All or Nothing at All

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼Medium: Big Band Beginnings... Solo Stardom Genesis
Nr.TitelBewertungLänge
1From the Bottom of My Heart
recording of:
From the Bottom of My Heart
Verfasser(in):
Morty Berk, Andy Gibson (trumpet, arranger, composer), Billy Hayes (songwriter) und Harry James (US big band leader, trumpeter & actor)
3:24
2All or Nothing at All
recorded in:
New York, Vereinigte Staaten (am 1939-08-31)
alto saxophone:
Claude Lakey (am 1939-08-31) und Dave Matthews (jazz saxophonist) (am 1939-08-31)
Gitarre:
Red Kent (am 1939-08-31)
Klavier:
Jack Gardner (piano) (am 1939-08-31)
Kontrabass:
Thurman Teague (Jazz bassist) (am 1939-08-31)
Posaune:
Russell Brown (Swing trombonist) (am 1939-08-31), Truett Jones (Jazz trombonist) (am 1939-08-31) und Dalton Rizzotto (Jazz trombonist) (am 1939-08-31)
Schlagzeug:
Ralph Hawkins (jazz drummer) (am 1939-08-31)
Tenorsaxophon:
Bill Luther (Jazz saxophonist) (am 1939-08-31) und Drew Page (am 1939-08-31)
Trompete:
Claude Bowen (am 1939-08-31), Harry James (US big band leader, trumpeter & actor) (am 1939-08-31), Jack Palmer (jazz trumpeter and singer) (am 1939-08-31) und Jack Schaeffer (am 1939-08-31)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1939-08-31)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1939-08-31)
Orchester:
Harry James and His Orchestra (am 1939-08-31)
conductor:
Harry James (US big band leader, trumpeter & actor) (am 1939-08-31)
arranger:
Andy Gibson (trumpet, arranger, composer) (am 1939-08-31)
recording of:
All or Nothing at All (am 1939-08-31)
Texter:
Jack Lawrence (US songwriter)
Komponist(in):
Arthur Altman und Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. und Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
32:59
3On a Little Street in Singapore
recording of:
On a Little Street in Singapore (am 1939-10-13)
Verfasser(in):
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio) und Billy Hill (US songwriter)
2:50
4I'll Be Seeing You
recording of:
I’ll Be Seeing You
Texter:
Irving Kahal (in 1938)
Komponist(in):
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music und Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
3:09
5Fools Rush In
3:17
6East of the Sun (And West of the Moon)
alto saxophone:
Fred Stulce (am 1940-04-23)
Bass:
Sid Weiss (am 1940-04-23)
Gitarre:
Clark Yocum (am 1940-04-23)
Klarinette:
Johnny Mince (am 1940-04-23)
Klavier:
Joe Bushkin (am 1940-04-23)
Posaune:
Tommy Dorsey (swing trombone player & band leader) (am 1940-04-23)
Schlagzeug:
Buddy Rich (am 1940-04-23)
Trompete:
Bunny Berigan (am 1940-04-23)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1940-04-23)
vocals:
The Sentimentalists (am 1940-04-23)
conductor:
Tommy Dorsey (swing trombone player & band leader) (am 1940-04-23)
arranger:
Sy Oliver
aufgenommen bei:
RCA Studio 2 in New York, New York, Vereinigte Staaten (am 1940-04-23)
recording of:
East of the Sun (and West of the Moon) (am 1940-04-23)
Texter und Komponist(in):
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. und Chappell & Co.
3:22
7I'll Never Smile Again
recording of:
I’ll Never Smile Again
Texter und Komponist(in):
Ruth Lowe
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Pickwick Music (publisher), Universal Music Corp. (USA, affiliated with ASCAP) und Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:12
8One I Love (Belongs to Somebody Else)
3:37
9Oh! Look at Me Now
recording of:
Oh! Look at Me Now
Texter:
John DeVries (in 1941)
Komponist(in):
Joe Bushkin (in 1941)
publisher:
Campbell Connelly, Embassy Music Corporation und Hampshire House Publishing Corp.
