La Resurrezione

~ Release by Handel; Christopher Hogwood, Academy of Ancient Music (see all versions of this release, 1 available)

Tracklist

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1▼CD: Messiah Part I & Part II
#	Title	Artist	Rating	Length
1	Messiah Part 1, no. 1: Sinfony orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part I, no. 1. Symphony composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		2:56
2	Messiah Part 1, no. 2: Recitative - Comfort Ye My People / no. 3: Song - Every Valley Shall Be Exalted engineer: Martin Atkinson (engineer) and John Dunkerley (engineer) tenor vocals: Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1979) orchestra: Academy of Ancient Music (in 1979) conductor: Christopher Hogwood (conductor, harpsichordist) (in 1979) phonographic copyright (℗) by: The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979) recording of: Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor) (in 1979) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I recording of: Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (in 1979) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel	5	6:36
3	Messiah Part 1, no. 4: Chorus - And the Glory of the Lord orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		2:51
4	Messiah Part 1, no. 5: Recitative - Thus Saith the Lord / no. 6: Song - But Who May Abide the Day of His Coming? engineer: Martin Atkinson (engineer) and John Dunkerley (engineer) bass vocals and solo bass vocals: David Thomas (British operatic bass) (in 1979) soprano vocals: Emma Kirkby (soprano) (in 1979) orchestra: Academy of Ancient Music (in 1979) conductor: Christopher Hogwood (conductor, harpsichordist) (in 1979) phonographic copyright (℗) by: The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979) recording of: Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (in 1979) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I recording of: Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (in 1979) composer: George Frideric Handel (German‐British baroque composer) version of: Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741) part of: Messiah, HWV 56: Part I	George Frideric Handel	5	5:31
5	Messiah Part 1, no. 7: Chorus - And He Shall Purify orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		2:43
6	Messiah Part 1, no. 8: Recitative - Behold, a Virgin Shall Conceive / no. 9: Song - O Thou That Tellest Good Tidings to Zion orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I recording of: Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		6:15
7	Messiah Part 1, no. 10: Recitative - For Behold, Darkness Shall Cover the Earth / no. 11: Song - The People That Walked in Darkness engineer: Martin Atkinson (engineer) and John Dunkerley (engineer) bass vocals and solo bass vocals: David Thomas (British operatic bass) (in 1979) orchestra: Academy of Ancient Music (in 1979) conductor: Christopher Hogwood (conductor, harpsichordist) (in 1979) phonographic copyright (℗) by: The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979) recording of: Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) (in 1979) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I recording of: Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) (in 1979) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I	George Frideric Handel	5	5:36
8	Messiah Part 1, no. 12: Chorus - For Unto Us a Child Is Born orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		4:15
9	Messiah Part 1, no. 13: Pifa orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		0:53
10	Messiah Part 1, no. 14-17: Recitative - There Were Shepherds / Recitative - And Lo / Recitative - And the Angel / Recitative - And Suddenly， Chorus - Glory to God orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part I, no. 14a. Recitative “There were shepherds, abiding in the field” (Soprano) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) recording of: Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I recording of: Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I recording of: Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		3:22
11	Messiah Part 1, no. 18: Song - Rejoice Greatly, o Daughter of Zion orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist)	George Frideric Handel		4:09
12	Messiah Part 1, no. 19: Recitative - Then Shall the Eyes of the Blind / no. 20: Song - He Shall Feed His Flock engineer: Martin Atkinson (engineer) and John Dunkerley (engineer) soprano vocals: Judith Nelson (soprano) (in 1979) orchestra: Academy of Ancient Music (in 1979) conductor: Christopher Hogwood (conductor, harpsichordist) (in 1979) phonographic copyright (℗) by: The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979) recording of: Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto) (in 1979) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I recording of: Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (in 1979) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I	George Frideric Handel	5	5:04
13	Messiah Part 1, no. 21: Chorus - His Yoke Is Easy, and His Burden Is Light orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel		2:39
14	Messiah Part 2, no. 22: Chorus - Behold the Lamb of God orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		2:23
15	Messiah Part 2, no. 23: Song - He Was Despised orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		10:20

