Recordings for a History of Western Music, Sixth Edition, Volume 2: Classic to Modern (disc 12)

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label: Sony(51500)

Annotation last modified on 2006-11-13 06:35 UTC.

Tracklist

1▼CD
#	Title	Artist	Rating	Length
1	Méditations sur le mystère de la Sainte Trinité, I/49: IV. Je suis, je suis, Part 1 organ: Gillian Weir (organist) partial recording of: Méditations sur le Mystère de la Sainte Trinité: IV. composer: Olivier Messiaen (composer and organist) (in 1969) part of: Méditations sur le Mystère de la Sainte Trinité	Olivier Messiaen		1:19
2	Méditations sur le mystère de la Sainte Trinité, I/49: IV. Je suis, je suis, Part 2 organ: Gillian Weir (organist) partial recording of: Méditations sur le Mystère de la Sainte Trinité: IV. composer: Olivier Messiaen (composer and organist) (in 1969) part of: Méditations sur le Mystère de la Sainte Trinité	Olivier Messiaen		0:49
3	Méditations sur le mystère de la Sainte Trinité, I/49: IV. Je suis, je suis, Part 3 organ: Gillian Weir (organist) partial recording of: Méditations sur le Mystère de la Sainte Trinité: IV. composer: Olivier Messiaen (composer and organist) (in 1969) part of: Méditations sur le Mystère de la Sainte Trinité	Olivier Messiaen		1:56
4	Méditations sur le mystère de la Sainte Trinité, I/49: IV. Je suis, je suis, Part 4 organ: Gillian Weir (organist) partial recording of: Méditations sur le Mystère de la Sainte Trinité: IV. composer: Olivier Messiaen (composer and organist) (in 1969) part of: Méditations sur le Mystère de la Sainte Trinité	Olivier Messiaen		0:35
5	Méditations sur le mystère de la Sainte Trinité, I/49: IV. Je suis, je suis, Part 5 organ: Gillian Weir (organist) partial recording of: Méditations sur le Mystère de la Sainte Trinité: IV. composer: Olivier Messiaen (composer and organist) (in 1969) part of: Méditations sur le Mystère de la Sainte Trinité	Olivier Messiaen		1:13
6	Piano Quintet in F sharp minor, Op. 67: III. Allegro agitato, Part 1 piano: Martin Roscoe (English classical pianist) strings: Endellion Quartet partial recording of: Piano Quintet in F-sharp minor, op. 67: III. Allegro agitato - Adagio com prima - Presto composer: Amy Beach (American composer and pianist) (in 1907) part of: Piano Quintet in F-sharp minor, op. 67	Amy Beach		1:18
7	Piano Quintet in F sharp minor, Op. 67: III. Allegro agitato, Part 2 piano: Martin Roscoe (English classical pianist) strings: Endellion Quartet partial recording of: Piano Quintet in F-sharp minor, op. 67: III. Allegro agitato - Adagio com prima - Presto composer: Amy Beach (American composer and pianist) (in 1907) part of: Piano Quintet in F-sharp minor, op. 67	Amy Beach		2:46
8	Piano Quintet in F sharp minor, Op. 67: III. Allegro agitato, Part 3 piano: Martin Roscoe (English classical pianist) strings: Endellion Quartet partial recording of: Piano Quintet in F-sharp minor, op. 67: III. Allegro agitato - Adagio com prima - Presto composer: Amy Beach (American composer and pianist) (in 1907) part of: Piano Quintet in F-sharp minor, op. 67	Amy Beach		0:42
9	Piano Quintet in F sharp minor, Op. 67: III. Allegro agitato, Part 4 piano: Martin Roscoe (English classical pianist) strings: Endellion Quartet partial recording of: Piano Quintet in F-sharp minor, op. 67: III. Allegro agitato - Adagio com prima - Presto composer: Amy Beach (American composer and pianist) (in 1907) part of: Piano Quintet in F-sharp minor, op. 67	Amy Beach		3:07
10	Piano Quintet in F sharp minor, Op. 67: III. Allegro agitato, Part 5 piano: Martin Roscoe (English classical pianist) strings: Endellion Quartet partial recording of: Piano Quintet in F-sharp minor, op. 67: III. Allegro agitato - Adagio com prima - Presto composer: Amy Beach (American composer and pianist) (in 1907) part of: Piano Quintet in F-sharp minor, op. 67	Amy Beach		0:38