3:16
10It's Always You
recording of:
It’s Always You
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:16
11Everything Happens to Me
recording of:
Everything Happens to Me
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:17
12Let's Get Away from It All
recording of:
Let’s Get Away From It All
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Brothers Music
5:02
13This Love of Mine
Bass:
Jack Kelleher (am 1941-05-28)
Celesta und Klavier:
Joe Bushkin (am 1941-05-28)
Gitarre:
Clark Yocum (am 1941-05-28)
Posaune:
George Arus (am 1941-05-28), Lowell Martin (jazz trombonist) (am 1941-05-28) und Walter Mercurio (Jazz Trombone player) (am 1941-05-28)
Saxophon:
Heinie Beau (am 1941-05-28), Don Lodice (am 1941-05-28), Manny Gershman (am 1941-05-28), Paul Mason (jazz saxophonist) (am 1941-05-28) und Hymie Shertzer (am 1941-05-28)
Schlagzeug:
Buddy Rich (am 1941-05-28)
Trompete:
Jimmy Blake (jazz trumpeter) (am 1941-05-28), Ziggy Elman (am 1941-05-28), Chuck Peterson (trumpet) (am 1941-05-28) und Shorty Sherock (am 1941-05-28)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1941-05-28)
Orchester:
Tommy Dorsey and His Orchestra (am 1941-05-28)
conductor:
Tommy Dorsey (swing trombone player & band leader) (am 1941-05-28)
arranger:
Axel Stordahl
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1941-05-28)
recording of:
This Love of Mine (am 1941-05-28)
Texter:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Komponist(in):
Sol Parker (songwriter) und Henry Sanicola
publisher:
Embassy Music Corporation und Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:43
14Blue Skies
recording of:
Blue Skies
Texter und Komponist(in):
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:18
15I Think of You
recording of:
I Think of You
Texter:
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott) und Don Marcotte
Komponist(in):
John Elliot (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott), Don Marcotte und Сергей Васильевич Рахманинов (Sergei Rachmaninow, Russian composer)
publisher:
Embassy Music Corporation
basiert auf:
Piano Concerto no. 2 in C minor, op. 18
2:56
16How About You?
recording of:
How About You?
Texter:
Ralph Freed
Komponist(in):
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1942 nominee)
2:56
17The Song Is You
recording of:
The Song Is You
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co.
3:25
18Night and Day
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
3:04
19Just as Though You Were Here
recording of:
Just as Though You Were Here
Texter:
Eddie DeLange
Komponist(in):
John Benson Brooks
publisher:
Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music) und Scarsdale Music Corp. (ASCAP)
3:14
20Street of Dreams
recording of:
Street of Dreams
Texter:
Sam M. Lewis (1930s lyricist) (in 1932)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
publisher:
EMI Miller Catalog, Inc. und Miller Music Corp.
2:44
21Be Careful, It's My Heart
recording of:
Be Careful, It’s My Heart
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Company und Irving Berlin Music Corp.
2:49
22In the Blue of Evening
alto saxophone:
Fred Stulce (am 1942-06-17)
Bass:
Phil Stevens (country bass player) (am 1942-06-17)
Bratsche / Viola:
Leonard Atkins (am 1942-06-17) und Sam Ross (violin) (am 1942-06-17)
Cello:
Harold Bemko (am 1942-06-17)
Geige / Violine:
Alex Beller (am 1942-06-17), William Ehrenkrantz (am 1942-06-17), Seymour Miroff (am 1942-06-17), Raoul Polikian (am 1942-06-17), Leonard Posner (am 1942-06-17) und Bernie Tinterow (am 1942-06-17)
Gitarre:
Clark Yocum (am 1942-06-17)
Harfe:
Ruth Hill (harpist) (am 1942-06-17)
Klavier:
Milt Raskin (Milton Raskin) (am 1942-06-17)
Posaune:
George Arus (am 1942-06-17), Dave Jacobs (jazz trombonist) (am 1942-06-17) und Jimmy Skiles (am 1942-06-17)
Saxophon:
Harry Schuchman (am 1942-06-17)
Schlagzeug:
Buddy Rich (am 1942-06-17)
Tenorsaxophon:
Heinie Beau (am 1942-06-17), Don Lodice (am 1942-06-17) und Bruce Snyder (am 1942-06-17)
Trompete:
Jimmy Blake (jazz trumpeter) (am 1942-06-17), Ziggy Elman (am 1942-06-17), Chuck Peterson (trumpet) (am 1942-06-17) und Jimmy Zito (am 1942-06-17)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1942-06-17)
Orchester:
Tommy Dorsey and His Orchestra (am 1942-06-17)
conductor:
Tommy Dorsey (swing trombone player & band leader) (am 1942-06-17)
arranger:
Axel Stordahl
aufgenommen bei:
RCA Studio 2 in New York, New York, Vereinigte Staaten (am 1942-06-17)
Teil von:
V Disc (by matrix number) (Nummer: x)
recording of:
In the Blue of Evening (1940s song) (am 1942-06-17)
Texter:
Tom Adair
Komponist(in):
Alfonso D’Artega (songwriter and conductor)
publisher:
Shapiro, Bernstein & Co., Inc.