2▼CD: Messiah Part II & Part III
#	Title	Artist	Rating	Length
1	Messiah Part 2, no. 24: Chorus - Surely He Hath Borne Our Griefs / no. 25: Chorus - And With His Stripes We Are Healed orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II recording of: Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		3:57
2	Messiah Part 2, no. 26: Chorus - All We Like Sheep Have Gone Astray orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		4:07
3	Messiah Part 2, no. 27: Recitative - All They That See Him Laugh Him to Scorn / no. 28: Chorus - He Trusted in God orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II recording of: Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		3:00
4	Messiah Part 2, no. 29: Recitative - Thy Rebuke Hath Broken His Heart / no. 30: Song - Behold and See If There Be Any Sorrow / no. 31: Recitative - He Was Cut Off Out of the Land of the Living orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II recording of: Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part II recording of: Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		3:38
5	Messiah Part 2, no. 32: Song - But Thou Didst Not Leave His Soul in Hell orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part II	George Frideric Handel		2:22
6	Messiah Part 2, no. 33: Chorus - Lift Up Your Heads, o Ye Gates orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		3:16
7	Messiah Part 2, no. 34: Recitative - Unto Which of the Angels Said He at Any Time / no. 35: Chorus - Let All the Angels of God Worship Him engineer: Martin Atkinson (engineer) and John Dunkerley (engineer) choir vocals: Christ Church Cathedral Choir, Oxford (in 1979) tenor vocals: Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1979) orchestra: Academy of Ancient Music (in 1979) conductor: Christopher Hogwood (conductor, harpsichordist) (in 1979) chorus master: Simon Preston (organist, conductor, composer) (in 1979) phonographic copyright (℗) by: The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979) recording of: Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1979) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II recording of: Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1979) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	5	1:44
8	Messiah Part 2, no. 36: Song - Thou Art Gone Up on High orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) version of: Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		2:55
9	Messiah Part 2, no. 37: Chorus - The Lord Gave the Word orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		1:14
10	Messiah Part 2, no. 38: Song - How Beautiful Are the Feet orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part II	George Frideric Handel		2:05
11	Messiah Part 2, no. 39: Chorus - Their Sound Is Gone Out orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo) composer: George Frideric Handel (German‐British baroque composer) (in 1745) is based on: Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) part of: Messiah, HWV 56: Part II	George Frideric Handel		1:22
12	Messiah Part 2, no. 40: Song - Why Do the Nations So Furiously Rage Together / no. 41: Chorus - Let Us Break Their Bonds Asunder orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II recording of: Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel		3:16
13	Messiah Part 2, no. 42: Recitative - He That Dwelleth in Heaven / no. 43: Song - Thou Shalt Break Them engineer: Martin Atkinson (engineer) and John Dunkerley (engineer) tenor vocals: Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1979) orchestra: Academy of Ancient Music (in 1979) conductor: Christopher Hogwood (conductor, harpsichordist) (in 1979) phonographic copyright (℗) by: The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979) recording of: Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (Tenor) (in 1979) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II recording of: Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 1979) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part II	George Frideric Handel	5	2:11
14	Messiah Part 2, no. 44: Chorus - Hallelujah orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	George Frideric Handel		3:49
15	Messiah Part 3, no. 45: Song - I Know That My Redeemer Liveth orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		5:35
16	Messiah Part 3, no. 46: Chorus - Since by Man Came Death orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		2:03
17	Messiah Part 3, no. 47: Recitative - Behold, I Tell You a Mystery / no. 48: Song - The Trumpet Shall Sound orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III recording of: Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		9:00
18	Messiah Part 3, no. 49: Recitative - Then Shall Be Brought to Pass / no. 50: Duet - O Death, Where Is Thy Sting? orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part III recording of: Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		1:24
19	Messiah Part 3, no. 51: Chorus - But Thanks Be to God orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		2:18
20	Messiah Part 3, no. 52: Song - If God Be for Us orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		4:22
21	Messiah Part 3, no. 53: Chorus - Worthy Is the Lamb That Was Slain orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel		3:45
22	Messiah Part 3, no. 54: Chorus - Amen orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Judas Maccabaeus, HWV 63: Act III, no. 68: Chorus "Hallelujah! Amen" (Chorus) composer: George Frideric Handel (German‐British baroque composer) (in 1746) librettist: Thomas Morell part of: Judas Maccabaeus, HWV 63: Act III	George Frideric Handel		3:37

