)
recording of:
Seven Studies on Themes of Paul Klee, No. 1: Antique Harmonies (from 1960-04-16 until 1960-04-17)
composer:
Gunther Schuller (US horn player, conductor, composer)
part of:
Seven Studies on Themes of Paul Klee
Gunther Schuller2:24
7Seven Studies on Themes of Paul Klee, No. 2: Abstract Trio
orchestra:
Minneapolis Symphony Orchestra (from 1960-04-16 until 1960-04-17)
conductor:
Antal Doráti (conductor) (from 1960-04-16 until 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (from 1960-04-16 until 1960-04-17)
recording of:
Seven Studies on Themes of Paul Klee, No. 2: Abstract Trio (from 1960-04-16 until 1960-04-17)
composer:
Gunther Schuller (US horn player, conductor, composer)
part of:
Seven Studies on Themes of Paul Klee
Gunther Schuller1:47
8Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil
orchestra:
Minneapolis Symphony Orchestra (from 1960-04-16 until 1960-04-17)
conductor:
Antal Doráti (conductor) (from 1960-04-16 until 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (from 1960-04-16 until 1960-04-17)
recording of:
Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil (from 1960-04-16 until 1960-04-17)
composer:
Gunther Schuller (US horn player, conductor, composer)
part of:
Seven Studies on Themes of Paul Klee
Gunther Schuller3:22
9Seven Studies on Themes of Paul Klee, No. 4: The Twittering-machine
orchestra:
Minneapolis Symphony Orchestra (from 1960-04-16 until 1960-04-17)
conductor:
Antal Doráti (conductor) (from 1960-04-16 until 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (from 1960-04-16 until 1960-04-17)
recording of:
Seven Studies on Themes of Paul Klee, No. 4: The Twittering-machine (from 1960-04-16 until 1960-04-17)
composer:
Gunther Schuller (US horn player, conductor, composer)
part of:
Seven Studies on Themes of Paul Klee
Gunther Schuller2:05
10Seven Studies on Themes of Paul Klee, No. 5: Arab Village
orchestra:
Minneapolis Symphony Orchestra (from 1960-04-16 until 1960-04-17)
conductor:
Antal Doráti (conductor) (from 1960-04-16 until 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (from 1960-04-16 until 1960-04-17)
recording of:
Seven Studies on Themes of Paul Klee, No. 5: Arab Village (from 1960-04-16 until 1960-04-17)
composer:
Gunther Schuller (US horn player, conductor, composer)
part of:
Seven Studies on Themes of Paul Klee
Gunther Schuller6:29
11Seven Studies on Themes of Paul Klee, No. 6: An Eerie Moment
orchestra:
Minneapolis Symphony Orchestra (from 1960-04-16 until 1960-04-17)
conductor:
Antal Doráti (conductor) (from 1960-04-16 until 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (from 1960-04-16 until 1960-04-17)
recording of:
Seven Studies on Themes of Paul Klee, No. 6: An Eerie Moment (from 1960-04-16 until 1960-04-17)
composer:
Gunther Schuller (US horn player, conductor, composer)
part of:
Seven Studies on Themes of Paul Klee
Gunther Schuller2:06
12Seven Studies on Themes of Paul Klee, No. 7: Pastorale
orchestra:
Minneapolis Symphony Orchestra (from 1960-04-16 until 1960-04-17)
conductor:
Antal Doráti (conductor) (from 1960-04-16 until 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (from 1960-04-16 until 1960-04-17)
recording of:
Seven Studies on Themes of Paul Klee, No. 7: Pastorale (from 1960-04-16 until 1960-04-17)
composer:
Gunther Schuller (US horn player, conductor, composer)
part of:
Seven Studies on Themes of Paul Klee
Gunther Schuller3:02
13Sinfonia Breve: I. Moderato
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-17)
conductor:
Antal Doráti (conductor) (on 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1960-04-17)
recording of:
Sinfonia Breve: I. Moderato (on 1960-04-17)
composer:
Ernest Bloch (Swiss-American composer)
Ernest Bloch5:20
14Sinfonia Breve: II. Andante
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-17)
conductor:
Antal Doráti (conductor) (on 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1960-04-17)
recording of:
Sinfonia Breve: II. Andante (on 1960-04-17)
composer:
Ernest Bloch (Swiss-American composer)
Ernest Bloch4:55
15Sinfonia Breve: III. Allegro molto
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-17)
conductor:
Antal Doráti (conductor) (on 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1960-04-17)
recording of:
Sinfonia Breve: III. Allegro molto (on 1960-04-17)
composer:
Ernest Bloch (Swiss-American composer)
