Changes: The Complete 1970s Atlantic Studio Recordings

~ Release by Charles Mingus (see all versions of this release, 3 available)

Tracklist

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1▼CD: Mingus Moves
#TitleRatingLength
1Canon
recorded in:
New York, New York, United States (from 1973-10-29 until 1973-10-31)
recording engineer:
Gene Paul
producer:
Nesuhi Ertegun
double bass [bass]:
Charles Mingus (from 1973-10-29 until 1973-10-31)
drums (drum set):
Dannie Richmond (drummer) (from 1973-10-29 until 1973-10-31)
trumpet:
Ronald Hampton (from 1973-10-29 until 1973-10-31)
woodwind:
George Adams (jazz musician) (from 1973-10-29 until 1973-10-31)
double bass arranger:
Charles Mingus
arranger:
Sy Johnson
recording of:
Canon (in 1973-10)
composer:
Charles Mingus
5:30
2Opus 4
recorded in:
New York, New York, United States (from 1973-10-29 until 1973-10-31)
recording engineer:
Gene Paul
producer:
Nesuhi Ertegun
double bass [bass]:
Charles Mingus (from 1973-10-29 until 1973-10-31)
drums (drum set):
Dannie Richmond (drummer) (from 1973-10-29 until 1973-10-31)
trumpet:
Ronald Hampton (from 1973-10-29 until 1973-10-31)
woodwind:
George Adams (jazz musician) (from 1973-10-29 until 1973-10-31)
arranger:
Sy Johnson
6:41
3Moves
recorded in:
New York, New York, United States (from 1973-10-29 until 1973-10-31)
recording engineer:
Gene Paul
producer:
Nesuhi Ertegun
double bass [bass]:
Charles Mingus (from 1973-10-29 until 1973-10-31)
drums (drum set):
Dannie Richmond (drummer) (from 1973-10-29 until 1973-10-31)
trumpet:
Ronald Hampton (from 1973-10-29 until 1973-10-31)
woodwind:
George Adams (jazz musician) (from 1973-10-29 until 1973-10-31)
vocals:
Doug Hammond (Drummer, percussionist and vocalist) (from 1973-10-29 until 1973-10-31) and Honey Gordon (from 1973-10-29 until 1973-10-31)
arranger:
Sy Johnson
recording of:
Move
composer:
Denzil Best
3:46
4Wee
recorded in:
New York, New York, United States (from 1973-10-29 until 1973-10-31)
recording engineer:
Gene Paul
producer:
Nesuhi Ertegun
double bass [bass]:
Charles Mingus (from 1973-10-29 until 1973-10-31)
drums (drum set):
Dannie Richmond (drummer) (from 1973-10-29 until 1973-10-31)
trumpet:
Ronald Hampton (from 1973-10-29 until 1973-10-31)
woodwind:
George Adams (jazz musician) (from 1973-10-29 until 1973-10-31)
arranger:
Sy Johnson
recording of:
Wee (Allen's Alley)
composer:
Denzil Best
8:59
5Flowers for a Lady
recorded in:
New York, New York, United States (from 1973-10-29 until 1973-10-31)
recording engineer:
Gene Paul
producer:
Nesuhi Ertegun
double bass [bass]:
Charles Mingus (from 1973-10-29 until 1973-10-31)
drums (drum set):
Dannie Richmond (drummer) (from 1973-10-29 until 1973-10-31)
trumpet:
Ronald Hampton (from 1973-10-29 until 1973-10-31)
woodwind:
George Adams (jazz musician) (from 1973-10-29 until 1973-10-31)
arranger:
Sy Johnson
recording of:
Flowers for a Lady
composer:
George Adams (jazz musician)
6:46
6Newcomer
recorded in:
New York, New York, United States (from 1973-10-29 until 1973-10-31)
recording engineer:
Gene Paul
producer:
Nesuhi Ertegun
double bass [bass]:
Charles Mingus (from 1973-10-29 until 1973-10-31)
drums (drum set):
Dannie Richmond (drummer) (from 1973-10-29 until 1973-10-31)
trumpet:
Ronald Hampton (from 1973-10-29 until 1973-10-31)
woodwind:
George Adams (jazz musician) (from 1973-10-29 until 1973-10-31)
arranger:
Sy Johnson
7:15
7Opus 3