3▼CD: Athalia Act I Scene I - IV
#	Title	Artist	Rating	Length
1	Athalia Act I, Scene I: Sinfonia recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) choir vocals: Choir of New College Oxford (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		5:23
2	Athalia Act I, Scene I: Aria - Blooming Virgins, Spotless Train recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) soprano vocals [Josabeth]: Emma Kirkby (soprano) (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		4:48
3	Athalia Act I, Scene I: Chorus - The Rising World Jehovah Crown'd recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) choir vocals: Choir of New College Oxford (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		3:13
4	Athalia Act I, Scene I: Solo & Chorus - Tyrants Would in Impious Throngs recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) choir vocals: Choir of New College Oxford (from 1985-05-28 until 1985-06-01) soprano vocals [Josabeth]: Emma Kirkby (soprano) (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		3:19
5	Athalia Act I, Scene I: Recitative - When He Is in His Wrath Reveal'd recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) bass vocals [Abner]: David Thomas (British operatic bass) (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		3:41
6	Athalia Act I, Scene II: Recitative - Your Sacred Songs Awhile Forbear recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) alto vocals [Joad]: James Bowman (UK countertenor) (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		6:41
7	Athalia Act I, Scene III: Recitative - What Scenes of Horror Round Me Rise! recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) soprano vocals [Athalia]: Joan Sutherland (soprano) (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		2:21
8	Athalia Act I, Scene III: Chorus - The Gods, Who Chosen Blessings Shed recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) choir vocals: Choir of New College Oxford (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		2:29
9	Athalia Act I, Scene III: Chorus - Cheer Her, o Baal recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) choir vocals: Choir of New College Oxford (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		3:10
10	Athalia Act I, Scene III: Aria - Gentle Airs, Melodious Strains! recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) tenor vocals [Mathan]: Anthony Rolfe Johnson (tenor) (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		3:38
11	Athalia Act I, Scene III: Aria - Softest Sounds No More Can Ease Me recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) soprano vocals [Athalia]: Joan Sutherland (soprano) (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		4:31
12	Athalia Act I, Scene III: Chorus - The Traitor If You There Descry / Act I, Scene IV, Recitative - My Josabeth! The Greatful Time Appears recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) choir vocals: Choir of New College Oxford (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		1:57
13	Athalia Act I, Scene IV: Aria - Faithful Cares in Vain Extended recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) soprano vocals [Josabeth]: Emma Kirkby (soprano) (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		5:52
14	Athalia Act I, Scene IV: Aria - Gloomy Tyrants, We Disdain recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) alto vocals [Joad]: James Bowman (UK countertenor) (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		4:49

