| # | Title | Artist | Rating | Length |
|---|
| 1 | Never Tear Us Apart | INXS | | ?:?? |
| 2 | The Nosebleed Section | Hilltop Hoods | 4 | ?:?? |
| 3 | Untouched | The Veronicas | 4.35 | ?:?? |
| 4 | Scar | Missy Higgins | 3 | ?:?? |
| 5 | Don't Dream It's Over- recording engineer:
- Tchad Blake and Dennis Kirk
- assistant engineer:
- Glen Holguin
- producer:
- Mitchell Froom
- mixer:
- Michael Frondelli
- bass:
- Nick Seymour
- congas, mbira [kalimba] and shakers:
- Jorge Bermudez
- drums (drum set):
- Paul Hester
- electric guitar [Gibson Les Paul Goldtop] and lead vocals:
- Neil Finn
- electric guitar [Tom Anderson “S” Style]:
- Tim Pierce
- keyboard and organ:
- Mitchell Froom
- background vocals:
- Noel Crombie, Jim Gilstrap, Andy Milton and Joe Satriani
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1986)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States and Sunset Sound Factory in Hollywood, Los Angeles, California, United States
- mixed at:
- Studio 55 in Los Angeles, California, United States
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 5)
- recording of:
- Don’t Dream It’s Over
- lyricist and composer:
- Neil Finn
- publisher:
- Chrysalis Music , EMI Music Publishing Ltd. , Mushroom Music , Mushroom Music Publishing and Roundhead Music
- part of:
- APRA Top 100 New Zealand Songs of All Time (number: 2)
| Crowded House | 3.9 | ?:?? |
| 6 | My Happiness | Powderfinger | 4 | ?:?? |
| 7 | Flame Trees | Cold Chisel | | ?:?? |
| 8 | Khe Sanh | Cold Chisel | | ?:?? |
| 9 | How to Make Gravy | Paul Kelly | | ?:?? |
| 10 | Somebody That I Used to Know- recording engineer:
- Wally De Backer (bass guitar)
- producer:
- Wally De Backer
- assistant mixer:
- Wally De Backer
- mixer:
- François Tétaz
- bass guitar:
- Lucas Taranto
- sampler [guitar, flutes, percussion and synth samples]:
- Wally De Backer
- background vocals and lead vocals:
- Kimbra and Wally De Backer
- phonographic copyright (℗) by:
- Samples ’n’ Seconds Records (in 2011) and Samples ’n’ Seconds Records Pty Ltd (in 2011)
- recorded at:
- Lucas' Loungeroom in Melbourne, Victoria, Australia (bass) and The Barn in Merricks, Shire of Mornington Peninsula, Victoria, Australia (bass)
- mixed at:
- Moose Mastering in Richmond, Queensland, Australia
- samples:
- Seville by Luiz Bonfá
- music videos:
- Somebody That I Used to Know by Gotye feat. Kimbra
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 10), Billboard Year-End Hot 100 singles of 2012 (number: 1), MIA Award: Song of the Year (number: 2011), Billboard Decade End Chart: Adult Contemporary Songs (number: 8), Triple J’s Hottest 100: Twenty Years (number: 9), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2013 winner), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 24), triple j’s Hottest 100 (number: 2011), Billboard: Greatest of All Time Hot 100 Songs (number: 36), Billboard: The 500 Best Pop Songs (number: 49), Stereogum: The 200 Best Songs of the 2010s (number: 161) and Indie 88: Top 500 Indie Rock Songs (number: 404)
- recording of:
- Somebody That I Used to Know
- lyricist:
- Walter De Backer
- composer:
- Luiz Bonfá and Walter De Backer
- publisher:
- J. Albert & Son Pty. Ltd., Kobalt Music Publishing Australia Pty Ltd, Op Shop Songs Pty Ltd., Songs of Kobalt Music Publishing, Unichappell Music, Inc. and Warner/Chappell Music Australia Pty. Ltd.
