Everything You've Always Wanted to Know About Sax (and Flute)

~ Release by James Moody (see all versions of this release, 1 available)

Tracklist

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1▼12" Vinyl
#TitleRatingLength
A1Last Train From Overbrook
recorded in:
Chicago, Illinois, United States (from 1958-09-07 until 1958-09-10)
recording engineer:
Malcolm Chisholm (from 1958-09-07 until 1958-09-10)
producer:
Dave Usher
bass:
Johnny Pate (from 1958-09-07 until 1958-09-10)
drums (drum set):
Red Holt (from 1958-09-07 until 1958-09-10)
woodwind:
James Moody (jazz saxophonist) (from 1958-09-07 until 1958-09-10)
recording of:
Last Train From Overbrook (in 1958-09)
composer:
James Moody (jazz saxophonist)
?:??
A2Zanzibar
producer:
Esmond Edwards
bass:
Chris White (jazz bassist) (on 1963-09-16)
drums (drum set):
Rudy Collins (drums) (on 1963-09-16)
guitar:
George Eskridge (on 1963-09-16)
piano:
Kenny Barron (on 1963-09-16)
woodwind:
James Moody (jazz saxophonist) (on 1963-09-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1963-09-16)
recording of:
Zanzibar (on 1963-09-16)
composer:
Esmond Edwards
?:??
A3I've Grown Accustomed to Her Face
producer:
Esmond Edwards
bass:
Chris White (jazz bassist) (on 1963-09-16)
drums (drum set):
Rudy Collins (drums) (on 1963-09-16)
guitar:
George Eskridge (on 1963-09-16)
organ:
Kenny Barron (on 1963-09-16)
woodwind:
James Moody (jazz saxophonist) (on 1963-09-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1963-09-16)
instrumental recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady) (on 1963-09-16)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
?:??
A4Bloozey
baritone saxophone:
Musa Kaleem (in 1961)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (in 1961)
drums (drum set):
Arnold "Buddy" Enlow (in 1961)
piano:
Sonny Donaldson (in 1961)
trombone:
Bernard McKinney (Trombonist and euphonium player, born Bernard Atwell McKinney) (in 1961)
trumpet:
Howard McGhee (in 1961)
woodwind:
James Moody (jazz saxophonist)
?:??
A5Tico Tico
recorded in:
Chicago, Illinois, United States (from 1958-09-07 until 1958-09-10)
recording engineer:
Malcolm Chisholm (from 1958-09-07 until 1958-09-10)
producer:
Dave Usher
bass:
Johnny Pate (from 1958-09-07 until 1958-09-10)
drums (drum set):
Red Holt (from 1958-09-07 until 1958-09-10)
woodwind:
James Moody (jazz saxophonist) (from 1958-09-07 until 1958-09-10)
instrumental recording of:
Tico tico (French version of "Tico‐Tico no fubá") (in 1958-09)
lyricist:
Jacques Larue (French lyricist)
composer:
Zequinha de Abreu (in 1917)
translated version of:
Tico-tico no fubá (original Portuguese version)
?:??
B1Malice Toward None
producer:
Esmond Edwards
bass:
Richard Davis (American jazz bassist) (from 1963-06-17 until 1963-06-18)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1963-06-17 until 1963-06-18)
flute:
Hubert Laws (from 1963-06-17 until 1963-06-18)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (from 1963-06-17 until 1963-06-18)
trumpet:
Johnny Coles (US jazz trumpeter) (from 1963-06-17 until 1963-06-18) and Thad Jones (American jazz trumpeter) (from 1963-06-17 until 1963-06-18)
woodwind:
James Moody (jazz saxophonist) (from 1963-06-17 until 1963-06-18)
conductor:
Tom McIntosh (from 1963-06-17 until 1963-06-18)
arranger:
Tom McIntosh
phonographic copyright (℗) by:
Chess (US label)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1963-06-17 until 1963-06-18)
recording of:
With Malice Towards None (in 1963-06)
composer:
Tom McIntosh
?:??