4▼CD: Act II - III
#	Title	Artist	Rating	Length
1	Athalia Act II, Scene I: Chorus - The Mighty Pow'r recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) choir vocals: Choir of New College Oxford (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act II (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		5:57
2	Athalia Act II, Scene I: Aria - Through the Land So Lovely Blooming recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) soprano vocals [Josabeth]: Emma Kirkby (soprano) (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act II (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		8:22
3	Athalia Act II, Scene I: Aria - Ah, Canst Thou but Prove Me! / Act II, Scene II: Recitative - Confusion to My Thoughts! recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) bass vocals [Abner]: David Thomas (British operatic bass) (from 1985-05-28 until 1985-06-01) soprano vocals [Athalia]: Joan Sutherland (soprano) (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act II (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		5:31
4	Athalia Act II, Scene II: Aria - Will God, Whose Mercies Ever Flow orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986)	George Frideric Handel		3:18
5	Athalia Act II, Scene II: Aria - My Vengeance Awakes Me recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) soprano vocals [Athalia]: Joan Sutherland (soprano) (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act II (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		4:52
6	Athalia Act II, Scene II: Duet - My Spirits Fail, I Faint, I Die! / Act II Scene III: Recitative - Dear Josabeth Joad recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) alto vocals [Joad]: James Bowman (UK countertenor) (from 1985-05-28 until 1985-06-01) soprano vocals [Joas]: Aled Jones (British classical vocalist (treble, tenor, bariton)) (from 1985-05-28 until 1985-06-01) soprano vocals [Josabeth]: Emma Kirkby (soprano) (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act II (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		4:12
7	Athalia Act II Scene III: Duet - Cease Thy Anguish, Smile Once More recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) alto vocals [Joad]: James Bowman (UK countertenor) (from 1985-05-28 until 1985-06-01) soprano vocals [Josabeth]: Emma Kirkby (soprano) (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act II (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		6:35
8	Athalia Act II Scene III: : Chorus - The Clouded Scene Begins to Clear recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) choir vocals: Choir of New College Oxford (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act II (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		3:54
9	Athalia Act III, Scene I: Recitative - What Sacred Horrors Shake My Breast! recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) alto vocals [Joad]: James Bowman (UK countertenor) (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act III (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		1:29
10	Athalia Act III, Scene I:: Chorus - Unfold, Great Seer, What Heav'n Imparts recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) choir vocals: Choir of New College Oxford (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act III (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		0:52
11	Athalia Act III, Scene I:: Recitative - Let Harmony Breathe Soft Around recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) alto vocals [Joad]: James Bowman (UK countertenor) (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act III (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		4:15
12	Athalia Act III, Scene I:: Chorus - With Firm United Hearts / Act III, Scene II: Recitative - O Princess, I Approach Thee recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) choir vocals: Choir of New College Oxford (from 1985-05-28 until 1985-06-01) tenor vocals [Mathan]: Anthony Rolfe Johnson (tenor) (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act III (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		0:56
13	Athalia Act III, Scene II: Aria - Soothing Tyrant, Falsely Smiling! / Act III, Scene III: Recitative - Apostate Priest! How Canst Thou Dare / Act III, Scene IV: Recitative - O Bold Seducer, Art Thou There? recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) alto vocals [Joad]: James Bowman (UK countertenor) (from 1985-05-28 until 1985-06-01) soprano vocals [Athalia]: Joan Sutherland (soprano) (from 1985-05-28 until 1985-06-01) soprano vocals [Josabeth]: Emma Kirkby (soprano) (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act III (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		2:21
14	Athalia Act III, Scene IV: Chorus - Around Let Acclamations Ring recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) choir vocals: Choir of New College Oxford (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act III (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		2:40
15	Athalia Act III, Scene IV: Aria - Oppression, No Longer I Dread Thee recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) bass vocals [Abner]: David Thomas (British operatic bass) (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act III (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		1:52
16	Athalia Act III, Scene IV: Aria - Hark! His Thunders Round Me Roll recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) tenor vocals [Mathan]: Anthony Rolfe Johnson (tenor) (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act III (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		2:43
17	Athalia Act III, Scene IV Aria - To Darkness Eternal recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) soprano vocals [Athalia]: Joan Sutherland (soprano) (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act III (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		1:05
18	Athalia Act III, Scene The Last: Duet - Now, Josabeth, Thy Fears Are O'Er! recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) soprano vocals [Josabeth]: Emma Kirkby (soprano) (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act III (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		2:36
19	Athalia Act III, Scene The Last: Chorus - Give Glory to His Awful Name recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) choir vocals: Choir of New College Oxford (from 1985-05-28 until 1985-06-01) orchestra: Academy of Ancient Music (from 1985-05-28 until 1985-06-01) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1985-05-28 until 1985-06-01) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1985-05-28 until 1985-06-01) partial recording of: Athalia, HWV 52: Act III (from 1985-05-28 until 1985-06-01) composer: George Frideric Handel (German‐British baroque composer) (in 1733) librettist: Samuel Humphreys (18th century librettist) part of: Athalia, HWV 52	George Frideric Handel		2:10

5▼CD: Esther Scene 1- 4
#	Title	Artist	Rating	Length
1	Esther, Scene 1: Ouverture / Recitative - Tis Greater Far to Spare orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist)	George Frideric Handel		7:46
2	Esther, Scene 1: Aria - Pluck Root and Branch From Out the Land orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist)	George Frideric Handel		2:10
3	Esther, Scene 1: Chorus - Shall We the God of Israel Fear? orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist)	George Frideric Handel		1:55
4	Esther, Scene 2: Aria - Tune Your Harps to Cheerful Strains orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Esther, HWV 50b: Act I. "Tune Your Harps to Cheerful Strains" composer: George Frideric Handel (German‐British baroque composer) (in 1732) librettist: Jean Racine (French dramatist) translator: John Arbuthnot and Alexander Pope part of: Esther, HWV 50b: Act I	George Frideric Handel		3:56
5	Esther, Scene 2: Chorus - Shall We of Servitude Complain orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist)	George Frideric Handel		1:26
6	Esther, Scene 2: Aria - Praise the Lord With Cheerful Noise orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist) recording of: Esther, HWV 50a: No. 9. "Praise the Lord With Cheerful Noise" composer: George Frideric Handel (German‐British baroque composer) librettist: Jean Racine (French dramatist) translator: John Arbuthnot and Alexander Pope part of: Esther, HWV 50a (masque)	George Frideric Handel		6:08
7	Esther, Scene 2: Aria - Sing Songs of Praise, Bow Down the Knee / Scene 3: Recitative - How Have Our Sins Provoked the Lord! orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist)	George Frideric Handel		6:12
8	Esther, Scene 3: Chorus - Ye Sons of Israel Mourn orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist)	George Frideric Handel		2:06
9	Esther, Scene 3: Aria - O Jordan, Jordan, Sacred Tide / Scene 4: Recitative - Why Sits That Sorrow on Thy Brow? orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist)	George Frideric Handel		9:35
10	Esther, Scene 4: Aria - Dread Not, Righteous Queen, the Danger orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist)	George Frideric Handel		3:46
11	Esther, Scene 4: Aria - Tears Assist Me, Pity Moving orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist)	George Frideric Handel		3:01
12	Esther, Scene 4: Chorus - Save Us, O Lord orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist)	George Frideric Handel		1:32

