100 Best Baroque

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD: England and the Baroque
#TitleArtistRatingLength
1Zadok the Priest
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of Ancient Music
conductor:
Stephen Cleobury (organist, conductor)
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258
composer:
George Frideric Handel (German‐British baroque composer) (in 1727)
premiered at:
Westminster Abbey in London (Greater London), England, United Kingdom (on 1727-10-11)
part of:
Händel-Werke-Verzeichnis (number: HWV 258)
part of:
The Four Coronation Anthems
Georg Friedrich Händel5:22
2The Prince of Denmark's March (Trumpet Voluntary)
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer)
orchestra:
City of London Baroque Sinfonia (chamber orchestra)
conductor:
Richard Hickox (conductor)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
composer:
Jeremiah Clarke (English baroque composer and organist) (in 1700)
Jeremiah Clarke1:04
3Lachrymae - Pavane - Lachrymae Antique
lute:
Christopher Wilson (lute and theorbo player)
viola da gamba [viols]:
Fretwork (consort of viols)
balance engineer:
Tim Handley (engineer/editor/producer) (in 1987-12)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1987-12)
recording of:
Lachrimæ, or Seaven Teares: Lachrimae Antiquae (in 1987-12)
composer:
John Dowland (composer and lutenist)
part of:
Lachrimæ or Seaven Teares (Just the seven Lachrimæ Pavans)
John Dowland4:17
4Abdelazar, or The Moor's Revenge - Rondeau
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell1:36
5Spem in alium
producer:
David R. Murray
chamber organ:
Paul Nicholson (harpsichordist & organist) and Alan Wilson (composer of church worship works and a keyboard player)
sackbut [bass sackbut]:
Wim Becu (Belgian classical trombonist & sackbutist)
choir vocals:
Taverner Choir
conductor:
Andrew Parrott (conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
recorded at:
St John-at-Hackney, London in Hackney, London (Greater London), England, United Kingdom (from 1986-11 until 1987-05)
recording of:
Spem in alium
composer:
Thomas Tallis (composer)
Thomas Tallis10:18
6W/ Lilies White
viola da gamba [viols]:
Ensemble de violes Gibbons
countertenor vocals:
Gérard Lesne (countertenor)
recording of:
With Lilies White
composer:
William Byrd (English composer) (in 1608)
William Byrd4:54
7Dido & Aeneas - Overture
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Overture (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (Baroque composer) (in 1689)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626
Henry Purcell2:16
8Your Counsel All - Great Minds - Thy Hand, Belinda - When I Am Laid Down In Earth - W/ Drooping Wings
choir vocals:
European Voices
soprano vocals:
Susan Graham (mezzo-soprano)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Emmanuelle Haïm (conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell7:00
9Come, Ye Sons of Art - Symphony - Come, Ye Sons of Art, Away- Sound the Trumpet - Come, Ye Sons of Art
baritone vocals:
David Wilson‐Johnson (baritone)
choir vocals:
Choir of the Age of Enlightenment
countertenor vocals:
James Bowman (UK countertenor) and Christopher Robson (operatic counter-tenor)
soprano vocals:
Julia Gooding (soprano)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
John Eliot Gardiner and Gustav Leonhardt (conductor, harpsichordist)
partial recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
composer:
Henry Purcell (Baroque composer) (in 1694)
librettist:
Nahum Tate
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 323)
Henry Purcell8:58
10O Solitude
viola da gamba [viola da gamba played in lyra style]:
Richard Boothby (viol and cello player)
soprano vocals:
Nancy Argenta (soprano)
recording of:
O Solitude, Z. 406
lyricist:
Katherine Philips (17th century poet)
composer:
Henry Purcell (Baroque composer) (from 1684 until 1685)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 406)
is based on:
O Solitude
Henry Purcell6:12
11Solomon - Arrival of the Queen of Sheba
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
Georg Friedrich Händel2:48
12Messiah - Allelujah
choir vocals:
Taverner Choir (in 1988-04)
orchestra:
Taverner Players (in 1988-04)
conductor:
Andrew Parrott (conductor) (in 1988-04)
performer:
The Taverner Choir, Consort & Players (in 1988-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-04)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1988-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:00
13Messiah - He Was Despised
alto vocals:
Margaret Cable (mezzo-soprano) (in 1988-04)
orchestra:
Taverner Players (in 1988-04)
conductor:
Andrew Parrott (conductor) (in 1988-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-04)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (in 1988-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel11:49
14Water Music - Suite in D - Overture - Hornpipe
orchestra:
London Classical Players
conductor:
Sir Roger Norrington (conductor)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
Georg Friedrich Händel5:20
2▼CD: The Best of Italian Baroque
