Great Jazz Selection

~ Release by Wynton Kelly, Bill Evans Trio, Wes Montgomery, Bud Powell, Lee Morgan, The Oscar Peterson Trio (see all versions of this release, 1 available)

Tracklist

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1▼Hybrid SACD: Wynton Kelly: Kelly Blue
#TitleArtistRatingLength
1Kelly Blue
engineer:
Jack Higgins (recording engineer) (in 1959)
producer:
Orrin Keepnews
cornet:
Nat Adderley (on 1959-02-10)
double bass:
Paul Chambers (US jazz bassist) (on 1959-02-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-10)
flute:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (on 1959-02-10)
piano:
Wynton Kelly (on 1959-02-10)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1959-02-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-02-10)
instrumental recording of:
Kelly Blue
composer:
Wynton Kelly
publisher:
Orpheum Music
Wynton Kelly10:53
2Softly, As In A Morning Sunrise
engineer:
Jack Higgins (recording engineer) (in 1959)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-10)
piano:
Wynton Kelly (on 1959-03-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-03-10)
instrumental recording of:
Softly, as in a Morning Sunrise (The New Moon) (on 1959-03-10)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
Wynton Kelly6:35
3On Green Dolphin Street
engineer:
Jack Higgins (recording engineer) (in 1959)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-10)
piano:
Wynton Kelly (on 1959-03-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-03-10)
instrumental recording of:
On Green Dolphin Street (on 1959-03-10)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
Wynton Kelly4:46
4Willow Weep For Me
engineer:
Jack Higgins (recording engineer) (in 1959)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-10)
piano:
Wynton Kelly (on 1959-03-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-03-10)
instrumental recording of:
Willow Weep for Me (on 1959-03-10)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Wynton Kelly6:10
5Keep It Moving
engineer:
Jack Higgins (recording engineer) (on 1959-02-10)
producer:
Orrin Keepnews
cornet:
Nat Adderley (on 1959-02-10)
double bass:
Paul Chambers (US jazz bassist) (on 1959-02-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-10)
flute:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (on 1959-02-10)
piano:
Wynton Kelly (on 1959-02-10)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1959-02-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-02-10)
recording of:
Keep It Moving (on 1959-02-10)
composer:
Wynton Kelly
publisher:
Orpheum Music
Wynton Kelly7:36
6Old Clothes
engineer:
Jack Higgins (recording engineer) (in 1959)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-10)
piano:
Wynton Kelly (on 1959-03-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-03-10)
instrumental recording of:
Old Clothes
composer:
Wynton Kelly
publisher:
Orpheum Music
Wynton Kelly7:43
2▼Hybrid SACD: Bill Evans Trio: Waltz For Debby
#TitleArtistRatingLength
1My Foolish Heart
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1961-06-25)
live instrumental recording of:
My Foolish Heart (on 1961-06-25)
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
part of:
The 22nd Academy Award for Best Original Song (number: 2)
Bill Evans Trio4:57
2Waltz For Debby
bass:
Scott LaFaro (on 1961-06-25)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1961-06-25)
piano:
Bill Evans (pianist) (on 1961-06-25)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1961-06-25)
live recording of:
Waltz for Debby (instrumental) (on 1961-06-25)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Bill Evans Trio6:56
3Detour Ahead
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1961-06-25)
live recording of:
Detour Ahead (on 1961-06-25)
composer:
Lou Carter (in 1947), Herb Ellis (jazz guitarist) (in 1947) and Johnny Frigo (US jazz musician) (in 1947)
publisher:
Woodrow Music
Bill Evans Trio7:36
4My Romance
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1961-06-25)
live instrumental recording of:
My Romance (on 1961-06-25)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Chappell & Co., Inc. (USA), Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Jumbo
Bill Evans Trio7:12
5Some Other Time
bass:
Scott LaFaro (on 1961-06-25)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1961-06-25)
piano:
Bill Evans (pianist) (on 1961-06-25)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1961-06-25)
live instrumental recording of:
On the Town: Some Other Time (on 1961-06-25)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
live instrumental cover recording of:
Some Other Time (on 1961-06-25)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Music Publishing Company of America, Quaytor Productions LLC, Universal PolyGram International (SESAC), Warner Bros. (holding: file NO releases) and WC Music Corp.
