Tracklist

1CD
#TitleArtistRatingLength
1El amor brujo, Scene I (original version): No. 1. Introducción y escena
instruments:
Perspectives Ensemble
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El amor brujo: Cuadro primero: Introducción y escena
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (original 1915 version)
Manuel de Falla2:39
2El amor brujo, Scene I (original version): No. 2. Canción del amor dolido
instruments:
Perspectives Ensemble
lead vocals [cantaora]:
Esperanza Fernández (flamenco singer)
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El amor brujo: Cuadro primero: Canción del amor dolido
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (original 1915 version)
Manuel de Falla1:40
3El amor brujo, Scene I (original version): No. 3. Sortilegio
instruments:
Perspectives Ensemble
lead vocals [cantaora]:
Esperanza Fernández (flamenco singer)
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El amor brujo: Cuadro primero: Sortilegio
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (original 1915 version)
Manuel de Falla1:03
4El amor brujo, Scene I (original version): No. 4. Danza del fin del día
instruments:
Perspectives Ensemble
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El amor brujo: Cuadro primero: Danza del fin del día
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (original 1915 version)
Manuel de Falla4:04
5El amor brujo, Scene I (original version): No. 5. Escena [El amor vulgar]
instruments:
Perspectives Ensemble
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El amor brujo: Cuadro primero: Escena
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (original 1915 version)
Manuel de Falla1:08
6El amor brujo, Scene I (original version): No. 6. Romance del pescador
instruments:
Perspectives Ensemble
lead vocals [cantaora]:
Esperanza Fernández (flamenco singer)
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El amor brujo: Cuadro primero: Romance del pescador
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (original 1915 version)
Manuel de Falla2:22
7El amor brujo, Scene I (original version): No. 7. Intermedio [Pantomima in ballet]
instruments:
Perspectives Ensemble
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El amor brujo: Cuadro primero: Intermezzo
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (original 1915 version)
Manuel de Falla4:52
8El amor brujo, Scene II (original version): No. 8. Introducción [El fuego fatuo]
instruments:
Perspectives Ensemble
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El amor brujo: Cuadro segundo: Introducción
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (original 1915 version)
Manuel de Falla1:00
9El amor brujo, Scene II (original version): No. 9. Escena [El terror]
instruments:
Perspectives Ensemble
lead vocals [cantaora]:
Esperanza Fernández (flamenco singer)
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El amor brujo: Cuadro segundo: Escena
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (original 1915 version)
Manuel de Falla1:16
10El amor brujo, Scene II (original version): No. 10. Danza del fuego fatuo
instruments:
Perspectives Ensemble
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El amor brujo: Cuadro segundo: Danza del fuego fatuo
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (original 1915 version)
Manuel de Falla1:54
11El amor brujo, Scene II (original version): No. 11. Interludio [Alucinaciones]
instruments:
Perspectives Ensemble
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El amor brujo: Cuadro segundo: Interludio
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (original 1915 version)
Manuel de Falla2:05
12El amor brujo, Scene II (original version): No. 12. Canción del fuego fatuo
instruments:
Perspectives Ensemble
lead vocals [cantaora]:
Esperanza Fernández (flamenco singer)
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El amor brujo: Cuadro segundo: Canción del fuego fatuo
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (original 1915 version)
Manuel de Falla2:15
13El amor brujo, Scene II (original version): No. 13. Conjuro para reconquistar el amor perdido
instruments:
Perspectives Ensemble
lead vocals [cantaora]:
Esperanza Fernández (flamenco singer)
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El amor brujo: Cuadro segundo: Conjuro para reconquistar el amor perdido
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (original 1915 version)
Manuel de Falla2:49
14El amor brujo, Scene II (original version): No. 14. Escena [El amor popular]
instruments:
Perspectives Ensemble
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El amor brujo: Cuadro segundo: Escena
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (original 1915 version)
Manuel de Falla1:02
15El amor brujo, Scene II (original version): No. 15. Danza y canción de la bruja fingida
