Madama Butterfly

~ Release by Puccini; Scotto, Bergonzi, Panerai, De Palma, Di Stasio, Coro e Orchestra del Teatro dell'Opera di Roma, Sir John Barbirolli (see all versions of this release, 8 available)

Annotation

Renata Scotto - Madama Butterfly (Cio-Cio-San)
Anna di Stasio - Suzuki
Carlo Bergonzi - Lt B.F. Pinkerton
Rolando Panerai - Sharpless
Piero de Palma - Goro
Giuseppe Morresi - Il Principe Yamadori
Paolo Montarsolo - Il Bonzo
Silvana Padoan - Kate Pinkerton
Mario Rinaudo - Il Commissario Imperiale

Coro e Orchestra del Teatro dell'Opera di Roma, Sir John Barbirolli

recorded: 16, 17, 20-22, 24-27 Aug 1966, Teatro dell'Opera, Roma

Annotation last modified on 2011-10-28 18:33 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Madama Butterfly: Atto I. “E soffitto… e pareti” (Pinkerton, Goro)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1966-07-16 until 1966-07-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto I. “E soffitto… e pareti…” (Pinkerton, Goro) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:18
2Madama Butterfly: Atto I. “Questa è la cameriera” (Goro, Pinkerton, Suzuki)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals [Suzuki]:
Anna di Stasio (mezzo-soprano) (from 1966-07-16 until 1966-07-27)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1966-07-16 until 1966-07-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
partial recording of:
Madama Butterfly: Atto I. “Questa è la cameriera” (Goro, Pinkerton) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini1:55
3Madama Butterfly: Atto I. “Che guari?… Se non giunge ancor la sposa”
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1966-07-16 until 1966-07-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
partial recording of:
Madama Butterfly: Atto I. “Questa è la cameriera” (Goro, Pinkerton) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:41
4Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Goro, Sharpless)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1966-07-16 until 1966-07-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Sharpless) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini4:07
5Madama Butterfly: Atto I. “Quale smania vi prende!” (Sharpless, Pinkerton)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto I. “Ed è bella la sposa?” … “Quale smania vi prende!” … “Amore o grillo” (Sharpless, Goro, Pinkerton) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:42
6Madama Butterfly: Atto I. “Ecco! Son giunte al sommo del pendio” (Goro, Coro, Butterfly, Sharpless)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Coro del Teatro dell'Opera, Roma (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1966-07-16 until 1966-07-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
chorus master:
Gianni Lazzari (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto I. “Ecco! Son giunte al sommo del pendìo” (Goro, amiche di Butterfly, Butterfly) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini4:07
7Madama Butterfly: Atto I. “Gran ventura” (Butterfly, Coro, Pinkerton, Sharpless, Goro)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27)
choir vocals:
Coro del Teatro dell'Opera, Roma (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1966-07-16 until 1966-07-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
chorus master:
Gianni Lazzari (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto I. “Gran ventura” … “Quanti anni avete?” (Butterfly, Amiche, Pinkerton, Sharpless, Goro) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:49
8Madama Butterfly: Atto I. “L’Imperial Commissario” (Butterfly, Coro, Pinkerton, Sharpless, Goro)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27)
choir vocals:
Coro del Teatro dell'Opera, Roma (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1966-07-16 until 1966-07-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
chorus master:
Gianni Lazzari (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto I. “L’Imperial Commissario” … “Che burletta” … “O amico fortunato” … “Mi pare un re” (Goro, Pinkerton, coro, Butterfly, Cugina, Madre, Yakusidè, Zia, Sharpless) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
quotes music from:
君が代
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:22
9Madama Butterfly: Atto I. “Vieni, amor mio!” (Pinkerton, Butterfly, Goro)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1966-07-16 until 1966-07-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto I. “Vieni, amor mio!” (Pinkerton, Butterfly, Goro) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:47