- part of:
- Matuschkes Lieblinge 2011
| Gotye featuring Kimbra | 4.1 | ?:?? |
| 11 | Sweet Disposition | The Temper Trap | 3.8 | ?:?? |
| 12 | Am I Ever Gonna See Your Face Again | The Angels | | ?:?? |
| 13 | Thunderstruck | AC/DC | 4.25 | ?:?? |
| 14 | These Days | Powderfinger | 4 | ?:?? |
| 15 | You're the Voice- recording engineer and mixer:
- Doug Brady
- drum machine programming and synthesizer [Fairlight] programming:
- Dave , Jack and Ross
- assistant engineer:
- Michael Wickow
- producer:
- Ross Fraser
- fretless bass:
- Roger McLachlan
- guitar:
- Brett Garsed
- keyboard and synthesizer [Fairlight]:
- David Hirschfelder
- background vocals:
- Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder , Colin Setches, Mal Stainton and Sandy Weekes
- lead vocals:
- Whispering Jack
- arranger:
- John Farnham, Ross Fraser and David Hirschfelder
- phonographic copyright (℗) by:
- BMG Arista / Ariola Limited (in 1986), BMG Australia Limited (in 1986), Sony BMG Music Entertainment (Australia) Pty Limited (in 1986), Wheatley Records Pty. Ltd. (in 1986) and RCA/Ariola (in 1987)
- recorded at and mixed at:
- AAV Studios in Melbourne, Victoria, Australia
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 15)
- recording of:
- You’re the Voice
- writer:
- Andy Qunta, Keith Reid, Maggie Ryder and Chris Thompson
- publisher:
- A&G Songs Ltd., Almo Music Corp. , Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. , Concord Songs Ltd., Copyright Control , CT Music , CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. , Universal Music , Universal Music Publishing and Universal Music Publishing AB
| John Farnham | 4.1 | ?:?? |
| 16 | Innerbloom | RÜFÜS DU SOL | | ?:?? |
| 17 | Tomorrow | Silverchair | 4.1 | ?:?? |
| 18 | Beds Are Burning | Midnight Oil | 4.5 | ?:?? |
| 19 | The Less I Know the Better | Tame Impala | 4.2 | ?:?? |
| 20 | Big Jet Plane | Angus & Julia Stone | 4 | ?:?? |
| 21 | Down Under- additional engineer:
- Paul Ray
- engineer:
- Jim Barbour and Peter McIan
- producer:
- Peter McIan
- bass:
- John Rees
- drums (drum set):
- Jerry Speiser
- guitar:
- Ron Strykert
- keyboard and woodwind:
- Greg Ham
- vocals:
- Colin Hay
- phonographic copyright (℗) by:
- CBS Records Australia Limited (in 1981), Columbia Records (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (in 1981), Sony Music Productions Pty. Ltd. (in 1981, in 1982), CBS, Inc. (in 1982), Sony Music Entertainment Inc. (in 1982) and Diski CBS AEBE (in 1986)
- recorded at:
- Richmond Recorders in Melbourne, Victoria, Australia
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 21) and VH1: 100 Greatest Songs of the 80’s (number: 96)
- recording of:
- Down Under
- lyricist:
- Colin Hay
- composer:
- Colin Hay and Ron Strykert
- publisher:
- April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music , EMI Music Australia Pty. Limited , EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
| Men at Work | 3.95 | ?:?? |
| 22 | To Her Door | The Coloured Girls | 3 | ?:?? |
| 23 | Are You Gonna Be My Girl- additional engineer:
- Greg Gordon
- assistant engineer:
- Evil Chris
- engineer:
- Greg Fidelman
- producer and mixer:
- Brooklyn’s own Dave Sardy
- editor:
- Greg Gordon
- additional guitar:
- Brooklyn’s own Dave Sardy
- bass guitar:
- Mark Wilson
- drums (drum set):
- Chris Cester
- guitar:
- Cam Muncey and Nic Cester
- vocals:
- Cam Muncey, Chris Cester and Nic Cester
- phonographic copyright (℗) by:
- Elektra Entertainment Group Inc. (in 2003), Real Horrorshow Pty. Ltd. (in 2003) and WEA International Inc. (in 2003)
- recorded at:
- Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
- mixed at:
- The Village in Los Angeles, California, United States
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 23), triple j’s Hottest 100 (number: 2003), Sean Michaels: The Top 30 Songs of 2003 (number: runner-up) and Indie 88: Top 500 Indie Rock Songs (number: 364)
- recording of:
- Are You Gonna Be My Girl
- writer:
- Nic Cester and Cameron Muncey
- publisher:
- Copyright Control , Universal Music Publishing and Universal Music Publishing Pty Ltd.
