100 Hits: 80s Pop

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1You Spin Me Round (Like a Record)
producer:
Pete Waterman
performer:
Dead or Alive (UK new wave band) (in 1984)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
music videos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) by Dead or Alive (UK new wave band)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 52)
recording of:
You Spin Me Round (Like a Record)
writer:
Pete Burns, Steve Coy, Tim Lever and Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Westbury Music Ltd.
part of:
American Psycho
Dead or Alive4.153:16
2Fantastic Day
producer:
Bob Sargeant
recording of:
Fantastic Day
lyricist and composer:
Nick Heyward
Haircut 1002.53:15
3I Owe You Nothing
recording engineer:
John Brand (engineer), Simon Humphrey and Robin Sellers
assistant engineer:
Richard Edwards (sound engineer) and Alex Osman
engineer:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
additional producer:
Ric Wake
producer and mixer:
Nicky Graham
remixer:
Bob Cadway and Ric Wake
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1988)
recorded at:
Hot Nights Studio in London (Greater London), England, United Kingdom
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
I Owe You Nothing
writer:
Nicky Graham and Thomas Watkins
publisher:
Alderzone Ltd., BMG Gold Songs, EMI Virgin Music Ltd. (do not use this as a release label!), Maximum Music Limited, Graham Music Publishers Ltd. (in 1988), Intersong Music Ltd. (in 1988) and Virgin Music (Publishers) Ltd. (in 1988)
Bros3:36
4Don’t Talk to Me About Love
recording of:
Don’t Talk to Me About Love
writer:
Clare Grogan, Stephen Lironi, Tony McDaid and Johnny McElhone
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Slotorest Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
Altered Images3:48
5Prince Charming
producer:
Chris Hughes (producer, aka “Merrick”)
bass guitar:
Adam Ant (English new wave singer and actor) and Gary Tibbs
drums (drum set):
Chris Hughes (producer, aka “Merrick”), Merrick (ex Adam & The Ants) and Terry Lee Miall
guitar:
Merrick (ex Adam & The Ants) and Marco Pirroni (British musician and producer)
harmonica and lead vocals:
Adam Ant (English new wave singer and actor)
vocals:
Adam Ant (English new wave singer and actor)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981)
music videos:
Prince Charming by Adam and the Ants (English new wave band) and Prince Charming (alt) by Adam and the Ants (English new wave band)
part of:
The Downloader’s Music Source Book (number: 144)
recording of:
Prince Charming
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam & the Ants43:17
6Manic Monday
producer:
David Kahne
mixer:
David Leonard (US producer and engineer)
bass guitar:
Michael Steele (American bassist, guitarist, songwriter, and singer)
drums (drum set):
Debbi Peterson (drummer for The Bangles)
guitar:
Susanna Hoffs and Vicki Peterson
lead vocals:
Susanna Hoffs
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 208)
recording of:
Manic Monday
lyricist and composer:
Christopher (Prince, “The Artist Formerly Known as…”)
publisher:
Bangophile Music, Controversy Music, EMI Music Publishing Taiwan, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music) and WB Music Corp. (1929–2019)
The Bangles43:04
7Danger Zone
synthesizer [synth] programming:
Hans Zimmer (German score composer)
engineer:
Dave Concors, Dave Connors and Tom Whitlock
executive producer:
Michael Dilbeck
producer:
Giorgio Moroder and Tom Whitlock
mixer:
Giorgio Moroder and Brian Reeves
drums (drum set):
John Robinson (session drummer)
guitar:
Dann Huff and Kenny Loggins
keyboard:
Giorgio Moroder
saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
synthesizer:
Tom Whitlock
lead vocals:
Kenny Loggins
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1986), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
recorded at:
Oasis Recording Studios in North Hollywood, Los Angeles, California, United States
a cappella versions:
Danger Zone by Tufts Beelzebubs (Tufts University all-male a cappella group)
recording of:
Danger Zone (Top Gun)
lyricist:
Thomas Whitlock
composer:
Giorgio Moroder
publisher:
Budde Music Inc. (US publisher), Neue Welt Musikverlag GmbH (2017 – present), Sony/ATV Harmony, Sony/ATV Harmony UK, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Warner Chappell Overseas Holdings Ltd., Warner/Chappell North America, WB Music Corp. (1929–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1986) and GMPC (in 1986)
Kenny Loggins4.33:33
8E=MC²
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
recording of:
E=mc²
writer:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite) and Don Letts
publisher:
B.A.D. Songs, Big Audio Dynamics Music, Inc., BMG Songs, Inc., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing MGB Ltd. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Big Audio Dynamite34:27
9Einstein a Go‐Go
producer:
Landscape (80s British synthpop)
phonographic copyright (℗) by:
RCA Ltd. (UK arm of RCA) (from 1981 to present) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981)
recording of:
Einstein a Go-Go
composer:
Richard James Burgess, Landscape (80s British synthpop) and John L. Walters
publisher:
Landscape Music Ltd. and Sunbury Music Ltd.