recorded in:
New York, New York, United States (from 1973-10-29 until 1973-10-31)
recording engineer:
Gene Paul
producer:
Nesuhi Ertegun
double bass [bass]:
Charles Mingus (from 1973-10-29 until 1973-10-31)
drums (drum set):
Dannie Richmond (drummer) (from 1973-10-29 until 1973-10-31)
trumpet:
Ronald Hampton (from 1973-10-29 until 1973-10-31)
woodwind:
George Adams (jazz musician) (from 1973-10-29 until 1973-10-31)
arranger:
Sy Johnson
10:27
8Big Alice (Take 1)
recorded in:
New York, New York, United States (from 1973-10-29 until 1973-10-31)
double bass [bass]:
Charles Mingus (from 1973-10-29 until 1973-10-31)
drums (drum set):
Dannie Richmond (drummer) (from 1973-10-29 until 1973-10-31)
trumpet:
Ronald Hampton (from 1973-10-29 until 1973-10-31)
woodwind:
George Adams (jazz musician) (from 1973-10-29 until 1973-10-31)
arranger:
Sy Johnson
recording of:
Big Alice
composer:
Don Pullen (pianist)
publisher:
Andredon Publishing (publisher for Don Pullen)
4:55
9The Call (Take 1)
recorded in:
New York, New York, United States (from 1973-10-29 until 1973-10-31)
double bass [bass]:
Charles Mingus (from 1973-10-29 until 1973-10-31)
drums (drum set):
Dannie Richmond (drummer) (from 1973-10-29 until 1973-10-31)
trumpet:
Ronald Hampton (from 1973-10-29 until 1973-10-31)
woodwind:
George Adams (jazz musician) (from 1973-10-29 until 1973-10-31)
arranger:
Sy Johnson
7:15
2▼CD: Changes One
#TitleRatingLength
1Remember Rockefeller at Attica
recorded in:
New York, New York, United States (on 1974-12-28)
double bass [bass]:
Charles Mingus (on 1974-12-28)
drums (drum set):
Dannie Richmond (drummer) (on 1974-12-28)
piano:
Don Pullen (pianist) (on 1974-12-28)
tenor saxophone:
George Adams (jazz musician) (on 1974-12-28)
trumpet:
Jack Walrath (on 1974-12-28)
double bass arranger:
Charles Mingus
recording of:
Remember Rockefeller at Attica (on 1974-12-28)
composer:
Charles Mingus
5:56
2Sue’s Changes
recorded in:
New York, New York, United States (on 1974-12-27)
double bass [bass]:
Charles Mingus (on 1974-12-27)
drums (drum set):
Dannie Richmond (drummer) (on 1974-12-27)
piano:
Don Pullen (pianist) (on 1974-12-27)
tenor saxophone:
George Adams (jazz musician) (on 1974-12-27)
trumpet:
Jack Walrath (on 1974-12-27)
recording of:
Sue's Changes (on 1974-12-27)
composer:
Charles Mingus
17:05
3Devil Blues
recorded in:
New York, New York, United States (on 1974-12-28)
double bass [bass]:
Charles Mingus (on 1974-12-28)
drums (drum set):
Dannie Richmond (drummer) (on 1974-12-28)
piano:
Don Pullen (pianist) (on 1974-12-28)
tenor saxophone:
George Adams (jazz musician) (on 1974-12-28)
trumpet:
Jack Walrath (on 1974-12-28)
vocals:
George Adams (jazz musician) (on 1974-12-28)
recording of:
Devil Blues (on 1974-12-28)
lyricist:
Clarence “Gatemouth” Brown
composer:
George Adams (jazz musician) and Charles Mingus
9:28
4Duke Ellington’s Sound of Love
recorded in:
New York, New York, United States (on 1974-12-27)
double bass [bass]:
Charles Mingus (on 1974-12-27)
drums (drum set):
Dannie Richmond (drummer) (on 1974-12-27)
piano:
Don Pullen (pianist) (on 1974-12-27)
tenor saxophone:
George Adams (jazz musician) (on 1974-12-27)
trumpet:
Jack Walrath (on 1974-12-27)
recording of:
Duke Ellington's Sound of Love (on 1974-12-27)
lyricist and composer:
Charles Mingus
12:12
3▼CD: Changes Two
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1Free Cell Block F, ’Tis Nazi U.S.A.