instruments:
Perspectives Ensemble
lead vocals [cantaora]:
Esperanza Fernández (flamenco singer)
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El amor brujo: Cuadro segundo: Danza y canción de la bruja fingida
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (original 1915 version)
Manuel de Falla3:34
16El amor brujo, Scene II (original version): No. 16. Final [Las campanas de amanecer]
instruments:
Perspectives Ensemble
lead vocals [cantaora]:
Esperanza Fernández (flamenco singer)
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El amor brujo: Cuadro segundo: Final
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (original 1915 version)
Manuel de Falla1:46
17El retablo de maese Pedro: Vengan, vengan a ver vuesas mercedes
instruments:
Perspectives Ensemble
tenor vocals:
Jorge Garza (Tenor)
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El retablo de maese Pedro: I. El pregón
composer:
Manuel de Falla (Spanish composer)
part of:
El retablo de maese Pedro
Manuel de Falla0:57
18El retablo de maese Pedro: Siéntense todos
instruments:
Perspectives Ensemble
soprano vocals:
Jennifer Zetlan (American operatic soprano)
tenor vocals:
Jorge Garza (Tenor)
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El retablo de maese Pedro: II. La sinfonía de maese Pedro
composer:
Manuel de Falla (Spanish composer)
part of:
El retablo de maese Pedro
Manuel de Falla3:17
19El retablo de maese Pedro: Ahora verán vuesas mercedes cómo el Emperador Carlo Magno
instruments:
Perspectives Ensemble
soprano vocals:
Jennifer Zetlan (American operatic soprano)
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El retablo de maese Pedro: III. La corte de Carlomagno
composer:
Manuel de Falla (Spanish composer)
part of:
El retablo de maese Pedro
Manuel de Falla2:11
20El retablo de maese Pedro: Ahora veréis la torre del Alcázar de Zaragoza
instruments:
Perspectives Ensemble
soprano vocals:
Jennifer Zetlan (American operatic soprano)
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El retablo de maese Pedro: IV. La entrada de Carlomagno
composer:
Manuel de Falla (Spanish composer)
part of:
El retablo de maese Pedro
Manuel de Falla3:07
21El retablo de maese Pedro: Miren luego vuesas mercedes cómo llevan al moro a la plaza de la ciudad
instruments:
Perspectives Ensemble
baritone vocals:
Alfredo García (Spanish classical baritone vocalist from Madrid)
soprano vocals:
Jennifer Zetlan (American operatic soprano)
tenor vocals:
Jorge Garza (Tenor)
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El retablo de maese Pedro: V. Melisendra
composer:
Manuel de Falla (Spanish composer)
part of:
El retablo de maese Pedro
Manuel de Falla3:18
22El retablo de maese Pedro: Miren ahora a Don Gayferos
instruments:
Perspectives Ensemble
soprano vocals:
Jennifer Zetlan (American operatic soprano)
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El retablo de maese Pedro: VI. El suplicio del moro
composer:
Manuel de Falla (Spanish composer)
part of:
El retablo de maese Pedro
Manuel de Falla1:27
23El retablo de maese Pedro: Ahora veréis a la hermosa Melisendra
instruments:
Perspectives Ensemble
soprano vocals:
Jennifer Zetlan (American operatic soprano)
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El retablo de maese Pedro: VII. Los Pirineos
composer:
Manuel de Falla (Spanish composer)
part of:
El retablo de maese Pedro
Manuel de Falla4:38
24El retablo de maese Pedro: Vais en paz, oh par sin par de verdaderos amantes
instruments:
Perspectives Ensemble
baritone vocals:
Alfredo García (Spanish classical baritone vocalist from Madrid)
soprano vocals:
Jennifer Zetlan (American operatic soprano)
tenor vocals:
Jorge Garza (Tenor)
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El retablo de maese Pedro: VIII. La fuga
composer:
Manuel de Falla (Spanish composer)
part of:
El retablo de maese Pedro
Manuel de Falla1:51
25El retablo de maese Pedro: Miren cuánta y cuán lucida caballería sale de la ciudad
instruments:
Perspectives Ensemble
baritone vocals:
Alfredo García (Spanish classical baritone vocalist from Madrid)
soprano vocals:
Jennifer Zetlan (American operatic soprano)
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El retablo de maese Pedro: IX. La persecución
composer:
Manuel de Falla (Spanish composer)
part of:
El retablo de maese Pedro
Manuel de Falla0:34
26El retablo de maese Pedro: Non fuyades, cobardes, malandrines y viles criaturas
instruments:
Perspectives Ensemble
baritone vocals:
Alfredo García (Spanish classical baritone vocalist from Madrid)
tenor vocals:
Jorge Garza (Tenor)
conductor:
Angel Gil-Ordóñez (musical director)
recording of:
El retablo de maese Pedro: X. Final
composer:
Manuel de Falla (Spanish composer)
part of:
El retablo de maese Pedro
Manuel de Falla5:11