11	They Are There! "A War Song March", S. 188, Part 1 choir vocals: Gregg Smith Singers orchestra: American Symphony Orchestra conductor: Leopold Stokowski (conductor) partial recording of: They Are There! (A War Song March), S. 188 orchestrator: Lou Harrison (American composer) (from 1943-07 until 1943-08) lyricist: Charles Ives (American composer) (in 1942) composer: Charles Ives (American composer) part of: A Descriptive Catalogue of the Music of Charles Ives (number: S. 188) arrangement of: They Are There!, S. 371	Charles Ives		0:40
12	They Are There! "A War Song March", S. 188, Part 2 choir vocals: Gregg Smith Singers orchestra: American Symphony Orchestra conductor: Leopold Stokowski (conductor) partial recording of: They Are There! (A War Song March), S. 188 orchestrator: Lou Harrison (American composer) (from 1943-07 until 1943-08) lyricist: Charles Ives (American composer) (in 1942) composer: Charles Ives (American composer) part of: A Descriptive Catalogue of the Music of Charles Ives (number: S. 188) arrangement of: They Are There!, S. 371	Charles Ives		1:53
13	They Are There! "A War Song March", S. 188, Part 3 choir vocals: Gregg Smith Singers orchestra: American Symphony Orchestra conductor: Leopold Stokowski (conductor) partial recording of: They Are There! (A War Song March), S. 188 orchestrator: Lou Harrison (American composer) (from 1943-07 until 1943-08) lyricist: Charles Ives (American composer) (in 1942) composer: Charles Ives (American composer) part of: A Descriptive Catalogue of the Music of Charles Ives (number: S. 188) arrangement of: They Are There!, S. 371	Charles Ives		0:36
14	Sonata for violin & piano: II. Buoyant, Part 1 piano: Vivian Fine (American composer) violin: Ida Kavafian (violinist and violist) partial recording of: Sonata for Violin and Piano: II. Buoyant composer: Ruth Crawford Seeger (American composer) (in 1926) part of: Sonata for Violin and Piano	Ruth Crawford Seeger		1:06
15	Sonata for violin & piano: II. Buoyant, Part 2 piano: Vivian Fine (American composer) violin: Ida Kavafian (violinist and violist) partial recording of: Sonata for Violin and Piano: II. Buoyant composer: Ruth Crawford Seeger (American composer) (in 1926) part of: Sonata for Violin and Piano	Ruth Crawford Seeger		1:11
16	Sonata for violin & piano: II. Buoyant, Part 3 piano: Vivian Fine (American composer) violin: Ida Kavafian (violinist and violist) partial recording of: Sonata for Violin and Piano: II. Buoyant composer: Ruth Crawford Seeger (American composer) (in 1926) part of: Sonata for Violin and Piano	Ruth Crawford Seeger		0:47
17	Appalachian Spring (excerpt 1) orchestra: London Symphony Orchestra conductor: Paul Freeman (classical conductor) partial recording of: Appalachian Spring Suite (for full orchestra, 1945) premiered in: New York, New York, United States (on 1945-10-04) composer: Aaron Copland (composer) (in 1945) premiered by: New York Philharmonic (on 1945-10-04) and Artur Rodziński (conductor) (on 1945-10-04) publisher: Boosey & Hawkes (publisher; do NOT use as release label) is based on: Appalachian Spring (original ballet for 13 instruments, 1944)	Aaron Copland		0:19
18	Appalachian Spring (excerpt 2) orchestra: London Symphony Orchestra conductor: Paul Freeman (classical conductor) partial recording of: Appalachian Spring Suite (for full orchestra, 1945) premiered in: New York, New York, United States (on 1945-10-04) composer: Aaron Copland (composer) (in 1945) premiered by: New York Philharmonic (on 1945-10-04) and Artur Rodziński (conductor) (on 1945-10-04) publisher: Boosey & Hawkes (publisher; do NOT use as release label) is based on: Appalachian Spring (original ballet for 13 instruments, 1944)	Aaron Copland		2:47
