Greatest Hits

~ Release by Santana (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Who Do You Love
assistant engineer:
Maureen Droney, Wayne Lewis (engineer) and Jeffrey Norman
engineer and mixer:
Jim Gaines
producer:
Barry Beckett and Jerry Wexler
assistant mixer:
Jeffrey Norman
bass:
Keith Ferguson (bassist)
drums (drum set):
Fran Christina
guitar:
Carlos Santana and Jimmie Vaughan
harmonica and lead vocals:
Kim Wilson
percussion:
Armando Peraza, Raul Rekow and Orestes Vilató
background vocals:
Emilio Castillo, Raul Rekow, Carlos Santana, Orestes Vilató and Kim Wilson
recorded at:
The Automatt in San Francisco, California, United States
mixed at:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California, United States
cover recording of:
Who Do You Love?
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (in 1956)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Ltd.
Carlos Santana2:55
2Gitano
assistant engineer:
Susan Foot (recording engineer)
engineer:
Fred Catero and David Rubinson
producer:
David Rubinson & Friends, Inc.
vocals:
Armando Peraza
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States
recording of:
Gitano
writer:
Armando Peraza
publisher:
Light Music (US publishing label)
Santana46:13
3Let It Shine
assistant engineer:
Susan Foot (recording engineer)
engineer:
Fred Catero and David Rubinson
producer:
David Rubinson & Friends, Inc.
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States
recording of:
Let It Shine
writer:
David Brown (US bassist for Santana/Allman Brothers/31st of February)
publisher:
Light Music (US publishing label)
Santana15:44
4Love, Devotion & Surrender
producer:
Tom Coster, Carlos Santana and Michael Shrieve
acoustic guitar and electric guitar:
Carlos Santana (in 1973-05)
bass:
Doug Rauch (in 1973-05)
congas:
Armando Peraza (in 1973-05)
drums (drum set):
Maitreya Michael Shrieve (in 1973-05)
electric piano:
Richard Kermode (in 1973-05)
Hammond organ:
Tom Coster (in 1973-05)
timbales:
José “Chepito” Áreas (in 1973-05)
vocals:
Wendy Haas (in 1973-05), Carlos Santana (in 1973-05) and Leo Thomas (in 1973-05)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1973) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recording of:
Love Devotion and Surrender (in 1973-05)
writer:
Richard Kermode and Carlos Santana
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Santana33:40
5Say It Again
producer:
Val Garay
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
recording of:
Say It Again (in 1985)
writer:
Val Garay, Steve Goldstein and Anthony La Peau
publisher:
Black Mountain Road Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Santana3:26
6Jugando
assistant engineer:
Chris Minto (engineer)
engineer:
Fred Catero and David Rubinson
producer:
David Rubinson, David Rubinson & Friends, Inc. and Carlos Santana
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (in 1976-09)
recording of:
Jugando (in 1976-09)
writer:
José “Chepito” Áreas, L. Patillo and Carlos Santana
publisher:
Light Music (US publishing label)
Santana2:11
7Waiting
engineer:
Bob Breault and Eric Prestidge
producer:
Brent Dangerfield and Santana (US Latin, blues, & rock band)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (in 1969-05)
congas and percussion:
Michael Carabello (in 1969-05)
congas, percussion and timbales:
José “Chepito” Áreas (in 1969-05)
drums (drum set):
Michael Shrieve (in 1969-05)
guitar:
Carlos Santana (in 1969-05)
organ:
Gregg Rolie (in 1969-05)
arranger:
Alberto Gianquinto
recorded at:
Pacific Recording Studio in San Mateo, California, United States (in 1969-05)
mixed at:
Pacific Recording Studio in San Mateo, California, United States
recording of:
Waiting (in 1969-05)
composer:
Santana (US Latin, blues, & rock band)
publisher:
Petra Music
Santana4.54:04
8Soul Sacrifice
engineer:
Bob Breault and Eric Prestidge
producer:
Brent Dangerfield and Santana (US Latin, blues, & rock band)
bass:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (in 1969-05)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1969-05-12)
congas and percussion:
Michael Carabello (on 1969-05-12)
congas, percussion and timbales:
José “Chepito” Áreas (on 1969-05-12)
drums (drum set):
Michael Shrieve (in 1969-05, on 1969-05-12)
guitar:
Carlos Santana (in 1969-05, on 1969-05-12)
organ:
Gregg Rolie (in 1969-05, on 1969-05-12)
percussion:
José “Chepito” Áreas (in 1969-05) and Michael Carabello (in 1969-05)
arranger:
Alberto Gianquinto
recorded at:
Pacific Recording Studio in San Mateo, California, United States (in 1969-05, on 1969-05-12)
mixed at:
Pacific Recording Studio in San Mateo, California, United States
recording of:
Soul Sacrifice (on 1969-05-12)
composer:
David Brown (US bassist for Santana/Allman Brothers/31st of February), Marcus Malone (US percussionist, member of Santana), Gregg Rolie and Carlos Santana
publisher:
Careers‐BMG Music Publishing, Petra Music and Universal Music (plain logo: “Universal Music”)
Santana46:38
9Jingo
engineer:
Bob Breault and Eric Prestidge
producer:
Brent Dangerfield and Santana (US Latin, blues, & rock band)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1969-05-12)
congas and percussion:
Michael Carabello (on 1969-05-12)
congas, percussion and timbales:
José “Chepito” Áreas (on 1969-05-12)
drums (drum set):
Michael Shrieve (on 1969-05-12)
guitar:
Carlos Santana (on 1969-05-12)
organ:
Gregg Rolie (on 1969-05-12)
arranger:
Alberto Gianquinto
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
recorded at:
Pacific Recording Studio in San Mateo, California, United States (on 1969-05-12)
mixed at:
Pacific Recording Studio in San Mateo, California, United States
cover recording of:
Jin‐go‐lo‐ba (Drums of Passion) (Jingo) (on 1969-05-12)
lyricist and composer:
Babatunde Olatunji
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc. and EMI Songs Ltd.
Santana3.354:16
10Evil Ways
engineer:
Bob Breault and Eric Prestidge
producer:
Brent Dangerfield and Santana (US Latin, blues, & rock band)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1969-05-12)
congas and percussion:
Michael Carabello (on 1969-05-12)
congas, percussion and timbales:
José “Chepito” Áreas (on 1969-05-12)
drums (drum set):
Michael Shrieve (on 1969-05-12)
guitar:
Carlos Santana (on 1969-05-12)
organ and piano:
Gregg Rolie (on 1969-05-12)
vocals:
Gregg Rolie (on 1969-05-12) and Carlos Santana (on 1969-05-12)
arranger:
Alberto Gianquinto
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1969), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1969) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
recorded at:
Pacific Recording Studio in San Mateo, California, United States (on 1969-05-12)
mixed at:
Pacific Recording Studio in San Mateo, California, United States
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 69)
cover recording of:
Evil Ways (on 1969-05-12)
lyricist and composer:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
publisher:
EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music and Universal–Songs of PolyGram International, Inc.