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1Serse: Ombra mai fu
countertenor vocals:
David Daniels (American countertenor)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Sir Roger Norrington (conductor)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1998)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
Georg Friedrich Händel3:08
2Dixit Dominus (opening chorus)
choir vocals:
Taverner Choir
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Dixit Dominus in G minor, HWV 232: I. Chorus "Dixit Dominus"
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Dixit Dominus in G minor, HWV 232
Georg Friedrich Händel5:21
3Giulio Cesare in Egitto: Dall'ondoso periglio... Aure, deh, per pietà
harpsichord:
Emmanuelle Haïm (conductor)
contralto vocals:
Stephanie Blythe (mezzo-soprano)
orchestra:
Orchestre de chambre de Paris (formerly Ensemble Orchestral de Paris prior to 2012-03)
conductor:
John Nelson (American conductor)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IV, 36. Recitativo accompagnato “Dall’ondoso periglio” (Cesare)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IV. Aria “Aure, deh, per pietà” (Cesare)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
Georg Friedrich Händel8:36
4Alcina: Verdi prati
mezzo-soprano vocals:
Della Jones (mezzo-soprano)
orchestra:
City of London Baroque Sinfonia (chamber orchestra)
conductor:
Richard Hickox (conductor)
recording of:
Alcina, HWV 34: Atto II, Scena XII. Aria “Verdi prati, selva amene” (Ruggiero)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Alcina, HWV 34: Atto II
Georg Friedrich Händel4:22
5Orfeo: Sinfonia
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
conductor:
Emmanuelle Haïm (conductor)
recording of:
L'Orfeo: Atto secondo. Sinfonia / Ecco pur ch'a voi ritorno (Orfeo)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto secondo
recording of:
L’Orfeo: Toccata
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo, SV 318
Claudio Monteverdi1:39
6Altri canti d'amor, tenero arciero
instruments and vocals:
The Consort of Musicke (British early-music group)
conductor:
Anthony Rooley (lute player / conductor)
recording of:
Altri canti d’Amor, tenero arciero
writer:
anonymous imitation of Marino ([anonymous], special purpose artist)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 146)
part of:
Ottavo Libro de’ Madrigali: Canti Guerrieri
Claudio Monteverdi10:15
7Beatus vir
conductor:
Andrew Parrott (conductor)
performer:
The Taverner Choir, Consort & Players
recording of:
Selva morale e spirituale: Beatus vir I a 6 [Psalm 112] SV 268
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 268)
part of:
Selva morale e spirituale
Claudio Monteverdi8:56
8L'incoronazione di Poppea: Pur ti miro
mezzo-soprano vocals:
Della Jones (mezzo-soprano) (in 1988-07)
soprano vocals:
Arleen Augér (soprano) (in 1988-07)
orchestra:
City of London Baroque Sinfonia (chamber orchestra) (in 1988-07)
conductor:
Richard Hickox (conductor) (in 1988-07)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1990)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1988-07)
recording of:
L’incoronazione di Poppea: Atto III. “Pur ti miro” (Poppea, Nerone) (in 1988-07)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L'Incoronazione di Poppea: Atto III.
Claudio Monteverdi5:42
9Adagio
cello:
Caroline Dale (cellist)
instruments:
Scottish Ensemble
organ:
Sally Heath (British pianist)
violin:
Jane Murdoch (violinist) and Jonathan Rees
conductor:
Jonathan Rees
recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni7:41
10Miserere (extract)
baritone vocals, bass vocals [Cantor], bass-baritone vocals [cantor] and other vocals [cantor]:
Gerald Finley (bass-baritone)
choir vocals:
Choir of King’s College, Cambridge (in 1984)
treble vocals:
Timothy Beasley-Murray (treble vocalist) (in 1984)
vocals:
Gerald Finley (bass-baritone) (in 1984)
conductor:
Stephen Cleobury (organist, conductor)
chorus master:
Stephen Cleobury (organist, conductor) (in 1984)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
partial recording of:
Miserere mei, Deus
composer:
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri5:46
11Sonata pian' e forte
orchestra:
Gabrieli Players
conductor:
Paul McCreesh (conductor)
recording of:
Sonata pian’ e forte (orchestrated by Stokowski)
orchestrator:
Leopold Stokowski (conductor)
composer:
Giovanni Gabrieli (composer)
is based on:
Canzon pian’ e forte
orchestration of:
Sonata pian' e forte à 8, Ch. 175 (Sacrae symphoniae, Liber 1)
Giovanni Gabrieli5:17
12The Four Seasons: No. 2 "Summer": Allegro - Adagio - Presto
violin:
Monica Huggett (violinist)
orchestra:
Raglan Baroque Players (UK baroque music ensemble)
conductor:
Nicholas Kraemer (harpsichordist and conductor)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. I/23) and Ryom-Verzeichnis (number: RV 315)
part of:
Il cimento dell’armonia e dell’inventione, op. 8 (The Contest Between Harmony and Invention, op. 8)
part of:
Le quattro stagioni (The Four Seasons, “The Four Seasons”)
Antonio Vivaldi9:49
3▼CD: Treasures of the Mediterranean Baroque