recording engineer:
Gene Paul
executive producer:
Nesuhi Ertegun
producer:
İlhan Mimaroğlu (Turkish-American electronic composer)
double bass [bass]:
Charles Mingus (on 1974-12-30)
drums (drum set):
Dannie Richmond (drummer) (on 1974-12-30)
piano:
Don Pullen (pianist) (on 1974-12-30)
tenor saxophone:
George Adams (jazz musician) (on 1974-12-30)
trumpet:
Jack Walrath (on 1974-12-30)
remixer:
İlhan Mimaroğlu (Turkish-American electronic composer) and Bobby Warner
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1974-12-30)
recording of:
Free Cell Block F, ‘Tis Nazi U.S.A. (on 1974-12-30)
composer:
Charles Mingus
6:53
2Orange Was the Color of Her Dress, Then Silk Blue
recording engineer:
Gene Paul
executive producer:
Nesuhi Ertegun
producer:
İlhan Mimaroğlu (Turkish-American electronic composer)
double bass [bass]:
Charles Mingus (on 1974-12-30)
drums (drum set):
Dannie Richmond (drummer) (on 1974-12-30)
piano:
Don Pullen (pianist) (on 1974-12-30)
tenor saxophone:
George Adams (jazz musician) (on 1974-12-30)
trumpet:
Jack Walrath (on 1974-12-30)
remixer:
İlhan Mimaroğlu (Turkish-American electronic composer) and Bobby Warner
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1974-12-30)
recording of:
Orange Was the Color of Her Dress, Then Silk Blue (on 1974-12-30)
composer:
Charles Mingus
17:29
3Black Bats and Poles
recording engineer:
Gene Paul
executive producer:
Nesuhi Ertegun
producer:
İlhan Mimaroğlu (Turkish-American electronic composer)
double bass [bass]:
Charles Mingus (on 1974-12-30)
drums (drum set):
Dannie Richmond (drummer) (on 1974-12-30)
piano:
Don Pullen (pianist) (on 1974-12-30)
tenor saxophone:
George Adams (jazz musician) (on 1974-12-30)
trumpet:
Jack Walrath (on 1974-12-30)
remixer:
İlhan Mimaroğlu (Turkish-American electronic composer) and Bobby Warner
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1974-12-30)
recording of:
Black Bats and Poles (on 1974-12-30)
composer:
Jack Walrath
6:20
4Duke Ellington’s Sound of Love
recording engineer:
Gene Paul
executive producer:
Nesuhi Ertegun
producer:
İlhan Mimaroğlu (Turkish-American electronic composer)
double bass [bass]:
Charles Mingus (on 1974-12-30)
drums (drum set):
Dannie Richmond (drummer) (on 1974-12-30)
piano:
Don Pullen (pianist) (on 1974-12-30)
tenor saxophone:
George Adams (jazz musician) (on 1974-12-30)
trumpet:
Marcus Belgrave (on 1974-12-30) and Jack Walrath (on 1974-12-30)
guest vocals:
Jackie Paris (on 1974-12-30)
remixer:
İlhan Mimaroğlu (Turkish-American electronic composer) and Bobby Warner
arranger:
Sy Johnson
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1974-12-30)
recording of:
Duke Ellington's Sound of Love (on 1974-12-30)
lyricist and composer:
Charles Mingus
4:12
5For Harry Carney
recording engineer:
Gene Paul
executive producer:
Nesuhi Ertegun
producer:
İlhan Mimaroğlu (Turkish-American electronic composer)
double bass [bass]:
Charles Mingus (on 1974-12-28)
drums (drum set):
Dannie Richmond (drummer) (on 1974-12-28)
piano:
Don Pullen (pianist) (on 1974-12-28)
tenor saxophone:
George Adams (jazz musician) (on 1974-12-28)
trumpet:
Jack Walrath (on 1974-12-28)
remixer:
İlhan Mimaroğlu (Turkish-American electronic composer) and Bobby Warner
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1974-12-28)
recording of:
For Harry Carney (on 1974-12-28)
composer:
Sy Johnson
8:01
4▼CD: Three or Four Shades of Blues
#TitleRatingLength
1Better Git Hit in Your Soul
recorded in:
New York, New York, United States (on 1977-03-09)
bass:
Charles Mingus (on 1977-03-09) and George Mraz (jazz bassist) (on 1977-03-09)
drums (drum set):
Dannie Richmond (drummer) (on 1977-03-09)
guitar:
Philip Catherine (Belgian jazz guitarist) (on 1977-03-09) and Larry Coryell (on 1977-03-09)
piano:
Bob Neloms (on 1977-03-09)
saxophone:
George Coleman (US jazz saxophonist) (on 1977-03-09)
tenor saxophone:
Ricky Ford (on 1977-03-09)
trumpet:
Jack Walrath (on 1977-03-09)
arranger:
Paul Jeffrey (saxophone)
recording of:
Better Git It in Your Soul (on 1977-03-09)
composer:
Charles Mingus
publisher:
Jazz Workshop, Inc.