Landscape3:00
10Dream to Sleep
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (from 1983 to present)
recording of:
Dream to Sleep
writer:
Ross Alcock, Ian Donaldson (vocalist of H₂O), Kenny Dorman, Colin Ferguson (bassist of H₂O), Colin Gavigan and Pete Keane (guitarist of H₂O)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
H₂O23:59
11(Feels Like) Heaven
producer:
Peter Wilson (UK Producer)
arranger:
Chic Medley and Kevin Patterson (songwriter)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1983)
recording of:
(Feels Like) Heaven
lyricist and composer:
Eddie Jordan (songwriter) and Kevin Patterson (songwriter)
publisher:
Carlin Music Corp.
Fiction Factory43:30
12Time After Time
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983), Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1984)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
a cappella versions:
Time After Time by Forte A Cappella (Centerville High School)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 116) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 494)
recording of:
Time After Time
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.254:01
13All Out of Love
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980) and Arista Records, LLC (holding company - file NO releases here!) (in 1980)
recording of:
All Out of Love (in 1980)
writer:
Clive Davis (record producer, A&R executive and music industry chief executive) and Graham Russell (Air Supply)
publisher:
Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply3:53
14Kyrie
engineer:
Paul DeVilliers and Lois Oki
producer:
Paul DeVilliers and Mr. Mister (American pop rock band)
mixer:
Mick Guzauski
bass guitar and lead vocals:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
drums (drum set):
Pat Mastelotto
guitar:
Steve Farris (US session guitarist, member of Mr. Mister)
keyboard:
Steve George (US keyboardist for Mr. Mister & Pages)
vocals:
Steve George (US keyboardist for Mr. Mister & Pages)
phonographic copyright (℗) by:
BMG Entertainment (in 1985), BMG Music (in 1985), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
recording of:
Kyrie
lyricist:
John Lang (US songwriter for Mr. Mister & Pages)
composer:
Steve George (US keyboardist for Mr. Mister & Pages) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Stemwa Famo Music (publisher; do NOT use as release label), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Mr. Mister4.24:25
15La Luna
producer:
Rick Nowels
phonographic copyright (℗) by:
Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2019)
recording of:
La Luna
lyricist and composer:
Rick Nowels and Ellen Shipley
publisher:
Future Furniture Music (in 1989), Shipwreck Music (publisher) (in 1989) and Virgin Songs, Inc. (in 1989)
Belinda Carlisle44:13
16Pretty in Pink
engineer:
Will Gosling and Phil Thornalley
producer:
Steve Lillywhite
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981, in 1986)
recording of:
Pretty in Pink
writer:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn and Roger Morris (UK guitarist for The Psychedelic Furs)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30) and EMI Songs Ltd.
The Psychedelic Furs4.653:57
17Through the Barricades
producer:
Gary Langan and Spandau Ballet
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986)
recording of:
Through the Barricades
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet5:21
18Hold Me Now
phonographic copyright (℗) by:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1987) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1987)
part of:
Ireland in the Eurovision Song Contest (number: 1987) and Winners of the Eurovision Song Contest (number: 1987)
recording of:
Hold Me Now (in 1987)
publisher:
Johnny Logan
composer:
Johnny Logan
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. and Warner Chappell Music (publisher as Warner/Chappell Music)
Johnny Logan43:04
19Don’t Talk to Strangers
Rick Springfield3:00
20Heart Stop Beating in TimeLeo Sayer4:37
2CD
#TitleArtistRatingLength
1All Around the World
recording of:
All Around the World
writer:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) and Lisa Stansfield
publisher:
Block & Gilbert, Block & Gilbert Music Ltd. (UK based music publishing company, now dissolved) and BMG Music Publishing Ltd.
Lisa Stansfield4:23
2Wishing Well
recording engineer and mixer:
Phil Legg
producer:
Terence Trent D’Arby (now known as Sananda Maitreya) and Martyn Ware
baritone saxophone, keyboard and percussion and background vocals and lead vocals:
Terence Trent D’Arby (now known as Sananda Maitreya)
bass:
Phil Spalding
drums (drum set):
Preston Heyman
guitar:
Pete Glenister
hi-hat [Wicked Hi-Hat]:
Clive Mngaza
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment), CBS Records (2006–2021) (in 1987) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1987)
recording of:
Wishing Well
lyricist:
Terence Trent D’Arby (now known as Sananda Maitreya)
composer:
Terence Trent D’Arby (now known as Sananda Maitreya) and Sean Oliver
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music Publishers Ltd. and Young Terence Music (Publisher)
Terence Trent D’Arby3.153:33
3I Get Weak
producer:
Rick Nowels
recording of:
I Get Weak
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing International Ltd., Universal/MCA Music Ltd. (not for release label use!) and Realsongs (in 1987)
Belinda Carlisle4.54:16
4Let’s Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Deniece Williams3.64:22
5When Will I Be Famous?
recording engineer:
John Brand (engineer), Simon Humphrey and Robin Sellers
assistant engineer:
Richard Edwards (sound engineer) and Alex Osman
engineer:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer and mixer:
Nicky Graham
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
recorded at:
Hot Nights Studio in London (Greater London), England, United Kingdom
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
When Will I Be Famous?