10Madama Butterfly: Atto I. “Ieri son salita tutta sola” (Butterfly)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto I. “Ieri son salita tutta sola” (Butterfly, Pinkerton) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini1:47
11Madama Butterfly: Atto I. “Tutti zitti!… È concesso al nominato” (Goro, Il Commissario, Coro, Butterfly, Pinkerton, Sharpless, L’Ufficiale del Registro)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27)
bass vocals [Il commissario imperiale]:
Mario Rinaudo (bass) (from 1966-07-16 until 1966-07-27)
choir vocals:
Coro del Teatro dell'Opera, Roma (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1966-07-16 until 1966-07-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
chorus master:
Gianni Lazzari (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto I. “Tutti zitti!” (Goro, Il Commissario Imperiale) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:54
12Madama Butterfly: Atto I. “Ed eccoci in famiglia” (Pinkerton, Coro, Il Bonzo, Butterfly, Suzuki)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass vocals [Lo zio bonzo]:
Paolo Montarsolo (operatic bass) (from 1966-07-16 until 1966-07-27)
choir vocals:
Coro del Teatro dell'Opera, Roma (from 1966-07-16 until 1966-07-27)
mezzo-soprano vocals [Suzuki]:
Anna di Stasio (mezzo-soprano) (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
chorus master:
Gianni Lazzari (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto I. “Ed eccoci in famiglia” (Pinkerton, Coro, Il Bonzo, Butterfly, Suzuki) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:39
13Madama Butterfly: Atto I. “Bimba, bimba, non piangere” (Pinkerton, Coro, Butterfly, Suzuki)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Coro del Teatro dell'Opera, Roma (from 1966-07-16 until 1966-07-27)
mezzo-soprano vocals [Suzuki]:
Anna di Stasio (mezzo-soprano) (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
chorus master:
Gianni Lazzari (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto I. “Bimba, bimba, non piangere” (Pinkerton, coro, Butterfly, Suzuki) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini2:08
14Madama Butterfly: Atto I. “Viene la sera” (Pinkerton, Butterfly, Suzuki)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals [Suzuki]:
Anna di Stasio (mezzo-soprano) (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto I. “Viene la sera” (Pinkerton, Butterfly, Suzuki) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini1:51
15Madama Butterfly: Atto I. “Quest’obi pomposa” (Butterfly, Pinkerton)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto I. “Quest’obi pomposa” (Butterfly) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini1:57
16Madama Butterfly: Atto I. “Bimba dagli occhi pieni di malia” (Butterfly, Pinkerton)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto I. “Bimba dagli occhi pieni di malìa” (Butterfly, Pinkerton) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:46
17Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” (Butterfly, Pinkerton)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
partial recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:05
18Madama Butterfly: Atto I. “Vieni, vieni… Via dall’anima in pena” (Butterfly, Pinkerton)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
partial recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini4:54
19Madama Butterfly: Atto II, Parte I. “E Izaghi ed Izanami” (Suzuki, Butterfly)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals [Suzuki]:
Anna di Stasio (mezzo-soprano) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27) and Orchestra del Teatro dell’Opera di Roma (from 1966-08-16 until 1966-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
partial recording of:
Madama Butterfly: Atto II. “E Izaghi ed Izanami” (Suzuki, Butterfly) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
recording of:
Madama Butterfly: Atto II. “E Izaghi ed Izanami” (Suzuki, Butterfly) (from 1966-08-16 until 1966-08-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:36
20Madama Butterfly: Atto II, Parte I. “Suzuki… è lungi la miseria?” (Suzuki, Butterfly)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals [Suzuki]:
Anna di Stasio (mezzo-soprano) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27) and Orchestra del Teatro dell’Opera di Roma (from 1966-08-16 until 1966-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
partial recording of:
Madama Butterfly: Atto II. “E Izaghi ed Izanami” (Suzuki, Butterfly) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
recording of:
Madama Butterfly: Butterfly & Suzuki (Flower Duet?) (from 1966-08-16 until 1966-08-27)
composer:
Giacomo Puccini (Italian composer)
