Sweet Soul Music: 29 Scorching Classics From 1968

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1I Second That Emotion
chitarra :
Marvin Tarplin (il 1967-09-21)
strumenti:
The Funk Brothers (il 1967-09-21)
voce di accompagnamento:
Warren “Pete” Moore (il 1967-09-21), Claudette Robinson (il 1967-09-21), Bobby Rogers (il 1967-09-21) e Ronald White (soul singer, founding member of The Miracles) (il 1967-09-21)
voce principale:
Smokey Robinson (il 1967-09-21)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1967-09-21)
registrazione di:
I Second That Emotion (il 1967-09-21)
autore:
Al Cleveland (songwriter 1930-1996) e Smokey Robinson
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Smokey Robinson & The Miracles42:45
2I’m in Love
registrata a:
Memphis, Tennessee, Stati Uniti (dal 1967-07-01 al 1967-07-03)
tecnico di registrazione:
Tom Dowd (dal 1967-07-01 al 1967-07-03)
produttore:
Jerry Wexler
basso [electric bass] :
Tommy Cogbill (dal 1967-07-01 al 1967-07-03)
batteria :
Gene Chrisman (dal 1967-07-01 al 1967-07-03)
chitarra :
Reggie Young (guitarist and songwriter) (dal 1967-07-01 al 1967-07-03)
chitarra [lead guitar] :
Bobby Womack (dal 1967-07-01 al 1967-07-03)
organo :
Bobby Emmons (dal 1967-07-01 al 1967-07-03)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (dal 1967-07-01 al 1967-07-03)
sassofono baritono :
Floyd Newman (dal 1967-07-01 al 1967-07-03)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1967-07-01 al 1967-07-03) e King Curtis (saxophonist) (dal 1967-07-01 al 1967-07-03)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (dal 1967-07-01 al 1967-07-03)
voce:
Wilson Pickett (dal 1967-07-01 al 1967-07-03)
registrazione di:
I’m in Love (dal 1967-07-01 al 1967-07-03)
paroliere e compositore:
Bobby Womack
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Pronto Music (publisher)
Wilson Pickett2:30
3(1-2-3-4-5-6-7) Count the Days
registrazione di:
(1‐2‐3‐4‐5‐6‐7) Count the Days
autore:
Charlie Foxx, Brooks O’Dell e Yvonne Williams
Inez & Charlie Foxx2:36
4(Sittin’ on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.452:41
5We’re a Winner
registrazione di:
We’re a Winner (nel 1967)
paroliere e compositore:
Curtis Mayfield
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Impressions42:22
6Dance to the Music
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 223)
registrazione di:
Dance to the Music
paroliere, autore e compositore:
Sylvester Stewart
editore:
Mijac Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
compresa in:
Dance for Me
Sly & the Family Stone4.152:58
7The End of Our Road
produttore:
Norman Whitfield
registrata presso:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, Stati Uniti (il 1967-12-14)
registrazione di:
The End of Our Road (il 1967-12-14)
autore:
Roger Penzabene (songwriter, who worked mainly at Motown), Barrett Strong e Norman Whitfield
editore:
Jobete Music Co., Inc.