B2Ole'
producer:
Esmond Edwards
bass:
Chris White (jazz bassist) (on 1963-09-16)
drums (drum set):
Rudy Collins (drums) (on 1963-09-16)
guitar:
George Eskridge (on 1963-09-16)
organ:
Kenny Barron (on 1963-09-16)
woodwind:
James Moody (jazz saxophonist) (on 1963-09-16)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1963-09-16)
?:??
B3Don't Worry About Me
recorded in:
Chicago, Illinois, United States (from 1958-09-07 until 1958-09-10)
recording engineer:
Malcolm Chisholm (from 1958-09-07 until 1958-09-10)
producer:
Dave Usher
bass:
Johnny Pate (from 1958-09-07 until 1958-09-10)
drums (drum set):
Red Holt (from 1958-09-07 until 1958-09-10)
woodwind:
James Moody (jazz saxophonist) (from 1958-09-07 until 1958-09-10)
instrumental recording of:
Don’t Worry ’Bout Me (in 1958-09)
lyricist:
Ted Koehler (in 1939)
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. and Redwood Music Ltd. (Carlin)
?:??
B4Somerset
recorded in:
New York, New York, United States (from 1960-07-04 until 1961-01-16)
producer:
Jack Tracy
alto saxophone:
James Moody (jazz saxophonist) (from 1960-07-04 until 1961-01-16)
bass:
George Duvivier (from 1960-07-04 until 1961-01-16)
drums (drum set):
Tom Gillen (from 1960-07-04 until 1961-01-16)
French horn:
Ray Alonge (french horn) (from 1960-07-04 until 1961-01-16) and Richard Berg (from 1960-07-04 until 1961-01-16)
piano:
Torrie Zito (from 1960-07-04 until 1961-01-16)
trombone:
Freddie Zito (from 1960-07-04 until 1961-01-16) and Tom McIntosh (from 1960-07-04 until 1961-01-16)
trumpet:
Burt Collins (from 1960-07-04 until 1961-01-16), Irving Markowitz (trumpet, flugelhorn) (from 1960-07-04 until 1961-01-16) and Don Stratton (jazz trumpeter) (from 1960-07-04 until 1961-01-16)
tuba:
Don Butterfield (from 1960-07-04 until 1961-01-16)
conductor:
Torrie Zito (from 1960-07-04 until 1961-01-16)
arranger:
Torrie Zito
recording of:
Somerset (from 1960-07-04 until 1961-01-16)
composer:
Torrie Zito
?:??
B5Stella by Starlight
producer:
Jack Tracy
double bass [bass]:
Eldee Young (on 1959-12-29)
drums (drum set):
Clarence Johnston (on 1959-12-29)
guitar:
Johnny Gray (guitar) (on 1959-12-29)
saxophone:
James Moody (jazz saxophonist) (on 1959-12-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-12-29)
instrumental recording of:
Stella by Starlight (on 1959-12-29)
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
2▼12" Vinyl
#TitleRatingLength
C1The Jazz Twist
producer:
Jack Tracy
baritone saxophone:
Musa Kaleem (in 1961)
bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (in 1961)
drums (drum set):
Arnold Enlow (in 1961)
piano:
Sonny Donaldson (in 1961)
trombone:
Bernard McKinney (Trombonist and euphonium player, born Bernard Atwell McKinney) (in 1961)
trumpet:
Howard McGhee (in 1961)
woodwind:
James Moody (jazz saxophonist) (in 1961)
recorded at:
Jazz Workshop in San Francisco, California, United States (in 1961)
?:??
C2Woody n' You
producer:
Jack Tracy
double bass [bass]:
Eldee Young (on 1959-12-29)
drums (drum set):
Clarence Johnston (on 1959-12-29)
guitar:
Johnny Gray (guitar) (on 1959-12-29)
saxophone:
James Moody (jazz saxophonist) (on 1959-12-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-12-29)
recording of:
Woody ’n’ You (on 1959-12-29)
composer:
Dizzy Gillespie
?:??