Bill Evans Trio4:59
6Milestones
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1961-06-25)
live recording of:
Milestones (originally titled “Miles”) (on 1961-06-25)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Champs Élysées Nouv Société, EMI (EMI Records, or EMI Music only if there is no other imprint), Jazz Horn Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Bill Evans Trio6:32
3▼Hybrid SACD: Wes Montgomery: Full House
#TitleArtistRatingLength
1Full House
double bass:
Paul Chambers (US jazz bassist) (on 1962-06-25)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1962-06-25)
guitar:
Wes Montgomery (on 1962-06-25)
piano:
Wynton Kelly (on 1962-06-25)
tenor saxophone:
Johnny Griffin (on 1962-06-25)
recorded at:
Tsubo in Berkeley, California, United States (on 1962-06-25)
recording of:
Full House (on 1962-06-25)
composer:
Wes Montgomery
publisher:
Taggie Music Co. (publisher)
Wes Montgomery9:20
2I've Grown Accustomed To Her Face
double bass:
Paul Chambers (US jazz bassist) (on 1962-06-25)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1962-06-25)
guitar:
Wes Montgomery (on 1962-06-25)
recorded at:
Tsubo in Berkeley, California, United States (on 1962-06-25)
instrumental recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady) (on 1962-06-25)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
Wes Montgomery3:34
3Blue 'N' Boogie
bass:
Paul Chambers (US jazz bassist) (on 1962-06-25)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1962-06-25)
guitar:
Wes Montgomery (on 1962-06-25)
piano:
Wynton Kelly (on 1962-06-25)
tenor saxophone:
Johnny Griffin (on 1962-06-25)
recorded at:
Tsubo in Berkeley, California, United States (on 1962-06-25)
recording of:
Blue ’n’ Boogie (on 1962-06-25)
composer:
Dizzy Gillespie and Frank Paparelli
Wes Montgomery9:44
4Cariba
double bass:
Paul Chambers (US jazz bassist) (on 1962-06-25)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1962-06-25)
guitar:
Wes Montgomery (on 1962-06-25)
piano:
Wynton Kelly (on 1962-06-25)
tenor saxophone:
Johnny Griffin (on 1962-06-25)
recorded at:
Tsubo in Berkeley, California, United States (on 1962-06-25)
recording of:
Cariba (on 1962-06-25)
composer:
Wes Montgomery
Wes Montgomery9:45
5Come Rain Or Come Shine
double bass:
Paul Chambers (US jazz bassist) (on 1962-06-25)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1962-06-25)
guitar:
Wes Montgomery (on 1962-06-25)
piano:
Wynton Kelly (on 1962-06-25)
tenor saxophone:
Johnny Griffin (on 1962-06-25)
recorded at:
Tsubo in Berkeley, California, United States (on 1962-06-25)
instrumental recording of:
Come Rain or Come Shine (on 1962-06-25)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
Wes Montgomery7:01
6S.O.S.
double bass:
Paul Chambers (US jazz bassist) (on 1962-06-25)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1962-06-25)
guitar:
Wes Montgomery (on 1962-06-25)
piano:
Wynton Kelly (on 1962-06-25)
tenor saxophone:
Johnny Griffin (on 1962-06-25)
recorded at:
Tsubo in Berkeley, California, United States (on 1962-06-25)
recording of:
S.O.S. (Wes Montgomery 1962)
composer:
Wes Montgomery
Wes Montgomery5:05
4▼Hybrid SACD: The Amazing Bud Powell: The Scene Changes
#TitleArtistRatingLength
1Cleopatra's Dream
double bass:
Paul Chambers (US jazz bassist) (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-12-28)
recording of:
Cleopatra’s Dream (on 1958-12-28)
composer:
Bud Powell
Bud Powell4:27
2Duid Deed
double bass:
Paul Chambers (US jazz bassist) (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-12-28)
recording of:
Duid Deed (on 1958-12-28)
composer:
Bud Powell
Bud Powell5:10
3Down With It
double bass:
Paul Chambers (US jazz bassist) (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-12-28)
recording of:
Down With It (on 1958-12-28)
composer:
Bud Powell
Bud Powell4:02
4Danceland
double bass:
Paul Chambers (US jazz bassist) (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-12-28)
recording of:
Danceland (on 1958-12-28)
composer:
Bud Powell
Bud Powell3:45
5Borderick
double bass:
Paul Chambers (US jazz bassist) (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-12-28)
recording of:
Borderick (on 1958-12-28)
composer:
Bud Powell
Bud Powell2:02
6Crossin' The Channel
double bass:
Paul Chambers (US jazz bassist) (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-12-28)
recording of:
Crossin' the Channel (on 1958-12-28)
composer:
Bud Powell
Bud Powell3:32
7Comin' Up
double bass:
Paul Chambers (US jazz bassist) (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-12-28)
recording of:
Comin' Up (on 1958-12-28)
composer:
Bud Powell
Bud Powell7:58
8Gettin' There
double bass:
Paul Chambers (US jazz bassist) (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-12-28)
recording of:
Gettin' There (on 1958-12-28)
composer:
Bud Powell
Bud Powell5:05
9The Scene Changes
double bass:
Paul Chambers (US jazz bassist) (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-12-28)
recording of:
The Scene Changes (on 1958-12-28)
composer:
Bud Powell
Bud Powell4:04
5▼Hybrid SACD: Lee Morgan: The Sidewinder
#TitleArtistRatingLength
1The Sidewinder
recording engineer:
Rudy van Gelder (on 1963-12-21)
producer:
Alfred Lion
double bass:
Bob Cranshaw (on 1963-12-21)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1963-12-21)
piano:
Barry Harris (Jazz pianist) (on 1963-12-21)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1963-12-21)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1963-12-21)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-12-21)
recording of:
The Sidewinder (on 1963-12-21)
composer:
Lee Morgan (jazz trumpeter / composer)
publisher:
Windswept Pacific Music Ltd.