Gladys Knight & the Pips42:18
8Cowboys to Girls
produttore:
Gamble-Huff
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
registrata presso:
Cameo-Parkway Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1967)
registrazione di:
Cowboys to Girls (nel 1967)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Blockbuster Music, Inc., EMI Blackwood Music Inc., Mijac Double Diamond Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Intruders22:38
9I Thank You
produttore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
registrazione di:
I Thank You (il 1968-01-05)
autore:
Isaac Lee Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Cotillion Music Inc. (BMI), Irving Music, Inc., Rondor, Walden Music, Inc., Warner Chappell, WB Music Corp. (1929–2019) e Birdees Music (nel 1968)
Sam & Dave2:54
10Tighten Up, Part 1
tecnico di registrazione:
Bert Frilot
produttore:
Skipper Lee Frazier
voce:
Billy Buttier (nel 1967-10), Joe Cross (nel 1967-10) e James Wise (singer in Archie Bell & The Drells) (nel 1967-10)
voce principale:
Archie Bell (vocals, of Archie Bell & the Drells) (nel 1967-10)
esecutore:
The TSU Toronadoes (nel 1967-10)
registrata presso:
Jones Town Studio in Houston, Texas, Stati Uniti (nel 1967-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Tighten Up (nel 1967-10)
paroliere:
Billy Butler (60-70s R&B singer)
compositore:
Archie Bell (vocals, of Archie Bell & the Drells)
Archie Bell & the Drells3:08
11Take Time to Know Her
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
registrazione di:
Take Time to Know Her (il 1968-02-01)
paroliere e compositore:
Stephen Allen Davis (American singer-songwriter, born October 4, 1949 in Hendersonville, Tennessee)
autore:
Stephen Allen Davis (American singer-songwriter, born October 4, 1949 in Hendersonville, Tennessee) e Al Gallico
Percy Sledge2:53
12Ain’t Nothing Like the Real Thing
produttore:
Nickolas Ashford e Valerie Simpson
strumenti:
The Funk Brothers (il 1967-10-06)
voce di accompagnamento:
Valerie Simpson (nel 1967) e Nickolas Ashford (il 1967-10-06)
voce principale:
Marvin Gaye (il 1967-10-06) e Tammi Terrell (il 1967-10-06)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1967-10-06)
registrazione di:
Ain’t Nothing Like the Real Thing (il 1967-10-06)
autore:
Nickolas Ashford e Valerie Simpson
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (UK) Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Jobete Music Co., Inc. (dal 1967 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Marvin Gaye & Tammi Terrell42:14
13Lover’s Holiday
registrazione cover di:
Maybe We Can Slip Away
autore:
Bob McRee (Producer and songwriter), Cliff Thomas (Sun records artist) e Ed Thomas (US pianist and songwriter)
Peggy Scott & Jo Jo Benson2:46
14(Sweet Sweet Baby) Since You’ve Been Gone
registrata a:
New York, New York, Stati Uniti
tecnico di registrazione:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (dal 1967-12-16 al 1967-12-17)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1967-12-16 al 1967-12-17) e Bobby Womack (dal 1967-12-16 al 1967-12-17)
chitarra basso :
Tommy Cogbill (dal 1967-12-16 al 1967-12-17)
pianoforte elettrico :
Spooner Oldham (dal 1967-12-16 al 1967-12-17)
sassofono baritono :
Henry Haywood (dal 1967-12-16 al 1967-12-17)
sassofono tenore :
King Curtis (saxophonist) (dal 1967-12-16 al 1967-12-17), Seldon Powell (dal 1967-12-16 al 1967-12-17) e Frank Wess (dal 1967-12-16 al 1967-12-17)
tromba :
Bernie Glow (dal 1967-12-16 al 1967-12-17), Melvin Lastie (dal 1967-12-16 al 1967-12-17) e Joe Newman (US jazz trumpeter) (dal 1967-12-16 al 1967-12-17)
trombone basso :
Tony Studd (dal 1967-12-16 al 1967-12-17)
cori:
Carolyn Franklin (dal 1967-12-16 al 1967-12-17), Erma Franklin (dal 1967-12-16 al 1967-12-17) e The Sweet Inspirations (dal 1967-12-16 al 1967-12-17)
voce:
Aretha Franklin (dal 1967-12-16 al 1967-12-17)
arrangiatore corno :
Arif Mardin
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1967-12-16 al 1967-12-17)
