40 Famous Marches

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Pomp and Circumstance Marches, op. 39 no.1: March in D major
engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer) and Christopher Raeburn (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1977-02-07, on 1977-02-18, on 1977-03-18, on 1977-04-04)
conductor:
Sir Georg Solti (conductor) (on 1977-02-07, on 1977-02-18, on 1977-03-18, on 1977-04-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1977-02-07, on 1977-02-18, on 1977-03-18, on 1977-04-04)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (from 1977-02-07 until 1977-04-04)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar6:36
2Karelia Suite, op. 11: Alla marcia. Moderato
producer:
Andrew Cornall (engineer / producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-10)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1985-10)
balance engineer:
Stanley Goodall (engineer) (in 1985-10)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Karelia-sarja, op. 11: III. Alla marcia (Karelia Suite, op. 11: III. Alla marcia, for orchestra) (in 1985-10)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11 (Karelia Suite, op. 11)
Jean Sibelius4:30
3Rettungs‐Jubel‐Marsch, op. 126
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1969-04)
conductor:
Willi Boskovsky (violinist and conductor) (in 1969-04)
recording of:
Kaiser Franz Josef I Rettungs-Jubel, op. 126 (in 1969-04)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 126)
Johann Strauss3:29
4Marche funèbre d’une marionette
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1959-02)
conductor:
Alexander Gibson (conductor) (in 1959-02)
recording of:
Marche funèbre d’une marionnette (for orchestra, 1879) (in 1959-02)
composer:
Charles Gounod (French composer)
arrangement of:
Marche funèbre d’une marionnette (Funeral March of a Marionette, original, for piano solo, 1872)
Charles‐François Gounod4:43
5Tannhäuser, WWV 70: Act II. Grand March
instruments:
Philip Jones Brass Ensemble (in 1984-03)
conductor:
Elgar Howarth (English conductor, composer and trumpeter) (in 1984-03)
partial recording of:
Excerpt from Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. Festmarsch (Grand March) (in 1984-03)
composer:
Richard Wagner (composer)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. "Freudig begrüssen wir die edle Halle" (Einzug der Gäste)
Richard Wagner6:33
6Rinaldo, HWV 7a: Act III. March
orchestra:
English Chamber Orchestra (in 1967-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1967-07)
partial recording of:
Rinaldo, HWV 7a: Atto III (in 1967-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a (1717 revised version)
Georg Friedrich Händel0:50
7Saul, HWV 53: Act III. Dead March
organ:
Simon Preston (organist, conductor, composer) (in 1965-05)
recorded at:
Westminster Abbey in London (Greater London), England, United Kingdom (in 1965-05)
recording of:
Dead March from Saul (for organ, Cunningham Woods) (in 1965-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Francis Cunningham Woods
arrangement of:
Saul, HWV 53: Act III, Scene IV, no. 77. March: Grave
Georg Friedrich Händel4:51
8Aida: Act II. Marcia
instruments:
Philip Jones Brass Ensemble (in 1985-11)
conductor:
Elgar Howarth (English conductor, composer and trumpeter) (in 1985-11)
recording of:
Aida: Grand March (catch-all for arrangements) (in 1985-11)
composer:
Giuseppe Verdi (Italian opera composer)
arrangement of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
Giuseppe Verdi5:15
9Radetzky‐Marsch, op. 228
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (in 1962-11)
conductor:
Willi Boskovsky (violinist and conductor) (in 1962-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria
recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228) (in 1962-11)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Johann Strauss I3:00
10Marche militaire in D, op. 51 no. 1
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-02)
conductor:
Hans Knappertsbusch (conductor) (in 1960-02)
recording of:
Marche militaire (for solo piano, Tausig) (in 1960-02)
composer:
Franz Schubert (composer)
piano arranger:
Carl Tausig
arrangement of:
Marche militaire, op. 51, D. 733 no. 1 in D major
Franz Schubert5:25
11Athalie, op. 74: II. War March of the Priests
orchestra:
Vienna Philharmonic (in 1979-09)
conductor:
Christoph von Dohnányi (German conductor) (in 1979-09)
recording of:
Athalie, op. 74: War March of the Priests (in 1979-09)
composer:
Felix Mendelssohn (composer)
part of:
Athalie, op. 74
Felix Mendelssohn5:25
12The Nutcracker: Act I no. 2. March
recording engineer:
James Lock (James Locke, engineer) (from 1974-04-01 until 1974-04-06)
producer:
Michael Woolcock (producer) (in 1974-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1974-04-01 until 1974-04-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1974-04-01 until 1974-04-06)
concertmaster:
Sidney Sax (violinist) (from 1974-04-01 until 1974-04-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-04-01 until 1974-04-06)
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (The Nutcracker, op. 71: March, March) (from 1974-04-01 until 1974-04-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1, The Nutcracker, op. 71: Act 1)
Пётр Ильич Чайковский2:30
13The Love for Three Oranges, op. 33bis: III. March
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1978-05)
conductor:
Walter Weller (violinist and conductor) (in 1978-05)
recording of:
Suite from “Love for Three Oranges”, op. 33A: III. Marche (original for orchestra) (in 1978-05)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Сергей Сергеевич Прокофьев1:43
14La Prophète: Act IV. Coronation March
orchestra:
London Symphony Orchestra (in 1971-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-05)
recording of:
Le Prophète: Acte IV No. 24 Marche du sacre (La Marche du couronnement) (in 1971-05)
composer:
Giacomo Meyerbeer (composer) (until 1849-04-16)
part of:
Le Prophète: Acte IV
Giacomo Meyerbeer3:24
15La damnation de Faust, op. 24: Part I. Marche hongroise
sound engineer:
Simon Eadon (classical music engineer) and James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
orchestra:
Chicago Symphony Orchestra (in 1981-05)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1981-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1981-05)
recording of:
La Damnation de Faust : Première Partie : Scène 3. Marche Hongroise (Orchestre) (Rákóczi March) (in 1981-05)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Première Partie
Hector Berlioz4:51
16Persischer Marsch, op. 289
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1972-04)
conductor:
Willi Boskovsky (violinist and conductor) (in 1972-04)
recording of:
Persischer Marsch, op. 289 (in 1972-04)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 289)
Johann Strauss2:03
17Aladdin, op. 34 (concert suite): I. Oriental Festive March
engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
San Francisco Symphony Chorus (from 1989-05-30 until 1989-06-03)
orchestra:
San Francisco Symphony (from 1989-05-30 until 1989-06-03)
conductor:
Herbert Blomstedt (conductor) (from 1989-05-30 until 1989-06-03)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1991)
recorded at:
Davies Symphony Hall in San Francisco, California, United States (from 1989-05-30 until 1989-06-03)
recording of:
Aladdin Suite, op. 34: I. Oriental Festive March (from 1989-05-30 until 1989-06-03)
composer:
Carl Nielsen (Danish composer) (in 1919)
part of:
Aladdin Suite, op. 34
Carl Nielsen3:07
18The Ruins of Athens, op. 133: Turkish March
organ:
Carlo Curley (US organist) (in 1989-01)
recording of:
Die Ruinen von Athen, op. 113: IV. Marcia alla turca (in 1989-01)
composer:
Ludwig van Beethoven (German composer) (in 1811)
is based on:
6 Variations for Piano in D major on an Original Theme, op. 76
part of:
Die Ruinen von Athen, op. 113
Ludwig van Beethoven2:42
19The Occasional Oratorio, HWV 62: March
instruments:
Philip Jones Brass Ensemble (in 1981-10)
recording of:
The Occasional Oratorio, HWV 62 (in 1981-10)
composer:
George Frideric Handel (German‐British baroque composer) (from 1746-01 until 1746-02)
librettist:
Newburgh Hamilton
premiered at:
Covent Garden Theatre (1732-1808) in London (Greater London), England, United Kingdom (on 1746-02-14)
part of:
Händel-Werke-Verzeichnis (number: HWV 62)
Georg Friedrich Händel2:20
20Pomp and Circumstance Marches, op. 39 no.4: March in G major
engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer) and Christopher Raeburn (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1977-02-07, on 1977-02-18, on 1977-03-18, on 1977-04-04)
conductor:
Sir Georg Solti (conductor) (on 1977-02-07, on 1977-02-18, on 1977-03-18, on 1977-04-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1977-02-07, on 1977-02-18, on 1977-03-18, on 1977-04-04)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 4 in G major (from 1977-02-07 until 1977-04-04)
composer:
Edward Elgar (composer) (in 1907)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1907-08-24)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar4:53
2▼Digital Media
#TitleArtistRatingLength
1Crown Imperial: A Coronation March
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1996-07)
conductor:
Roger Norrington (conductor) (in 1996-07)
recording of:
Crown Imperial (march) (in 1996-07)
composer:
William Walton (British composer and conductor) (in 1937)
publisher:
Oxford University Press
Sir William Walton7:02
2Funeral Sentences for the death of Queen Mary II, Z.860: The Queen’s Funeral March (procession)
engineer:
Simon Eadon (classical music engineer)
producer:
Chris Hazell
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
Baroque Brass of London (in 1992-06)
conductor:
David Hill (British organist and conductor) (in 1992-06)
recorded at:
Winchester Cathedral in Winchester, Hampshire, England, United Kingdom (in 1992-06)
recording of:
Funeral Music on the Death of Queen Mary: I. March, Z. 860 (in 1992-06)
composer:
Henry Purcell (Baroque composer)
part of:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell52:27
3Prince of Denmark’s March
organ:
Simon Preston (organist, conductor, composer) (in 1965-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recorded at:
Westminster Abbey in London (Greater London), England, United Kingdom (in 1965-05)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”) (in 1965-05)
composer:
Jeremiah Clarke (English baroque composer and organist) (in 1700)
Jeremiah Clarke1:28
4March
instruments:
Philip Jones Brass Ensemble (in 1978-03)
recording of:
March (in 1978-03)
composer:
Carl Philipp Emanuel Bach (German classical composer)
Carl Philipp Emanuel Bach3:02
5Nun danket alle Gott, op. 65: Marche triomphale
organ:
Peter Hurford (organist) (in 1982-04)
recorded at:
Ratzeburger Dom in Ratzeburg, Schleswig-Holstein, Germany (in 1982-04)
recording of:
66 Choral-Improvisationen, op. 65: No. 59. Marche triomphale über “Nun danket alle Gott” (in 1982-04)
composer:
Sigfrid Karg‐Elert (German organist and composer)
is based on:
Nun danket alle Gott (Lutheran choral)
part of:
66 Choral-Improvisationen, op. 65
Sigfrid Karg-Elert3:41
6Egyptischer Marsch, op. 335
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Willi Boskovsky (violinist and conductor) (in 1959-09)
recording of:
Egyptischer Marsch, op. 335 (in 1959-09)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 335)
Johann Strauss4:05
7Joyeuse marche
engineer:
James Lock (James Locke, engineer)
producer:
John Mordler (producer)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1964-12-07 until 1964-12-08, on 1964-12-10)
conductor:
Ernest Ansermet (conductor) (from 1964-12-07 until 1964-12-08, on 1964-12-10)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1964-12-07 until 1964-12-08, on 1964-12-10)
recording of:
Joyeuse marche (for orchestra) (from 1964-12-07 until 1964-12-08)
composer:
Emmanuel Chabrier (composer) (in 1888)
recording of:
Joyeuse marche (for orchestra) (on 1964-12-10)
composer:
Emmanuel Chabrier (composer) (in 1888)
Emmanuel Chabrier4:04
8Napoleon‐Marsch, op. 156
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-04)
conductor:
Willi Boskovsky (violinist and conductor) (in 1961-04)
recording of:
Napoleon-Marsch, op. 156 (in 1961-04)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 156)
Johann Strauss2:52