Lee Morgan10:30
2Totem Pole
recording engineer:
Rudy van Gelder (on 1963-12-21)
producer:
Alfred Lion
double bass:
Bob Cranshaw (on 1963-12-21)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1963-12-21)
piano:
Barry Harris (Jazz pianist) (on 1963-12-21)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1963-12-21)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1963-12-21)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-12-21)
recording of:
Totem Pole (on 1963-12-21)
composer:
Lee Morgan (jazz trumpeter / composer)
Lee Morgan10:15
3Gary's Notebook
recording engineer:
Rudy van Gelder (on 1963-12-21)
producer:
Alfred Lion
double bass:
Bob Cranshaw (on 1963-12-21)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1963-12-21)
piano:
Barry Harris (Jazz pianist) (on 1963-12-21)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1963-12-21)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1963-12-21)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-12-21)
recording of:
Gary’s Notebook (on 1963-12-21)
composer:
Lee Morgan (jazz trumpeter / composer)
Lee Morgan6:08
4Boy, What A Night
recording engineer:
Rudy van Gelder (on 1963-12-21)
producer:
Alfred Lion
double bass:
Bob Cranshaw (on 1963-12-21)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1963-12-21)
piano:
Barry Harris (Jazz pianist) (on 1963-12-21)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1963-12-21)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1963-12-21)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-12-21)
recording of:
Boy, What a Night (on 1963-12-21)
composer:
Lee Morgan (jazz trumpeter / composer)
Lee Morgan7:37
5Hocus-pocus
recording engineer:
Rudy van Gelder (on 1963-12-21)
producer:
Alfred Lion
double bass:
Bob Cranshaw (on 1963-12-21)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1963-12-21)
piano:
Barry Harris (Jazz pianist) (on 1963-12-21)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1963-12-21)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1963-12-21)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-12-21)
recording of:
Hocus‐Pocus (on 1963-12-21)
composer:
Lee Morgan (jazz trumpeter / composer)
publisher:
Conrad Music (publisher; do NOT use as release label) and EMI Longitude Music
Lee Morgan6:27
6▼Hybrid SACD: The Oscar Peterson Trio: We Get Requests
#TitleArtistRatingLength
1Quiet Nights Of Quiet Stars (Corcovado)
recording engineer:
Bob Simpson (US jazz engineer/producer)
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
double bass:
Ray Brown (jazz bassist) (on 1964-10-19)
drums (drum set):
Ed Thigpen (on 1964-10-19)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-10-19)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1964-10-19 until 1964-10-20)
instrumental cover recording of:
Quiet Nights of Quiet Stars (lyric version #2, with "Corcovado" included in the lyric) (on 1964-10-19)
lyricist:
Gene Lees
composer:
Antônio Carlos Jobim
publisher:
Duchess Music Corporation (BMI-affiliated)
translated version of:
Corcovado (original Portuguese version)
recording of:
Quiet Nights of Quiet Stars (lyric version #2, with "Corcovado" included in the lyric)
lyricist:
Gene Lees
composer:
Antônio Carlos Jobim
publisher:
Duchess Music Corporation (BMI-affiliated)
translated version of:
Corcovado (original Portuguese version)
The Oscar Peterson Trio2:56
2The Days Of Wine And Roses
recording engineer:
Bob Simpson (US jazz engineer/producer)
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
double bass:
Ray Brown (jazz bassist) (on 1964-10-20)
drums (drum set):
Ed Thigpen (on 1964-10-20)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-10-20)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1964-10-19 until 1964-10-20)
instrumental cover recording of:
Days of Wine and Roses (on 1964-10-20)
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
part of:
The 35th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1964 winner) and Academy Award for Best Original Song (number: 1962 winner)
The Oscar Peterson Trio2:43
3My One And Only Love
recording engineer:
Bob Simpson (US jazz engineer/producer)
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
double bass:
Ray Brown (jazz bassist) (on 1964-10-20)
drums (drum set):
