Drummer Man

~ Release by Gene Krupa featuring Anita O'Day - Roy Eldridge (see all versions of this release, 4 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Let Me Off Uptown
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1956-02-15) and Hal McKusick (on 1956-02-15)
baritone saxophone:
Danny Bank (reeds) (on 1956-02-15)
bass:
John Drew (bass, jazz) (on 1956-02-15)
drums (drum set):
Gene Krupa (on 1956-02-15)
guitar:
Barry Galbraith (on 1956-02-15)
piano:
Dave McKenna (on 1956-02-15)
reeds:
Aaron Sachs (on 1956-02-15)
tenor saxophone:
Aaron Sachs (on 1956-02-15) and Eddie Shu (on 1956-02-15)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1956-02-15), J.J. Johnson (jazz/bop trombonist/session leader) (on 1956-02-15), Fred Ohms (American jazz trombonist) (on 1956-02-15) and Kai Winding (on 1956-02-15)
trumpet:
Roy Eldridge (on 1956-02-15), Joe Ferrante (on 1956-02-15), Bernie Glow (on 1956-02-15) and Nick Travis (on 1956-02-15)
vocals:
Roy Eldridge (on 1956-02-15) and Anita O’Day (on 1956-02-15)
arranger:
Quincy Jones
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
Let Me Off Uptown (on 1956-02-15)
lyricist:
Redd Evans
composer:
Earl Bostic (saxophonist)
?:??
A2Rockin' Chair
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1956-02-15) and Hal McKusick (on 1956-02-15)
baritone saxophone:
Danny Bank (reeds) (on 1956-02-15)
bass:
John Drew (bass, jazz) (on 1956-02-15)
drums (drum set):
Gene Krupa (on 1956-02-15)
guitar:
Barry Galbraith (on 1956-02-15)
piano:
Dave McKenna (on 1956-02-15)
reeds:
Aaron Sachs (on 1956-02-15)
tenor saxophone:
Eddie Shu (on 1956-02-15)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1956-02-15), J.J. Johnson (jazz/bop trombonist/session leader) (on 1956-02-15), Fred Ohms (American jazz trombonist) (on 1956-02-15) and Kai Winding (on 1956-02-15)
trumpet:
Roy Eldridge (on 1956-02-15), Joe Ferrante (on 1956-02-15), Bernie Glow (on 1956-02-15) and Nick Travis (on 1956-02-15)
arranger:
Quincy Jones
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song) (on 1956-02-15)
lyricist:
Hoagy Carmichael
composer:
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
?:??
A3Opus 1
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1956-02-15) and Hal McKusick (on 1956-02-15)
baritone saxophone:
Danny Bank (reeds) (on 1956-02-15)
bass:
John Drew (bass, jazz) (on 1956-02-15)
drums (drum set):
Gene Krupa (on 1956-02-15)
guitar:
Barry Galbraith (on 1956-02-15)
piano:
Dave McKenna (on 1956-02-15)
reeds:
Aaron Sachs (on 1956-02-15)
tenor saxophone:
Eddie Shu (on 1956-02-15)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1956-02-15), J.J. Johnson (jazz/bop trombonist/session leader) (on 1956-02-15), Fred Ohms (American jazz trombonist) (on 1956-02-15) and Kai Winding (on 1956-02-15)
trumpet:
Roy Eldridge (on 1956-02-15), Joe Ferrante (on 1956-02-15), Bernie Glow (on 1956-02-15) and Nick Travis (on 1956-02-15)
vocals:
Anita O’Day (on 1956-02-15)
arranger:
Quincy Jones
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
Opus One (1943 song) (on 1956-02-15)
lyricist:
Sidney Reginald Garris
composer:
Sy Oliver
publisher:
Embassy Music Corp. (on 1943-06-23)
part of:
New York, New York (1977 musical film soundtrack)
?:??
A4Fish Fry
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1956-02-15) and Hal McKusick (on 1956-02-15)
baritone saxophone:
Danny Bank (reeds) (on 1956-02-15)
bass:
John Drew (bass, jazz) (on 1956-02-15)
drums (drum set):
Gene Krupa (on 1956-02-15)
guitar:
Barry Galbraith (on 1956-02-15)
piano:
Dave McKenna (on 1956-02-15)
reeds:
Aaron Sachs (on 1956-02-15)
tenor saxophone:
Eddie Shu (on 1956-02-15)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1956-02-15), J.J. Johnson (jazz/bop trombonist/session leader) (on 1956-02-15), Fred Ohms (American jazz trombonist) (on 1956-02-15) and Kai Winding (on 1956-02-15)
trumpet:
Roy Eldridge (on 1956-02-15), Joe Ferrante (on 1956-02-15), Bernie Glow (on 1956-02-15) and Nick Travis (on 1956-02-15)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
?:??