| Jet | 3.7 | ?:?? |
| 24 | Walking on a Dream | Empire of the Sun | 3.7 | ?:?? |
| 25 | Throw Your Arms Around Me | Hunters & Collectors | | ?:?? |
| 26 | Never Be Like You | Flume featuring kai | 3.45 | ?:?? |
| 27 | Can't Get You Out of My Head- drum machine programming:
- Rob Davis
- engineer and mixer:
- Tim Orford
- producer:
- Rob Davis and Cathy Dennis
- electric guitar and keyboard:
- Rob Davis
- background vocals and lead vocals:
- Kylie Minogue
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 2001) and KDB Pty Limited (in 2001)
- produced for:
- 19 Productions
- music videos:
- Can’t Get You Out of My Head by Kylie Minogue
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 27), Billboard Year-End Hot 100 singles of 2002 (number: 45) and Billboard: The 500 Best Pop Songs (number: 207)
- recording of:
- Can’t Get You Out of My Head
- lyricist:
- Cathy Dennis
- composer:
- Rob Davis
- publisher:
- Colgems-EMI Music Inc., EMI Music Publishing , EMI Music Publishing Australia Pty Ltd , EMI Music Publishing Ltd. , Toxic Songs Ltd., Universal Music , Universal‐MCA Music Publishing , Universal/MCA Music Limited , シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Kylie Minogue | 3.85 | ?:?? |
| 28 | Straight Lines | Silverchair | 4.15 | ?:?? |
| 29 | Under the Milky Way | The Church | 4.35 | ?:?? |
| 30 | The Horses | Daryl Braithwaite | | ?:?? |
| 31 | Highway to Hell- recording engineer:
- Mark Dearnley
- assistant engineer:
- Kevin Dallimore
- producer:
- Robert John “Mutt” Lange
- mixer:
- Tony Platt
- bass guitar:
- Cliff Williams
- drums (drum set):
- Phil Rudd
- guitar:
- Angus Young and Malcolm Young
- vocals:
- Bon Scott
- phonographic copyright (℗) by:
- J. Albert & Son Pty. Ltd. (in 1979)
- recorded at:
- Roundhouse Studios in London , England, United Kingdom
- mixed at:
- Basing Street Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 31), SWR1 Hitparade 2011 (number: 10), The Downloader’s Music Source Book (number: 108), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time (number: 254)
- recording of:
- Highway to Hell
- lyricist and composer:
- Bon Scott , Angus Young and Malcolm Young
- publisher:
- Edward B. Marks Music Co. , J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
| AC/DC | 4.4 | ?:?? |
| 32 | Torn | Natalie Imbruglia | 4.1 | ?:?? |
| 33 | One Crowded Hour | Augie March | 3 | ?:?? |
| 34 | Booster Seat | Spacey Jane | 4 | ?:?? |
| 35 | Great Southern Land | Icehouse | 2 | ?:?? |
| 36 | Treaty (Radio Mix) | Yothu Yindi | | ?:?? |
| 37 | Back in Black- assistant engineer:
- Benjamin Armbrister and Jack Nuber
- engineer:
- Tony Platt (from 1980-04 until 1980-05)
- producer:
- Robert John “Mutt” Lange
- mixer:
- Brad Samuelsohn
- bass guitar:
- Cliff Williams (from 1980-04 until 1980-05)
- drums (drum set):
- Phil Rudd (from 1980-04 until 1980-05)
- guitar [lead guitar]:
- Angus Young (from 1980-04 until 1980-05)
- guitar [rhythm guitar]:
- Malcolm Young (from 1980-04 until 1980-05)
- lead vocals:
- Brian Johnson (from 1980-04 until 1980-05)
- phonographic copyright (℗) by:
- Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
- recorded at:
- Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 37), NME: 50 Greatest Guitar Riffs of All Time (number: 1), VH1: 100 Greatest Hard Rock Songs (number: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 17), BILLIONS CLUB, The Downloader’s Music Source Book (number: 102) and Rolling Stone: 500 Greatest Songs of All Time (number: 187)
- recording of:
- Back in Black (from 1980-04 until 1980-05)
- writer:
- Brian Johnson , Angus Young and Malcolm Young
- publisher:
- J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
| AC/DC | 4.55 | ?:?? |
| 38 | Better Be Home Soon | Crowded House | 3.5 | ?:?? |
| 39 | Reckless | Australian Crawl | | ?:?? |
| 40 | Covered in Chrome | Violent Soho | 3 | ?:?? |
| 41 | Prisoner of Society | The Living End | 3.65 | ?:?? |
| 42 | Magnolia | Gang of Youths | 3 | ?:?? |
| 43 | Joker & the Thief | Wolfmother | 3.65 | ?:?? |
| 44 | Into My Arms- assistant recording engineer:
- Paul Hicks and Paul Wright
- recording engineer:
- Paul Corkett
- producer:
- Nick Cave & the Bad Seeds and Flood
- assistant mixer:
- Chris Scard
- mixer:
- Flood
- bass:
- Martyn P. Casey
- piano:
- Nick Cave
- vocals:
- Nick Cave
- phonographic copyright (℗) by:
- Mute Records Ltd. (in 1997)
- additionally recorded at:
- Sarm West Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (in 1996-07)
- mixed at:
- The Church Studios in London , England, United Kingdom (in 1996-09)
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 44)
- recording of:
- Into My Arms
- lyricist and composer:
- Nick Cave
- publisher:
- Mushroom Music Pty. Ltd., Mute Song and Mute Song Ltd.
| Nick Cave & the Bad Seeds | 4.15 | ?:?? |
| 45 | Eagle Rock | Daddy Cool | | ?:?? |
| 46 | Shooting Stars | Bag Raiders | 4.4 | ?:?? |
| 47 | Solid Rock | Goanna | | ?:?? |
| 48 | Riptide | Vance Joy | 3.95 | ?:?? |
| 49 | It's Nice to Be Alive | Ball Park Music | | ?:?? |
| 50 | Holy Grail | Hunters & Collectors | 3 | ?:?? |
| 51 | Brother | Matt Corby | | ?:?? |
| 52 | The Special Two | Missy Higgins | 3 | ?:?? |
| 53 | Better in Blak | Thelma Plum | 4 | ?:?? |
| 54 | I Touch Myself- assistant engineer:
- Chris Albert and Vince Caro
- producer:
- Divinyls , Howard Shore and David Tickle
- phonographic copyright (℗) by:
- Virgin Records America, Inc. (in 1989, in 1990) and Virgin Records (in 1990)
- recorded at:
- BMG Recording Studios in Theater District, New York, New York, United States
- remixed at:
- Power Station in Hell's Kitchen, New York, New York, United States
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 54) and Billboard: The 500 Best Pop Songs (number: 326)
- recording of:
- I Touch Myself
- lyricist and composer:
- Christina Amphlett, Mark McEntee, Tom Kelly and William Steinberg
- publisher:
- EMI Music Publishing Australia Pty Ltd , EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Warner Chappell Music Publishing Ltd.