Santana4.23:57
11Se acabó
engineer:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-12)
congas and percussion:
Michael Carabello (on 1970-07-12)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-12)
drums (drum set):
Michael Shrieve (on 1970-07-12)
guitar:
Carlos Santana (on 1970-07-12)
keyboard and lead vocals:
Gregg Rolie (on 1970-07-12)
percussion:
Rico Reyes (on 1970-07-12)
tabla:
Steven Saphore (on 1970-07-12)
background vocals:
Rico Reyes (on 1970-07-12) and Carlos Santana (on 1970-07-12)
arranger:
José “Chepito” Áreas
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-12)
recording of:
Se a cabo (on 1970-07-12)
lyricist and composer:
José “Chepito” Áreas
publisher:
Careers–BMG Music Publishing, Inc. and Petra Music
Santana4.52:51
12Oye como va
engineer:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-08)
congas and percussion:
Michael Carabello (on 1970-07-08)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-08)
drums (drum set):
Michael Shrieve (on 1970-07-08)
guitar:
Carlos Santana (on 1970-07-08)
keyboard and lead vocals:
Gregg Rolie (on 1970-07-08)
percussion:
Rico Reyes (on 1970-07-08)
tabla:
Steven Saphore (on 1970-07-08)
background vocals:
Rico Reyes (on 1970-07-08) and Carlos Santana (on 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-08)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 479)
cover recording of:
Oye como va (on 1970-07-08)
lyricist and composer:
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing LLC (1995–2020) and Windswept Pacific Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
Chanchullo
is based on:
Te enseñaré
Santana44:17
2CD
#TitleRatingLength
1Samba pa ti
engineer:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-19)
congas and percussion:
Michael Carabello (on 1970-07-19)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-19)
drums (drum set):
Michael Shrieve (on 1970-07-19)
guitar:
Carlos Santana (on 1970-07-19)
keyboard:
Gregg Rolie (on 1970-07-19)
percussion:
Rico Reyes (on 1970-07-19)
tabla:
Steven Saphore (on 1970-07-19)
arranger:
Gregg Rolie and Carlos Santana
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-19)
recording of:
Samba pa ti (on 1970-07-19)
composer:
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) and Universal Music Careers
3.94:47
2Black Magic Woman / Gypsy Queen
recorded in:
San Francisco, California, United States (in 1970-06)
engineer:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero and Santana (US Latin, blues, & rock band)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (from 1970-06-04 until 1970-06-05)
congas:
José “Chepito” Áreas (in 1970-06) and Michael Carabello (in 1970-06)
congas and percussion:
Michael Carabello (from 1970-06-04 until 1970-06-05)
congas, percussion and timbales and timbales:
José “Chepito” Áreas (from 1970-06-04 until 1970-06-05)
drums (drum set):
Michael Shrieve (from 1970-06-04 until 1970-06-05)
guitar:
Carlos Santana (from 1970-06-04 until 1970-06-05)
keyboard and lead vocals:
Gregg Rolie (from 1970-06-04 until 1970-06-05)
percussion:
Rico Reyes (from 1970-06-04 until 1970-06-05)
tabla:
Steven Saphore (from 1970-06-04 until 1970-06-05)
background vocals:
Rico Reyes (from 1970-06-04 until 1970-06-05) and Carlos Santana (from 1970-06-04 until 1970-06-05)
vocals:
Gregg Rolie (in 1970-06)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (from 1970-06-04 until 1970-06-05)
cover recording of:
Black Magic Woman (in 1970-06)
lyricist and composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
cover recording of:
Gypsy Queen (in 1970-06)
composer:
Gábor Szabó (in 1966)
publisher:
Gabor & Cardigan Music, PAB Music Corp. and Wixen Music Publishing, Inc.
4.155:21
3Guajira
recording engineer:
Mike Larner (in 1971-02)
engineer:
David Brown (US bassist for Santana/Allman Brothers/31st of February) and Glen Kolotkin
producer:
Santana (US Latin, blues, & rock band)
percussion [percussion assistance]:
Coke Escovedo
solo piano:
Mario Ochoa (Colombian DJ & producer) (in 1971-02)
background vocals:
Coke Escovedo (in 1971-02)
vocals:
Rico Reyes (in 1971-02)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1971)
recorded at:
Columbia Studios in San Francisco, California, United States (in 1971-02)
recording of:
Guajira (in 1971-02)
composer:
José “Chepito” Áreas, David Brown (US bassist for Santana/Allman Brothers/31st of February) and Rico Reyes
publisher:
Careers–BMG Music Publishing, Inc. and Petra Music
45:44
4Taboo
recording engineer:
Mike Larner (on 1971-06-15)
engineer:
Glen Kolotkin
producer:
Santana (US Latin, blues, & rock band)
percussion [percussion assistance] and background vocals:
Coke Escovedo (on 1971-06-15)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1971)
recorded at:
Columbia Studios in San Francisco, California, United States (on 1971-06-15)
recording of:
Taboo (on 1971-06-15)
composer:
José “Chepito” Áreas and Gregg Rolie
2.55:35
5Everybody’s Everything
recording engineer:
Mike Larner (on 1971-06-05)
engineer:
Glen Kolotkin
producer:
Santana (US Latin, blues, & rock band)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1971-06-05)
congas, flugelhorn, percussion and timbales:
Jose Chepito Áreas (on 1971-06-05)
guitar:
Carlos Santana (on 1971-06-05) and Neal Schon (on 1971-06-05)
instruments and performer:
Tower of Power Horn Section (on 1971-06-05)
membranophone:
Michael Carabello (on 1971-06-05), Coke Escovedo (on 1971-06-05), Jose Chepito Áreas (on 1971-06-05) and Michael Shrieve (on 1971-06-05)
organ and piano:
Gregg Rolie (on 1971-06-05)
percussion [percussion assistance]:
Coke Escovedo (on 1971-06-05)
tambourine:
Michael Carabello (on 1971-06-05)
vibraphone:
Michael Shrieve (on 1971-06-05)
background vocals:
Coke Escovedo (on 1971-06-05) and Linda Tillery (AKA Sweet Linda Divine) (on 1971-06-05)
vocals:
Michael Carabello (on 1971-06-05), Jose Chepito Áreas (on 1971-06-05), Gregg Rolie (on 1971-06-05) and Carlos Santana (on 1971-06-05)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1971)
recorded at:
Columbia Studios in San Francisco, California, United States (on 1971-06-05)
recording of:
Everybody’s Everything (reworded lyric version of The Emperors’ 1966 “Karate”) (on 1971-06-05)
additional lyricist:
Carlos Santana
composer:
Milton Brown (member of 1960s soul group The Emperors, co-songwriter with Tyrone Moss for “Karate”, “L’urlo”) and Tyrone Moss
publisher:
Careers–BMG Music Publishing, Inc., Dandelion Music Co. and Universal Music (plain logo: “Universal Music”)
is based on:
Karate
3.53:32
6No One to Depend On
recording engineer:
Mike Larner (on 1971-06-16)
engineer:
Glen Kolotkin
producer:
Santana (US Latin, blues, & rock band)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1971-06-16)
congas:
Michael Carabello (on 1971-06-16)
guitar:
Carlos Santana (on 1971-06-16) and Neal Schon (on 1971-06-16)
keyboard:
Gregg Rolie (on 1971-06-16)
membranophone:
Michael Shrieve (on 1971-06-16)
percussion [percussion assistance]:
Coke Escovedo (on 1971-06-16)
tambourine:
Greg Errico (on 1971-06-16)
timbales:
Jose Chepito Áreas (on 1971-06-16)
background vocals:
Coke Escovedo (on 1971-06-16) and Rico Reyes (on 1971-06-16)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1971) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1971)
recorded at:
Columbia Studios in San Francisco, California, United States (on 1971-06-16)
recording of:
No One to Depend On (on 1971-06-16)
writer:
Michael Carabello, Coke Escovedo and Gregg Rolie
publisher:
Careers–BMG Music Publishing, Inc., Petra Music, Universal Music (plain logo: “Universal Music”) and Universal Music Careers
3.55:33
7Everything’s Coming Our Way
recording engineer:
Mike Larner (on 1971-06-17)
engineer:
Glen Kolotkin
producer:
Santana (US Latin, blues, & rock band) and Carlos Santana
percussion [percussion assistance]:
Coke Escovedo (on 1971-06-17)
background vocals:
Coke Escovedo (on 1971-06-17) and Linda Tillery (AKA Sweet Linda Divine) (on 1971-06-17)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1971)
recorded at:
Columbia Studios in San Francisco, California, United States (on 1971-06-17)
recording of:
Everything's Coming Our Way (on 1971-06-17)
lyricist and composer:
Carlos Santana
publisher:
Petra Music
4.53:17
8La fuente del ritmo
engineer:
Glen Kolotkin and Mike Larner
producer:
Carlos Santana and Michael Shrieve
bongos:
Armando Peraza (on 1972-03-01)
congas, percussion and piano:
James Mingo Lewis (percussionist, worked with Santana) (on 1972-03-01)
double bass:
Tom Rutley (on 1972-03-01)
drums (drum set):
Michael Shrieve (on 1972-03-01)
electric piano:
Tom Coster (on 1972-03-01)
guitar:
Carlos Santana (on 1972-03-01) and Neal Schon (on 1972-03-01)
organ:
Gregg Rolie (on 1972-03-01)
timbales:
José “Chepito” Áreas (on 1972-03-01)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
recording of:
La Fuente del Ritmo (on 1972-03-01)
composer:
James Mingo Lewis (percussionist, worked with Santana)
publisher:
Careers–BMG Music Publishing, Inc.