19	Appalachian Spring (excerpt 3) orchestra: London Symphony Orchestra conductor: Paul Freeman (classical conductor) partial recording of: Appalachian Spring Suite (for full orchestra, 1945) premiered in: New York, New York, United States (on 1945-10-04) composer: Aaron Copland (composer) (in 1945) premiered by: New York Philharmonic (on 1945-10-04) and Artur Rodziński (conductor) (on 1945-10-04) publisher: Boosey & Hawkes (publisher; do NOT use as release label) is based on: Appalachian Spring (original ballet for 13 instruments, 1944)	Aaron Copland		2:06
20	Appalachian Spring (excerpt 4) orchestra: London Symphony Orchestra conductor: Paul Freeman (classical conductor) partial recording of: Appalachian Spring Suite (for full orchestra, 1945) premiered in: New York, New York, United States (on 1945-10-04) composer: Aaron Copland (composer) (in 1945) premiered by: New York Philharmonic (on 1945-10-04) and Artur Rodziński (conductor) (on 1945-10-04) publisher: Boosey & Hawkes (publisher; do NOT use as release label) is based on: Appalachian Spring (original ballet for 13 instruments, 1944)	Aaron Copland		0:33
21	Appalachian Spring (excerpt 5) orchestra: London Symphony Orchestra conductor: Paul Freeman (classical conductor) partial recording of: Appalachian Spring Suite (for full orchestra, 1945) premiered in: New York, New York, United States (on 1945-10-04) composer: Aaron Copland (composer) (in 1945) premiered by: New York Philharmonic (on 1945-10-04) and Artur Rodziński (conductor) (on 1945-10-04) publisher: Boosey & Hawkes (publisher; do NOT use as release label) is based on: Appalachian Spring (original ballet for 13 instruments, 1944)	Aaron Copland		0:29
22	Appalachian Spring (excerpt 6) orchestra: London Symphony Orchestra conductor: Paul Freeman (classical conductor) partial recording of: Appalachian Spring Suite (for full orchestra, 1945) premiered in: New York, New York, United States (on 1945-10-04) composer: Aaron Copland (composer) (in 1945) premiered by: New York Philharmonic (on 1945-10-04) and Artur Rodziński (conductor) (on 1945-10-04) publisher: Boosey & Hawkes (publisher; do NOT use as release label) is based on: Appalachian Spring (original ballet for 13 instruments, 1944)	Aaron Copland		0:49
23	Appalachian Spring (excerpt 7) orchestra: London Symphony Orchestra conductor: Paul Freeman (classical conductor) partial recording of: Appalachian Spring Suite (for full orchestra, 1945) premiered in: New York, New York, United States (on 1945-10-04) composer: Aaron Copland (composer) (in 1945) premiered by: New York Philharmonic (on 1945-10-04) and Artur Rodziński (conductor) (on 1945-10-04) publisher: Boosey & Hawkes (publisher; do NOT use as release label) is based on: Appalachian Spring (original ballet for 13 instruments, 1944)	Aaron Copland		0:25
24	Appalachian Spring (excerpt 8) orchestra: London Symphony Orchestra conductor: Paul Freeman (classical conductor) partial recording of: Appalachian Spring Suite (for full orchestra, 1945) premiered in: New York, New York, United States (on 1945-10-04) composer: Aaron Copland (composer) (in 1945) premiered by: New York Philharmonic (on 1945-10-04) and Artur Rodziński (conductor) (on 1945-10-04) publisher: Boosey & Hawkes (publisher; do NOT use as release label) is based on: Appalachian Spring (original ballet for 13 instruments, 1944)	Aaron Copland		0:58
25	Symphony no. 1 “Afro‐American”: III. Animato, Part 1 orchestra: London Symphony Orchestra conductor: Paul Freeman (classical conductor) partial recording of: Symphony no. 1 “Afro-American”: III. Animato composer: William Grant Still (American composer) (in 1930) part of: Symphony no. 1 “Afro-American”	William Grant Still		2:32