writer:
Nicky Graham and Thomas Watkins
publisher:
Alderzone Ltd., BMG Platinum Songs US, BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, Maximum Music Limited and Warner Chappell Music (publisher as Warner/Chappell Music)
Bros34:00
6You Got It (The Right Stuff)
producer:
Maurice Starr
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 92) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 499)
recording of:
You Got It (The Right Stuff)
lyricist and composer:
Maurice Starr
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs and Maurice Starr Music
New Kids on the Block34:10
7I Feel the Earth Move
drums (drum set) [drum programming] programming:
Michael Jay (producer/engineer) (from 1988-04 until 1988-05)
assistant engineer:
Peter Arata, Ric Butz, John Hegedes, Greg Loskorn (American sound engineer) and Karen Siegel (engineer)
engineer and mixer:
Michael McDonald (engineer)
producer:
Michael Jay (producer/engineer)
additional keyboard [keyboards]:
Claude Gaudette (session musician, songwriter, composer) (from 1988-04 until 1988-05)
guitar:
Don Kirkpatrick (guitarist/songwriter) (from 1988-04 until 1988-05)
keyboard [keyboards]:
Greg Smith (Producer/Keyboards) (from 1988-04 until 1988-05)
background vocals:
Donna DeLory (from 1988-04 until 1988-05), Rick Jude Palombi (from 1988-04 until 1988-05) and Mona Lisa Young (US funk / soul singer) (from 1988-04 until 1988-05)
arranger:
Michael Jay (producer/engineer)
vocals arranger:
Michael Jay (producer/engineer) and Martika (American singer‐songwriter and actress)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1988)
recorded at:
Trax Recording Studio in Hollywood, Los Angeles, California, United States (from 1988-04 until 1988-05)
mixed at:
Garden Rake Studio in Studio City, Los Angeles, California, United States
cover recording of:
I Feel the Earth Move (from 1988-04 until 1988-05)
lyricist and composer:
Carole King
publisher:
Colgems-EMI Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) and Screen Gems–EMI Music Ltd. (in 1988)
Martika24:14
8Tell It to My Heart
producer:
Ric Wake
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987) and Arista Records, LLC (holding company - file NO releases here!) (in 1987)
recording of:
Tell It to My Heart
writer:
Ernie Gold and Seth Swirsky
publisher:
Chappell Music, Inc. (publisher), Goldpoint and Intersong Music
Taylor Dayne3.753:41
9Be Free With Your LoveSpandau Ballet4:41
10Just Outside Heaven
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1983)
recording of:
Just Outside of Heaven
writer:
Ross Alcock, Ian Donaldson (vocalist of H₂O), Kenny Dorman, Colin Ferguson (bassist of H₂O), Colin Gavigan and Pete Keane (guitarist of H₂O)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
H₂O4:19
11Lover Come Back (to Me)Dead or Alive3:08
12Maneater
recording of:
Maneater
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall and John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music Ltd. (1996–2019)
Daryl Hall & John Oates3:20
13Alice, I Want You Just for Me!
recording of:
Alice, I Want You Just for Me
writer:
Full Force (American R&B group, frequent collab w/ Lisa Lisa & Cult Jam) and Howie Tee
Full Force3:10
14Girl You Know It’s True
producer:
Frank Farian
phonographic copyright (℗) by:
Hansa (in 1988)
produced for:
Far Music Production
cover recording of:
Girl You Know It's True
writer:
Ky Adeyemo, Bill Pettaway, Jr. (R&B songwriter, musician, producer), Rodney Holloman (Numarx), Kevin Lyles (executive / songwriter) and Sean Spencer (American DJ and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and MCA Music Ltd.