#TitleArtistRatingLength
1Gloria RV589 - Opening Chorus
instruments:
Taverner Players
choir vocals:
Taverner Choir (in 1992-11) and Taverner Consort (in 1992-11)
orchestra:
Taverner Players (in 1992-11)
conductor:
Andrew Parrott (conductor) (in 1992-11)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1992-11)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (in 1992-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:30
2Oboe Concerto in C minor - 2. Adagio
oboe:
Ray Still (oboist)
orchestra:
Academy of London
conductor:
Richard Stamp
recording of:
Oboe Concerto in C minor, SF. 799 (attrib. Alessandro Marcello): I. Allegro moderato
additional composer:
Alessandro Marcello
composer:
Benedetto Marcello (composer)
part of:
Oboe Concerto in C minor, SF. 799 (attrib. Alessandro Marcello)
recording of:
Oboe Concerto in C minor, SF. 799 (attrib. Alessandro Marcello): II. Adagio
additional composer:
Alessandro Marcello
composer:
Benedetto Marcello (composer)
part of:
Oboe Concerto in C minor, SF. 799 (attrib. Alessandro Marcello)
Benedetto Marcello3:52
3Guitar Quintet in E - 3. Menuetto
recorded in:
Montevarchi, Arezzo, Toscana (Tuscany), Italy (from 1999-12-05 until 1999-12-08)
executive producer:
Alain Lanceron
cello:
Antonio Fantinuoli (from 1999-12-05 until 1999-12-08) and Maurizio Naddeo (cellist) (from 1999-12-05 until 1999-12-08)
strings [string quintet]:
Europa Galante (Italian Baroque orchestra) (from 1999-12-05 until 1999-12-08)
viola:
Ernesto Braucher (from 1999-12-05 until 1999-12-08)
violin:
Fabio Biondi (conductor/violinist) (from 1999-12-05 until 1999-12-08) and Enrico Casazza (violinist) (from 1999-12-05 until 1999-12-08)
orchestra:
Europa Galante (Italian Baroque orchestra)
balance engineer:
Nicolas De Béco (from 1999-12-05 until 1999-12-08)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (from 1999-12-05 until 1999-12-08)
composer:
Luigi Boccherini (Italian composer) (in 1771)
part of:
Quintet in E major, G. 275, op. 11 no. 5
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements)
composer:
Luigi Boccherini (Italian composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Luigi Boccherini3:39
4Keyboard Sonata in D minor K9
piano:
Михаил Плетнёв (Mikhail Pletnev, pianist & conductor) (from 1994-10-10 until 1994-10-11)
recording of:
Sonata in D minor, K 9, L 413: Allegro (from 1994-10-10 until 1994-10-11)
composer:
Domenico Scarlatti (composer)
part of:
Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 9) and Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 413)
part of:
Essercizi per gravicembalo
Domenico Scarlatti4:01
5Stabat Mater - Opening
countertenor vocals:
Gérard Lesne (countertenor)
soprano vocals:
Véronique Gens (soprano)
orchestra:
Il Seminario Musicale (French baroque music ensemble)
conductor:
Gérard Lesne (countertenor)
recorded at:
Couvent de l'Annonciation (aka "Couvent des Dominicains") in Paris, Île-de-France, France (from 1997-02-02 until 1997-02-06)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:46
6Concerto for 2 Mandolins in G Rv532 - 1. Allegro
recording of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532
Antonio Vivaldi4:01
7Crucifixus
vocals:
Taverner Consort
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
Antonio Lotti3:09
8Sonata in G minor 'Devil's Trill' - 3. Allegro
Giuseppe Tartini3:19
9The Four Seasons - Spring
violin:
Elizabeth Wallfisch (violinist)
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. I/22) and Ryom-Verzeichnis (number: RV 269)
part of:
Il cimento dell’armonia e dell’inventione, op. 8 (The Contest Between Harmony and Invention, op. 8)
part of:
Le quattro stagioni (The Four Seasons, “The Four Seasons”)
Antonio Vivaldi10:01
10Recorder Concerto in C RV444 - 1. Allegro
recorder:
Michel Sanvoisin
orchestra:
Orchestre de chambre de Toulouse
conductor:
Louis Auriacombe (conductor)
recording of:
Concerto in C major, RV 444: I. Allegro non molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in C major, RV 444
Antonio Vivaldi4:06
11Fandango
harpsichord:
Maggie Cole (harpsichordist)
recording of:
Fandango in D minor, R. 146
composer:
Padre Antonio Soler (composer)
Padre Antonio Soler10:38
12O vos omnes
choir vocals:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
recording of:
O vos omnes, Tenebrae Responsory for Holy Saturday
publisher:
Antonio Gardane (in 1572)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1572)
Tomás Luis de Victoria3:29
13Diferencias sobre las folias
orchestra:
Hespèrion XX
conductor:
Jordi Savall (viol player, conductor and composer)
recording of:
Diferencias sobre las Folias
composer:
Antonio Martín y Coll
is based on:
Folia
Antonio Martín y Coll6:49
14Villancico - Ay luna que reluzes
[anonymous]3:23
15Pavan & Galliard d'Alexandra
recording of:
Pavan and galliard d'Alexandra (for vihuela)
composer:
Alonso Mudarra (Spanish composer and musician, 1510-1580) (in 1546)
Alonso Mudarra2:59
16Messe de Requiem Consacree a Luis de Camoes - Sanctus
choir vocals:
Chorus of the Gulbenkian Foundation
orchestra:
Orchestra of the Gulbenkian Foundation (The Gulbenkian Orchestra)
conductor:
Michel Corboz (conductor and composer)
recording of:
Requiem à la mémoire de Camões in C minor, op. 23: V. Sanctus
composer:
João Domingos Bomtempo (Portuguese composer) (from 1819 until 1820)
part of:
Messe de Requiem, op. 23 (Requiem à la mémoire de Camões in C minor)
João Domingos Bomtempo2:42
4▼CD: The Glory of French Baroque
#TitleArtistRatingLength
1Marche de triomphe avec des trompettes et des timbales
orchestra:
La Simphonie du Marais (French Baroque ensemble)
conductor:
Hugo Reyne
recording of:
Marche de Triomphe
composer:
André Danican Philidor
André Danican Philidor2:17
2Marche des mousquetaires
orchestra:
La Simphonie du Marais (French Baroque ensemble)
conductor:
Hugo Reyne
recording of:
La Marche des Mousquetaires
composer:
André Danican Philidor
Jean‐Baptiste Lully1:26
3Symphonies pour le Festin Royal du Comte d'Artois: Contredanse
orchestra:
La Simphonie du Marais (French Baroque ensemble)
conductor:
Hugo Reyne
recording of:
Symphonies pour le Festin Royal du Comte d'Artois: Suite in G minor: VII. Contredanse
composer:
François Francœur
part of:
Symphonies pour le Festin Royal du Comte d'Artois: Suite in G minor
François Francœur3:14
4Marche de triomphe
Marc‐Antoine Charpentier2:34
5Symphonies pour les soupers du Roi: Caprice de Villers-Cotterets
trumpet:
Maurice André (French trumpeter), Thierry Caens (trumpeter), Jean-Pierre Leroy, Bernard Soustrot (trumpeter) and Guy Touvron (trumpet player)
orchestra:
Ensemble orchestral de Paris
conductor:
Jean‐Pierre Wallez (violinist/conductor)
Michel‐Richard de Lalande16:11
6Chaconne
orchestra:
Concerto Köln
partial recording of:
Quatrième Concert de simphonies in A major, op. 4 no. 2
composer:
Antoine Dauvergne
Michel‐Richard de Lalande5:09
7Te Deum: Prelude
orchestra and performer:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recorded at:
Salle des Concerts de la Cité de la Musique in Paris, Île-de-France, France (from 2004-09-14 until 2004-09-15)
recording of:
Te Deum, H. 146: Prélude
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:37
8Messe propre pour les Convents de Religieux et Religieuses: Offertoire sur les grands jeux
organ:
Jean‐Patrice Brosse
recording of:
Messe pour les Couvents: III. Offertoire sur les Grands Jeux
composer:
François Couperin (French composer of the Baroque era) (in 1690)
part of:
Messe pour les Couvents (for organ)
François Couperin5:01
9Regina coeli
other vocals:
Les Demoiselles de Saint-Cyr
performer:
Emmanuel Mandrin (organist)
recording of:
Regina coeli, H. 32
composer:
Marc‐Antoine Charpentier (composer)
part of:
Les œuvres de Marc-Antoine Charpentier: Catalogue Raisonné (number: 32)
Marc‐Antoine Charpentier2:42
10Panis angelicus
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
orchestra:
Il Seminario Musicale (French baroque music ensemble)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
recording of:
Panis Angelicus, C. 131 (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
Louis‐Nicolas Clérambault3:32
11Requiem: Introit (extract)
choir vocals:
La Grande Écurie et la Chambre du Roy and Les Pages de la Chapelle de Versailles
chorus master:
Jean‐Claude Malgoire (conductor and oboist)
recording of:
Requiem: Introit
composer:
André Campra (French composer)
part of:
Messe de Requiem: Requiem
André Campra3:13
12In convertendo: Tunc repletum est gaudio nostrum
engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (from 1993-04-13 until 1993-04-18)
producer:
Dominique Daigremont
orchestra:
Le Concert Spirituel (French baroque ensemble) (from 1993-04-13 until 1993-04-18)
conductor:
Hervé Niquet (conductor) (from 1993-04-13 until 1993-04-18)
recorded at:
Collégiale Saint-Martin de Champeaux in Champeaux, Seine-et-Marne, Île-de-France, France (from 1993-04-13 until 1993-04-18)
recording of:
In convertendo: Gai "Tunc repletum est gaudio os nostrum"
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
In convertendo
Jean‐Philippe Rameau3:08
13Suite in C minor: La Plainte, ou le Tombeau de Mesdemoiselles de Visée, filles de l'auteur
recording engineer:
Eric Ribouchon (engineer)
producer and editor:
Alain Duchemin
theorbo:
Pascal Monteilhet (lutenist) (from 1992-02-12 until 1992-02-14)
phonographic copyright (℗) by:
Fnac Music Production (in 1993)
recorded at:
Temple protestant de la rue Pierre Nicole (Temple Saint‐Marcel) in Paris, Île-de-France, France (from 1992-02-12 until 1992-02-14)
recording of:
La plainte ou Tombeau des Mesdemoiselles de Visée (Saizenay, p. 98)
composer:
Robert de Visée (Baroque composer)
part of:
Suite in C minor
Robert de Visée4:12
14Plainte sur la mort de Monsieur Lambert
executive producer:
Alain Lanceron
producer:
Michel Bernard (engineer / producer)
editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1997-04-01 until 1997-04-04)
alto vocals:
Gérard Lesne (countertenor) (from 1997-04-01 until 1997-04-04)
countertenor vocals:
Gérard Lesne (countertenor)
orchestra:
Il Seminario Musicale (French baroque music ensemble)
balance engineer:
Michel Pierre (audio engineer)
recorded at:
Église luthérienne de Bon Secours in Paris, Île-de-France, France (from 1997-04-01 until 1997-04-04)