44:32
9Look Up (to See What’s Coming Down)
engineer:
Glen Kolotkin and Mike Larner
producer:
Carlos Santana and Michael Shrieve
bass and guitar:
Douglas Rauch (on 1972-02-22)
congas:
James Mingo Lewis (percussionist, worked with Santana) (on 1972-02-22)
drums (drum set):
Michael Shrieve (on 1972-02-22)
guitar:
Carlos Santana (on 1972-02-22) and Neal Schon (on 1972-02-22)
organ:
Gregg Rolie (on 1972-02-22)
timbales:
José “Chepito” Áreas (on 1972-02-22)
recording of:
Look Up (To See What's Coming Down) (on 1972-02-22)
composer:
Douglas Rauch, Gregg Rolie and Carlos Santana
3:01
10Just in Time to See the Sun
engineer:
Glen Kolotkin and Mike Larner
producer:
Carlos Santana and Michael Shrieve
bass:
Douglas Rauch (on 1972-02-21)
congas:
James Mingo Lewis (percussionist, worked with Santana) (on 1972-02-21)
drums (drum set):
Michael Shrieve (on 1972-02-21)
guitar:
Carlos Santana (on 1972-02-21) and Neal Schon (on 1972-02-21)
organ:
Gregg Rolie (on 1972-02-21)
timbales:
José “Chepito” Áreas (on 1972-02-21)
recording of:
Just in Time to See the Sun (on 1972-02-21)
composer:
Gregg Rolie, Carlos Santana and Michael Shrieve
2:20
11Stone Flower
engineer:
Glen Kolotkin and Mike Larner
producer:
Carlos Santana and Michael Shrieve
bongos:
José “Chepito” Áreas (on 1972-04-04)
congas and percussion:
James Mingo Lewis (percussionist, worked with Santana) (on 1972-04-04)
double bass:
Tom Rutley (on 1972-04-04)
drums (drum set):
Michael Shrieve (on 1972-04-04)
guitar:
Neal Schon (on 1972-04-04)
guitar and percussion:
Carlos Santana (on 1972-04-04)
organ:
Gregg Rolie (on 1972-04-04)
percussion:
Armando Peraza (on 1972-04-04)
piano:
Wendy Haas (on 1972-04-04)
recording of:
Stone Flower (Version with English lyrics) (on 1972-04-04)
lyricist:
Carlos Santana and Michael Shrieve
composer:
Antônio Carlos Jobim
version of:
Stone Flower (original instrumental)
36:16
12Mirage24:42
3CD
#TitleRatingLength
1Europa (Earth’s Cry Heaven’s Smile)
assistant engineer:
Susan Foot (recording engineer)
engineer:
Fred Catero and David Rubinson
producer:
David Rubinson and David Rubinson & Friends, Inc.
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1975-12-16)
congas:
Armando Peraza (on 1975-12-16)
drums (drum set):
Leon Ndugu Chancler (on 1975-12-16) and Michael Shrieve (on 1975-12-16)
guitar:
Carlos Santana (on 1975-12-16)
keyboard:
Tom Coster (on 1975-12-16)
percussion:
Jose Chepito Áreas (on 1975-12-16) and Armando Peraza (on 1975-12-16)
piano:
Leon Patillo (on 1975-12-16)
saxophone:
Jules Broussard (on 1975-12-16)
vocals:
Leon Patillo (on 1975-12-16) and Carlos Santana (on 1975-12-16)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1975-12-16)
recording of:
Europa (Earth’s Cry, Heaven’s Smile) (on 1975-12-16)
composer:
Tom Coster and Carlos Santana
publisher:
Light Music (US publishing label), Rondor Music (London) Ltd. and Wixen Music Publishing, Inc.
