Das Jahrhundertkonzert

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Also sprach Zarathustra: Einleitung
editor:
Christopher Alder (editor/engineer/producer)
solo violin:
Rainer Küchl (Austrian violinist) (in 1983-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1983-02)
conductor:
Lorin Maazel (conductor) (in 1983, in 1983-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1983-02)
live recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (in 1983-02)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:58
2Peer Gynt Suite Nr. 1: Morgenstimmung
orchestra:
Gothenburg Symphony Orchestra (in 1987-06)
conductor:
Neeme Järvi (Estonian conductor) (in 1987-06)
performer:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra) and Neeme Järvi (Estonian conductor)
recorded at:
Göteborgs konserthus (Gothenburg Concert Hall) in Gothenburg, Västra Götaland (Västra Götaland county), Sweden (in 1987-06)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (in 1987-06)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:15
3Tosca: Vissi d'arte, vissi d'amore
producer:
Eric Smith (classical music producer)
soprano vocals [Tosca]:
Montserrat Caballé (soprano) (in 1976-07)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1976-07)
conductor:
Sir Colin Davis (English conductor) (in 1976-07)
balance engineer:
Hans Lauterslager
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1976)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (in 1976-07)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1976-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:37
4Symphonie Nr. 5 c-moll, op. 67: Allegro con brio
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven2:53
5Toccata d-moll, BWV 565
producer:
Dr Gerd Ploebsch (engineer)
organ:
Simon Preston (organist, conductor, composer) (in 1988-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1988-09)
recorded at:
Kreuzbergkirche in Bonn, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1988-09)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (in 1988-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach2:35
6Der Messias: Halleluja
producer:
Karl Faust (producer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1964-06)
organ:
Elmar Schloter (organist) (in 1964-06)
solo trumpet:
Maurice André (French trumpeter) (in 1964-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1964-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1964-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-06)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-06)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1964-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:15
7Klavierkonzert Nr. 21 C-Dur, KV. 467 "Elvira Madigan": Andante
recording engineer and producer:
Hans Weber (producer/engineer)
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
piano:
Géza Anda (Geza Anda, pianist) (in 1961-05)
orchestra:
Camerata Academica des Salzburger Mozarteums (Austrian chamber orchestra) (in 1961-05)
conductor:
Géza Anda (Geza Anda, pianist) (in 1961-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1961-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1961-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:16
8Feuerwerksmusik: La réjouissance
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr Gerd Ploebsch (engineer)
editor:
Gregor Zielinsky (Balance engineer)
orchestra:
The English Concert (in 1984-08)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1984-08)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
London, St. John's, Smith Square in London (Greater London), England, United Kingdom (in 1984-08)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (in 1984-08)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel2:11
9O Sole Mio
producer:
James Mallinson (producer) and Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1979-03)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-03)
conductor:
Giancarlo Chiaramello (in 1979-03)
arranger:
Giancarlo Chiaramello
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-03)
recording of:
’O sole mio (arr. Chiaramello for tenor and orchestra) (in 1979-03)
lyricist:
Giovanni Capurro
composer:
Eduardo Di Capua and Alfredo Mazzucchi (Italian composer, known for “’O sole mio”)
arranger:
Giancarlo Chiaramello
arrangement of:
’O sole mio
Eduardo di Capua3:24
10Ungarischer Tanz Nr. 5 g-moll
producer:
Werner Wolf (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1959-09-04)
conductor:
Herbert von Karajan (conductor) (on 1959-09-04)
balance engineer:
Günter Hermanns (producer/engineer) (on 1959-09-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1959-09-04)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 5 in G minor: Allegro - Vivace (orch. Parlow) (on 1959-09-04)
orchestrator:
Albert Parlow
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
Hungarian Dances for orchestra (Parlow orchestration)
Johannes Brahms2:35
11Cavalleria rusticana: Intermezzo sinfonico
orchestra:
Gothenburg Symphony Orchestra (from 1989-06 until 1989-09)
conductor:
Neeme Järvi (Estonian conductor) (from 1989-06 until 1989-09)
recording of:
Cavalleria rusticana: Intermezzo (from 1989-06 until 1989-09)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni4:04
12West Side Story: Tonight
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Robert Farnon & His Orchestra
conductor:
Robert Farnon (composer, conductor, trumpet player)
arranger:
Robert Farnon (composer, conductor, trumpet player)
recording of:
West Side Story: Tonight (Maria, Tony)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
Leonard Bernstein2:36
13Pomp and Circumstance, op. 39: Marsch Nr. 1
orchestra:
Royal Philharmonic Orchestra (in 1975-06)
conductor:
Norman Del Mar (conductor) (in 1975-06)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (in 1975-06)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
recording of:
Pomp and Circumstance Marches, op. 39: March no. 1 in D major (catch‐all for arrangements)
composer:
Edward Elgar (composer) (in 1901)
arrangement of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
Sir Edward Elgar5:55
14Romeo und Julia: Tanz der Ritter (Ausschnitt)