4:39
2Goodbye, Porkpie Hat
recorded in:
New York, New York, United States (on 1977-03-09)
bass:
Charles Mingus (on 1977-03-09) and George Mraz (jazz bassist) (on 1977-03-09)
drums (drum set):
Dannie Richmond (drummer) (on 1977-03-09)
guitar:
Philip Catherine (Belgian jazz guitarist) (on 1977-03-09) and Larry Coryell (on 1977-03-09)
piano:
Bob Neloms (on 1977-03-09)
saxophone:
George Coleman (US jazz saxophonist) (on 1977-03-09)
tenor saxophone:
Ricky Ford (on 1977-03-09)
trumpet:
Jack Walrath (on 1977-03-09)
arranger:
Paul Jeffrey (saxophone)
recording of:
Goodbye Pork Pie Hat (instrumental) (on 1977-03-09)
composer:
Charles Mingus
publisher:
Adams Avenue, Flying Red Rhino, Jazz Workshop, Inc., Songs of Kobalt Music Publishing and The Mingus Music Werkshop
7:12
3Noddin Ya Head Blues
recorded in:
New York, New York, United States (on 1977-03-09)
bass:
Charles Mingus (on 1977-03-09) and George Mraz (jazz bassist) (on 1977-03-09)
drums (drum set):
Dannie Richmond (drummer) (on 1977-03-09)
guitar:
Philip Catherine (Belgian jazz guitarist) (on 1977-03-09) and Larry Coryell (on 1977-03-09)
piano:
Bob Neloms (on 1977-03-09)
saxophone:
George Coleman (US jazz saxophonist) (on 1977-03-09)
tenor saxophone:
Ricky Ford (on 1977-03-09)
trumpet:
Jack Walrath (on 1977-03-09)
arranger:
Paul Jeffrey (saxophone)
recording of:
Noddin' Ya Head Blues (on 1977-03-09)
composer:
Charles Mingus
publisher:
Adams Avenue, Flying Red Rhino, Jazz Workshop, Inc. and The Mingus Music Werkshop
10:33
4Three or Four Shades of Blues
recorded in:
New York, New York, United States (on 1977-03-10)
bass:
Charles Mingus (on 1977-03-10)
drums (drum set):
Dannie Richmond (drummer) (on 1977-03-10)
guitar:
Larry Coryell (on 1977-03-10) and John Scofield (US guitarist/composer) (on 1977-03-10)
piano:
Bob Neloms (on 1977-03-10) and Jimmy Rowles (on 1977-03-10)
saxophone:
George Coleman (US jazz saxophonist) (on 1977-03-10)
tenor saxophone:
Ricky Ford (on 1977-03-10)
trumpet:
Jack Walrath (on 1977-03-10)
12:11
5Nobody Knows
recorded in:
New York, New York, United States (on 1977-03-10)
alto saxophone:
Sonny Fortune (on 1977-03-10)
bass:
Ron Carter (US jazz double-bassist) (on 1977-03-10) and Charles Mingus (on 1977-03-10)
drums (drum set):
Dannie Richmond (drummer) (on 1977-03-10)
guitar:
Philip Catherine (Belgian jazz guitarist) (on 1977-03-10) and John Scofield (US guitarist/composer) (on 1977-03-10)
piano:
Bob Neloms (on 1977-03-10)
tenor saxophone:
Ricky Ford (on 1977-03-10)
trumpet:
Jack Walrath (on 1977-03-10)
arranger:
Paul Jeffrey (saxophone)
10:10
5▼CD: Cumbia & Jazz Fusion
#TitleRatingLength
1Cumbia & Jazz Fusion
recorded in:
New York, New York, United States (on 1977-03-10)
alto saxophone, flute, piccolo and soprano saxophone:
Mauricio Smith (on 1977-03-10)
bass clarinet and double bass:
Gary Anderson (jazz multi-instrumentist) (on 1977-03-10)
bass trombone and trombone:
Jimmy Knepper (trombonist) (on 1977-03-10)
bassoon:
Gene Scholtes (on 1977-03-10)
congas:
Alfredo Ramirez (on 1977-03-10), Candido (Cuban conga and bongo player) (on 1977-03-10), Daniel Gonzales (on 1977-03-10) and Ray Mantilla (on 1977-03-10)
double bass [bass]:
Charles Mingus (on 1977-03-10)
drums (drum set):
Dannie Richmond (drummer) (on 1977-03-10)
oboe:
Paul Jeffrey (saxophone) (on 1977-03-10)
percussion:
Bradley Cunningham (on 1977-03-10), Ricky Ford (on 1977-03-10), Charles Mingus (on 1977-03-10) and Jack Walrath (on 1977-03-10)
piano:
Bob Neloms (on 1977-03-10)
tenor saxophone:
Ricky Ford (on 1977-03-10) and Paul Jeffrey (saxophone) (on 1977-03-10)