| Divinyls | 3.5 | ?:?? |
| 55 | My People | The Presets | 4.35 | ?:?? |
| 56 | Working Class Man | Jimmy Barnes | | ?:?? |
| 57 | Wish You Well | Bernard Fanning | 3 | ?:?? |
| 58 | Frontier Psychiatrist | The Avalanches | 4.45 | ?:?? |
| 59 | Need You Tonight | INXS | 4.15 | ?:?? |
| 60 | Let Me Down Easy | Gang of Youths | 3 | ?:?? |
| 61 | Talk Is Cheap | Chet Faker | 4 | ?:?? |
| 62 | Australia Street | Sticky Fingers | 3.5 | ?:?? |
| 63 | I Was Only 19 (A Walk in the Light Green) | Redgum | | ?:?? |
| 64 | Cosby Sweater | Hilltop Hoods | 3 | ?:?? |
| 65 | Confidence | Ocean Alley | 3.5 | ?:?? |
| 66 | Power and the Passion | Midnight Oil | 4 | ?:?? |
| 67 | ! (The Song Formerly Known As) | Regurgitator | 3 | ?:?? |
| 68 | Chemical Heart | Grinspoon | 3 | ?:?? |
| 69 | Weather with You | Crowded House | 3.8 | ?:?? |
| 70 | (Baby I've Got You) On My Mind | Powderfinger | 3 | ?:?? |
| 71 | Jimmy Recard | Drapht | 4 | ?:?? |
| 72 | Freak | Silverchair | 4.2 | ?:?? |
| 73 | 1955 | Hilltop Hoods featuring Montaigne & Tom Thum | 3 | ?:?? |
| 74 | London Still | The Waifs | 3 | ?:?? |
| 75 | The Unguarded Moment | The Church | | ?:?? |
| 76 | 4ever | The Veronicas | 4 | ?:?? |
| 77 | Weir | Killing Heidi | 3 | ?:?? |
| 78 | Black Fingernails, Red Wine | Eskimo Joe | 3 | ?:?? |
| 79 | Hello | The Cat Empire | 3 | ?:?? |
| 80 | We Are the People | Empire of the Sun | 3.85 | ?:?? |
| 81 | Berlin Chair | You Am I | 3.5 | ?:?? |
| 82 | High | Peking Duk featuring Nicole Millar | 3 | ?:?? |
| 83 | Cigarettes Will Kill You | Ben Lee | 5 | ?:?? |
| 84 | Streets of Your Town | The Go‐Betweens | 5 | ?:?? |
| 85 | Delete | DMA’s | | ?:?? |
| 86 | Hearts a Mess | Gotye | 3 | ?:?? |
| 87 | The Deepest Sighs, the Frankest Shadows | Gang of Youths | 4 | ?:?? |
| 88 | Chateau | Angus & Julia Stone | | ?:?? |
| 89 | Hertz | Amyl and the Sniffers | 2.5 | ?:?? |
| 90 | Black Betty | Spiderbait | 4.15 | ?:?? |
| 91 | No Aphrodisiac- producer:
- Tim Freedman and Rob Taylor
- bass and double bass:
- Andy Lewis
- cello:
- Peter Hollo
- drums (drum set):
- Mike Richards
- guitar:
- Òscar Briz
- piano and background vocals:
- Tim Freedman
- strings:
- FourPlay String Quartet
- viola:
- Chris Emerson and Tim Hollo
- violin:
- Lara Goodridge
- vocals:
- Tim Freedman
- phonographic copyright (℗) by:
- Phantom Records (in 1997)
- recorded at:
- Albert Studios in Neutral Bay, Sydney, New South Wales, Australia and Paradise Studios in Sydney, New South Wales, Australia
- mixed at:
- Albert Studios in Neutral Bay, Sydney, New South Wales, Australia
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 91) and triple j’s Hottest 100 (number: 1997)
- recording of:
- No Aphrodisiac
- lyricist:
- Tim Freedman , Glenn Dormand and Matt Ford
- composer:
- Tim Freedman
- publisher:
- EMI April Music Inc., EMI Music Publishing Australia Pty Ltd , Mushroom Music Pty. Ltd., Mushroom Music Publishing and Phantom Music Pty. Ltd. (from 1997 until 2016-10-24)
| The Whitlams | 3 | ?:?? |
| 92 | Electric Blue | Icehouse | | ?:?? |
| 93 | Since I Left You | The Avalanches | 4 | ?:?? |
| 94 | Clair de Lune | Flight Facilities Featuring Christine Hoberg | 3 | ?:?? |
| 95 | Calypso | Spiderbait | 3 | ?:?? |
| 96 | Evie | Stevie Wright | | ?:?? |
| 97 | I Want You | Savage Garden | 4.75 | ?:?? |
| 98 | Red Right Hand | Nick Cave & the Bad Seeds | | ?:?? |
| 99 | Blue Sky Mine | Midnight Oil | 3 | ?:?? |
| 100 | Better | The Screaming Jets | | ?:?? |
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