The Woody Allen Experience

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

This is a 6-CD box with 84 tracks sold in the Brazilian market. Amazon.com and other outlets sell a 2-CD, 28-track compilation with the same title

Annotation last modified on 2014-12-23 11:46 UTC.

Tracklist

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1CD
#TitleArtistRatingLength
1Embraceable You
Roy Eldridge2:26
2All of Me
alto saxophone:
Eddie Barefield (on 1941-03-21) and Leslie Johnakins (on 1941-03-21)
double bass:
Ted Sturgis (on 1941-03-21)
drums (drum set):
Kenny Clarke (on 1941-03-21)
guitar:
John Collins (US jazz guitarist) (on 1941-03-21)
piano:
Eddie Heywood (on 1941-03-21)
tenor saxophone:
Lester Young (saxophonist) (on 1941-03-21)
trumpet:
Shad Collins (on 1941-03-21)
vocals:
Billie Holiday (on 1941-03-21)
recording of:
All of Me (on 1941-03-21)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
Billie Holiday3:03
3Makin’ WhoopeeElla Fitzgerald3:05
4I’m in the Mood for Love
recording of:
I’m in the Mood for Love
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
Nat King Cole3:13
5Begin the Beguine
recording of:
Begin the Beguine
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
Frank Sinatra3:08
6But Not for Me
cover recording of:
But Not for Me
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Sarah Vaughan1:58
7I Got Rhythm
recording of:
I Got Rhythm
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Benny Goodman3:56
8Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:19
9My Baby Just Cares for MeNina Simone3.853:38
10That Old Feeling
Glenn Miller2:21
11Night and Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Lena Horne2:36
12It Don’t Mean a Thing
Duke Ellington featuring Ivie Anderson3:11
13Sweet Georgia Brown
recording of:
Sweet Georgia Brown (on 1932-04-23)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Bing Crosby3:06
14Stardust
Lester Young4:44
2CD
#TitleArtistRatingLength
1I’ve Got a Crush on You
cover recording of:
I’ve Got a Crush on You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
Ella Fitzgerald3:13
2Misty
alto saxophone:
Marcel Hrasko (on 1958-07-07)
baritone saxophone:
William Boucaya (on 1958-07-07) and Jo Hrasko (on 1958-07-07)
drums (drum set):
Kenny Clarke (on 1958-07-07)
guitar:
Pierre Cullaz (on 1958-07-07)
piano:
Ronnell Bright (on 1958-07-07)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1958-07-07)
vibraphone:
Michel Hausser (on 1958-07-07)
orchestra:
Quincy Jones and His Orchestra
arranger:
Quincy Jones
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (on 1958-07-07)
cover recording of:
Misty (on 1958-07-07)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
Sarah Vaughan33:02
3Perdido
recording of:
Perdido (original instrumental version)
composer:
Juan Tizol
Duke Ellington3:11
4Out of Nowhere
recording of:
Out of Nowhere
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Miles Davis4:09
5Whispering
double bass:
Sid Weiss (on 1940-06-13)
drums (drum set):
Buddy Rich (on 1940-06-13)
guitar:
Clark Yocum (on 1940-06-13)
piano:
Joe Bushkin (on 1940-06-13)
saxophone:
Don Lodice (on 1940-06-13), Paul Mason (jazz saxophonist) (on 1940-06-13), Johnny Mince (on 1940-06-13), Hymie Shertzer (on 1940-06-13) and Fred Stulce (on 1940-06-13)
trumpet:
Bunny Berigan (on 1940-06-13) and Jimmy Blake (jazz trumpeter) (on 1940-06-13)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1940-06-13)
performer:
The Pied Pipers (American vocal group, active 1930s-50s)
arranger:
Fred Stulce
recorded at:
RCA Studio 2 in New York, New York, United States (on 1940-06-13)
recording of:
Whispering (on 1940-06-13)
lyricist:
Richard Coburn (in 1920) and Malvin Schönberger (Malvin Schonberger) (in 1920)
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader) (in 1920) and John Schoenberger (John Schonberger) (in 1920)
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., Fisher Music Corp., Redwood Music Ltd. (Carlin) and Sherman, Clay & Co. (in 1920)
Frank Sinatra3:01
6Stomping at the Savoy
recording of:
Stompin’ at the Savoy
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Benny Goodman2:27
7Body and Soul
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billie Holiday2:59
8Cheek to Cheek
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Cheek to Cheek (from “Top Hat”) (on 1956-08-16)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Ella Fitzgerald & Louis Armstrong4.25:53