trumpet:
Jack Walrath (on 1977-03-10)
vocals:
Charles Mingus (on 1977-03-10)
arranger:
Charles Mingus
recording of:
Cumbia and Jazz Fusion (on 1977-03-10)
composer:
Charles Mingus
27:59
2Music for “Todo Modo”
alto flute and tenor saxophone:
George Adams (jazz musician) (from 1977-03-31 until 1977-04-01)
alto saxophone:
Quarto Maltoni (from 1977-03-31 until 1977-04-01) and Giancarlo Maurino (from 1977-03-31 until 1977-04-01)
bass clarinet:
Roberto Laneri (from 1977-03-31 until 1977-04-01)
bassoon:
Pasquale Sabatelli (from 1977-03-31 until 1977-04-01)
cor anglais and oboe:
Anastasio Del Bono (from 1977-03-31 until 1977-04-01)
double bass [bass]:
Charles Mingus (from 1977-03-31 until 1977-04-01)
drums (drum set):
Dannie Richmond (drummer) (from 1977-03-31 until 1977-04-01)
organ and piano:
Danny Mixon (from 1977-03-31 until 1977-04-01)
trumpet:
Jack Walrath (from 1977-03-31 until 1977-04-01)
valve trombone:
Dino Piana (from 1977-03-31 until 1977-04-01)
arranger:
Charles Mingus
recorded at:
Dirmaphon Studio in Roma (Rome), Roma, Lazio, Italy (from 1977-03-31 until 1977-04-01)
recording of:
Todo Modo (in 1977)
composer:
Charles Mingus
22:12
3Music for Todo Modo (Take 1)
alto flute and tenor saxophone:
George Adams (jazz musician) (from 1977-03-31 until 1977-04-01)
alto saxophone:
Quarto Maltoni (from 1977-03-31 until 1977-04-01) and Giancarlo Maurino (from 1977-03-31 until 1977-04-01)
bass clarinet:
Roberto Laneri (from 1977-03-31 until 1977-04-01)
bassoon:
Pasquale Sabatelli (from 1977-03-31 until 1977-04-01)
cor anglais and oboe:
Anastasio Del Bono (from 1977-03-31 until 1977-04-01)
double bass [bass]:
Charles Mingus (from 1977-03-31 until 1977-04-01)
drums (drum set):
Dannie Richmond (drummer) (from 1977-03-31 until 1977-04-01)
organ and piano:
Danny Mixon (from 1977-03-31 until 1977-04-01)
trumpet:
Jack Walrath (from 1977-03-31 until 1977-04-01)
valve trombone:
Dino Piana (from 1977-03-31 until 1977-04-01)
arranger:
Charles Mingus
recorded at:
Dirmaphon Studio in Roma (Rome), Roma, Lazio, Italy (from 1977-03-31 until 1977-04-01)
partial recording of:
Todo Modo
composer:
Charles Mingus
9:47
6▼CD: Me, Myself an Eye
#TitleRatingLength
1Three Worlds of Drums
engineer:
Bobby Warner
producer:
İlhan Mimaroğlu (Turkish-American electronic composer), Charles Mingus and Raymond Silva
alto saxophone:
Ken Hitchcock (multi-instrumentalist) (on 1978-01-19) and Akira Ohmori (on 1978-01-19)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1978-01-19), Ronnie Cuber (on 1978-01-19) and Craig Purpura (on 1978-01-19)
bass:
Eddie Gomez (jazz double bassist) (on 1978-01-19) and George Mraz (jazz bassist) (on 1978-01-19)
drums (drum set):
Joe Chambers (American jazz drummer, vibraphonist and pianist) (on 1978-01-19), Steve Gadd (drummer) (on 1978-01-19) and Dannie Richmond (drummer) (on 1978-01-19)
guitar:
Larry Coryell (on 1978-01-19), Ted Dunbar (on 1978-01-19) and Jack Wilkins (US jazz guitarist) (on 1978-01-19)
percussion:
Sammy Figueroa (on 1978-01-19) and Ray Mantilla (on 1978-01-19)
piano:
Bob Neloms (on 1978-01-19)
soprano saxophone:
Ken Hitchcock (multi-instrumentalist) (on 1978-01-19)
tenor saxophone:
Daniel Block (on 1978-01-19), Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (on 1978-01-19), George Coleman (US jazz saxophonist) (on 1978-01-19) and Ricky Ford (on 1978-01-19)
trombone:
Slide Hampton (on 1978-01-19) and Jimmy Knepper (trombonist) (on 1978-01-19)
trumpet:
Randy Brecker (on 1978-01-19), Mike Davis (trumpet, flugelhorn) (on 1978-01-19) and Jack Walrath (on 1978-01-19)