A5Drummin' Man
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1956-02-15) and Hal McKusick (on 1956-02-15)
baritone saxophone:
Danny Bank (reeds) (on 1956-02-15)
bass:
John Drew (bass, jazz) (on 1956-02-15)
drums (drum set):
Gene Krupa (on 1956-02-15)
guitar:
Barry Galbraith (on 1956-02-15)
piano:
Dave McKenna (on 1956-02-15)
reeds:
Aaron Sachs (on 1956-02-15)
tenor saxophone:
Aaron Sachs (on 1956-02-15) and Eddie Shu (on 1956-02-15)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1956-02-15), J.J. Johnson (jazz/bop trombonist/session leader) (on 1956-02-15), Fred Ohms (American jazz trombonist) (on 1956-02-15) and Kai Winding (on 1956-02-15)
trumpet:
Roy Eldridge (on 1956-02-15), Joe Ferrante (on 1956-02-15), Bernie Glow (on 1956-02-15) and Nick Travis (on 1956-02-15)
vocals:
Anita O’Day (on 1956-02-15)
arranger:
Quincy Jones
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
Drummin’ Man (on 1956-02-15)
writer:
Gene Krupa and Tiny Parham (Canadian-American jazz bandleader & pianist)
?:??
A6Drum Boogie
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1956-02-15) and Hal McKusick (on 1956-02-15)
baritone saxophone:
Danny Bank (reeds) (on 1956-02-15)
bass:
John Drew (bass, jazz) (on 1956-02-15)
drums (drum set):
Gene Krupa (on 1956-02-15)
guitar:
Barry Galbraith (on 1956-02-15)
piano:
Dave McKenna (on 1956-02-15)
reeds:
Aaron Sachs (on 1956-02-15)
tenor saxophone:
Eddie Shu (on 1956-02-15)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1956-02-15), J.J. Johnson (jazz/bop trombonist/session leader) (on 1956-02-15), Fred Ohms (American jazz trombonist) (on 1956-02-15) and Kai Winding (on 1956-02-15)
trumpet:
Roy Eldridge (on 1956-02-15), Joe Ferrante (on 1956-02-15), Bernie Glow (on 1956-02-15) and Nick Travis (on 1956-02-15)
arranger:
Quincy Jones
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
Drum Boogie (Krupa jazz song) (on 1956-02-15)
writer:
Roy Eldridge and Gene Krupa
?:??
A7Boogie Blues
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1956-02-15) and Hal McKusick (on 1956-02-15)
baritone saxophone:
Danny Bank (reeds) (on 1956-02-15)
bass:
John Drew (bass, jazz) (on 1956-02-15)
drums (drum set):
Gene Krupa (on 1956-02-15)
guitar:
Barry Galbraith (on 1956-02-15)
piano:
Dave McKenna (on 1956-02-15)
reeds:
Aaron Sachs (on 1956-02-15)
tenor saxophone:
Eddie Shu (on 1956-02-15)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1956-02-15), J.J. Johnson (jazz/bop trombonist/session leader) (on 1956-02-15), Fred Ohms (American jazz trombonist) (on 1956-02-15) and Kai Winding (on 1956-02-15)
trumpet:
Roy Eldridge (on 1956-02-15), Joe Ferrante (on 1956-02-15), Bernie Glow (on 1956-02-15) and Nick Travis (on 1956-02-15)
vocals:
Anita O’Day (on 1956-02-15)
arranger:
Quincy Jones
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
Boogie Blues (on 1956-02-15)
writer:
Ray Biondi and Gene Krupa
?:??
A8Leave Us Leap
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1956-02-15) and Hal McKusick (on 1956-02-15)
baritone saxophone:
Danny Bank (reeds) (on 1956-02-15)
bass:
John Drew (bass, jazz) (on 1956-02-15)
drums (drum set):
Gene Krupa (on 1956-02-15)
guitar:
Barry Galbraith (on 1956-02-15)
piano:
Dave McKenna (on 1956-02-15)
reeds:
Aaron Sachs (on 1956-02-15)
tenor saxophone:
Eddie Shu (on 1956-02-15)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1956-02-15), J.J. Johnson (jazz/bop trombonist/session leader) (on 1956-02-15), Fred Ohms (American jazz trombonist) (on 1956-02-15) and Kai Winding (on 1956-02-15)
trumpet:
Roy Eldridge (on 1956-02-15), Joe Ferrante (on 1956-02-15), Bernie Glow (on 1956-02-15) and Nick Travis (on 1956-02-15)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
Leave Us Leap (on 1956-02-15)
composer:
Edwin Finckel
?:??