2:57
23There Are Such Things
recording of:
There Are Such Things
Verfasser(in):
Stanley Adams (US lyricist & songwriter) (in 1942), Abel Baer (in 1942) und George W. Meyer (Tin Pan Alley songwriter) (in 1942)
publisher:
Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
2:43
24A Lovely Way to Spend an Evening
recorded in:
New York, New York, Vereinigte Staaten (am 1943-11-10)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1943-11-10)
vocals:
Bobby Tucker (am 1943-11-10) und The Bobby Tucker Singers (am 1943-11-10)
conductor:
Bobby Tucker (am 1943-11-10) und Alec Wilder (American composer) (am 1943-11-10)
arranger:
Alec Wilder (American composer)
cover recording of:
A Lovely Way to Spend an Evening (am 1943-11-10)
Texter:
Harold Adamson
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Chappell Music (UK), Memory Lane Music Ltd. und Victoria Music Publishing Co. Ltd.
3:16
2▼Medium: Time After Time
Nr.TitelBewertungLänge
1If You Are but a Dream
recording of:
If You Are But a Dream
Texter und Komponist(in):
Nat Bonx, Jack Fulton (US jazz trombonist, composer & vocalist) und Moe Jaffe (songwriter / bandleader)
publisher:
Barton Music Corp.
3:11
2Saturday Night (Is the Loneliest Night of the Week)
Bass:
Ward Lay (am 1944-11-14)
Bratsche / Viola:
Morris Kahn (am 1944-11-14), Sol Paeff (am 1944-11-14) und Sol Rumberg (am 1944-11-14)
Cello:
E. Gara (am 1944-11-14), George Polikian (am 1944-11-14) und Avron Twerdowsky (am 1944-11-14)
Geige / Violine:
Julius Brand (am 1944-11-14), Fred Buldrini (am 1944-11-14), Sid Harris (am 1944-11-14), L. Kanter (am 1944-11-14), Murray Kellner (am 1944-11-14), Bernard Kundell (am 1944-11-14), William Lockwood (violinist) (am 1944-11-14), Arthur Loesserman (violinist) (am 1944-11-14), Harold Micklin (violinist) (am 1944-11-14), Seymour Miroff (am 1944-11-14), Gene Orloff (am 1944-11-14) und Raoul Polikian (am 1944-11-14)
Gitarre:
Matty Golizio (am 1944-11-14)
Harfe:
Ruth Hill (harpist) (am 1944-11-14)
Klarinette:
Arthur Baker (saxophonist, flutist and clarinetist)
Klavier:
Billy Rowland (am 1944-11-14)
Posaune:
Charles Small (trombone) (am 1944-11-14), John D'Agostino (trombonist) (am 1944-11-14) und Andy Russo (Jazz trombonist) (am 1944-11-14)
Saxophon:
Arthur Baker (saxophonist, flutist and clarinetist) (am 1944-11-14), Harold Feldman (woodwind player) (am 1944-11-14), Bernard Kaufman (am 1944-11-14), Peter Pumiglio (am 1944-11-14) und Henry Ross (am 1944-11-14)
Schlagzeug:
Johnny Blowers (am 1944-11-14)
Trompete:
Carl Poole (am 1944-11-14), Sammy Shapiro (Sandy Spears, Big Band-era trumpeter) (am 1944-11-14) und Melvin "Red" Solomon (am 1944-11-14)
Waldhorn:
Karl Chlupse (French horn player) (am 1944-11-14)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1944-11-14)
conductor:
Axel Stordahl (am 1944-11-14)
arranger:
George Siravo
recording of:
Saturday Night (Is the Loneliest Night in the Week) (am 1944-11-14)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Barton Music Corp., Cahn Music Company, Chappell Music Ltd., Producers Music Publishing Co., Quaytor Productions LLC, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), WC Music Corp., フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
42:44
3I Dream of You (More Than You Dream I Do)
recorded in:
New York, New York, Vereinigte Staaten (am 1944-12-01)
Bass:
Ward Lay (am 1944-12-01)
Bratsche / Viola:
Theodore Adoff (violist) (am 1944-12-01), Sidney Brecher (am 1944-12-01) und Hyman Dickler (violist) (am 1944-12-01)
Cello:
Armand Kaproff (am 1944-12-01), George Poliakin (am 1944-12-01) und Aaron Shapinsky (am 1944-12-01)
Geige / Violine:
Milton Bornstein (violinist) (am 1944-12-01), Julius Brand (am 1944-12-01), Louis Gabowitz (am 1944-12-01), Sid Harris (am 1944-12-01), Leonard Kanter (violinist) (am 1944-12-01), Zelik Kaufman (violinist) (am 1944-12-01), Murray Kellner (am 1944-12-01), Boris Levitsky (violinist) (am 1944-12-01), Gene Orloff (am 1944-12-01), Raoul Polikian (am 1944-12-01), Max Pollikoff (am 1944-12-01) und Kalman Reve (violinist) (am 1944-12-01)
Gitarre:
Matty Golizio (am 1944-12-01)
Harfe:
Ruth Hill (harpist) (am 1944-12-01)
Holzblasinstrumente:
Artie Baker (saxophonist, flutist and clarinetist) (am 1944-12-01), Harry Feldman (am 1944-12-01), Bernie Kaufman (am 1944-12-01), Pete Pumiglio (am 1944-12-01) und Wolffe Taninbaum (am 1944-12-01)
Klavier:
David Mann (American songwriter) (am 1944-12-01)
Posaune:
John D'Agostino (trombonist) (am 1944-12-01), Samuel Koty (trombonist) (am 1944-12-01) und Al Mastren (am 1944-12-01)
Schlagzeug:
Johnny Blowers (am 1944-12-01)
Trompete:
Carl Poole (am 1944-12-01), Sammy Shapiro (Sandy Spears, Big Band-era trumpeter) (am 1944-12-01) und Melvin "Red" Solomon (am 1944-12-01)
Waldhorn:
Karl Chlupsa (am 1944-12-01)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1944-12-01)
conductor:
Axel Stordahl (am 1944-12-01)
arranger:
Axel Stordahl
cover recording of:
I Dream of You (More Than You Dream I Do) (am 1944-12-01)
Verfasser(in):
Marjorie Goetschius und Edna Osser
publisher:
Embassy Music Corporation
3:08
4I Fall in Love Too Easily
recording of:
I Fall in Love Too Easily
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. und Leo Feist, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
3:13
5Ol' Man River
recording of:
Ol’ Man River (Show Boat)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
Komponist(in):
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co. (am 1927-11-30)
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act I
4:08
6When Your Lover Has Gone
recording of:
When Your Lover Has Gone
Texter und Komponist(in):
Einar Aaron Swan
publisher:
Remick Music Corp. und Warner Bros., Inc. (Warner Bros. Music Division)
2:57
7My Melancholy Baby
recording of:
My Melancholy Baby
Texter:
George A. Norton (in 1912)
Komponist(in):
Ernie Burnett (in 1911)
publisher:
Francis, Day & Hunter Ltd. und Shapiro, Bernstein & Co., Inc.
Version von:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
3:14
8Where or When
recording of:
Where or When (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company und Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
3:18
9I Should Care
recording of:
I Should Care
Verfasser(in):
Sammy Cahn, Axel Stordahl und Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited und Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
3:04
10Dream (When You're Feeling Blue)
recording of:
Dream
Texter und Komponist(in):
Johnny Mercer (in 1944)
publisher:
Capitol Songs Inc., Mercer Music, Michael H. Goldsen Inc., Warner Bros. Music Corp., Warner Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
3:05
11Jesus Is a Rock in the Weary Land
recording of:
Jesus Is a Rock in the Weary Land
Texter und Komponist(in):
[traditional] (special purpose artist)
3:22
12Someone to Watch Over Me
recording of:
Someone to Watch Over Me (Oh, Kay!)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
3:25
13You Go to My Head
recording of:
You Go to My Head
Texter:
Haven Gillespie (in 1938)
Komponist(in):
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Corp.
3:04
14Nancy (With the Laughing Face)
recording of:
Nancy
Verfasser(in):
Phil Silvers (actor) und Jimmy Van Heusen
publisher:
Barton Music Corp.