9How High the Moon
The Modern Jazz Quartet5:53
10In a Mellow Tone
recording of:
In a Mellow Tone
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Duke Ellington2:53
11Easy to Love
Steve Grossman5:26
12Moonlight Serenade
recording of:
Moonlight Serenade (original instrumental version)
composer and arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
Glenn Miller4:30
13You’d Be So Nice to Come Home To
recorded in:
New York, New York, United States (on 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-29)
baritone saxophone:
Cecil Payne (on 1955-07-29)
cornet:
Nat Adderley (on 1955-07-29)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-29)
drums (drum set):
Kenny Clarke (on 1955-07-29)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-29)
piano:
John Williams (American jazz pianist) (on 1955-07-29)
trombone:
J. Johnson (jazz/bop trombonist/session leader) (on 1955-07-29)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955), HHO Licensing (in 2005, in 2008) and Xelon Productions (in 2010)
instrumental cover recording of:
You’d Be So Nice to Come Home To (on 1955-07-29)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
instrumental recording of:
You’d Be So Nice to Come Home To (on 1955-07-29)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Cannonball Adderley3:44
14Love Is Here to Stay
Dinah Washington2:30
3CD
#TitleArtistRatingLength
1Easy to Love
recording of:
Easy to Love
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
Billie Holiday3:13
2Someone to Watch Over Me
cover recording of:
Someone to Watch Over Me (Oh, Kay!)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
Ella Fitzgerald3:15
3A Pretty Girl Is Like a Melody
cello:
Jimmy Oderich (on 1936-06-11)
clarinet:
Artie Shaw (on 1936-06-11)
double bass:
Hank Wayland (on 1936-06-11)
drums (drum set):
Sam Weiss (US jazz drummer) (on 1936-06-11)
guitar:
Wes Vaughan (on 1936-06-11)
tenor saxophone:
Tony Zimmers (on 1936-06-11)
trombone:
Mark Bennett (jazz trombonist) (on 1936-06-11)
trumpet:
Willie Kelly (1940s era orchestra leader) (on 1936-06-11)
viola:
Sam Persoff (on 1936-06-11)
violin:
Lou Klayman (on 1936-06-11) and Julie Schechter (on 1936-06-11)
recording of:
A Pretty Girl is Like a Melody (from “Ziegfeld Follies of 1919”) (on 1936-06-11)
lyricist and composer:
Irving Berlin
Artie Shaw and His Orchestra2:50
4Keepin’ Out of Mischief Now
recording of:
Keepin’ Out of Mischief Now
lyricist:
Andy Razaf
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Razaf Music
Tommy Dorsey & His Orchestra2:45
5I’ll See You in My DreamsDjango Reinhardt2:31
6Tickle Toe
Lester Young2:42
7Sleepy Lagoon
recording of:
By the Sleepy Lagoon (BBC Desert Island Discs theme) (on 1942-02-24)
lyricist:
Jack Lawrence (US songwriter) (in 1940)
composer:
Eric Coates (composer) (in 1930)
Harry James and His Orchestra2:56
8Wolverine Blues
recording of:
Wolverine Blues
lyricist:
Benjamin F Spikes (Benjamin Franklin "Reb" Spikes) and John Spikes
composer:
Jelly Roll Morton
Jelly Roll Morton3:26
9Canal Street Blues
King Oliver2:27
10If Dreams Come True
Chick Webb3:29
11Let’s Misbehave
Irving Aaronson2:11
12Red River Valley
Jo Stafford2:46
13Yes Sir, That’s My Baby
Lee Morse2:52
14It Had to Be You
Marion Harris3:14
4CD
#TitleArtistRatingLength
1I Double Dare You
recording of:
I Double Dare You
composer:
Terry Shand (jazz pianist/composer)
Louis Armstrong2:57
2In the Mood
The Andrews Sisters2:51
3One O’Clock Jump
recording of:
One O’Clock Jump
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
Count Basie3:00
4A Sailboat in the Moonlight
Johnny Hodges & Buddy Clark3:03
5Alabama Bound
recording of:
Alabamy Bound
lyricist:
Buddy DeSylva (in 1924) and Bud Green (in 1924)
composer:
Ray Henderson (in 1924)
Fletcher Henderson and His Orchestra3:12
6I’ll Get By
Billie Holiday3:07
7Palesteena
recorded in:
New York, New York, United States (on 1920-12-04)
alto saxophone:
Benny Krueger (jazz saxophonist) (on 1920-12-04)
clarinet:
Larry Shields (on 1920-12-04)
cornet:
Nick LaRocca (on 1920-12-04)
drums (drum set):
Tony Sbarbaro (on 1920-12-04)
piano:
J. Russel Robinson (on 1920-12-04)
trombone:
Eddie Edwards (Jazz trombonist) (on 1920-12-04)
recording of:
Palesteena (on 1920-12-04)
lyricist:
Con Conrad
composer:
J. Russel Robinson
Original Dixieland Jazz Band2:46
8Isn’t It Romantic?