Ernest Bloch4:03
16Sinfonia Breve: IV. Allegro deciso
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-17)
conductor:
Antal Doráti (conductor) (on 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1960-04-17)
recording of:
Sinfonia Breve: IV. Allegro deciso (on 1960-04-17)
composer:
Ernest Bloch (Swiss-American composer)
Ernest Bloch4:30
4▼CD
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1Don Juan, Op. 20
orchestra:
Minneapolis Symphony Orchestra
conductor:
Antal Doráti (conductor)
recording of:
Don Juan (op. 20; TrV 156)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1889-11-11)
composer:
Richard Strauss (German composer) (in 1888)
part of:
Works of Richard Strauss by opus number (number: op. 20) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 156)
Richard Strauss16:28
2Tod und Verklärung, Op. 24
orchestra:
Minneapolis Symphony Orchestra (in 1958)
conductor:
Antal Doráti (conductor) (in 1958)
recording of:
Tod und Verklärung, op. 24 (TrV 158) (in 1958)
composer:
Richard Strauss (German composer) (from 1888 until 1889-11-18)
dedicated to:
Friedrich Rösch
premiered at:
[Convention of the General German Music Association] (1890-06-21)
publisher:
Joseph Aibl (in 1891)
premiered at:
Thüringer Landestheater Eisenach in Eisenach, Thüringen (Thuringia), Germany (on 1890-06-21)
part of:
Works of Richard Strauss by opus number (number: op. 24) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 158)
Richard Strauss21:57
3Till Eulenspiegels Lustige Streiche, Op. 28
orchestra:
Minneapolis Symphony Orchestra
conductor:
Antal Doráti (conductor)
recording of:
Till Eulenspiegels lustige Streiche (Till Eulenspiegel’s Merry Pranks, op. 28; TrV 171)
composer:
Richard Strauss (German composer) (from 1894 until 1895)
part of:
Works of Richard Strauss by opus number (number: op. 28) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 171)
Richard Strauss14:16
4Suite from "Der Rosenkavalier"
orchestra:
Minneapolis Symphony Orchestra
conductor:
Antal Doráti (conductor)
recording of:
Der Rosenkavalier (Suite), TrV 227d, AV 145
composer:
Richard Strauss (German composer)
arranger:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1945)
is based on:
Der Rosenkavalier (The Rose-knight, op. 59, op 59; TrV 227)
Richard Strauss23:14
5▼CD
#TitleArtistRatingLength
1Iberia Suite: I. Evocación
orchestra:
Minneapolis Symphony Orchestra (on 1957-04-21)
conductor:
Antal Doráti (conductor) (on 1957-04-21)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1957-04-21)
recording of:
Iberia, B. 47: Book I: I. Evocación (catch-all for arrangements) (on 1957-04-21)
composer:
Isaac Albéniz (Spanish composer) (in 1906)
arrangement of:
Iberia, B. 47: Book I: I. Evocación
part of:
Iberia, B. 47 (catch-all for arrangements)
Isaac Albéniz3:58
2Iberia Suite: II. El corpos en Sevilla
orchestra:
Minneapolis Symphony Orchestra (on 1957-04-21)
conductor:
Antal Doráti (conductor) (on 1957-04-21)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1957-04-21)
recording of:
Iberia, B. 47: Book I: III. El Corpus en Sevilla (catch-all for arrangements) (on 1957-04-21)
composer:
Isaac Albéniz (Spanish composer) (in 1906)
arrangement of:
Iberia, B. 47: Book I: III. El Corpus en Sevilla
part of:
Iberia, B. 47 (catch-all for arrangements)
Isaac Albéniz7:11
3Iberia Suite: III. Triana
orchestra:
Minneapolis Symphony Orchestra (on 1957-04-21)
conductor:
Antal Doráti (conductor) (on 1957-04-21)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1957-04-21)
recording of:
Iberia, B. 47: Book II: III. Triana (catch-all for arrangements) (on 1957-04-21)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Iberia, B. 47: Book II: III. Triana
part of:
Iberia, B. 47 (catch-all for arrangements)
Isaac Albéniz4:05
4Iberia Suite: IV. El puerto
orchestra:
Minneapolis Symphony Orchestra (on 1957-04-21)
conductor:
Antal Doráti (conductor) (on 1957-04-21)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1957-04-21)
recording of:
Iberia, B. 47: Book I: II. El puerto (catch-all for arrangements) (on 1957-04-21)
composer:
Isaac Albéniz (Spanish composer) (in 1906)
arrangement of:
Iberia, B. 47: Book I: II. El puerto
part of:
Iberia, B. 47 (catch-all for arrangements)
Isaac Albéniz4:12
5Iberia Suite: V. El Albaicin
orchestra:
Minneapolis Symphony Orchestra (on 1957-04-21)
conductor:
Antal Doráti (conductor) (on 1957-04-21)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1957-04-21)
recording of:
Iberia, B. 47: Book III: I. El Albaicín (catch-all for arrangements) (on 1957-04-21)
composer:
Isaac Albéniz (Spanish composer) (in 1907)
arrangement of:
Iberia, B. 47: Book III: I. El Albaicín
part of:
Iberia, B. 47 (catch-all for arrangements)
Isaac Albéniz6:43
6Interlude and Dance No. 1 from "La Vida Breve"
orchestra:
Minneapolis Symphony Orchestra (on 1957-04-21)
conductor:
Antal Doráti (conductor) (on 1957-04-21)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1957-04-21)
recording of:
Interludio y danza de "La vida breve" (concert piece)
composer:
Manuel de Falla (Spanish composer)
arrangement of:
La vida breve: Acto II. Danza española
arrangement of:
La vida breve: Acto II. Interludio orquestal
Manuel de Falla6:50
7Two Excerpts from "Khovanshchina": I. Prelude
orchestra:
Minneapolis Symphony Orchestra (on 1959-04-21)
conductor:
Antal Doráti (conductor) (on 1959-04-21)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1959-04-21)
recording of:
Khovanshchina: Prelude: Dawn Over the River Moscow (orchestrated by Rimsky-Korsakov) (on 1959-04-21)
orchestrator:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1882)
composer:
Modest Mussorgsky (composer) (in 1880)
librettist:
Modest Mussorgsky (composer)
orchestration of:
Khovanshchina: Act 1 Prelude "Dawn on the Moscow River"
Модест Петрович Мусоргский4:50
8Two Excerpts from "Khovanshchina": II. Dance of the Persian Slaves
orchestra:
Minneapolis Symphony Orchestra (on 1959-04-21)
conductor:
Antal Doráti (conductor) (on 1959-04-21)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1959-04-21)
recording of:
Khovanshchina: Act IV, Scene I. Dance of the Persian Slave Girls (orchestrated by Rimsky-Korsakov)
orchestrator:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
orchestration of:
Khovanshchina: Act IV, Scene I. Dance of the Persian Slave Girls
Модест Петрович Мусоргский6:36
9Excerpt from "The Bartered Bride": I. Overture
orchestra:
Minneapolis Symphony Orchestra (on 1958-04-06)
conductor:
Antal Doráti (conductor) (on 1958-04-06)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1958-04-06)
recording of:
Prodaná nevěsta: Overture (The Bartered Bride: Overture) (on 1958-04-06)
composer:
Bedřich Smetana (composer)
part of:
Die verkaufte Braut (The Bartered Bride)
part of:
Prodaná nevěsta (The Bartered Bride)
Bedřich Smetana6:55
10Excerpt from "The Bartered Bride": II. Polka
orchestra:
Minneapolis Symphony Orchestra (on 1958-04-06)
conductor:
Antal Doráti (conductor) (on 1958-04-06)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1958-04-06)
recording of:
Die verkaufte Braut: I. Polka (The Bartered Bride: I. Polka) (on 1958-04-06)
composer:
Bedřich Smetana (composer) (from 1863 until 1870)
part of:
Three Dances from "The Bartered Bride"
Bedřich Smetana5:06
11Excerpt from "The Bartered Bride": III. Furiant
orchestra:
Minneapolis Symphony Orchestra (on 1958-04-06)
conductor:
Antal Doráti (conductor) (on 1958-04-06)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1958-04-06)
recording of:
Die verkaufte Braut: II. Furiant (The Bartered Bride: II. Furiant) (on 1958-04-06)
composer:
Bedřich Smetana (composer) (from 1863 until 1870)
part of:
Three Dances from "The Bartered Bride"
Bedřich Smetana1:58
12Excerpt from "The Bartered Bride": IV. Dance of the Comedians
orchestra:
Minneapolis Symphony Orchestra (on 1958-04-06)
conductor:
Antal Doráti (conductor) (on 1958-04-06)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1958-04-06)
recording of:
Die verkaufte Braut: III. Komödiantenszene (The Bartered Bride: III. Dance of the Comedians) (on 1958-04-06)
composer:
Bedřich Smetana (composer) (from 1863 until 1870)
part of:
Three Dances from "The Bartered Bride"
Bedřich Smetana4:41

Credits

Release group

includes:Gershwin, Copland, Schuller, Bloch by Gershwin (composer), Copland (composer), Schuller (US horn player, conductor, composer), Bloch (Swiss-American composer); Minneapolis Symphony Orchestra, Antal Doráti (conductor)
Love for Three Oranges Suite / Scythian Suite by Prokofiev (Sergei Prokofiev, Russian composer); Antal Dorati (conductor), London Symphony Orchestra
Petrouchka (Complete) / Le sacre du printemps / Four Etudes for Orchestra by Igor Stravinsky (Russian composer); Minneapolis Symphony Orchestra, Antal Doráti (conductor)