26	Symphony no. 1 “Afro‐American”: III. Animato, Part 2 orchestra: London Symphony Orchestra conductor: Paul Freeman (classical conductor) partial recording of: Symphony no. 1 “Afro-American”: III. Animato composer: William Grant Still (American composer) (in 1930) part of: Symphony no. 1 “Afro-American”	William Grant Still		0:22
27	Symphony no. 1 “Afro‐American”: III. Animato, Part 3 orchestra: London Symphony Orchestra conductor: Paul Freeman (classical conductor) partial recording of: Symphony no. 1 “Afro-American”: III. Animato composer: William Grant Still (American composer) (in 1930) part of: Symphony no. 1 “Afro-American”	William Grant Still		0:31
28	String Quartet No. 2: I. Introduction and Allegro fantastico, Part 1 strings: Juilliard String Quartet partial recording of: String Quartet no. 2: I. Allegro fantastico composer: Elliott Carter (American composer) (in 1959) part of: String Quartet no. 2 partial recording of: String Quartet no. 2: Introduction composer: Elliott Carter (American composer) (in 1959) part of: String Quartet no. 2	Elliott Carter		1:16
29	String Quartet No. 2: I. Introduction and Allegro fantastico, Part 2 strings: Juilliard String Quartet partial recording of: String Quartet no. 2: I. Allegro fantastico composer: Elliott Carter (American composer) (in 1959) part of: String Quartet no. 2 partial recording of: String Quartet no. 2: Introduction composer: Elliott Carter (American composer) (in 1959) part of: String Quartet no. 2	Elliott Carter		3:02
30	String Quartet No. 2: I. Introduction and Allegro fantastico, Part 3 strings: Juilliard String Quartet partial recording of: String Quartet no. 2: I. Allegro fantastico composer: Elliott Carter (American composer) (in 1959) part of: String Quartet no. 2 partial recording of: String Quartet no. 2: Introduction composer: Elliott Carter (American composer) (in 1959) part of: String Quartet no. 2	Elliott Carter		1:37
31	Black Angels: Images 4 to 9, Part 1 string quartet: Composers String Quartet recording of: Black Angels (Thirteen Images from the Dark Land): IV. Devil Music composer: George Crumb (American composer) (from 1969 until 1970-03-13) part of: Black Angels (Thirteen Images from the Dark Land): I. Departure	George Crumb		1:54
32	Black Angels: Images 4 to 9, Part 2 string quartet: Composers String Quartet recording of: Black Angels (Thirteen Images from the Dark Land): V. Danse Macabre composer: George Crumb (American composer) (from 1969 until 1970-03-13) part of: Black Angels (Thirteen Images from the Dark Land): I. Departure	George Crumb		1:01
33	Black Angels: Images 4 to 9, Part 3 string quartet: Composers String Quartet recording of: Black Angels (Thirteen Images from the Dark Land): VI. Pavana Lachrymae (Der Tod und das Mädchen) composer: George Crumb (American composer) (from 1969 until 1970-03-13) part of: Black Angels (Thirteen Images from the Dark Land): II. Absence	George Crumb		1:20
34	Black Angels: Images 4 to 9, Part 4 string quartet: Composers String Quartet recording of: Black Angels (Thirteen Images from the Dark Land): VII. Black Angels composer: George Crumb (American composer) (from 1969 until 1970-03-13) part of: Black Angels (Thirteen Images from the Dark Land): II. Absence	George Crumb		2:41
35	Black Angels: Images 4 to 9, Part 5 string quartet: Composers String Quartet recording of: Black Angels (Thirteen Images from the Dark Land): VIII. Sarabanda de la Muerte Oscura composer: George Crumb (American composer) (from 1969 until 1970-03-13) part of: Black Angels (Thirteen Images from the Dark Land): II. Absence	George Crumb		1:39