recording of:
Plainte sur la mort de Monsieur Lambert (from 1997-04-01 until 1997-04-04)
composer:
Jean Lacquemant (DuBuisson) and Du Buisson (composer, died ca. 1710) (in 1696)
DuBuisson5:21
15Tambourins
orchestra:
Trio Sonnerie
recording of:
Les Indes Galantes, Suites d’orchestre: Troisième Concert: III. Tambourins (à deux clavecins): Tambourin I
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Indes Galantes, Suites d’orchestre: Troisième Concert: III. Tambourins (à deux clavecins)
recording of:
Les Indes Galantes, Suites d’orchestre: Troisième Concert: III. Tambourins (à deux clavecins): Tambourin II
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Indes Galantes, Suites d’orchestre: Troisième Concert: III. Tambourins (à deux clavecins)
Jean‐Philippe Rameau2:17
16Suite in C minor: La Plainte
bass viol and viola da gamba:
Jérôme Hantaï (viola da gamba and fortepiano player) (from 1996-04-16 until 1996-04-19) and Alix Verzier (cellist) (from 1996-04-16 until 1996-04-19)
harpsichord:
Pierre Hantaï (Harpsichordist and organist) (from 1996-04-16 until 1996-04-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-16 until 1996-04-19)
recording of:
Pièces de viole, Livre III: 86. Plainte (from 1996-04-16 until 1996-04-19)
composer:
Marin Marais (French composer)
part of:
Pièces de viole, Livre III
Marin Marais3:22
17Le Canal de Versailles: Overture
orchestra:
La Simphonie du Marais (French Baroque ensemble)
conductor:
Hugo Reyne
recording of:
Le Canal de Versailles: Ouverture
composer:
André Danican Philidor (in 1687)
part of:
Le Canal de Versailles
André Danican Philidor1:37
18Isis: Air des trembleurs: L'Hiver qui nous tourmente s'obstine à nous geler
bass vocals:
Bernard Deletré (bass-baritone)
soprano vocals:
Isabelle Desrochers (soprano)
orchestra:
La Simphonie du Marais (French Baroque ensemble)
conductor:
Hugo Reyne
recording of:
Isis, acte IV, sc.1: L'hyver qui nous tourmente
composer:
Jean‐Baptiste Lully (composer) (in 1677)
part of:
Isis, LWV 54
Jean‐Baptiste Lully1:53
19Les Indes galantes: Chaconne
soprano vocals:
Patricia Petibon (soprano)
orchestra:
Les Folies Françoises
conductor:
Patrick Cohën-Akenine
partial recording of:
Les Indes galantes: Acte IV "Les Sauvages"
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
librettist:
Louis Fuzelier
part of:
Les Indes galantes
Jean‐Philippe Rameau5:37
20Les Indes galantes: Air: Régnez, plaisirs et jeux
soprano vocals:
Patricia Petibon (soprano)
orchestra:
Les Folies Françoises
conductor:
Patrick Cohën-Akenine
partial recording of:
Les Indes galantes: Acte IV "Les Sauvages"
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
librettist:
Louis Fuzelier
part of:
Les Indes galantes
Jean‐Philippe Rameau3:16
5▼CD: Bach and His Time
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1Canon a 3 in D
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel3:40
2Canzonetta in A minor, BuxWv 225
organ:
Nicholas Danby (organist)
recording of:
Canzonetta in A minor, BuxWV 225
composer:
Dieterich Buxtehude (composer)
part of:
Buxtehude-Werke-Verzeichnis (number: BuxWV 225)
Dietrich Buxtehude1:56
3Cello Concerto in G minor: III. Allegro non tanto
cello:
Balázs Máté (cellist)
harpsichord:
Lajós Rovátkay
orchestra:
Capella Agostino Steffani
Georg Matthias Monn4:35
4Cantata, BWV 147 "Herz und Mund und Tat und Leben": "Jesus bleibet meine Freude"
choir vocals:
Taverner Consort (in 1987)
orchestra:
Taverner Players (in 1987)
conductor:
Andrew Parrott (conductor) (in 1987)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1987)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:15
5Suite No. 3 in D, BWV 1068: Air
orchestra:
English Chamber Orchestra (in 1988-01)
conductor:
Philip Ledger (in 1988-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 1991)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach4:48
6Concerto for Four Harpsichords (after Vivaldi), BWV 1065: I. Allegro
harpsichord:
Bob van Asperen (harpsichordist and organist) (from 1994-12-19 until 1994-12-23), Marcelo Bussi (from 1994-12-19 until 1994-12-23), Bernhard Klapprott (from 1994-12-19 until 1994-12-23) and Carsten Lohff (from 1994-12-19 until 1994-12-23)
orchestra:
Melante Amsterdam (from 1994-12-19 until 1994-12-23)
conductor:
Bob van Asperen (harpsichordist and organist) (from 1994-12-19 until 1994-12-23)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-12-19 until 1994-12-23)
recording of:
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065: I. [Allegro] (from 1994-12-19 until 1994-12-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065
Johann Sebastian Bach4:22
7Toccata & Fugue in D minor, BWV 565: I. Toccata
instruments:
Werner Jacob (organist)
organ:
Werner Jacob (organist)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach2:34
8Toccata & Fugue in D minor, BWV 565: II. Fugue
organ:
Werner Jacob (organist)
recording of:
Toccata und Fuge d-Moll, BWV 565: II. Fuge
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach6:52
9Cantata, BWV 51 "Jauchzet Gott in allen Landen!": Aria "Jauchzet Gott in allen Landen!"