Milli Vanilli24:14
15I Think It’s Love
Jermaine Jackson3:55
16Shake You Down
Gregory Abbott4:06
17Supernatural Love
recording of:
Supernatural Love
writer:
Michael Omartian, Bruce Sudano and Donna Summer (soul/disco diva)
Donna Summer3:35
18Never Knew Love Like This
recording of:
Never Knew Love Like This
writer:
James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
Avant Garde Music Publishing, Inc., EMI April Music Inc., Flyte Tyme Tunes, Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Alexander O’Neal featuring Cherrelle3:30
19Everything Must Change
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
recording of:
Everything Must Change
writer:
Ian Kewley and Paul Young (English pop singer and musician)
publisher:
Bright Music Ltd. (publisher)
Paul Young4:40
20Girls Are More Fun
Ray Parker Jr.4:23
3CD
#TitleArtistRatingLength
1Stand and Deliver
engineer:
Alan Douglas (Scottish born engineer)
producer:
Chris Hughes (producer, aka “Merrick”)
bass guitar and lead vocals:
Adam Ant (English new wave singer and actor)
drums (drum set):
Chris Hughes (producer, aka “Merrick”) and Terry Lee Miall
guitar:
Marco Pirroni (British musician and producer)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1981) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981)
part of:
The Downloader’s Music Source Book (number: 145)
recording of:
Stand and Deliver
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam & the Ants43:08
2Down Under
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Ron Strykert
keyboard and woodwind:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
part of:
triple j’s Hottest 100 of Australian Songs (number: 21) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
lyricist:
Colin Hay
composer:
Colin Hay and Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Men at Work3.953:43
3Live It Up
engineer:
Thom Panunzio
producer:
Richard Gottehrer (American songwriter and music executive)
phonographic copyright (℗) by:
Syray Pty. Limited (Australian record company copyright holder and distributor) (in 1984), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1986) and Festival Records (Australian) (in 1999)
recorded at:
Rhinoceros Studios in Sydney, New South Wales, Australia
recording of:
Live It Up
lyricist and composer:
Greedy Smith (Australian musician and songwriter with Mental As Anything)
publisher:
Syray Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Mental as Anything3.253:48
4Love Plus One
producer:
Bob Sargeant
drums (drum set):
Blair Cunningham
guitar:
Graham Jones (Haircut 100)
instruments:
Leslie Nemes
percussion:
Marc Fox (Percussionist for the 80s New Wave band Haircut 100)
saxophone:
Phil Smith (Saxophonist)
vocals:
Nick Heyward
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1982) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 90)
recording of:
Love Plus One
lyricist and composer:
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut 10043:34
5Happy Birthday
producer:
Martin Rushent
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981)
produced at:
Genetic Sound in West Berkshire, England, United Kingdom
recording of:
Happy Birthday
writer:
Tich Anderson, Clare Grogan, Tony McDaid and Johnny McElhone
publisher:
Beam Down Ltd. (publisher), Notting Hill Music (UK) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Altered Images32:59
6Eternal Flame
recording engineer:
John Beverly Jones
additional engineer:
Ken Felton
producer:
Davitt Sigerson
mixer:
Frank Filipetti
drums (drum set):
Debbi Peterson (drummer for The Bangles)
electric bass guitar [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
guitar [lead guitar]:
Vicki Peterson
guitar [rhythm guitar]:
Susanna Hoffs
phonographic copyright (℗) by:
The Bangles (in 1988)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988), Sony BMG Music Entertainment Inc. (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
Studio 55 in Los Angeles, California, United States
music videos:
Eternal Flame by Bangles
recording of:
Eternal Flame
writer:
Susanna Hoffs, Tom Kelly (songwriter) and Billy Steinberg
publisher:
Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Denise Barry Music, EMI Songs, Mushroom Music (Mushroom label’s publishing company), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) and Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Bangles3.753:56
7Keep On Loving You
assistant engineer:
Tom Cummings (engineer) and Jeff Eccles
engineer:
Kevin Beamish
co-producer:
Alan Gratzer
producer:
Kevin Beamish, Kevin Cronin and Gary Richrath
acoustic guitar:
Kevin Cronin
bass:
Bruce Hall (US bassist for REO Speedwagon)
drums (drum set):
Alan Gratzer
guitar:
Gary Richrath
Hammond organ:
Neal Doughty
background vocals:
Kevin Cronin, Tom Kelly (songwriter) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arranger:
Kevin Cronin
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980, in 1981) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 67)
recording of:
Keep On Loving You (on 1980-09-03)
lyricist and composer:
Kevin Cronin
publisher:
Bucks Music Group Ltd. (Bucks Music Group), Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. (limited company), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Taiyō Music
REO Speedwagon3.73:22
8Toy Soldiers
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1988)
edit of:
Toy Soldiers by Martika (American singer‐songwriter and actress)
recording of:
Toy Soldiers
writer:
Martika (American singer‐songwriter and actress) and Michael Jay (producer/engineer)
publisher:
Sony/ATV Harmony UK, Curley Top Music (in 1988), Ensign Music Corp. (in 1988), Famous Chappell (in 1988), Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1988) and Tika Tunes (publisher) (in 1988)
Martika34:20
9Alone Without You
recording of:
Alone Without You
lyricist and composer:
Paul King (British-Irish singer/musician/VJ)
King3:36
10Pop Goes the World
recording of:
Pop Goes the World
composer:
Men Without Hats (Canadian new wave/synthpop group)
Men Without Hats4.53:46
11Paris Is One Day Away
The Mood3:02
12Pleased to Meet You
recording of:
Pleased to Meet You
Owen Paul3:22
13What’s Another Year
phonographic copyright (℗) by:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1980)
part of:
Ireland in the Eurovision Song Contest (number: 1980) and Winners of the Eurovision Song Contest (number: 1980)
recording of:
What's Another Year (in 1980)
lyricist and composer:
Shay Healy (Irish songwriter)
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing Germany GmbH (1967–2001) and Melodie der Welt J. Michel KG (German publisher; read annotation)
Johnny Logan3:03
14This Is the Way
Bruce Foxton3:34
15Africa
recording engineer:
Al Schmitt
producer:
Toto (US rock group)
mixer:
Greg Ladanyi
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
music videos:
Africa by Toto (US rock group)
recording of:
Africa (Toto)
writer:
Jeffrey Porcaro and David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Spirit Two Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto54:22
16Any Way You Want It
sound engineer, engineer and mixer:
Geoff Workman
assistant engineer:
Ken Kessie
producer:
Kevin Elson and Geoff Workman
bass guitar and bass pedals:
Ross Valory
drums (drum set) and percussion:
Steve Smith (US drummer most associated with Journey)
guitar:
Neal Schon
harmonica and keyboard:
Gregg Rolie
background vocals:
Gregg Rolie, Neal Schon and Ross Valory
lead vocals:
Steve Perry (former lead singer of Journey)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1980) and CBS, Inc. (US broadcasting company; file no releases here!) (in 1980)
recorded at:
The Automatt in San Francisco, California, United States (from 1979-11-05 until 1979-11-12)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 80)
recording of:
Any Way You Want It
writer:
Steve Perry (former lead singer of Journey) and Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music and Weedhigh‐Nightmare Music
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Journey4.153:23
17Carrie
recording engineer and mixer:
Wally Buck and Kevin Elson
producer:
Kevin Elson
bass guitar [bass]:
John Levén
drums (drum set) [drums]:
Ian Haugland
guitar:
John Norum
keyboard:
Mic Michaeli
background vocals:
Ian Haugland, Mic Michaeli and John Norum
lead vocals:
Joey Tempest (Swedish singer)
phonographic copyright (℗) by:
CBS Records AB (SE subsidiary of CBS Records, renamed Sony Music Entertainment (Sweden) AB in 1991) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986)
produced for:
Elson Music Vision, Inc.