3:27
15You Are Too Beautiful
recording of:
You Are Too Beautiful
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
3:06
16Oh! What It Seemed to Be
recording of:
Oh, What It Seemed to Be
Verfasser(in):
Bennie Benjamin, Frankie Carle und George David Weiss
publisher:
Anne-Rachel Music Corp., Santly-Joy, Inc. und The Songwriters Guild
3:06
17(I Don't Stand) A Ghost of a Chance (With You)
recorded in:
New York, New York, Vereinigte Staaten (am 1945-12-07)
Produzent(in):
Bill Richards (producer)
Bratsche / Viola:
Sidney Brecher (am 1945-12-07)
Cello:
Anthony Sophos (am 1945-12-07)
Geige / Violine:
Raoul Polikian (am 1945-12-07) und Leonard Posner (am 1945-12-07)
Gitarre:
Matty Golizio (am 1945-12-07)
Klavier:
Bill Clifton (jazz pianist) (am 1945-12-07)
Kontrabass:
Frank Siravo (am 1945-12-07)
Oboe:
Mitch Miller (am 1945-12-07)
Schlagzeug:
Nat Polen (am 1945-12-07)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1945-12-07)
conductor:
Axel Stordahl (am 1945-12-07)
arranger:
Axel Stordahl
cover recording of:
(I Don’t Stand) A Ghost of a Chance (am 1945-12-07)
Texter:
Bing Crosby und Ned Washington
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited und Mills Music, Inc.
3:13
18Why Shouldn't I?
recorded in:
New York, New York, Vereinigte Staaten (am 1945-12-07)
Produzent(in):
Bill Richards (producer)
Bratsche / Viola:
Sidney Brecher (am 1945-12-07)
Cello:
Anthony Sophos (am 1945-12-07)
Geige / Violine:
Raoul Polikian (am 1945-12-07) und Leonard Posner (am 1945-12-07)
Gitarre:
Matty Golizio (am 1945-12-07)
Klavier:
Bill Clifton (jazz pianist) (am 1945-12-07)
Kontrabass:
Frank Siravo (am 1945-12-07)
Oboe:
Mitch Miller (am 1945-12-07)
Schlagzeug:
Nat Polen (am 1945-12-07)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1945-12-07)
conductor:
Axel Stordahl (am 1945-12-07)
arranger:
Axel Stordahl
cover recording of:
Why Shouldn’t I? (am 1945-12-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
2:55
19They Say It's Wonderful
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-03-10)
Bass:
Phil Stephens (bass and tuba player) (am 1946-03-10)
Bratsche / Viola:
Alexander Neiman (violist) (am 1946-03-10), Leonard Selic (am 1946-03-10) und Dave Sterkin (am 1946-03-10)
Cello:
Fred Goerner (am 1946-03-10), Jack Sewell (am 1946-03-10) und Julius Tannenbaum (am 1946-03-10)
Geige / Violine:
William Bloom (violinist, worked with Frank Sinatra) (am 1946-03-10), Harry Bluestone (am 1946-03-10), Sam Freed, Jr. (Violinist) (am 1946-03-10), Gerald Joyce (am 1946-03-10), George Kast (am 1946-03-10), Sol Kindler (am 1946-03-10), Samuel Levine (violinist) (am 1946-03-10), Sam Middleman (am 1946-03-10), Nicholas Pisani (am 1946-03-10), Eugene Powers (violinist) (am 1946-03-10), Mischa Russell (violinist) (am 1946-03-10) und Olcott Vail (am 1946-03-10)
Gitarre:
Dave Barbour (am 1946-03-10)
Harfe:
May Cambern (am 1946-03-10)
Holzblasinstrumente:
Heinie Beau (am 1946-03-10), Herbie Haymer (am 1946-03-10), Jules Kinsler (am 1946-03-10), Harry Schuchman (am 1946-03-10) und Arthur Smith (Saxophonist) (am 1946-03-10)
Instrumente:
Mark McIntyre (American pianist, orchestra leader and songwriter.) (am 1946-03-10)
Posaune:
Hoyt Bohannon (am 1946-03-10), Les Jenkins (am 1946-03-10) und Elmer Smithers (am 1946-03-10)
Schlagzeug:
Ray Hagan (am 1946-03-10)
Trompete:
Max Herman (am 1946-03-10), Ray Linn (am 1946-03-10) und Rubin "Zeke" Zarchy (am 1946-03-10)
Waldhorn:
Richard Perissi (am 1946-03-10)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1946-03-10)
conductor:
Axel Stordahl (am 1946-03-10)
arranger:
Axel Stordahl
cover recording of:
They Say It’s Wonderful (from “Annie Get Your Gun”) (am 1946-03-10)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Co. und Irving Berlin Music Corp.