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
edit of:
Romeo & Juliet, op. 64: Act I, Scene II. No. 13 The knights’ dance (Juliet and Paris’s dance). Allegro pesante by Boston Symphony Orchestra, Seiji Ozawa (conductor and composer)
partial recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights (in 1986-10)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Сергей Сергеевич Прокофьев1:55
15Concerto de Aranjuez: Adagio (Ausschnitt)
guitar:
Siegfried Behrend (guitarist and composer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Reinhard Peters (conductor)
edit of:
Concierto de Aranjuez: II. Adagio by Siegfried Behrend (guitarist and composer), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Reinhard Peters (conductor)
partial recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo5:55
16Requiem d-moll, KV. 626: Lacrimosa
recording engineer:
Günter Hermanns (producer/engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon) and Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
organ:
Hans Haselböck (organist) (in 1971-04)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1971-04)
conductor:
Karl Böhm (Austrian conductor) (in 1971-04)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1971-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1971-04)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1971-04)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart54:14
17Bilder einer Ausstellung: Promenade - Der Gnom
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Tableaux d’une exposition: I. Gnomus (Pictures at an Exhibition: I. Gnomus, orchestrated by Ravel)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 1 “Gnomus” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico – Senza allegrezza, ma poco sostenuto, orchestrated by Ravel, 1st promenade)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: Promenade (1st) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Модест Петрович Мусоргский4:39
18La Traviata: Libiamo ne' lieti calici (Brindisi)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06-26)
baritone vocals:
Bruno Grella (from 1976-05-14 until 1977-06-26)
bass vocals:
Alfredo Giacomotti (operatic bass) (from 1976-05-14 until 1977-06-26)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06-26)
mezzo-soprano vocals [Flora]:
Stefania Malagú (mezzo-soprano) (from 1976-05-14 until 1977-06-26)
other vocals:
Bayerischer Staatsopernchor (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
tenor vocals [Gastone]:
Walter Gullino (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
chorus master:
Wolfgang Baumgart (from 1976-05-14 until 1977-06-26)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:01
19Orpheus in der Unterwelt: Ouvertüre - Can-Can
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Lorin Maazel (conductor)
recording of:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in the Underworld: Infernal Galop, widely known as “Can-can”)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach2:09
20Bolero (Finale)
orchestra:
Boston Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
partial recording of:
Boléro
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel8:26
2▼CD
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1Carmen-Suite Nr. 1: Prélude
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato
composer:
Georges Bizet (French composer)
part of:
Carmen Suite no. 1
Georges Bizet3:29
2Das Land des Lächelns: Dein ist mein ganzes Herz
producer:
Günther Breest (producer for classical music) and Bobby Schmidt
tenor vocals:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
Karl-Heinz Loges
arranger:
Karl-Heinz Loges
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recording of:
Das Land des Lächelns: Akt II. Nr. 11 „Dein ist mein ganzes Herz” (Sou-Chong)
lyricist:
Ludwig Herzer and Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Franz Lehár (composer)
publisher:
Glocken Verlag
part of:
Das Land des Lächelns: Akt II
Franz Lehár3:38
3Klarinettenkonzert A-dur, KV. 622: Adagio
clarinet:
Karl Leister (German clarinetist)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Rafael Kubelík (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:01
4Der Freischütz: Was gleicht wohl auf Erden (Jägerchor)
choir vocals:
MDR Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Carlos Kleiber (conductor)
recording of:
Der Freischütz: Akt III. Nr. 15. Jägerchor „Was gleicht wohl auf Erden dem Jägervergnügen?“ (Chor) (Der Freischütz: The Huntsmen's Chorus)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber2:36
5Aida: Triumphmarsch
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer (artistic director)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
partial recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:43
6Symphonie Nr. 9 e-moll, op. 95 "Aus der Neuen Welt": Largo
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Rafael Kubelík (conductor)
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák5:15
7Trompetenkonzert Es-dur, Hob. VIIe:1: Allegro
engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hickmann
producer:
Wolfgang Lohse
editor:
Helmut Najda
harpsichord:
Hilde Noe (in 1966-11)
trumpet:
Maurice André (French trumpeter) (in 1966-11)
orchestra:
Münchener Kammerorchester (Munich Chamber Orchestra) (in 1966-11)
conductor:
Hans Stadlmair (conductor) (in 1966-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-11)
recording of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: III. Allegro (in 1966-11)
composer:
Joseph Haydn (composer) (in 1796)
part of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1 (Trumpet Concerto in E-flat major)
Joseph Haydn4:39
8Granada
producer:
Günther Breest (producer for classical music) and Bobby Schmidt
tenor vocals:
Plácido Domingo (tenor) (in 1975-10)
orchestra:
London Symphony Orchestra (in 1975-10)
conductor:
Marcel Peeters (Belgian orchestra-leader and clarinetist) (in 1975-10)
arranger:
Marcel Peeters (Belgian orchestra-leader and clarinetist)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1975-10)
recording of:
Granada (original Spanish version) (in 1975-10)
lyricist and composer:
Agustín Lara (in 1932)
publisher:
Latin-American Music, Southern Music Co. and Peer International Corporation (BMI) (from 1932 to present)
Agustín Lara3:57
9Thais: Meditation
solo violin:
Christer Thorvaldsson (Swedish violinist) (from 1989-06 until 1989-09)
violin:
Christer Thorvaldsson (Swedish violinist) (in 1990)
orchestra:
Gothenburg Symphony Orchestra (from 1989-06 until 1989-09)
conductor:
Neeme Järvi (Estonian conductor) (from 1989-06 until 1989-09, in 1990)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1990)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (from 1989-06 until 1989-09)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet4:59
10Turandot: Nessun Dorma
producer:
Michel Glotz
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (from 1981-05-11 until 1981-05-18)
tenor vocals [Calaf]:
Plácido Domingo (tenor) (from 1981-05-11 until 1981-05-18)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1981-05-11 until 1981-05-18)
conductor:
Herbert von Karajan (conductor) (from 1981-05-11 until 1981-05-18)
balance engineer:
Günter Hermanns (producer/engineer) (from 1981-05-11 until 1981-05-18)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1982)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1981-05-11 until 1981-05-18)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1981-05-11 until 1981-05-18)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:30
11Der Karneval der Tiere: Der Schwan
engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
producer:
Christian Gansch (conductor)
cello:
Mischa Maisky (cellist) (in 1991-06)
orchestra:
Orchestre de Paris (in 1991-06)
conductor:
Semyon Bychkov (conductor) (in 1991-06)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1991-06)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (for cello and orchestra, arr. Vidal) (in 1991-06)
orchestrator:
Paul Vidal (French composer and teacher)
composer:
Camille Saint‐Saëns (composer)
cello arranger:
Paul Vidal (French composer and teacher)
orchestration of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns4:00
12Klavierkonzert Nr.1 b-moll, op. 23: Allegro ma non troppo (Ausschnitt)
solo piano:
Святослав Рихтер (Sviatoslav Richter, pianist)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский4:19
13Rigoletta: La donna e mobile
solo tenor vocals and tenor vocals:
Plácido Domingo (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:49
14Die vier Jahreszeiten - Der Frühling: Allegro
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (in 1980-02)
solo cello [violoncello]:
Douglas Cummings (cellist) (in 1980-02)
violin:
Gidon Kremer (violinist) (in 1980-02)
orchestra:
London Symphony Orchestra (in 1980-02)
conductor:
Claudio Abbado (conductor) (in 1980-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Michael Davis (UK classical violinist 1944-2025, former LSO leader) (in 1980-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-02)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (in 1980-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:11
15Kaiserwalzer, op. 437 (Ausschnitt)
producer:
Ellen Hickmann (producer for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1972-09)
conductor:
Karl Böhm (Austrian conductor) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1972-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1972-09)
edit of:
Kaiserwalzer op. 437 by Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor)
partial recording of:
Kaiser‐Walzer, op. 437 (Emperor Waltz, op. 437) (in 1972-09)
premiered in:
Berlin, Germany (on 1889-10-21)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1889)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 437)
Johann Strauss II5:36
16Klaviersonate Nr. 14 cis-moll, op. 27 Nr. 2 "Mondschein-Sonate": Adagio sostenuto
piano:
Elena Gilels (pianist) and Emil Gilels (pianist) (from 1980-09-09 until 1980-09-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1980-09-09 until 1980-09-17)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (from 1980-09-09 until 1980-09-17)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:09
17Rhapsody in Blue (Ausschnitt)
solo piano:
Siegfried Stöckigt (pianist)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
edit of:
Rhapsody in Blue by Kurt Hiltawsky (clarinetist), Siegfried Stöckigt (pianist), Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra), Kurt Masur (conductor)
partial recording of:
Rhapsody in Blue (standard 1942 orchestration)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Classic 100: Feel Good (2024) (number: 5)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin5:11
18Prélude du Te Deum
recording engineer:
Jürgen Bulgrin (sound engineer)
engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Arend Prohmann (producer / editor)
editor:
Stephan Flock
orchestra:
Les Musiciens du Louvre (from 1997-03 to present, in 1997-03)
conductor:
Marc Minkowski (bassoonist and conductor) (from 1997-03 to present, in 1997-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1997-03 to present)
recording of:
Te Deum, H. 146: Prélude (in 1997-03)
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:23
19Carmina Burana: O Fortuna
recording engineer:
Jürgen Bulgrin (sound engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ingmar Haas (engineer)
choir vocals:
Arnold Schoenberg Chor (in 1993-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1993-10)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1993-10)
chorus master:
Erwin Ortner (in 1993-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1993-10)
live recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1993-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:46
20Radetzky-Marsch
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-12-28 until 1966-12-29)
conductor:
Herbert von Karajan (conductor) (from 1966-12-28 until 1966-12-29)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1966-12-28 until 1966-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-12-28 until 1966-12-29)
recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228) (from 1966-12-28 until 1966-12-29)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Johann Strauss I2:53

Credits

Release

part of:Präsent (Deutsche Grammophon) (order: 5)
ASIN:DE: B000031W7Q [info]