recorded at and mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Powerplay Studios in Maur, Zürich (Canton of Zürich), Switzerland and Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Sweden
recording of:
Carrie (Europe song)
writer:
Mic Michaeli and Joey Tempest (Swedish singer)
publisher:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Seven Doors Music
Europe3.94:31
18Every Little Kiss
engineer:
Elliot Scheiner
producer:
Bruce Hornsby and Elliot Scheiner
accordion, piano and synthesizer:
Bruce Hornsby
drums (drum set) and percussion:
John Molo
electric guitar:
George Marinelli
guitar:
David Mansfield
vocals:
Bruce Hornsby
phonographic copyright (℗) by:
BMG Music (in 1986) and RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1986)
produced for:
Trackman, Inc.
recording of:
Every Little Kiss
lyricist and composer:
B.R. Hornsby
publisher:
Basically Gasp Music, Sony/ATV Tunes LLC (ASCAP), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Zappo Music (in 1986)
Bruce Hornsby & the Range4.355:48
19Bed of Nails
recording engineer:
Sir Arthur Payson
synthesizer programming:
Steve Deutsch
assistant engineer:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
producer:
Desmond Child
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional guitar:
Kane Roberts
additional keyboard:
Paul Chiten (songwriter and producer) and Gregg Mangiafico
additional other instruments [special effects]:
Gregg Mangiafico
bass guitar:
Hugh McDonald (bassist)
drums (drum set):
Bobby Chouinard
guitar:
John McCurry
keyboard:
Alan St. John
background vocals:
Alan St. John, Michael Anthony (US bassist, formerly of Van Halen), Desmond Child, Diana Grasselli, Jango (backing vocalist on “Trash” by Alice Cooper), Louie Merlino, Hugh McDonald (bassist), Jamie Sever, Bernie Shanahan, Stiv Bator, Tom Teeley, Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz), Myriam Valle and Maria Vidal (American singer-songwriter)
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recorded at:
Bearsville Studios in Bearsville, New York, United States, Blue Jay Recording Studios in Carlisle, Massachusetts, United States, Grog Kill Studio in Woodstock, New York, United States, Mediasound Studios in New York, New York, United States, Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Right Track Recording in Manhattan, New York, New York, United States, Sigma Sound Studios (New York) in New York, New York, United States, The Complex Studios in Los Angeles, California, United States, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Bed of Nails
writer:
Desmond Child, Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Kane Roberts and Diane Warren (US songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Ezra Music, Realsongs (, from 1989 to present), SBK April Music Inc. (, from 1989 to ????), Sony/ATV Music Publishing Scandinavia, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Desmobile Music Co., Inc. (from 1989 to present) and Ezra Music Corp. (from 1989 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Alice Cooper4.14:21
20Making Love out of Nothing at All
Air Supply4:54
4CD
#TitleArtistRatingLength
1Real Gone Kid
recording engineer:
Felix Kendall (UK recording engineer)
producer:
Warne Livesey
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1988)
recording of:
Real Gone Kid
lyricist and composer:
Ricky Ross (Scottish singer-songwriter)
publisher:
ATV Music, Sony/ATV Music Publishing and Sony/ATV Music Publishing Ltd.