Teil von:
Annie Get Your Gun
3:09
20Girl That I Marry
recording of:
The Girl That I Marry (from "Annie Get Your Gun")
Texter und Komponist(in):
Irving Berlin
Teil von:
Annie Get Your Gun
3:06
21Soliloquy, Part 1 (From Carousel)
3:49
22Soliloquy, Part 2 (From Carousel)
4:16
23Things We Did Last Summer
recording of:
The Things We Did Last Summer
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Warner/Chappell North America Ltd. (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
3:20
24Time After Time
recording of:
Time After Time
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Chappell/Morris Ltd. und Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
3:14
3▼Medium: Mam'selle
Nr.TitelBewertungLänge
1Sweet Lorraine
recording of:
Sweet Lorraine
Texter:
Mitchell Parish (in 1928)
Komponist(in):
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. und Mills Music, Inc.
3:13
2You Can Take My Word for It, Baby
recording of:
You Can Take My Word for It Baby
Verfasser(in):
Ticker Freeman und Irving Taylor
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
2:34
3Always
recording of:
Always
Texter und Komponist(in):
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. und Irving Berlin Music
3:06
4I Concentrate on You
recording of:
I Concentrate on You
Texter und Komponist(in):
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
3:07
5Mam'selle
recording of:
Mam’selle
Texter:
Mack Gordon
Komponist(in):
Edmund Goulding
publisher:
Leo Feist, Inc.
3:24
6Almost Like Being in Love
recording of:
Almost Like Being in Love (from “Brigadoon”)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
Brigadoon (complete musical)
2:48
7One for My Baby (And One More for the Road)
3:06
8But Beautiful
recording of:
But Beautiful
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) und Onyx Music Corporation (in 1947)
3:16
9All of Me
recording of:
All of Me
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
2:51
10Laura
recording of:
Laura (1945 song)
Texter:
Johnny Mercer (in 1945)
Komponist(in):
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. und United Partnership Ltd.
Version von:
Laura (original 1944 film theme)
3:15
11What'll I Do?
recording of:
What’ll I Do?
Texter und Komponist(in):
Irving Berlin (in 1923)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Wilhelm Hansen und Williamson Music Company
3:08
12Mean to Me
recording of:
Mean to Me
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. und Pencil Mark Music (ASCAP)
3:21
13Spring Is Here
recording of:
Spring Is Here
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und United Partnership Ltd.
2:47
14It Never Entered My Mind
recording of:
It Never Entered My Mind
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) und Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:20
15Autumn in New York
recording of:
Autumn in New York (1934)
Texter und Komponist(in):
Vernon Duke
publisher:
Chappell & Co. und Warner Bros., Inc. (not for release label use!)
3:20
16Little Learnin' Is a Dangerous Thing, Part 1
recording of:
A Little Learnin' Is a Dangerous Thing
Texter und Komponist(in):
Dick Jacobs (arranger, musician and bandleader) und Sy Oliver
publisher:
Sinatra Songs, Inc.
3:24
17Little Learnin' Is a Dangerous Thing, Part 2
recording of:
A Little Learnin' Is a Dangerous Thing
Texter und Komponist(in):
Dick Jacobs (arranger, musician and bandleader) und Sy Oliver
publisher:
Sinatra Songs, Inc.
3:11
18For Every Man There's a Woman
recording of:
For Every Man There’s a Woman
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Harold Arlen
publisher:
Harwin Music Corporation
Teil von:
The 21st Academy Award for Best Original Song (Nummer: 2)
2:54
19Why Was I Born?
recording of:
Why Was I Born?
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1929)
Komponist(in):
Jerome Kern (in 1929)
2:45
20Bop! Goes My Heart
recording of:
Bop Goes My Heart (am 1948-12-15)
Verfasser(in):
Walter Bishop, Sr. und Jule Styne
3:09
21It All Depends on You
recording of:
It All Depends on You
Texter:
Lew Brown und Buddy DeSylva
Komponist(in):
Ray Henderson
publisher:
Ross Jungnickel, Inc.
2:48
22Don't Cry Joe (Let Her Go, Let Her Go, Let Her Go)
3:19
23When the Sun Goes Down
recording of:
When the Sun Goes Down
Verfasser(in):
Walter O’Keefe und Irvine Orton
publisher:
Sinatra Songs, Inc.
3:07
24When You're Smiling (The Whole World Smiles With You)
2:32
25Nevertheless
3:08
4▶Medium: Radio Rules... OK!

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Veröffentlichung

ASIN:UK: B00005TO16 [Info]