B1Slow Down
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1956-02-15) and Hal McKusick (on 1956-02-15)
baritone saxophone:
Danny Bank (reeds) (on 1956-02-15)
bass:
John Drew (bass, jazz) (on 1956-02-15)
drums (drum set):
Gene Krupa (on 1956-02-15)
guitar:
Barry Galbraith (on 1956-02-15)
piano:
Dave McKenna (on 1956-02-15)
reeds:
Aaron Sachs (on 1956-02-15)
tenor saxophone:
Eddie Shu (on 1956-02-15)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1956-02-15), J.J. Johnson (jazz/bop trombonist/session leader) (on 1956-02-15), Fred Ohms (American jazz trombonist) (on 1956-02-15) and Kai Winding (on 1956-02-15)
trumpet:
Roy Eldridge (on 1956-02-15), Joe Ferrante (on 1956-02-15), Bernie Glow (on 1956-02-15) and Nick Travis (on 1956-02-15)
vocals:
Anita O’Day (on 1956-02-15)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recording of:
Slow Down (on 1956-02-15)
lyricist and composer:
Redd Evans
?:??
B2Wire Brush Stomp
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1956-02-15) and Hal McKusick (on 1956-02-15)
baritone saxophone:
Danny Bank (reeds) (on 1956-02-15)
bass:
John Drew (bass, jazz) (on 1956-02-15)
drums (drum set):
Gene Krupa (on 1956-02-15)
guitar:
Barry Galbraith (on 1956-02-15)
piano:
Dave McKenna (on 1956-02-15)
reeds:
Aaron Sachs (on 1956-02-15)
tenor saxophone:
Eddie Shu (on 1956-02-15)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1956-02-15), J.J. Johnson (jazz/bop trombonist/session leader) (on 1956-02-15), Fred Ohms (American jazz trombonist) (on 1956-02-15) and Kai Winding (on 1956-02-15)
trumpet:
Roy Eldridge (on 1956-02-15), Joe Ferrante (on 1956-02-15), Bernie Glow (on 1956-02-15) and Nick Travis (on 1956-02-15)
arranger:
Quincy Jones
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
?:??
B3That's What You Think
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1956-02-15) and Hal McKusick (on 1956-02-15)
baritone saxophone:
Danny Bank (reeds) (on 1956-02-15)
bass:
John Drew (bass, jazz) (on 1956-02-15)
drums (drum set):
Gene Krupa (on 1956-02-15)
guitar:
Barry Galbraith (on 1956-02-15)
piano:
Dave McKenna (on 1956-02-15)
reeds:
Aaron Sachs (on 1956-02-15)
tenor saxophone:
Eddie Shu (on 1956-02-15)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1956-02-15), J.J. Johnson (jazz/bop trombonist/session leader) (on 1956-02-15), Fred Ohms (American jazz trombonist) (on 1956-02-15) and Kai Winding (on 1956-02-15)
trumpet:
Roy Eldridge (on 1956-02-15), Joe Ferrante (on 1956-02-15), Bernie Glow (on 1956-02-15) and Nick Travis (on 1956-02-15)
vocals:
Anita O’Day (on 1956-02-15)
arranger:
Quincy Jones
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
?:??
B4After You've Gone
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1956-02-15) and Hal McKusick (on 1956-02-15)
baritone saxophone:
Danny Bank (reeds) (on 1956-02-15)
bass:
John Drew (bass, jazz) (on 1956-02-15)
drums (drum set):
Gene Krupa (on 1956-02-15)
guitar:
Barry Galbraith (on 1956-02-15)
piano:
Dave McKenna (on 1956-02-15)
reeds:
Aaron Sachs (on 1956-02-15)
tenor saxophone:
Eddie Shu (on 1956-02-15)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1956-02-15), J.J. Johnson (jazz/bop trombonist/session leader) (on 1956-02-15), Fred Ohms (American jazz trombonist) (on 1956-02-15) and Kai Winding (on 1956-02-15)
trumpet:
Roy Eldridge (on 1956-02-15), Joe Ferrante (on 1956-02-15), Bernie Glow (on 1956-02-15) and Nick Travis (on 1956-02-15)
arranger:
Quincy Jones
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
cover recording of:
After You’ve Gone (on 1956-02-15)
lyricist:
Henry Creamer (Lyricist) (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
?:??