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
David R. Murray
editor:
Tim Handley (engineer/editor/producer)
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (from 1993-02-25 until 1993-02-28)
soprano vocals:
Nancy Argenta (soprano) (from 1993-02-25 until 1993-02-28)
orchestra:
Sonnerie (from 1993-02-25 until 1993-02-28)
conductor:
Monica Huggett (violinist) (from 1993-02-25 until 1993-02-28)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993-02-25 until 1993-02-28)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (from 1993-02-25 until 1993-02-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach4:17
10Suite in A minor: Les Plaisirs
Georg Philipp Telemann2:38
11Oboe Concerto in F minor: II. Largo
engineer:
Hartwig Paulsen (from 1981-10-12 until 1981-10-15)
producer:
Gerd Berg (producer) (from 1981-10-12 until 1981-10-15)
harpsichord:
Bob van Asperen (harpsichordist and organist) (from 1981-10-12 until 1981-10-15)
oboe:
Han de Vries (oboist) (from 1981-10-12 until 1981-10-15)
orchestra:
Alma Musica Amsterdam (from 1981-10-12 until 1981-10-15)
conductor:
Lucy van Dael (violinist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1981-10-12 until 1981-10-15)
recording of:
Oboe Concerto in F minor, TWV 51:f1: II. Largo
composer:
Georg Philipp Telemann (composer)
part of:
Oboe Concerto in F minor, TWV 51:f1
Georg Philipp Telemann2:18
12Cantata, BWV 29 "Wir danken dir, Gott, wir danken dir": Sinfonia
orchestra:
Taverner Players (from 1987-04 until 1987-06)
conductor:
Andrew Parrott (conductor) (from 1987-04 until 1987-06)
performer:
Taverner Consort and Taverner Players
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1987-04 until 1987-06)
recording of:
Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia (from 1987-04 until 1987-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach3:39
13Goldberg Variations, BWV 988: Aria
harpsichord:
Maggie Cole (harpsichordist) (in 1990-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1990-06)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1990-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach4:31
14St. John Passion, BWV 245: Es ist vollbracht
producer:
Étienne Collard
harpsichord:
Emmanuelle Haïm (conductor) (from 2000-12-01 until 2000-12-05)
solo viola da gamba:
Jérôme Hantaï (viola da gamba and fortepiano player) (from 2000-12-01 until 2000-12-05)
alto vocals:
Stephanie Blythe (mezzo-soprano) (in 2000-12)
solo mezzo-soprano vocals:
Stephanie Blythe (mezzo-soprano) (from 2000-12-01 until 2000-12-05)
orchestra:
Orchestre de Paris (in 2000-12) and Ensemble orchestral de Paris (from 2000-12-01 until 2000-12-05)
conductor:
John Nelson (American conductor) (in 2000-12, from 2000-12-01 until 2000-12-05)
balance engineer:
Hugues Deschaux
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 2000-12, from 2000-12-01 until 2000-12-05)
recording of:
St. John Passion, BWV 245: Es ist vollbracht! (Stokowski orchestration) (from 2000-12-01 until 2000-12-05)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!"