9A Midsummer Night’s Dream, op. 61 no. 9: Wedding March
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1986-05)
conductor:
Charles Dutoit (conductor) (in 1986-05)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace) (in 1986-05)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn5:06
10Russischer Marsch, op. 426
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1971-04)
conductor:
Willi Boskovsky (violinist and conductor) (in 1971-04)
recording of:
Russischer Marsch, op. 426 (in 1971-04)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 426)
Johann Strauss3:28
11Carmen: Suite no. 2. Marche des contrebandiers
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1986-10)
conductor:
Charles Dutoit (conductor) (in 1986-10)
recording of:
Carmen Suite no. 2: I. Marche des contrebandiers (in 1986-10)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers)
part of:
Carmen Suite no. 2
Georges Bizet4:47
12The Tale of Tsar Saltan: March
orchestra:
London Symphony Orchestra (in 1958-03)
conductor:
Jean Martinon (French conductor and composer) (in 1958-03)
recording of:
Tsar Saltan, op. 57: March (in 1958-03)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
part of:
Musical Pictures from “The Tale of Tsar Saltan”, op. 57
Николай Андреевич Римский‐Корсаков4:54
13Mlada: Procession of the Nobles
orchestra:
Kingsway Symphony Orchestra
conductor:
Tutti Camarata
recording of:
Mlada: Act II. March of the Princes and Priests
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (in 1872)
publisher:
Breitkopf & Härtel
part of:
Mlada (unfinished collaborative opera)
Николай Андреевич Римский‐Корсаков3:29
14Spanischer Marsch, op. 433
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1962-11)
conductor:
Willi Boskovsky (violinist and conductor) (in 1962-11)
recording of:
Spanischer Marsch, op. 433 (in 1962-11)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 433)
Johann Strauss4:47
15Things to Come: suite. March
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-11)
conductor:
Bernard Herrmann (composer) (in 1975-11)
recording of:
Happy March (Things to Come) (in 1975-11)
composer:
Sir Arthur Bliss (composer) (in 1934)
part of:
Things to Come
Arthur Bliss4:59
16Wahington Post
instruments:
Philip Jones Brass Ensemble
conductor:
Elgar Howarth (English conductor, composer and trumpeter)
recording of:
The Washington Post
composer:
John Philip Sousa (conductor and composer) (in 1889)
John Philip Sousa2:29
17Entry of the Gladiators
instruments:
Philip Jones Brass Ensemble (in 1985-11)
conductor:
Elgar Howarth (English conductor, composer and trumpeter) (in 1985-11)
recording of:
Vjezd gladiátorů, op. 68 (Entry of the Gladiators) (in 1985-11)
composer:
Julius Fučík (Czech composer) (in 1897)
Julius Fučík3:02
18Colonel Bogey
instruments:
Philip Jones Brass Ensemble (in 1985-11)
conductor:
Elgar Howarth (English conductor, composer and trumpeter) (in 1985-11)
recording of:
Colonel Bogey March (also known as Dink March or Underberg) (in 1985-11)
composer:
Kenneth J. Alford (in 1914)
Kenneth Alford3:54
19The Dam Busters
brass:
Philip Jones Brass Ensemble (in 1985-11)
instruments:
Philip Jones Brass Ensemble (in 1985-11)
conductor:
Elgar Howarth (English conductor, composer and trumpeter) (in 1985-11)
recording of:
The Dam Busters March (in 1985-11)
composer:
Eric Coates (composer) (in 1955)
publisher:
Chappell & Co.
Eric Coates3:57
20The Stars and Stripes Forever
sound engineer:
Simon Eadon (classical music engineer) (in 1983-06)
producer:
Chris Hazell (in 1983-06)
brass:
Philip Jones Brass Ensemble (in 1983-06)
instruments:
Philip Jones Brass Ensemble
conductor:
Elgar Howarth (English conductor, composer and trumpeter) (in 1983-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-06)
recording of:
The Stars and Stripes Forever (in 1983-06)
composer:
John Philip Sousa (conductor and composer) (in 1896)
John Philip Sousa3:27

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part of:Music Genre Tree (Canonical album list from musicgenretree.org – one representative release per genre.)
Allmusic:https://www.allmusic.com/album/mw0001825385 [info]