4.255:06
2Let the Music Set You Free33:41
3Well All Right
assistant engineer:
Gary Boatner (engineer)
producer:
Dennis Lambert and Brian Potter (US songwriter & producer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1978-07 until 1978-08)
cover recording of:
Well… All Right (from 1978-07 until 1978-08)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Music Publishing Inc.
34:10
4Stormy
assistant engineer:
Gary Boatner (engineer)
producer:
Dennis Lambert and Brian Potter (US songwriter & producer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Stormy (from 1978-07 until 1978-08)
writer:
Buddy Buie and J. R. Cobb
publisher:
Low‐Sal Music, Inc.
4:46
5You Know That I Love You
producer:
David DeVore and Keith Olsen (US producer and engineer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
recording of:
You Know That I Love You (in 1979)
writer:
Alex Ligertwood, Alan Pasqua, Carlos Santana and Chris Solberg
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Light Music (US publishing label) and Urmila Music
3:57
6Blues for Salvador
guitar:
Carlos Santana (in 1987)
keyboard:
Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power) (in 1987)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1987)
recording of:
Blues for Salvador (in 1987)
writer:
Carlos Santana and Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
publisher:
Rondor Music (London) Ltd.
6:00
7All I Ever Wanted
producer:
David DeVore, Keith Olsen (US producer and engineer) and Carlos Santana
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
recording of:
All I Ever Wanted (in 1979)
writer:
Alex Ligertwood, Carlos Santana and Chris Solberg
publisher:
Light Music (US publishing label) and Urmila Music
3:34
8Mother Africa
producer:
Tom Coster, Carlos Santana and Michael Shrieve
bass guitar and mbira [Kalimba]:
Carlos Santana (in 1973-04)
congas:
Armando Peraza (in 1973-04)
drums (drum set):
Maitreya Michael Shrieve (in 1973-04)
electric piano and shekere:
Richard Kermode (in 1973-04)
marimba, organ [Yamaha] and piano [acoustic]:
Tom Coster (in 1973-04)
solo soprano saxophone:
Jules Broussard (in 1973-04)
timbales:
José “Chepito” Áreas (in 1973-04)
recording of:
Mother Africa (in 1973-04)
writer:
Tom Coster, Herbie Mann and Carlos Santana
5:57
9Carnaval
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
Carnaval
writer:
Tom Coster and Carlos Santana
publisher:
Light Music (US publishing label) and Rondor Music (London) Ltd.
2:19
10Dance Sister Dance (Baila mi hermana)
assistant engineer:
Susan Foot (recording engineer)
engineer:
Fred Catero and David Rubinson
producer:
David Rubinson & Friends, Inc.
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States
recording of:
Dance Sister Dance (Baila mi hermana)
writer:
Leon Ndugu Chancler, Tom Coster and David Rubinson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Light Music (US publishing label), Polo Grounds Music and Rondor Music (London) Ltd.
3.58:15
11Canto de los flores
recording of:
Canto de los flores
writer:
Tom Coster and Santana (US Latin, blues, & rock band)
3:48
12Borboletta
percussion:
Airto Moreira (percussionist)
recording of:
Borboletta
composer:
Airto G. Moreira (percussionist)
publisher:
Micache Music Co.
2:48

Credits

Release

manufactured in:Europe
distributed by:Sony Music Entertainment Italy S.p.A. (not for release label use! Sony Music Entertainment's IT subsidiary, since 2009)
copyrighted (©) by and phonographic copyright (℗) by:Sony Music Entertainment Italy S.p.A. (not for release label use! Sony Music Entertainment's IT subsidiary, since 2009) (in 2012)
Discogs:https://www.discogs.com/release/6846030 [info]

Release group

part of:Flashback (Italian compilation series) (order: 27)