cover recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony
Ella Fitzgerald3:00
9Dancing in the Dark
piano:
Erroll Garner (on 1952-02-29)
instrumental recording of:
Dancing in the Dark (on 1952-02-29)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Band Wagon (1953 film)
Erroll Garner3:38
10Five Foot Two, Eyes of Blue
Art Landry & His Orchestra3:32
11I Love My Baby (My Baby Loves Me)
Jill Corey2:15
12Ain’t We Got Fun
Billy Jones3:00
13Bewitched
Bill Snyder2:50
14You Are Too Beautiful
George Olsen3:18
5CD
#TitleArtistRatingLength
1You’re Nobody ’Till Somebody Loves You
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-19)
guitar:
Oscar Moore (on 1945-05-19)
piano:
Nat King Cole (on 1945-05-19)
vocals:
Nat King Cole (on 1945-05-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-05-19)
recording of:
You’re Nobody Till Somebody Loves You (on 1945-05-19)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, Volume I)
cover recording of:
You’re Nobody Till Somebody Loves You (in 1945)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, Volume I)
Nat King Cole2:50
2Goodbye
recording of:
Goodbye
lyricist and composer:
Gordon Jenkins
writer:
Benny Goodman (clarinetist and bandleader)
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
Benny Goodman3:25
3I’m Getting Sentimental Over You
recording of:
I’m Getting Sentimental Over You
lyricist:
Ned Washington
composer:
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated), Mills Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Tommy Dorsey & His Orchestra4:26
4American Patrol
recording of:
American Patrol (swing version)
composer:
F. W. Meacham (in 1885)
arranger:
Jerry Gray (US big band arranger and conductor) (in 1942)
publisher:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
arrangement of:
American Patrol
The Glenn Miller Orchestra3:46
5I’ve Got a Feeling I’m Falling
Fats Waller2:52
6Back to the Apple
Count Basie4:41
7All of You
Connie Russell2:17
8The Way You Look Tonight
clarinet:
Vido Musso (on 1936-10-21)
double bass:
Milt Hinton (on 1936-10-21)
drums (drum set):
Gene Krupa (on 1936-10-21)
guitar:
Allan Reuss (on 1936-10-21)
piano:
Teddy Wilson (on 1936-10-21)
tenor saxophone:
Ben Webster (on 1936-10-21)
trumpet:
Irving Randolph (on 1936-10-21)
vocals:
Billie Holiday (on 1936-10-21)
phonographic copyright (℗) by:
Charly Records (in 1936)
recording of:
The Way You Look Tonight (from “Swing Time”) (on 1936-10-21)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
Billie Holiday4.53:02
9Paper Doll
vocals:
Donald Mills (on 1942-02-18), Harry Mills (on 1942-02-18), Herbert Mills (on 1942-02-18) and John Mills, Sr. (on 1942-02-18)
recording of:
Paper Doll (on 1942-02-18)
lyricist and composer:
Johnny S. Black (in 1915)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
The Mills Brothers2:36
10’S Wonderful
recorded in:
Hollywood, Los Angeles, California, United States (on 1959-07-16)
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Ronnie Lang (on 1959-07-16)
baritone saxophone:
Chuck Gentry (on 1959-07-16)
bass:
Joe Comfort (on 1959-07-16)
bass trombone:
George Roberts (american bass trombone) (on 1959-07-16)
cello:
Armand Kaproff (on 1959-07-16), Edgar Lustgarten (on 1959-07-16) and Kurt Reher (cellist) (on 1959-07-16)
drums (drum set):
Alvin Stoller (on 1959-07-16)
guitar:
Herb Ellis (jazz guitarist) (on 1959-07-16)
percussion:
Frank Flynn (on 1959-07-16)
piano:
Lou Levy (on 1959-07-16)
trombone:
James Priddy (on 1959-07-16), Richard Noel (trombonist) (on 1959-07-16) and Tommy Pederson (on 1959-07-16)
trumpet:
Pete Candoli (on 1959-07-16), Cappy Lewis (on 1959-07-16), Dale McMickle (on 1959-07-16) and Shorty Sherock (on 1959-07-16)
tuba:
Red Callender (on 1959-07-16)
viola:
Alvin Dinkin (on 1959-07-16), Lou Kievman (violist) (on 1959-07-16), Ralph Lane (viola) (on 1959-07-16) and Barbara Simons (on 1959-07-16)
violin:
Victor Bay (on 1959-07-16), Alex Beller (on 1959-07-16), Ben Gill (on 1959-07-16), Jacques Gasselin (on 1959-07-16), Joseph Livoti (violinist) (on 1959-07-16), Dan Lube (on 1959-07-16), Misha Russell (on 1959-07-16), Paul Shure (on 1959-07-16), Marshall Sosson (on 1959-07-16) and Gerald Vinci (American violinist and strings conductor) (on 1959-07-16)
woodwind:
Buddy Collette (on 1959-07-16), Harry Klee (on 1959-07-16) and Champ Webb (on 1959-07-16)
vocals:
Ella Fitzgerald (American jazz singer) (on 1959-07-16)
conductor:
Nelson Riddle (on 1959-07-16)
performer:
Nelson Riddle and His Orchestra (on 1959-07-16)
arranger:
Nelson Riddle
cover recording of:
’S Wonderful (on 1959-07-16)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
cover recording of:
It’s Wonderful
lyricist:
Mitchell Parish (in 1937)
composer:
Stuff Smith (jazz violinist) (in 1937)
Ella Fitzgerald3:29
11They’re Either Too Young or Too Old
recording of:
They’re Either Too Young or Too Old
lyricist:
Frank Loesser
composer:
Arthur Schwartz
publisher:
Warner Bros., Inc. (not for release label use!)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Jimmy Dorsey & His Orchestra3:04
12Just One of Those Things
recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Louis Armstrong4:04
13Who
Marek Weber und sein Orchester3:33
14Remember Pearl Harbor
Carson Robison2:59
6CD
#TitleArtistRatingLength
1Take the "A" Train
recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
Duke Ellington2:55
2That Old Feeling
Doris Day3:03
3Out of Nowhere
alto saxophone:
Benny Carter and André Ekyan
double bass:
Eugène d’Hellemmes
drums (drum set):
Tommy Benford
guitar:
Django Reinhardt (French jazz guitarist and composer)
piano:
Stéphane Grappelli (jazz violinist)
tenor saxophone:
Alix Combelle and Coleman Hawkins
instrumental recording of:
Out of Nowhere (on 1937-04-28)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Django Reinhardt3:18
4I'll Get By
The Ink Spots2:55
5You and I
alto saxophone:
Fred Stulce (on 1941-06-27)
bass:
Sid Weiss (on 1941-06-27)
drums (drum set):
Buddy Rich (on 1941-06-27)
guitar:
Clark Yocum (on 1941-06-27)
instruments:
Manny Gershman (on 1941-06-27)
piano:
Joe Bushkin (on 1941-06-27)
tenor saxophone:
Heinie Beau (on 1941-06-27), Don Lodice (on 1941-06-27) and Bruce Snyder (on 1941-06-27)
trombone:
George Arus (on 1941-06-27), Tommy Dorsey (swing trombone player & band leader) (on 1941-06-27), Dave Jacobs (jazz trombonist) (on 1941-06-27) and Lowell Martin (jazz trombonist) (on 1941-06-27)
trumpet:
Jimmy Blake (jazz trumpeter) (on 1941-06-27), Ziggy Elman (on 1941-06-27), Chuck Peterson (trumpet) (on 1941-06-27) and Shorty Sherock (on 1941-06-27)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1941-06-27)
orchestra:
Tommy Dorsey and His Orchestra (on 1941-06-27)
conductor:
Tommy Dorsey (swing trombone player & band leader) (on 1941-06-27)
arranger:
Sy Oliver
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1941-06-27)
recording of:
You and I (1941 Meredith Willson song, popularized by Bing Crosby) (on 1941-06-27)
lyricist and composer:
Meredith Willson
publisher:
Bourne Co. (not for release label use, this is a music publisher)
Tommy Dorsey & His Orchestra2:43
6I'm Sitting on Top of the World
Al Jolson3:24
7La Conga Blicoti
vocals:
Joséphine Baker (on 1936-11-27)
orchestra:
Lecuona Cuban Boys (on 1936-11-27)
recording of:
La Conga Blicoti (on 1936-11-27)
lyricist:
André de Badet
composer:
Armando Orefiche (Cuban composer)
Joséphine Baker2:25
8Keep Your Sunny Side Up!
Johnny Hamp’s Kentucky Serenaders2:47
9Running Wild
Joseph Samuels' Orchestra2:49
10I Could Write a Book
Kenny Drew Trio4:40
11Let's Do It (Let´s Fall in Love)
Billie Holiday2:57
12You've Got That Thing
Ted Lewis and His Band2:51
13Where or When
Ray Heatherton3:17
14I Let a Song Go Out My Heart
recording of:
I Let a Song Go Out of My Heart
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (House vocalist) (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
part of:
The Real Book (compilation of jazz standards, Volume I)
Duke Ellington3:10