conductor:
Paul Jeffrey (saxophone) (on 1978-01-19)
remixer:
Bobby Warner
arranger and orchestrator:
Jack Walrath
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1978-01-19)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Three Worlds of Drums (on 1978-01-19)
composer and arranger:
Charles Mingus
30:22
2Devil Woman
engineer:
Bobby Warner
producer:
İlhan Mimaroğlu (Turkish-American electronic composer), Charles Mingus and Raymond Silva
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1978-01-23), Yoshiaki Malta (on 1978-01-23) and Akira Ohmori (on 1978-01-23)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1978-01-23), Ronnie Cuber (on 1978-01-23) and Craig Purpura (on 1978-01-23)
bass:
Eddie Gomez (jazz double bassist) (on 1978-01-23)
drums (drum set):
Joe Chambers (American jazz drummer, vibraphonist and pianist) (on 1978-01-23) and Dannie Richmond (drummer) (on 1978-01-23)
guitar:
Larry Coryell (on 1978-01-23), Ted Dunbar (on 1978-01-23) and Jack Wilkins (US jazz guitarist) (on 1978-01-23)
piano:
Bob Neloms (on 1978-01-23)
saxophone [alto, soprano sax]:
Ken Hitchcock (multi-instrumentalist) (on 1978-01-23)
tenor saxophone:
Daniel Block (on 1978-01-23), Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (on 1978-01-23), Ricky Ford (on 1978-01-23) and John Tank (on 1978-01-23)
trombone:
Jimmy Knepper (trombonist) (on 1978-01-23) and Keith O’Quinn (trombonist) (on 1978-01-23)
trumpet:
Randy Brecker (on 1978-01-23), Mike Davis (trumpet, flugelhorn) (on 1978-01-23) and Jack Walrath (on 1978-01-23)
conductor:
Paul Jeffrey (saxophone) (on 1978-01-23)
remixer:
Bobby Warner
arranger:
Paul Jeffrey (saxophone) and Jack Walrath
orchestrator:
Jack Walrath
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1978-01-23)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Devil Woman (on 1978-01-23)
writer, composer and arranger:
Charles Mingus
9:25
3Wednesday Night Prayer Meeting
engineer:
Bobby Warner
producer:
İlhan Mimaroğlu (Turkish-American electronic composer), Charles Mingus and Raymond Silva
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1978-01-23), Yoshiaki Malta (on 1978-01-23) and Akira Ohmori (on 1978-01-23)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1978-01-23), Ronnie Cuber (on 1978-01-23) and Craig Purpura (on 1978-01-23)
bass:
Eddie Gomez (jazz double bassist) (on 1978-01-23)
drums (drum set):
Joe Chambers (American jazz drummer, vibraphonist and pianist) (on 1978-01-23) and Dannie Richmond (drummer) (on 1978-01-23)
guitar:
Larry Coryell (on 1978-01-23), Ted Dunbar (on 1978-01-23) and Jack Wilkins (US jazz guitarist) (on 1978-01-23)
piano:
Bob Neloms (on 1978-01-23)
saxophone [alto, soprano sax]:
Ken Hitchcock (multi-instrumentalist) (on 1978-01-23)
tenor saxophone:
Daniel Block (on 1978-01-23), Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (on 1978-01-23), Ricky Ford (on 1978-01-23) and John Tank (on 1978-01-23)
trombone:
Jimmy Knepper (trombonist) (on 1978-01-23) and Keith O’Quinn (trombonist) (on 1978-01-23)
trumpet:
Randy Brecker (on 1978-01-23), Mike Davis (trumpet, flugelhorn) (on 1978-01-23) and Jack Walrath (on 1978-01-23)
conductor:
Paul Jeffrey (saxophone) (on 1978-01-23)
remixer:
Bobby Warner
arranger:
Paul Jeffrey (saxophone) and Jack Walrath
orchestrator:
Jack Walrath
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1978-01-23)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Wednesday Night Prayer Meeting (on 1978-01-23)
composer:
Charles Mingus
9:51
4Carolyn “Keki” Mingus
engineer:
Bobby Warner
producer:
İlhan Mimaroğlu (Turkish-American electronic composer), Charles Mingus and Raymond Silva
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1978-01-23), Yoshiaki Malta (on 1978-01-23) and Akira Ohmori (on 1978-01-23)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1978-01-23), Ronnie Cuber (on 1978-01-23) and Craig Purpura (on 1978-01-23)
bass:
Eddie Gomez (jazz double bassist) (on 1978-01-23)
drums (drum set):
Joe Chambers (American jazz drummer, vibraphonist and pianist) (on 1978-01-23) and Dannie Richmond (drummer) (on 1978-01-23)
guitar:
Larry Coryell (on 1978-01-23), Ted Dunbar (on 1978-01-23) and Jack Wilkins (US jazz guitarist) (on 1978-01-23)
piano:
Bob Neloms (on 1978-01-23)
saxophone [alto, soprano sax]:
Ken Hitchcock (multi-instrumentalist) (on 1978-01-23)
tenor saxophone:
Daniel Block (on 1978-01-23), Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (on 1978-01-23), Ricky Ford (on 1978-01-23) and John Tank (on 1978-01-23)
trombone:
Jimmy Knepper (trombonist) (on 1978-01-23) and Keith O’Quinn (trombonist) (on 1978-01-23)
trumpet:
Randy Brecker (on 1978-01-23), Mike Davis (trumpet, flugelhorn) (on 1978-01-23) and Jack Walrath (on 1978-01-23)
conductor:
Paul Jeffrey (saxophone) (on 1978-01-23)
remixer:
Bobby Warner
arranger:
Paul Jeffrey (saxophone) and Jack Walrath
orchestrator:
Jack Walrath
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1978-01-23)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Carolyn "Keki" Mingus (on 1978-01-23)
composer and arranger:
Charles Mingus
7:45
7▼CD: Something Like a Bird
#TitleRatingLength
1Something Like a Bird (Pt. 1)
engineer and mixer:
Bobby Warner
producer:
İlhan Mimaroğlu (Turkish-American electronic composer), Charles Mingus and Raymond Silva
alto saxophone:
Ken Hitchcock (multi-instrumentalist) (on 1978-01-18), Lee Konitz (jazz saxophonist) (on 1978-01-18), Charles McPherson (on 1978-01-18) and Akira Ohmori (on 1978-01-18)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1978-01-18), Ronnie Cuber (on 1978-01-18) and Craig Purpura (on 1978-01-18)
bass:
Eddie Gomez (jazz double bassist) (on 1978-01-18) and George Mraz (jazz bassist) (on 1978-01-18)
drums (drum set):
Joe Chambers (American jazz drummer, vibraphonist and pianist) (on 1978-01-18) and Dannie Richmond (drummer) (on 1978-01-18)
electric piano:
Ken Werner (on 1978-01-18)
guitar:
Larry Coryell (on 1978-01-18), Ted Dunbar (on 1978-01-18), Danny Toan (on 1978-01-18) and Jack Wilkins (US jazz guitarist) (on 1978-01-18)
percussion:
Ray Mantilla (on 1978-01-18)
piano:
Bob Neloms (on 1978-01-18)
soprano saxophone:
Ken Hitchcock (multi-instrumentalist) (on 1978-01-18)
tenor saxophone:
Daniel Block (on 1978-01-18), Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (on 1978-01-18), George Coleman (US jazz saxophonist) (on 1978-01-18) and Ricky Ford (on 1978-01-18)
trombone:
Slide Hampton (on 1978-01-18) and Jimmy Knepper (trombonist) (on 1978-01-18)
trumpet:
Randy Brecker (on 1978-01-18), Mike Davis (trumpet, flugelhorn) (on 1978-01-18) and Jack Walrath (on 1978-01-18)
conductor:
Paul Jeffrey (saxophone) (on 1978-01-18)
arranger and orchestrator:
Jack Walrath
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1978-01-18)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
19:12
2Something Like a Bird (Pt. 2)
engineer and mixer:
Bobby Warner
producer:
İlhan Mimaroğlu (Turkish-American electronic composer), Charles Mingus and Raymond Silva
alto saxophone:
George Coleman (US jazz saxophonist) (on 1978-01-18), Ken Hitchcock (multi-instrumentalist) (on 1978-01-18), Lee Konitz (jazz saxophonist) (on 1978-01-18), Charles McPherson (on 1978-01-18) and Akira Ohmori (on 1978-01-18)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1978-01-18), Ronnie Cuber (on 1978-01-18) and Craig Purpura (on 1978-01-18)
bass:
Eddie Gomez (jazz double bassist) (on 1978-01-18) and George Mraz (jazz bassist) (on 1978-01-18)
drums (drum set):
Joe Chambers (American jazz drummer, vibraphonist and pianist) (on 1978-01-18) and Dannie Richmond (drummer) (on 1978-01-18)
electric piano:
Ken Werner (on 1978-01-18)
guitar:
Larry Coryell (on 1978-01-18), Ted Dunbar (on 1978-01-18), Danny Toan (on 1978-01-18) and Jack Wilkins (US jazz guitarist) (on 1978-01-18)
percussion:
Ray Mantilla (on 1978-01-18)
piano:
Bob Neloms (on 1978-01-18)
soprano saxophone:
Ken Hitchcock (multi-instrumentalist) (on 1978-01-18)
tenor saxophone:
Daniel Block (on 1978-01-18), Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (on 1978-01-18) and Ricky Ford (on 1978-01-18)
trombone:
Slide Hampton (on 1978-01-18) and Jimmy Knepper (trombonist) (on 1978-01-18)
trumpet:
Randy Brecker (on 1978-01-18), Mike Davis (trumpet, flugelhorn) (on 1978-01-18) and Jack Walrath (on 1978-01-18)
conductor:
Paul Jeffrey (saxophone) (on 1978-01-18)
arranger and orchestrator:
Jack Walrath
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1978-01-18)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
12:17
3Farewell Farwell
engineer and mixer:
Bobby Warner
producer:
İlhan Mimaroğlu (Turkish-American electronic composer), Charles Mingus and Raymond Silva
alto saxophone:
Ken Hitchcock (multi-instrumentalist), Lee Konitz (jazz saxophonist) (on 1978-01-23), Yoshiaki Malta (on 1978-01-23) and Akira Ohmori (on 1978-01-23)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1978-01-23), Ronnie Cuber (on 1978-01-23) and Craig Purpura (on 1978-01-23)
bass:
Eddie Gomez (jazz double bassist) (on 1978-01-23)
drums (drum set):
Joe Chambers (American jazz drummer, vibraphonist and pianist) (on 1978-01-23) and Dannie Richmond (drummer) (on 1978-01-23)
guitar:
Larry Coryell (on 1978-01-23), Ted Dunbar (on 1978-01-23) and Jack Wilkins (US jazz guitarist) (on 1978-01-23)
piano:
Bob Neloms (on 1978-01-23)
saxophone [alto, soprano sax]:
Ken Hitchcock (multi-instrumentalist) (on 1978-01-23)
soprano saxophone:
Ken Hitchcock (multi-instrumentalist)
tenor saxophone:
Daniel Block (on 1978-01-23), Ricky Ford (on 1978-01-23) and John Tank (on 1978-01-23)
trombone:
Jimmy Knepper (trombonist) (on 1978-01-23) and Keith O’Quinn (trombonist) (on 1978-01-23)
trumpet:
Mike Davis (trumpet, flugelhorn) (on 1978-01-23) and Jack Walrath (on 1978-01-23)
conductor:
Paul Jeffrey (saxophone) (on 1978-01-23)
arranger:
Paul Jeffrey (saxophone) and Jack Walrath
orchestrator:
Jack Walrath
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1978-01-23)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
7:00

Credits

Release

photography:Guy Le Querrec/Magnum Photos (photographer) (task: cover photos, booklet cover and back photos)
liner notes:Andrew Homzy
miscellaneous support:Brian Priestley (task: additional research, narrative and analytical texts)
Jack Walrath (task: additional research, narrative and analytical texts)
producer:Florence Joelle Halfon (producer) (task: produced for release)
remastering:John Webber (mastering engineer)
design:Bruno Tilley (art director and designer)
remastered at:AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
Discogs:https://www.discogs.com/release/27497193 [info]