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (in 2000-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach5:52
15Brandenburg Concerto No. 4 in G, BWV 1049: III. Presto
recorder:
Rachel Beckett (flute and recorder player) (from 1988-03-30 until 1988-03-31) and Marion Scott (woodwinds) (from 1988-03-30 until 1988-03-31)
violin:
Monica Huggett (violinist) (from 1988-03-30 until 1988-03-31)
orchestra:
Orchestra of the Age of Enlightenment (from 1988-03-30 until 1988-03-31)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recorded at:
St Anne's Church, Wandsworth in London (Greater London), England, United Kingdom (from 1988-03-30 until 1988-03-31)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto (from 1988-03-30 until 1988-03-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach4:27
16Cello Suite No. 1 in G, BWV 1007: I. Prelude
cello:
Ralph Kirshbaum (cellist) (in 1993-01)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (in 1993-01)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 1993-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:34
17Magnificat in D, BWV 243: Magnificat anima mea
choir vocals:
Nederlands Kamerkoor (Netherlands Chamber Choir) (in 1988-12)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1988-12)
conductor:
Sigiswald Kuijken (in 1988-12)
recorded at:
Augustinuskerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-12)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1988-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:59
18Keyboard Concerto in F minor, BWV 1056: I. Allegro - II. Largo - III. Presto
harpsichord:
Bob van Asperen (harpsichordist and organist)
orchestra:
Melante Amsterdam
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1056)
Johann Sebastian Bach9:14
19Flute Sonata in E-flat major, BWV 1031: II. Siciliano
producer:
Eric Macleod (producer)
flute:
Michel Debost (flutist) (from 1977-11 until 1979-03)
harpsichord:
Lionel Rogg (organist) (from 1977-11 until 1979-03)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1977-11 until 1979-03)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (from 1977-11 until 1979-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Flute Sonata in E-flat major, BWV 1031
Johann Sebastian Bach2:20
20Orchestral Suite No. 4 in D, BWV 1069: V. La Réjouissance
producer:
Simon Woods (producer)
editor:
Tim Handley (engineer/editor/producer) and Mary Hughes (editor, engineer)
bassoon:
Dennis Godburn (bassoonist) (in 1992-04)
cello:
Myron Lutzke (in 1992-04)
double bass:
Michael Willens (bass) (in 1992-04)
harpsichord:
John Gibbons (US harpsichordist and conductor) (in 1992-04)
oboe:
Virginia Brewer (oboist) (in 1992-04), Stephen Hammer (oboist) (in 1992-04) and Marc Schachman (oboist) (in 1992-04)
percussion:
John Grimes (US percussionist) (in 1992-04)
trumpet:
Dennis Ferry (trumpeter) (in 1992-04), Jesse Levine (trumpet) (in 1992-04) and John Thiessen (trumpet) (in 1992-04)
viola:
David Miller (classical violist) (in 1992-04)
violin:
Elizabeth Blumenstock (violinist) (in 1992-04) and Anthony Martin (violist) (in 1992-04)
orchestra:
Boston Early Music Festival Orchestra
conductor:
Andrew Parrott (conductor) (in 1992-04)
balance engineer:
Mike Hatch (engineer/editor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (in 1992-04)
recording of:
Orchestersuite Nr. 4 D-Dur, BWV 1069: V. Réjouissance (in 1992-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)
Johann Sebastian Bach2:33
6▼CD: The Genius of Bach
#TitleArtistRatingLength
1Partita No. 3 in E for Solo Violin, BWV 1006: I. Preludio
producer:
Andrew Keener (engineer/editor/producer)
editor:
Andrew Keener (engineer/editor/producer) and John H. West (classical engineer/producer)
violin:
Christian Tetzlaff (violinist) (in 1993-11)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (in 1993-03, in 1993-11)
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: I. Preludio (in 1993-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
Johann Sebastian Bach3:14
2St John Passion, BWV 245: Ruht wohl, ihr heiligen Gebeine
producer:
Simon Woods (producer)
editor:
Matthew Cocker (editor)
choir vocals:
Taverner Choir (in 1990-04) and Taverner Consort (in 1990-04)
orchestra:
Taverner Players (in 1990-04)
conductor:
Andrew Parrott (conductor) (in 1990-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 39 Chorus "Ruht wohl, ihr heiligen Gebeine" (in 1990-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach8:03
3Brandenburg Concerto No. 2 in F major, BWV 1047: I. Allegro
oboe:
Paul Goodwin (conductor / oboist) (from 1987-11-18 until 1987-11-20)
recorder:
Rachel Beckett (flute and recorder player) (from 1987-11-18 until 1987-11-20)
trumpet:
Mark Bennett (trumpeter) (from 1987-11-18 until 1987-11-20)
violin:
Monica Huggett (violinist) (from 1987-11-18 until 1987-11-20)
orchestra:
Orchestra of the Age of Enlightenment (from 1987-11-18 until 1987-11-20)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1987-11-18 until 1987-11-20)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (from 1987-11-18 until 1987-11-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach5:05
4Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante
orchestra:
Orchestra of the Age of Enlightenment (from 1987-11-18 until 1987-11-20)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1987-11-18 until 1987-11-20)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) (from 1987-11-18 until 1987-11-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:45
5Brandenburg Concerto No. 2 in F major, BWV 1047: III. Allegro assai
flute and recorder:
Rachel Beckett (flute and recorder player) (from 1987-11-18 until 1987-11-20)
oboe:
Paul Goodwin (conductor / oboist) (from 1987-11-18 until 1987-11-20)
trumpet:
Mark Bennett (trumpeter) (from 1987-11-18 until 1987-11-20)
violin:
Monica Huggett (violinist) (from 1987-11-18 until 1987-11-20)
orchestra and performer:
Orchestra of the Age of Enlightenment (from 1987-11-18 until 1987-11-20)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1987-11-18 until 1987-11-20)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (from 1987-11-18 until 1987-11-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:42
