Bosses of the Ballad

~ Release by Illinois Jacquet (see all versions of this release, 1 available)

Annotation

Bosses Of The Ballad, tracks 1 - 12
Spectrum, tracks 13 - 21

Annotation last modified on 2019-06-01 03:39 UTC.

Tracklist

1▼CD
#TitleRatingLength
1I Love You
engineer:
Bob Liftin (from 1964-10-29 until 1964-10-30)
producer:
Esmond Edwards
tenor saxophone:
Illinois Jacquet (from 1964-10-29 until 1964-10-30)
recorded at:
Regents Sound Studios in New York, New York, United States (from 1964-10-29 until 1964-10-30)
instrumental recording of:
I Love You (Mexican Hayride musical) (in 1964-10)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
2:37
2Get Out of Town
engineer:
Bob Liftin (from 1964-10-29 until 1964-10-30)
producer:
Esmond Edwards
tenor saxophone:
Illinois Jacquet (from 1964-10-29 until 1964-10-30)
recorded at:
Regents Sound Studios in New York, New York, United States (from 1964-10-29 until 1964-10-30)
instrumental recording of:
Get Out of Town (in 1964-10)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
2:39
3So in Love
engineer:
Bob Liftin (from 1964-10-29 until 1964-10-30)
producer:
Esmond Edwards
tenor saxophone:
Illinois Jacquet (from 1964-10-29 until 1964-10-30)
recorded at:
Regents Sound Studios in New York, New York, United States (from 1964-10-29 until 1964-10-30)
instrumental recording of:
So in Love (from Kiss Me, Kate) (in 1964-10)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
3:19
4I Concentrate on You
engineer:
Bob Liftin (from 1964-10-29 until 1964-10-30)
producer:
Esmond Edwards
tenor saxophone:
Illinois Jacquet (from 1964-10-29 until 1964-10-30)
recorded at:
Regents Sound Studios in New York, New York, United States (from 1964-10-29 until 1964-10-30)
instrumental recording of:
I Concentrate on You (in 1964-10)
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
4:07
5You Do Something to Me
engineer:
Bob Liftin (from 1964-10-29 until 1964-10-30)
producer:
Esmond Edwards
tenor saxophone:
Illinois Jacquet (from 1964-10-29 until 1964-10-30)
recorded at:
Regents Sound Studios in New York, New York, United States (from 1964-10-29 until 1964-10-30)
instrumental recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (in 1964-10)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
3:31
6Everytime We Say Goodbye
engineer:
Bob Liftin (from 1964-10-29 until 1964-10-30)
producer:
Esmond Edwards
tenor saxophone:
Illinois Jacquet (from 1964-10-29 until 1964-10-30)
recorded at:
Regents Sound Studios in New York, New York, United States (from 1964-10-29 until 1964-10-30)
instrumental recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (in 1964-10)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:53
7Use Your Imagination
engineer:
Bob Liftin (from 1964-10-29 until 1964-10-30)
producer:
Esmond Edwards
tenor saxophone:
Illinois Jacquet (from 1964-10-29 until 1964-10-30)
recorded at:
Regents Sound Studios in New York, New York, United States (from 1964-10-29 until 1964-10-30)
instrumental recording of:
Use Your Imagination (Out of This World musical) (in 1964-10)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Out of This World
3:19
8All Through the Night
engineer:
Bob Liftin (from 1964-10-29 until 1964-10-30)
producer:
Esmond Edwards
tenor saxophone:
Illinois Jacquet (from 1964-10-29 until 1964-10-30)
recorded at:
Regents Sound Studios in New York, New York, United States (from 1964-10-29 until 1964-10-30)
instrumental recording of:
All Through the Night (in 1964-10)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
WB Music Corp. (1929–2019)
part of:
Anything Goes
3:30
9Begin the Beguine
engineer:
Bob Liftin (from 1964-10-29 until 1964-10-30)
producer:
Esmond Edwards
tenor saxophone:
Illinois Jacquet (from 1964-10-29 until 1964-10-30)
recorded at:
Regents Sound Studios in New York, New York, United States (from 1964-10-29 until 1964-10-30)
instrumental recording of:
Begin the Beguine (in 1964-10)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
3:16
10It's All Right With Me
engineer:
Bob Liftin (from 1964-10-29 until 1964-10-30)
producer:
Esmond Edwards
tenor saxophone:
Illinois Jacquet (from 1964-10-29 until 1964-10-30)
recorded at:
Regents Sound Studios in New York, New York, United States (from 1964-10-29 until 1964-10-30)
instrumental recording of:
It’s All Right with Me (Can‐Can musical) (in 1964-10)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
3:24
11Do I Love You
engineer:
Bob Liftin (from 1964-10-29 until 1964-10-30)
producer:
Esmond Edwards
tenor saxophone:
Illinois Jacquet (from 1964-10-29 until 1964-10-30)
recorded at:
Regents Sound Studios in New York, New York, United States (from 1964-10-29 until 1964-10-30)
instrumental recording of:
Do I Love You? (in 1964-10)
lyricist and composer:
Cole Porter (composer) (in 1939)
part of:
DuBarry Was a Lady (1939 stage musical)
3:31
12I've Got You Under My Skin
engineer:
Bob Liftin (from 1964-10-29 until 1964-10-30)
producer:
Esmond Edwards
tenor saxophone:
Illinois Jacquet (from 1964-10-29 until 1964-10-30)
recorded at:
Regents Sound Studios in New York, New York, United States (from 1964-10-29 until 1964-10-30)
instrumental recording of:
I’ve Got You Under My Skin (in 1964-10)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
4:19
13Blues for Bunny
engineer:
Ray Hall (engineer)
producer:
Esmond Edwards
bass:
George Duvivier (from 1965-04-29 until 1965-04-30)
congas:
Candido (Cuban conga and bongo player) (from 1965-04-29 until 1965-04-30)
drums (drum set):
Grady Tate (from 1965-04-29 until 1965-04-30)
piano:
Patricia Brown (from 1965-04-29 until 1965-04-30)
saxophone:
Illinois Jacquet (from 1965-04-29 until 1965-04-30)
trumpet:
Russell Jacquet (American trumpeter) (from 1965-04-29 until 1965-04-30)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1965-04-29 until 1965-04-30)
5:12
14Black Foot
engineer:
Ray Hall (engineer)
producer:
Esmond Edwards
bass:
George Duvivier (from 1965-04-29 until 1965-04-30)
congas:
Candido (Cuban conga and bongo player) (from 1965-04-29 until 1965-04-30)
drums (drum set):
Grady Tate (from 1965-04-29 until 1965-04-30)
piano:
Patricia Brown (from 1965-04-29 until 1965-04-30)
saxophone:
Illinois Jacquet (from 1965-04-29 until 1965-04-30)
trumpet:
Russell Jacquet (American trumpeter) (from 1965-04-29 until 1965-04-30)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1965-04-29 until 1965-04-30)
3:51
15Big Music
engineer:
Ray Hall (engineer)
producer:
Esmond Edwards
bass:
George Duvivier (from 1965-04-29 until 1965-04-30)
congas:
Candido (Cuban conga and bongo player) (from 1965-04-29 until 1965-04-30)
drums (drum set):
Grady Tate (from 1965-04-29 until 1965-04-30)
piano:
Patricia Brown (from 1965-04-29 until 1965-04-30)
saxophone:
Illinois Jacquet (from 1965-04-29 until 1965-04-30)
trumpet:
Russell Jacquet (American trumpeter) (from 1965-04-29 until 1965-04-30)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1965-04-29 until 1965-04-30)
5:23
16Blue Horizon
engineer:
Ray Hall (engineer)
producer:
Esmond Edwards
bass:
George Duvivier (from 1965-04-29 until 1965-04-30)
congas:
Candido (Cuban conga and bongo player) (from 1965-04-29 until 1965-04-30)
drums (drum set):
Grady Tate (from 1965-04-29 until 1965-04-30)
piano:
Patricia Brown (from 1965-04-29 until 1965-04-30)
saxophone:
Illinois Jacquet (from 1965-04-29 until 1965-04-30)
trumpet:
Russell Jacquet (American trumpeter) (from 1965-04-29 until 1965-04-30)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1965-04-29 until 1965-04-30)
3:11
17Goin' Out of My Head
engineer:
Ray Hall (engineer)
producer:
Esmond Edwards
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1965-04-29 until 1965-04-30)
bass:
Leonard Gaskin (from 1965-04-29 until 1965-04-30)
drums (drum set):
Herbie Lovelle (from 1965-04-29 until 1965-04-30)
guitar:
Billy Butler (jazz guitarist) (from 1965-04-29 until 1965-04-30) and Eric Gale (from 1965-04-29 until 1965-04-30)
piano:
Edwin Stoute (from 1965-04-29 until 1965-04-30)
saxophone:
Illinois Jacquet (from 1965-04-29 until 1965-04-30)
tenor saxophone:
Buddy Lucas (Tenor saxophonist / vocalist / harmonica player) (from 1965-04-29 until 1965-04-30)
trumpet:
Jimmy Nottingham (from 1965-04-29 until 1965-04-30) and Ernie Royal (from 1965-04-29 until 1965-04-30)
conductor:
Bert Keyes (piano, soul/funk producer/writer) (from 1965-04-29 until 1965-04-30)
arranger:
Bert Keyes (piano, soul/funk producer/writer)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1965-04-29 until 1965-04-30)
instrumental recording of:
Goin’ Out of My Head (in 1965-04)
lyricist:
Bobby Weinstein (US songwriter)
composer:
Teddy Randazzo
publisher:
E. H. Morris & Co. Ltd., EMI Catalogue Partnership Australia Pty Ltd, EMI Partnership Musikverlag GmbH, Universal–Songs of PolyGram International, Inc., Vogue Music and Songs of PolyGram International, Inc. (in 1964)
2:19
18Spanish Boots
engineer:
Ray Hall (engineer)
producer:
Esmond Edwards
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1965-04-29 until 1965-04-30)
bass:
Leonard Gaskin (from 1965-04-29 until 1965-04-30)
drums (drum set):
Herbie Lovelle (from 1965-04-29 until 1965-04-30)
guitar:
Billy Butler (jazz guitarist) (from 1965-04-29 until 1965-04-30) and Eric Gale (from 1965-04-29 until 1965-04-30)
piano:
Edwin Stoute (from 1965-04-29 until 1965-04-30)
saxophone:
Illinois Jacquet (from 1965-04-29 until 1965-04-30)
tenor saxophone:
Buddy Lucas (Tenor saxophonist / vocalist / harmonica player) (from 1965-04-29 until 1965-04-30)
trumpet:
Jimmy Nottingham (from 1965-04-29 until 1965-04-30) and Ernie Royal (from 1965-04-29 until 1965-04-30)
conductor:
Bert Keyes (piano, soul/funk producer/writer) (from 1965-04-29 until 1965-04-30)
arranger:
Bert Keyes (piano, soul/funk producer/writer)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1965-04-29 until 1965-04-30)
2:57
19Elise
engineer:
Ray Hall (engineer)
producer:
Esmond Edwards
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1965-04-29 until 1965-04-30)
bass:
Leonard Gaskin (from 1965-04-29 until 1965-04-30)
drums (drum set):
Herbie Lovelle (from 1965-04-29 until 1965-04-30)
guitar:
Billy Butler (jazz guitarist) (from 1965-04-29 until 1965-04-30) and Eric Gale (from 1965-04-29 until 1965-04-30)
piano:
Edwin Stoute (from 1965-04-29 until 1965-04-30)
saxophone:
Illinois Jacquet (from 1965-04-29 until 1965-04-30)
tenor saxophone:
Buddy Lucas (Tenor saxophonist / vocalist / harmonica player) (from 1965-04-29 until 1965-04-30)
trumpet:
Jimmy Nottingham (from 1965-04-29 until 1965-04-30) and Ernie Royal (from 1965-04-29 until 1965-04-30)
conductor:
Bert Keyes (piano, soul/funk producer/writer) (from 1965-04-29 until 1965-04-30)
arranger:
Bert Keyes (piano, soul/funk producer/writer)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1965-04-29 until 1965-04-30)
2:54
20I Remember Her So Well
engineer:
Ray Hall (engineer)
producer:
Esmond Edwards
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1965-04-29 until 1965-04-30)
bass:
Leonard Gaskin (from 1965-04-29 until 1965-04-30)
drums (drum set):
Herbie Lovelle (from 1965-04-29 until 1965-04-30)
guitar:
Billy Butler (jazz guitarist) (from 1965-04-29 until 1965-04-30) and Eric Gale (from 1965-04-29 until 1965-04-30)
piano:
Edwin Stoute (from 1965-04-29 until 1965-04-30)
saxophone:
Illinois Jacquet (from 1965-04-29 until 1965-04-30)
tenor saxophone:
Buddy Lucas (Tenor saxophonist / vocalist / harmonica player) (from 1965-04-29 until 1965-04-30)
trumpet:
Jimmy Nottingham (from 1965-04-29 until 1965-04-30) and Ernie Royal (from 1965-04-29 until 1965-04-30)
conductor:
Bert Keyes (piano, soul/funk producer/writer) (from 1965-04-29 until 1965-04-30)
arranger:
Bert Keyes (piano, soul/funk producer/writer)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1965-04-29 until 1965-04-30)
2:53
21Now and Then
engineer:
Ray Hall (engineer)
producer:
Esmond Edwards
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1965-04-29 until 1965-04-30)
bass:
Leonard Gaskin (from 1965-04-29 until 1965-04-30)
drums (drum set):
Herbie Lovelle (from 1965-04-29 until 1965-04-30)
guitar:
Billy Butler (jazz guitarist) (from 1965-04-29 until 1965-04-30) and Eric Gale (from 1965-04-29 until 1965-04-30)
piano:
Edwin Stoute (from 1965-04-29 until 1965-04-30)
saxophone:
Illinois Jacquet (from 1965-04-29 until 1965-04-30)
tenor saxophone:
Buddy Lucas (Tenor saxophonist / vocalist / harmonica player) (from 1965-04-29 until 1965-04-30)
trumpet:
Jimmy Nottingham (from 1965-04-29 until 1965-04-30) and Ernie Royal (from 1965-04-29 until 1965-04-30)
conductor:
Bert Keyes (piano, soul/funk producer/writer) (from 1965-04-29 until 1965-04-30)
arranger:
Bert Keyes (piano, soul/funk producer/writer)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (from 1965-04-29 until 1965-04-30)
instrumental recording of:
Now and Then (from "The Yellow Rolls Royce") (in 1965-04)
lyricist:
Norman Newell
composer:
Riz Ortolani
2:39