6▼CD: Esther Scene 5 -6
#	Title	Artist	Rating	Length
1	Esther, Scene 5: Recitative - Who Dares Intrude Into Our Presence orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist)	George Frideric Handel		1:08
2	Esther, Scene 5: Duet - Who Calls My Parting Soul From Death? Awake, My Soul, My Life, My Breath! orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist)	George Frideric Handel		2:35
3	Esther, Scene 5: Aria - O Beauteous Queen, Recitative - If I Find Favour in Thy Sight orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist)	George Frideric Handel		7:39
4	Esther, Scene 5: Aria - How Can I Stay When Love Invites orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist)	George Frideric Handel		3:54
5	Esther, Scene 5: Chorus - Virtue, Truth and Innocence orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist)	George Frideric Handel		2:34
6	Esther, Scene 5: Arioso - Jehovah, Crown'd With Glory Bright / Chorus - He Comes, He Comes to End Our Woes / Scene 6, Recitative - Now, o Queen, Thy Suit Declare recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) alto vocals [Priest]: Drew Minter (countertenor) (from 1984-10-18 until 1984-10-23) tenor vocals [Ahasuerus]: Anthony Rolfe Johnson (tenor) (from 1984-10-18 until 1984-10-23) orchestra: Academy of Ancient Music (from 1984-10-18 until 1984-10-23) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1985) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23) partial recording of: Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23) composer: George Frideric Handel (German‐British baroque composer) (in 1718) part of: Händel-Werke-Verzeichnis (number: HWV 50a)	George Frideric Handel		6:59
7	Esther, Scene 6: Arioso - Turn Not, o Queen, Thy Face Away orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist)	George Frideric Handel		2:11
8	Esther, Scene 6: Aria - Flatt'Ring Tongue, No More I Hear Thee! Recitative - Guards, Seize the Traitor recording engineer: John Pellowe (audio engineer) producer: Peter Wadland (producer) soprano vocals [Esther]: Patrizia Kwella (soprano) (from 1984-10-18 until 1984-10-23) tenor vocals [Ahasuerus]: Anthony Rolfe Johnson (tenor) (from 1984-10-18 until 1984-10-23) orchestra: Academy of Ancient Music (from 1984-10-18 until 1984-10-23) conductor: Christopher Hogwood (conductor, harpsichordist) (from 1984-10-18 until 1984-10-23) phonographic copyright (℗) by: Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1985) recorded at: St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1984-10-18 until 1984-10-23) partial recording of: Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23) composer: George Frideric Handel (German‐British baroque composer) (in 1718) part of: Händel-Werke-Verzeichnis (number: HWV 50a)	George Frideric Handel		5:12
9	Esther, Scene 6: Aria - How Art Thou Fall'n From Thy Height! orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist)	George Frideric Handel		4:16
10	Esther, Scene 6: Chorus - The Lord Our Enemy Has Slain / For Ever Blessed Be Thy Holy Name / Solo - Let Israel Songs of Joy Repeat / Chorus - For Ever Blessed Be Thy Holy Name / Duet - The Lord His People Shall Restore / Chorus - For Ever Blessed Be Thy Holy Name / Duet - Mount Lebanon His First Resigns / Chorus - For Ever Blessed Be Thy Holy Name orchestra: Academy of Ancient Music conductor: Christopher Hogwood (conductor, harpsichordist)	George Frideric Handel		10:46

7▶CD: La Resurrezione Parte Prima

8▶CD: La Resurrezione Parte Seconda

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Discogs:	https://www.discogs.com/release/2026070 [info]

Messiah / Athalia / Esther / La Resurrezione

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