Giacomo Puccini4:31
21Madama Butterfly: Atto II, Parte I. “Un bel dì vedremo” (Butterfly)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-08-16 until 1966-08-27)
orchestra:
Orchestra del Teatro dell’Opera di Roma (from 1966-08-16 until 1966-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-08-16 until 1966-08-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-08-16 until 1966-08-27)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (from 1966-08-16 until 1966-08-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:39
2▼CD
#TitleArtistRatingLength
1Madama Butterfly: Atto II, Parte I. “C’è. Entrate” (Goro, Sharpless, Butterfly)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27) and Orchestra del Teatro dell’Opera di Roma (from 1966-08-16 until 1966-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
recording of:
Madama Butterfly: Atto II. “C’è. Entrate” … “Non lo sapete insomma” (Goro, Sharpless, Butterfly, Suzuki, Yamadori) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
partial recording of:
Madama Butterfly: Atto II. “C’è. Entrate” … “Non lo sapete insomma” (Goro, Sharpless, Butterfly, Suzuki, Yamadori) (from 1966-08-16 until 1966-08-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:49
2Madama Butterfly: Atto II, Parte I. “Ah sì. Goro, appena B.F. Pinkerton fu in mare” (Butterfly, Goro, Yamadori, Sharpless)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
bass vocals [Il principe Yamadori]:
Giuseppe Morresi (operatic bass) (from 1966-07-16 until 1966-07-27)
bass vocals [Yamadori]:
Giuseppe Morresi (operatic bass) (from 1966-08-16 until 1966-08-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27) and Orchestra del Teatro dell’Opera di Roma (from 1966-08-16 until 1966-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
recording of:
Madama Butterfly: Atto II. “C’è. Entrate” … “Non lo sapete insomma” (Goro, Sharpless, Butterfly, Suzuki, Yamadori) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
partial recording of:
Madama Butterfly: Atto II. “C’è. Entrate” … “Non lo sapete insomma” (Goro, Sharpless, Butterfly, Suzuki, Yamadori) (from 1966-08-16 until 1966-08-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:42
3Madama Butterfly: Atto II, Parte I. “Si sa che aprir la porta” (Butterfly, Goro, Yamadori, Sharpless)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
bass vocals [Il principe Yamadori]:
Giuseppe Morresi (operatic bass) (from 1966-07-16 until 1966-07-27)
bass vocals [Yamadori]:
Giuseppe Morresi (operatic bass) (from 1966-08-16 until 1966-08-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27) and Orchestra del Teatro dell’Opera di Roma (from 1966-08-16 until 1966-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
recording of:
Madama Butterfly: Atto II. “Si sa che aprir la porta” … “Udiste?” (Butterfly, Sharpless, Yamadori, Goro) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
recording of:
Madama Butterfly: Atto II. “Si sa che aprir la porta” … “Udiste?” (Butterfly, Sharpless, Yamadori, Goro) (from 1966-08-16 until 1966-08-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:03
4Madama Butterfly: Atto II, Parte I. “Ora a noi” (Sharpless, Butterfly)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto II. “Ora a noi” … “Amico, cercherete” … “Qui troncarla conviene” (Sharpless, Butterfly) (letter scene) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:00
5Madama Butterfly: Atto II, Parte I. “Qui troncarla conviene” (Sharpless, Butterfly)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto II. “Ora a noi” … “Amico, cercherete” … “Qui troncarla conviene” (Sharpless, Butterfly) (letter scene) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:58
6Madama Butterfly: Atto II, Parte I. “E questo? E questo?” (Sharpless, Butterfly)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto II. “È questo? È questo?” (Butterfly, Sharpless) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:17
7Madama Butterfly: Atto II, Parte I. “Che tua madre dovrà” (Sharpless, Butterfly)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:58
8Madama Butterfly: Atto II, Parte I. “Io scendo al piano” (Sharpless, Butterfly)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto II. “Io scendo al piano” (Sharpless, Butterfly) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini1:37
9Madama Butterfly: Atto II, Parte I. “Vespa! Rospo maledetto!” (Suzuki, Butterfly, Goro)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals [Suzuki]:
Anna di Stasio (mezzo-soprano) (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto II. “Vespa! Rospo maledetto!” (Suzuki, Butterfly, Goro) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini1:44