Ed Thigpen (on 1964-10-20)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-10-20)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1964-10-19 until 1964-10-20)
instrumental cover recording of:
My One and Only Love (on 1964-10-20)
lyricist:
Robert Mellin
composer:
Robert Mellin and Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. and ミュージカル・ライツ・東京 (Musical Lights Tokyo)
version of:
Music from Beyond the Moon (My One and Only Love)
The Oscar Peterson Trio5:11
4People
recording engineer:
Bob Simpson (US jazz engineer/producer)
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
double bass:
Ray Brown (jazz bassist) (on 1964-10-20)
drums (drum set):
Ed Thigpen (on 1964-10-20)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-10-20)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1964-10-19 until 1964-10-20)
instrumental cover recording of:
People (Funny Girl) (on 1964-10-20)
lyricist:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1963)
composer:
Jule Styne (in 1963)
publisher:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Funny Girl (Broadway musical)
The Oscar Peterson Trio3:33
5Have You Met Miss Jones?
recording engineer:
Bob Simpson (US jazz engineer/producer)
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
double bass:
Ray Brown (jazz bassist) (on 1964-10-19)
drums (drum set):
Ed Thigpen (on 1964-10-19)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-10-19)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1964-10-19 until 1964-10-20)
instrumental cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1964-10-19)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
The Oscar Peterson Trio4:14
6You Look Good To Me
recording engineer:
Bob Simpson (US jazz engineer/producer)
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
double bass:
Ray Brown (jazz bassist) (on 1964-10-20)
drums (drum set):
Ed Thigpen (on 1964-10-20)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-10-20)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1964-10-19 until 1964-10-20)
cover recording of:
You Look Good to Me (on 1964-10-20)
composer:
Clement A Wells, Jr and Seymour Lefco
The Oscar Peterson Trio4:52
7The Girl From Ipanema
recording engineer:
Bob Simpson (US jazz engineer/producer)
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
double bass:
Ray Brown (jazz bassist) (on 1964-10-19)
drums (drum set):
Ed Thigpen (on 1964-10-19)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-10-19)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1964-10-19 until 1964-10-20)
instrumental cover recording of:
The Girl From Ipanema (on 1964-10-19)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
The Oscar Peterson Trio3:55
8D. & E.
recording engineer:
Bob Simpson (US jazz engineer/producer)
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
double bass:
Ray Brown (jazz bassist) (on 1964-10-20)
drums (drum set):
Ed Thigpen (on 1964-10-20)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-10-20)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1964-10-19 until 1964-10-20)
cover recording of:
D & E Blues (on 1964-10-20)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
The Oscar Peterson Trio5:14
9Time And Again
recording engineer:
Bob Simpson (US jazz engineer/producer)
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
double bass:
Ray Brown (jazz bassist) (on 1964-10-20)
drums (drum set):
Ed Thigpen (on 1964-10-20)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1964-10-20)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1964-10-19 until 1964-10-20)
instrumental cover recording of:
Time and Again (on 1964-10-20)
lyricist and composer:
Noël Coward
recording of:
Time and Again
lyricist and composer:
Noël Coward
The Oscar Peterson Trio4:40
10Goodbye J.D.
recording engineer:
Bob Simpson (US jazz engineer/producer)
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
double bass:
Ray Brown (jazz bassist) (from 1964-10-19 until 1964-10-20)
drums (drum set):
Ed Thigpen (from 1964-10-19 until 1964-10-20)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1964-10-19 until 1964-10-20)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1964-10-19 until 1964-10-20)
recording of:
Goodbye, J.D. (from 1964-10-19 until 1964-10-20)
composer:
Oscar Peterson (Canadian jazz pianist and composer)
The Oscar Peterson Trio3:00