registrazione cover di:
(Sweet, Sweet Baby) Since You’ve Been Gone (dal 1967-12-16 al 1967-12-17)
autore:
Aretha Franklin e Ted White (husband & co-songwriter of Aretha Franklin)
editore:
14th Hour Music, Cotillion Music Inc. (BMI), EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Aretha Franklin4.352:23
15Funky Street
produttore:
Tom Dowd
registrazione di:
Funky Street
autore:
Arthur Conley e Earl Simms
Arthur Conley2:27
16Stay in My Corner (single edit)
edit di:
Stay in My Corner (1968, Cadet) di The Dells
registrazione di:
Stay in My Corner (nel 1967)
autore:
Wade Flemons, Bobby Miller (US songwriter & record producer) e Barrett Strong
editore:
Conrad Music (publisher; do NOT use as release label)
The Dells3:06
17I’ve Never Found a Girl (To Love Me Like You Do)
produttore:
Steve Cropper
registrazione di:
I’ve Never Found a Girl (to Love Me Like You Do) (nel 1968)
autore:
Eddie Floyd, Alvertis Isbell e Booker T. Jones
editore:
East/Memphis Music, Irving Music, Inc., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Eddie Floyd42:41
18Grazing in the Grass
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Chuck Carter (drums) (il 1968-03-14)
contrabbasso :
Henry Franklin (American jazz double-bassist) (il 1968-03-14)
percussione :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1968-03-14)
pianoforte :
William Henderson (jazz pianist) (il 1968-03-14)
sassofono tenore :
Al Abreu (il 1968-03-14)
tromba :
Hugh Masekela (il 1968-03-14)
esecutore:
Bruce Langhorne (il 1968-03-14)
registrazione di:
Grazing in the Grass (instrumental) (il 1968-03-14)
compositore:
Philemon Hou
Hugh Masekela52:38
19Slip Away
tecnico di registrazione e produttore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
basso :
David Hood (Muscle Shoals, AL guitarist and trombonist) (il 1968-04-08)
batteria :
Roger Hawkins (il 1968-04-08)
chitarra :
Clarence Carter (il 1968-04-08)
organo :
Barry Beckett (il 1968-04-08)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1968-04-08), Andrew Love (il 1968-04-08) e Aaron Varnell (il 1968-04-08)
tromba :
Gene Miller (American trumpeter) (il 1968-04-08) e Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1968-04-08)
voce:
Clarence Carter (il 1968-04-08)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (il 1968-04-08)
registrazione di:
Slip Away (il 1968-04-08)
autore:
William Armstrong, Marcus Daniel e Wilbur Terrell
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Clarence Carter4.52:30
20Love Makes a Woman
produttore:
Carl Davis (record producer) e Eugene Record
arrangiatore:
Sonny Sanders
parte di:
The Downloader’s Music Source Book (numero: 135)
registrazione di:
Love Makes a Woman (il 1968-03-25)
autore:
Carl Davis (record producer), Eugene Record, Sonny Sanders e Gerald Sims
editore:
Chappell & Co., Inc. (USA), Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Barbara Acklin2:56
21Say It Loud - I’m Black and I’m Proud (Part 1)
produttore:
James Brown (The Godfather of Soul)
voce principale:
James Brown (The Godfather of Soul)
esecutore:
James Brown Orchestra
parte di:
CBC Music: 10 Songs That Have Changed the World, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 305) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 393)
registrazione parziale di:
Say It Loud (I’m Black, I’m Proud) (Parts 1 & 2)
paroliere e compositore:
James Brown (The Godfather of Soul) e Pee Wee Ellis
James Brown3:02
22Girls Can’t Do What the Guys Do
registrazione di:
Girls Can’t Do What the Guys Do
autore:
Willie Clarke e Clarence Reid
Betty Wright2:05
23Girl Watcher
registrazione di:
Girl Watcher
autore:
Wayne Pittman e Ronald Killette
The O’Kaysions2:34
24The Snake
produttore:
Marc Gordon (soul songwriter, producer, and manager) e Johnny Rivers
registrazione cover di:
The Snake
paroliere e compositore:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
Al Wilson3:26
25Hey, Western Union Man
produttore:
Gamble & Huff