36	Black Angels: Images 4 to 9, Part 6 string quartet: Composers String Quartet recording of: Black Angels (Thirteen Images from the Dark Land): IX. Lost Bells (Echo) composer: George Crumb (American composer) (from 1969 until 1970-03-13) part of: Black Angels (Thirteen Images from the Dark Land): II. Absence	George Crumb		1:27
37	Philomel: Section I, Part 1 soprano vocals: Bethany Beardslee (soprano) partial recording of: Philomel composer: Milton Babbitt (American composer) (in 1964) librettist: John Hollander (poet)	Milton Babbitt		1:25
38	Philomel: Section I, Part 2 soprano vocals: Bethany Beardslee (soprano) partial recording of: Philomel composer: Milton Babbitt (American composer) (in 1964) librettist: John Hollander (poet)	Milton Babbitt		1:02
39	Philomel: Section I, Part 3 soprano vocals: Bethany Beardslee (soprano) partial recording of: Philomel composer: Milton Babbitt (American composer) (in 1964) librettist: John Hollander (poet)	Milton Babbitt		0:45
40	Philomel: Section I, Part 4 soprano vocals: Bethany Beardslee (soprano) partial recording of: Philomel composer: Milton Babbitt (American composer) (in 1964) librettist: John Hollander (poet)	Milton Babbitt		0:41
41	Philomel: Section I, Part 5 soprano vocals: Bethany Beardslee (soprano) partial recording of: Philomel composer: Milton Babbitt (American composer) (in 1964) librettist: John Hollander (poet)	Milton Babbitt		0:52
42	Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil / No. 5: Arab Village, Part 1 orchestra: Boston Symphony Orchestra conductor: Erich Leinsdorf (conductor) partial recording of: Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil composer: Gunther Schuller (US horn player, conductor, composer) part of: Seven Studies on Themes of Paul Klee partial recording of: Seven Studies on Themes of Paul Klee, No. 5: Arab Village composer: Gunther Schuller (US horn player, conductor, composer) part of: Seven Studies on Themes of Paul Klee	Gunther Schuller		0:21
43	Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil / No. 5: Arab Village, Part 2 orchestra: Boston Symphony Orchestra conductor: Erich Leinsdorf (conductor) partial recording of: Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil composer: Gunther Schuller (US horn player, conductor, composer) part of: Seven Studies on Themes of Paul Klee partial recording of: Seven Studies on Themes of Paul Klee, No. 5: Arab Village composer: Gunther Schuller (US horn player, conductor, composer) part of: Seven Studies on Themes of Paul Klee	Gunther Schuller		2:43
44	Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil / No. 5: Arab Village, Part 3 orchestra: Boston Symphony Orchestra conductor: Erich Leinsdorf (conductor) partial recording of: Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil composer: Gunther Schuller (US horn player, conductor, composer) part of: Seven Studies on Themes of Paul Klee partial recording of: Seven Studies on Themes of Paul Klee, No. 5: Arab Village composer: Gunther Schuller (US horn player, conductor, composer) part of: Seven Studies on Themes of Paul Klee	Gunther Schuller		1:18
45	Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil / No. 5: Arab Village, Part 4 orchestra: Boston Symphony Orchestra conductor: Erich Leinsdorf (conductor) partial recording of: Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil composer: Gunther Schuller (US horn player, conductor, composer) part of: Seven Studies on Themes of Paul Klee partial recording of: Seven Studies on Themes of Paul Klee, No. 5: Arab Village composer: Gunther Schuller (US horn player, conductor, composer) part of: Seven Studies on Themes of Paul Klee	Gunther Schuller		2:30