Deacon Blue4.354:06
2Love & Pride
producer:
Richard James Burgess
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
recording of:
Love & Pride
writer:
Paul King (British-Irish singer/musician/VJ) and Mick Roberts
publisher:
EMI Songs Ltd. and King Songs
King43:22
3Brilliant Mind
engineer:
John Brough, Renny Hill (engineer) and Seb (Engineer)
producer:
Mick Glossop (producer & engineer)
bass:
Sally Still
drums (drum set) and percussion:
Hamilton Lee
guitar and background vocals:
Tim Whelan
keyboard:
Maya Gilder (Keyboardist)
saxophone:
Larry Whelan (Saxophonist)
strings:
Tim Beaton and Charlie Buchannon
lead vocals:
Jim Irvin
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1986)
recorded at:
Townhouse 3 in Battersea, Wandsworth, London (Greater London), England, United Kingdom
mixed at:
Sarm East (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
part of:
TV Cream: Real 100 Best Singles Ever (number: 86)
recording of:
Brilliant Mind
writer:
Jim Irvin, Hamilton Lee, Sally Still and Tim Whelan
publisher:
Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Furniture3.353:41
4Warning Sign
Nick Heyward3:49
5Ghost of Love
recording of:
Ghost of Love
lyricist and composer:
Kevin Patterson (songwriter)
Fiction Factory3:39
6Just Got Lucky
producer:
Alan Shacklock
phonographic copyright (℗) by:
RCA Ltd. (UK arm of RCA) (in 1983)
recording of:
Just Got Lucky
writer:
Chris Bostock and Dig Wayne
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (in 1983)
Jo Boxers33:43
7Hangin’ Tough
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
recording of:
Hangin’ Tough
lyricist and composer:
Maurice Starr
New Kids on the Block4:18
8Private Eyes
recording engineer and mixer:
Neil Kernon
assistant engineer:
Bruce Buckhhalter (Engineer)
co-producer:
Neil Kernon
producer:
Daryl Hall and John Oates
drums (drum set) [drums]:
Mickey Curry
phonographic copyright (℗) by:
BMG Entertainment (in 1981) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
Private Eyes
writer:
Janna Allen (songwriter), Sara Allen, Daryl Hall and Warren Pash
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), BMG Rights Management Canada, Geomantic Music, Gnarly Dude Music, Hot Cha Music Co., Primary Wave Brian, Unichappell Music Six Continents Special Account, Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
live recording of:
Private Eyes
writer:
Janna Allen (songwriter), Sara Allen, Daryl Hall and Warren Pash
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), BMG Rights Management Canada, Geomantic Music, Gnarly Dude Music, Hot Cha Music Co., Primary Wave Brian, Unichappell Music Six Continents Special Account, Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Daryl Hall & John Oates4.553:37
9Saturday Love
recording of:
Saturday Love
writer:
Jimmy Jam (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Cherrelle with Alexander O’Neal4:19
10Girl I’m Gonna Miss You
producer:
Frank Farian
phonographic copyright (℗) by:
Hansa (in 1989)
produced for:
Far Music Production
music videos:
Girl I’m Gonna Miss You by Milli Vanilli
recording of:
Girl I’m Gonna Miss You
writer:
Frank Farian, Dietmar Kawohl and Peter Bishoph
publisher:
FAR Music (publisher for Frank Farian)
Milli Vanilli34:33
11Family Man
recording of:
Family Man
lyricist and composer:
Andrew Roachford
publisher:
PolyGram Music Publishing Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Roachford3:49
12Automatic
edit of:
Automatic by Pointer Sisters
recording of:
Automatic
composer:
Brock Patrick Walsh (singer, producer, songwriter) and Mark Goldenberg
The Pointer Sisters44:01
13Sign Your Name
recording engineer and mixer:
Phil Legg
producer:
Terence Trent D’Arby (now known as Sananda Maitreya) and Martyn Ware
lead vocals:
Terence Trent D’Arby (now known as Sananda Maitreya)
strings arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008), CBS Records (2006–2021) (in 1987) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1987)
recording of:
Sign Your Name
lyricist:
Terence Trent D’Arby (now known as Sananda Maitreya)
composer:
Chris Cameron (British pianist, singer-songwriter, arranger and producer) and Terence Trent D’Arby (now known as Sananda Maitreya)
publisher:
Virgin Music (Publishing) Ltd., Virgin Music Ltd. and Young Terrence Music (Publisher)
Terence Trent D’Arby3.54:35
14If You Were Here Tonight
recording of:
If You Were Here Tonight
lyricist and composer:
Monte Moir
Alexander O’Neal43:45
15I Don’t Wanna Get Hurt
recording of:
I Don’t Wanna Get Hurt
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd.
Donna Summer3:28
16I Got the Feelin’ (It’s Over)
executive producer:
Charles Koppelman (American businessman and musician)
producer:
Gregory Abbott
bass:
T.M. Stevens (US bass player Thomas Michael Stevens)
guitar:
Marlon Graves
membranophone and lead vocals:
Gregory Abbott
background vocals:
Gregory Abbott and Aida Foreman
arranger:
Gregory Abbott
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986)
produced for:
The Entertainment Music Company (production company)
recording of:
I Got the Feelin' (It's Over)
lyricist and composer:
Gregory Abbott
publisher:
Alli Bee Music (publisher) (in 1987), Charles Family Music (publisher) (in 1987) and Grabbitt Music (publisher) (in 1987)
Gregory Abbott4:07
17Do What You Do
recording of:
Do What You Do
writer:
Ralph Dino and Larry Di Tomaso
publisher:
MCA Music Ltd.