C3Boo's Tune
baritone saxophone:
Numa 'Pee Wee' Moore (on 1956-11-01)
double bass:
John Lathan (bassist associated with James Moody) (on 1956-11-01)
drums (drum set):
Clarence Johnston (on 1956-11-01)
piano:
Jimmy Boyd (piano) (on 1956-11-01)
trombone:
William Shepherd (US jazz trombonist) (on 1956-11-01)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1956-11-01)
?:??
C4Moody's Mood for Cha Cha
?:??
C5Brother Yusef
recorded in:
Chicago, Illinois, United States (from 1958-09-07 until 1958-09-10)
recording engineer:
Malcolm Chisholm (from 1958-09-07 until 1958-09-10)
producer:
Dave Usher
bass:
Johnny Pate (from 1958-09-07 until 1958-09-10)
drums (drum set):
Red Holt (from 1958-09-07 until 1958-09-10)
woodwind:
James Moody (jazz saxophonist) (from 1958-09-07 until 1958-09-10)
?:??
D1Darben the Red Fox
recording of:
Darben the Redd Foxx (in 1956)
composer:
James Moody (jazz saxophonist)
?:??
D2Dorothee
recorded in:
New York, New York, United States (from 1960-07-04 until 1961-01-16)
producer:
Jack Tracy
alto saxophone:
James Moody (jazz saxophonist) (from 1960-07-04 until 1961-01-16)
bass:
John Beal (American Broadway bassist) (from 1960-07-04 until 1961-01-16)
drums (drum set):
Osie Johnson (from 1960-07-04 until 1961-01-16)
piano:
Hank Jones (piano) (from 1960-07-04 until 1961-01-16)
orchestra:
unidentified large string orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (from 1960-07-04 until 1961-01-16)
conductor:
Torrie Zito (from 1960-07-04 until 1961-01-16)
arranger:
Torrie Zito
recording of:
Dorothee (from 1960-07-04 until 1961-01-16)
composer:
Torrie Zito
?:??
D3Breakin' the Blues
baritone saxophone:
Numa 'Pee Wee' Moore (on 1956-11-01)
double bass:
John Lathan (bassist associated with James Moody) (on 1956-11-01)
drums (drum set):
Clarence Johnston (on 1956-11-01)
piano:
Jimmy Boyd (piano) (on 1956-11-01)
trombone:
William Shepherd (US jazz trombonist) (on 1956-11-01)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1956-11-01)
?:??
D4It Might as Well Be Spring
producer:
Jack Tracy
baritone saxophone:
Musa Kaleem (in 1961)
bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (in 1961)
drums (drum set):
Arnold Enlow (in 1961)
piano:
Sonny Donaldson (in 1961)
trombone:
Bernard McKinney (Trombonist and euphonium player, born Bernard Atwell McKinney) (in 1961)
trumpet:
Howard McGhee (in 1961)
woodwind:
James Moody (jazz saxophonist) (in 1961)
recorded at:
Jazz Workshop in San Francisco, California, United States (in 1961)
instrumental recording of:
It Might as Well Be Spring (State Fair) (in 1961)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
?:??
D5Great Day
producer:
Esmond Edwards
bass:
Richard Davis (American jazz bassist) (from 1963-06-17 until 1963-06-18)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1963-06-17 until 1963-06-18)
flute:
Hubert Laws (from 1963-06-17 until 1963-06-18)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (from 1963-06-17 until 1963-06-18)
trumpet:
Johnny Coles (US jazz trumpeter) (from 1963-06-17 until 1963-06-18) and Thad Jones (American jazz trumpeter) (from 1963-06-17 until 1963-06-18)
woodwind:
James Moody (jazz saxophonist) (from 1963-06-17 until 1963-06-18)
conductor:
Tom McIntosh (from 1963-06-17 until 1963-06-18)
arranger:
Tom McIntosh
phonographic copyright (℗) by:
Chess (US label)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1963-06-17 until 1963-06-18)
?:??