46	Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil / No. 5: Arab Village, Part 5 orchestra: Boston Symphony Orchestra conductor: Erich Leinsdorf (conductor) partial recording of: Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil composer: Gunther Schuller (US horn player, conductor, composer) part of: Seven Studies on Themes of Paul Klee partial recording of: Seven Studies on Themes of Paul Klee, No. 5: Arab Village composer: Gunther Schuller (US horn player, conductor, composer) part of: Seven Studies on Themes of Paul Klee	Gunther Schuller		3:05
47	Phrygian Gates (excerpt 1) piano: Ursula Oppens (pianist) partial recording of: Phrygian Gates composer: John Adams (American minimalist composer) (in 1977) was commissioned by: Mack McCray (pianist) premiered by: Mack McCray (pianist) (on 1977-03-17) premiered at: Hellman Hall in San Francisco, California, United States (on 1977-03-17) part of: Phrygian Gates and China Gates (for piano)	John Adams		2:58
48	Phrygian Gates (excerpt 2) piano: Ursula Oppens (pianist) partial recording of: Phrygian Gates composer: John Adams (American minimalist composer) (in 1977) was commissioned by: Mack McCray (pianist) premiered by: Mack McCray (pianist) (on 1977-03-17) premiered at: Hellman Hall in San Francisco, California, United States (on 1977-03-17) part of: Phrygian Gates and China Gates (for piano)	John Adams		1:33
49	Phrygian Gates (excerpt 3) piano: Ursula Oppens (pianist) partial recording of: Phrygian Gates composer: John Adams (American minimalist composer) (in 1977) was commissioned by: Mack McCray (pianist) premiered by: Mack McCray (pianist) (on 1977-03-17) premiered at: Hellman Hall in San Francisco, California, United States (on 1977-03-17) part of: Phrygian Gates and China Gates (for piano)	John Adams		0:21
50	Phrygian Gates (excerpt 4) piano: Ursula Oppens (pianist) partial recording of: Phrygian Gates composer: John Adams (American minimalist composer) (in 1977) was commissioned by: Mack McCray (pianist) premiered by: Mack McCray (pianist) (on 1977-03-17) premiered at: Hellman Hall in San Francisco, California, United States (on 1977-03-17) part of: Phrygian Gates and China Gates (for piano)	John Adams		0:30
51	Phrygian Gates (excerpt 5) piano: Ursula Oppens (pianist) partial recording of: Phrygian Gates composer: John Adams (American minimalist composer) (in 1977) was commissioned by: Mack McCray (pianist) premiered by: Mack McCray (pianist) (on 1977-03-17) premiered at: Hellman Hall in San Francisco, California, United States (on 1977-03-17) part of: Phrygian Gates and China Gates (for piano)	John Adams		0:48
52	Phrygian Gates (excerpt 6) piano: Ursula Oppens (pianist) partial recording of: Phrygian Gates composer: John Adams (American minimalist composer) (in 1977) was commissioned by: Mack McCray (pianist) premiered by: Mack McCray (pianist) (on 1977-03-17) premiered at: Hellman Hall in San Francisco, California, United States (on 1977-03-17) part of: Phrygian Gates and China Gates (for piano)	John Adams		0:38
53	Concerto Grosso: IV. orchestra: New York Philharmonic conductor: Zubin Mehta (conductor) recording of: Concerto Grosso: IV. Presto composer: Ellen Taaffe Zwilich (American composer) (in 1985) part of: Concerto Grosso	Ellen Taaffe Zwilich		1:08
54	Concerto Grosso: V. orchestra: New York Philharmonic conductor: Zubin Mehta (conductor) recording of: Concerto Grosso: V. Maestoso composer: Ellen Taaffe Zwilich (American composer) (in 1985) part of: Concerto Grosso	Ellen Taaffe Zwilich		3:29

Recordings for a History of Western Music, Sixth Edition, Volume 2: Classic to Modern (disc 12)

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