Jermaine Jackson4:19
18Love of the Common People
producer:
Laurie Latham
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1987) and Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (in 2002)
cover recording of:
Love of the Common People
lyricist and composer:
John Hurley and Ronnie Wilkins
publisher:
Kassner Associated Publishers, Sony/ATV Music Publishing Ltd., Tideland Music Publishing Corporation, Tree Pub. Co. Inc., TRO Essex Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) (in 1983) and Westminster Music Ltd. (in 1983)
Paul Young23:43
19Just Havin’ Fun
assistant engineer:
Steve Hallquist
engineer, producer and mixer:
Ray Parker Jr.
bass guitar [bass], drums (drum set), guitar and synthesizer:
Ray Parker Jr.
percussion:
Ollie E. Brown (US drummer, session musician & record producer)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982)
recorded at:
Ameraycan Studios in North Hollywood, Los Angeles, California, United States
recording of:
Just Havin’ Fun
composer:
Ray Parker Jr.
publisher:
Raydiola Music and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Ray Parker Jr.3:22
20Find the Time
Five Star3:55
5CD
#TitleArtistRatingLength
1Don’t Stop Believin’
Journey4:10
2Rosanna
recording engineer:
Al Schmitt
producer:
Toto (US rock group)
mixer:
Greg Ladanyi
bass guitar:
David Hungate
congas:
Lenny Castro
drums (drum set) [drums]:
Jeff Porcaro
guitar:
Steve Lukather
Hammond organ and synthesizer:
David Paich and Steve Porcaro
percussion:
Lenny Castro and Jeff Porcaro
piano:
David Paich
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist) and Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
trombone:
James Pankow
trumpet:
Gary Grant (brass) and Jerry Hey
background vocals [background vocal]:
Tom Kelly (songwriter), Bobby Kimball, Steve Lukather and David Paich
lead vocals:
Bobby Kimball and Steve Lukather
brass [horns] arranger:
Jerry Hey and David Paich
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1982) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 15)
recording of:
Rosanna
lyricist and composer:
David Paich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Spirit Two Music
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto45:32
3Jessie’s Girl
producer:
Keith Olsen (US producer and engineer)
arranger:
Neil Geraldo, Keith Olsen (US producer and engineer) and Rick Springfield
phonographic copyright (℗) by:
BMG Entertainment (in 1981), BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981), RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 2001) and Wizard Records (in 1981)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 20) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 55)
recording of:
Jessie’s Girl
lyricist and composer:
Rick Springfield
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. and Wizard Music
Rick Springfield4.453:14
4Broken Wings
engineer:
Paul DeVilliers
producer:
Paul DeVilliers and Mr. Mister (American pop rock band)
bass guitar and lead vocals:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
drums (drum set):
Pat Mastelotto
guitar:
Steve Farris (US session guitarist, member of Mr. Mister)
keyboard:
Steve George (US keyboardist for Mr. Mister & Pages)
phonographic copyright (℗) by:
BMG Music (in 1985), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985)
recording of:
Broken Wings
writer:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister4.24:37
5Footloose
producer:
Lee DeCarlo and Kenny Loggins
bass guitar:
Nathan East
bass synthesizer:
Michael Boddicker
drums (drum set):
Tris Imboden
guitar:
Buzz Feiten
instruments:
Michael Boddicker
keyboard:
Neil Larsen and Steven Wood (US soundtrack composer, member of Honk)
percussion:
Michael Boddicker and Paulinho da Costa (Brazilian percussionist)
background vocals:
Marilyn Dorman, Richey Washington and Steven Wood (US soundtrack composer, member of Honk)
lead vocals:
Kenny Loggins
remixer:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Kenny Loggins4.13:47
6Cuddly Toy
recording of:
Cuddly Toy
lyricist and composer:
Andrew Roachford
publisher:
Kassner Associated Publishers, PolyGram Music Publishing Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Roachford3:51
7Love My Way
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982)
recording of:
Love My Way
lyricist and composer:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs) and Vince Ely
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc., EMI Songs Ltd. and EMI Songs Musikverlag GmbH
The Psychedelic Furs3:33
8Nightmare
bass:
John McCoy (UK rock bassist for Gillan, Mammoth, Neo, McCoy)
drums (drum set):
Mick Underwood
guitar:
Janick Gers
keyboard:
Colin Towns
lead vocals:
Ian Gillan
recording of:
Nightmare
writer:
Colin Towns
Gillan3:16
9Take It on the Run
assistant engineer:
Tom Cummings (engineer) and Jeff Eccles
engineer:
Kevin Beamish
co-producer:
Alan Gratzer
producer:
Kevin Beamish, Kevin Cronin and Gary Richrath
acoustic guitar and lead vocals:
Kevin Cronin
bass:
Bruce Hall (US bassist for REO Speedwagon)
drums (drum set):
Alan Gratzer
guitar:
Gary Richrath
synthesizer:
Neal Doughty
arranger:
Kevin Cronin
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980)
recording of:
Take It on the Run (on 1980-09-18)
lyricist and composer:
Gary Richrath
publisher:
HoriPro Entertainment Group, Slam Dunk Music (work publisher) and 大洋音楽 (Taiyō Music)
REO Speedwagon3.754:02
10Who Can It Be Now?