10Madama Butterfly: Atto II, Parte I. “Una nave da guerra” (Suzuki, Butterfly)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals [Suzuki]:
Anna di Stasio (mezzo-soprano) (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto II. “Il cannone del porto! Una nave da guerra…” (Suzuki, Butterfly) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II. “Il cannone del porto!” (Butterfly, Suzuki) (Flower Duet, complete)
Giacomo Puccini2:26
11Madama Butterfly: Atto II, Parte I. “Scuoti quella fronda di ciliegio” (Suzuki, Butterfly)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals [Suzuki]:
Anna di Stasio (mezzo-soprano) (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:06
12Madama Butterfly: Atto II, Parte I. “Or vienmi ad adornar” (Suzuki, Butterfly)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals [Suzuki]:
Anna di Stasio (mezzo-soprano) (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto II. “Or vienmi ad adornar” (Butterfly, Suzuki) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:36
13Madama Butterfly: Atto II, Parte I. Coro a bocca chiusa (Coro)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Coro del Teatro dell'Opera, Roma (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
chorus master:
Coro del Teatro dell’Opera di Roma and Gianni Lazzari (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:29
14Madama Butterfly: Atto II, Parte II. Introduzione - “Oh eh! Oh eh! Oh eh!” (voci dei marinai)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Coro del Teatro dell'Opera, Roma (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
chorus master:
Gianni Lazzari (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto III. “Oh eh! Oh eh!” (Voci dei marinai) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini7:48
15Madama Butterfly: Atto II, Parte II. “Già il sole!” (Suzuki, Butterfly)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals [Suzuki]:
Anna di Stasio (mezzo-soprano) (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto III. “Già il sole!” (Suzuki, Butterfly) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:16
16Madama Butterfly: Atto II, Parte II. “Chi sia? Oh!… Zitta! Zitta!” (Suzuki, Pinkerton, Sharpless)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27)
mezzo-soprano vocals [Suzuki]:
Anna di Stasio (mezzo-soprano) (from 1966-07-16 until 1966-07-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto III. “Chi sia?” (Suzuki, Pinkerton) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:34
17Madama Butterfly: Atto II, Parte II. “Io so che alle sue pene” (Suzuki, Pinkerton, Sharpless)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27)
mezzo-soprano vocals [Suzuki]:
Anna di Stasio (mezzo-soprano) (from 1966-07-16 until 1966-07-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto III. “Io so che alle sue pene” (Sharpless, Suzuki, Pinkerton) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini3:52
18Madama Butterfly: Atto II, Parte II. “Addio, fiorito asil” (Pinkerton, Sharpless)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini1:56
19Madama Butterfly: Atto II, Parte II. “Glielo dirai?” (Kate, Suzuki, Butterfly)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals [Kate Pinkerton]:
Silvana Padoan (mezzo-soprano) (from 1966-07-16 until 1966-07-27)
mezzo-soprano vocals [Suzuki]:
Anna di Stasio (mezzo-soprano) (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto III. “Glielo dirai?” (Kate, Suzuki) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini3:03
20Madama Butterfly: Atto II, Parte II. “Tu, Suzuki, che sei tanto buona” (Butterfly, Suzuki, Sharpless, Kate)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27)
mezzo-soprano vocals [Kate Pinkerton]:
Silvana Padoan (mezzo-soprano) (from 1966-07-16 until 1966-07-27)
mezzo-soprano vocals [Suzuki]:
Anna di Stasio (mezzo-soprano) (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto III. “Tu, Suzuki, che sei” (Butterfly) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini4:36
21Madama Butterfly: Atto II, Parte II. “Come una mosca prigioniera” (Suzuki, Butterfly)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals [Suzuki]:
Anna di Stasio (mezzo-soprano) (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto III. “Come una mosca prigioniera” (Suzuki, Butterfly) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini3:06
22Madama Butterfly: Atto II, Parte II. “Con onor muore” (Butterfly, Pinkerton)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Coro del Teatro dell’Opera di Roma
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini5:31