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
registrazione di:
Hey Western Union Man
autore:
Jerry Butler (soul singer), Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Melody e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Jerry Butler2:43
26Soulful Strut
produttore:
Carl Davis (record producer) e Eugene Record
archi :
Eldee Young (nel 1968)
batteria :
Red Holt (nel 1968)
pianoforte :
Ken Chaney (jazz pianist and composer) (nel 1968)
arrangiatore:
Sonny Sanders
registrazione di:
Soulful Strut (nel 1968)
compositore:
Eugene Record e Sonny Sanders
editore:
Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
versione di:
Am I the Same Girl
Young–Holt Unlimited4.52:58
27Who’s Making Love
produttore:
Donald Davis (American record producer) e Al Jackson, Jr. (Booker T & The MGs drummer)
basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1968)
chitarra :
Steve Cropper (nel 1968)
membranofono :
Al Jackson, Jr. (Booker T & The MGs drummer) (nel 1968)
organo e voce di accompagnamento:
Booker T. Jones (nel 1968)
pianoforte :
Isaac Hayes (nel 1968) e Allen Jones (producer/songwriter/musician/engineer) (nel 1968)
voce principale:
Johnnie Taylor (nel 1968)
registrazione di:
Who’s Making Love? (nel 1968)
autore:
Homer Banks (soul singer and songwriter), Bettye Crutcher, Don Davis (American record producer) e Raymond Jackson (songwriter, guitarist and producer)
Johnnie Taylor2:48
28Cloud Nine
produttore:
Norman Whitfield
voce principale:
Dennis Edwards (US soul & R’n’B singer), Eddie Kendricks e Paul Williams (member of The Temptations)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1968)
registrata presso:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, Stati Uniti (il 1968-10-02)
registrazione di:
Cloud Nine (il 1968-10-02)
autore:
Barrett Strong e Norman Whitfield
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music e Stone Agate Music Division
The Temptations3.53:31
29I Heard It Through the Grapevine
produttore:
Norman Whitfield
basso [1962 Fender Precision Bass] :
James Jamerson (dal 1967-02-03 al 1967-04-10)
batteria :
Uriel Jones (dal 1967-02-03 al 1967-04-10)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (dal 1967-02-03 al 1967-04-10)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (dal 1967-02-03 al 1967-04-10)
congas e tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (dal 1967-02-03 al 1967-04-10)
corno francese :
Don Ozga (dal 1967-02-03 al 1967-04-10) e Edwin Jones (dal 1967-02-03 al 1967-04-10)
organo Hammond [B-3] :
Earl Van Dyke (dal 1967-02-03 al 1967-04-10)
piano elettrico Wurlitzer :
Johnny Griffith (dal 1967-02-03 al 1967-04-10)
strumenti:
The Funk Brothers (dal 1967-02-03 al 1967-04-10)
tom-tom :
Richard "Pistol" Allen (dal 1967-02-03 al 1967-04-10)
voce di accompagnamento:
The Andantes (dal 1967-02-03 al 1967-04-10), Marlene Barrow (dal 1967-02-03 al 1967-04-10), Louvain Demps (dal 1967-02-03 al 1967-04-10) e Jackie Hicks (dal 1967-02-03 al 1967-04-10)
voce principale:
Marvin Gaye (dal 1967-02-03 al 1967-04-10)
orchestra:
Detroit Symphony Orchestra (dal 1967-02-03 al 1967-04-10)
arrangiatore archi :
Paul Riser (dal 1967-02-03 al 1967-04-10)
orchestratore:
Paul Riser (dal 1967-02-03 al 1967-04-10)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968)
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1967-02-03 al 1967-04-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 80), Billboard: Greatest of All Time Hot 100 Songs (numero: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 119) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 307)
registrazione cover di:
I Heard It Through the Grapevine (dal 1967-02-03 al 1967-04-10)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
registrazione cover di:
I Heard It Through the Grapevine (il 1967-04-10)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye4.053:15

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parte di:Sweet Soul Music (Bear Family) (ordine: 8)