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Colin Hay and Ron Strykert
saxophone:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1996)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
recording of:
Who Can It Be Now?
lyricist and composer:
Colin Hay
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Men at Work4.43:22
11The Way It Is
engineer:
Elliot Scheiner
producer:
Bruce Hornsby and Elliot Scheiner
drums (drum set) and percussion:
John Molo
piano and synthesizer:
Bruce Hornsby
vocals:
Bruce Hornsby
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Entertainment (in 1986), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1986) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986)
produced for:
Trackman, Inc.
recording of:
The Way It Is
lyricist and composer:
B.R. Hornsby
publisher:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) and Zappo Music (from 1986 to present)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby & the Range4.054:58
12Rock the Night
recording engineer and mixer:
Wally Buck and Kevin Elson
producer:
Kevin Elson
bass guitar [bass]:
John Levén
drums (drum set) [drums]:
Ian Haugland
guitar:
John Norum
keyboard:
Mic Michaeli
background vocals:
Ian Haugland, Mic Michaeli and John Norum
lead vocals:
Joey Tempest (Swedish singer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1986) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1986)
produced for:
Elson Music Vision, Inc.
recorded at and mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Powerplay Studios in Maur, Zürich (Canton of Zürich), Switzerland and Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Sweden
recording of:
Rock the Night
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Europe4.54:08
13The Safety Dance
producer:
Marc Durand (Canadian producer)
phonographic copyright (℗) by:
Statik Records (in 1982) and Marc Durand Production (in 1983)
edit of:
The Safety Dance by Men Without Hats (Canadian new wave/synthpop group)
music videos:
The Safety Dance by Men Without Hats (Canadian new wave/synthpop group)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 39) and Huffington Post: 100 Best Canadian Songs Ever (number: 48)
recording of:
The Safety Dance (from 1982-01 until 1982-03)
lyricist and composer:
Ivan Doroschuk (Men Without Hats)
publisher:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (in 1982) and Wintrup Musik (in 1982)
Men Without Hats3.82:44
14Keeping the Dream Alive
producer:
Armand Volker
guest performer:
The Jackson Singers and London Symphony Orchestra
phonographic copyright (℗) by:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1988)
recording of:
Keeping the Dream Alive
lyricist:
Curtis Briggs and Timothy Touchton
writer:
Vic Briggs (Victor Briggs)
composer:
Aron Strobel and Stefan Zauner (pop vocalist and keyboardist)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Sony/ATV Music Publishing LLC (1995–2020) (in 1988)
translated version of:
Solang’ man Träume noch leben kann
Freiheit24:16
15My Favourite Waste of Time
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
music videos:
My Favourite Waste of Time by Owen Paul
cover recording of:
My Favourite Waste of Time
lyricist and composer:
Marshall Crenshaw
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music Ltd., Warner Brothers (publisher, not an imprint) and Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
recording of:
My Favourite Waste of Time
lyricist and composer:
Marshall Crenshaw
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music Ltd., Warner Brothers (publisher, not an imprint) and Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Owen Paul3.353:28
16My Oh My
producer:
Eric Stewart
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1979)
recording of:
My Oh My
writer:
Vic Emerson (English keyboardist, synthesizer, arranger and songwriter) and Paul Young (Sad Café, Mike + The Mechanics)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Sad Café53:57
17Poison
recording engineer:
Sir Arthur Payson (from 1988 until 1989)
synthesizer programming:
Steve Deutsch
assistant engineer:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
producer:
Desmond Child
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional keyboard:
Paul Chiten (songwriter and producer) (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
additional other instruments [special effects]:
Gregg Mangiafico (from 1988 until 1989)
bass guitar:
Hugh McDonald (bassist) (from 1988 until 1989)
drums (drum set):
Bobby Chouinard (from 1988 until 1989)
guitar:
John McCurry (from 1988 until 1989)
keyboard:
Alan St. John (from 1988 until 1989)
background vocals:
Alan St. John (from 1988 until 1989), Michael Anthony (US bassist, formerly of Van Halen) (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (bassist) (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (American singer-songwriter) (from 1988 until 1989)
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) (from 1988 until 1989)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios (New York) in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (from 1988 until 1989)
recording of:
Poison (from 1988 until 1989)
writer:
Desmond Child, Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) and John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Ezra Music Corp. (from 1989 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.454:31
18Angel Eyes
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 65)
recording of:
Angel Eyes
lyricist and composer:
John Hiatt (guitarist, pianist and singer-songwriter) and Fred Koller
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Lucrative Music (BMI) and Universal Music Careers
The Jeff Healey Band44:23
19Freak
Bruce Foxton3:25
20Je suis un Rock Star
Bill Wyman3:22

Credits

Release

ASIN:UK: B01N2T8JTD [info]

Release group

part of:100 Hits (UK Demon Music Group) (number: 180) (order: 130)