6Mass in B minor, BWV 232: Chorus "Gloria in excelsis... Et in terra pax"
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Collegium Vocale Gent (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach7:03
7The Well-Tempered Clavier, Book 1: Prelude & Fugue in C, BWV 846
harpsichord:
Bob van Asperen (harpsichordist and organist)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846 (from 1989 until 1990)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach Compendium (number: BC L 80) and Bach-Werke-Verzeichnis (number: BWV 846)
part of:
The Well-Tempered Clavier, Book I
Johann Sebastian Bach5:09
8Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto
producer:
Nicholas Parker (classical violinist, producer, engineer)
violin:
Alison Bury (violinist) (from 1990-08 until 1991-06) and Elizabeth Wallfisch (violinist) (from 1990-08 until 1991-06)
orchestra:
Orchestra of the Age of Enlightenment (from 1990-08 until 1991-06)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-08 until 1991-06)
recorded at:
St Michael’s Church (Highgate) in Highgate, Camden (London Borough of Camden), Haringey, Islington, London (Greater London), England, United Kingdom (from 1990-08 until 1991-06)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (from 1990-08 until 1991-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach6:26
9Suite in E minor, BWV 996: V. Bourrée
classical guitar:
Sharon Isbin (classical guitarist)
recorded at:
Minnesota Public Radio Recording Studios (formerly, Studio M) in Saint Paul, Minnesota, United States
recording of:
Suite in E minor, BWV 996: V. Bourrée (catch-all for arrangements) (in 1988-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite in E minor, BWV 996: V. Bourrée
part of:
Suite in E minor, BWV 996 (catch-all for arrangements)
Johann Sebastian Bach1:21
10Suite in E minor, BWV 996: VI. Gigue
guitar:
Sharon Isbin (classical guitarist)
recording of:
Suite in E minor, BWV 996: VI. Gigue (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite in E minor, BWV 996: VI. Gigue
part of:
Suite in E minor, BWV 996 (catch-all for arrangements)
Johann Sebastian Bach2:12
11Orchestral Suite No. 2 in B minor, BWV 1067: I. Ouverture - VI. Menuet - VII. Badinerie
orchestra:
English Chamber Orchestra
conductor:
Philip Ledger
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture (Orchestral Suite no. 2 in B minor, BWV 1067: I. Overture)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture (orch. Stokowski)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach10:18
12Keyboard Partita No. 1 in B-flat, BWV 825: I. Präludium
piano:
Piotr Anderszewski (pianist) (from 2002-02-23 until 2002-02-25)
recorded at:
Studio Tibor Varga in Sion, Valais (Canton of Valais), Switzerland (from 2002-02-23 until 2002-02-25)
recording of:
Partita no. 1 in B-flat major, BWV 825: I. Prelude (from 2002-02-23 until 2002-02-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
Johann Sebastian Bach2:14
13Keyboard Partita No. 1 in B-flat, BWV 825: VI. Gigue
piano:
Piotr Anderszewski (pianist) (from 2002-02-23 until 2002-02-25)
recorded at:
Studio Tibor Varga in Sion, Valais (Canton of Valais), Switzerland (from 2002-02-23 until 2002-02-25)
recording of:
Partita no. 1 in B-flat major, BWV 825: VII. Gigue (from 2002-02-23 until 2002-02-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
Johann Sebastian Bach1:53
14Magnificat in D, BWV 243: Deposuit potentes
tenor vocals:
Christoph Prégardien (tenor) (in 1988-12)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1988-12)
conductor:
Sigiswald Kuijken (in 1988-12)
recorded at:
Augustinuskerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-12)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (in 1988-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:03
15Mass in B minor, BWV 232: Agnus Dei
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
alto vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:28
16Keyboard Sonata in E-flat: II. Largo - III. Presto
harpsichord:
Christophe Rousset (French harpsichordist & conductor)
recording of:
Keyboard Sonata in E-flat major, BR A7, F. 5: II. Largo
composer:
Wilhelm Friedemann Bach (German composer) (in 1748)
part of:
Keyboard Sonata in E-flat major, BR A7, F. 5
part of:
Keyboard Sonata in E-flat major, BR A7, F. 5
recording of:
Keyboard Sonata in E-flat major, BR A7, F. 5: III. Presto
composer:
Wilhelm Friedemann Bach (German composer) (in 1748)
part of:
Keyboard Sonata in E-flat major, BR A7, F. 5
part of:
Keyboard Sonata in E-flat major, BR A7, F. 5
Wilhelm Friedemann Bach5:16
17Cello Concerto in A, H439: III. Allegro assai
producer:
Tim Handley (engineer/editor/producer) (from 1988-11-18 until 1988-11-20)
cello:
Anner Bylsma (cellist) (from 1988-11-18 until 1988-11-20)
orchestra:
Orchestra of the Age of Enlightenment (from 1988-11-18 until 1988-11-20)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1988-11-18 until 1988-11-20)
balance engineer:
Nicholas Parker (classical violinist, producer, engineer) (from 1988-11-18 until 1988-11-20)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (from 1988-11-18 until 1988-11-20)
recording of:
Cello Concerto in A major, Wq. 172, H. 439: III. Allegro assai (from 1988-11-18 until 1988-11-20)
composer:
Carl Philipp Emanuel Bach (German classical composer) (in 1753)
arrangement of:
Keyboard Concerto in A major, Wq. 29, H. 437: III. Allegro assai
part of:
Cello Concerto in A major, Wq. 172, H. 439
Carl Philipp Emanuel Bach5:03
18Die Auferstehung and Himmelfahrt Jesu: Triump! Der Fürst des Lebens sieget!
choir vocals:
Collegium Vocale Gent
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240: Part II: XVI. Chorus. Triumph!
lyricist:
Karl Wilhelm Ramler (German poet)
composer:
Carl Philipp Emanuel Bach (German classical composer) (from 1774 until 1778)
part of:
Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240
Carl Philipp Emanuel Bach2:05

Credits

Release group

part of:100 Best (EMI Classics) (order: 8)