The Unknown Ives

~ Release by Charles Ives; Donald Berman (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Three-Page Sonata (1905): Allegro Moderato
engineer and producer:
Joel Gordon (producer/engineer)
executive producer:
Joseph Ridings Dalton
piano:
Donald Berman (pianist)
recorded at:
Paine Hall in Cambridge, Massachusetts, United States
partial recording of:
Three-Page Sonata, S. 89
composer:
Charles Ives (American composer) (from 1910 until 1911)
part of:
A Descriptive Catalogue of the Music of Charles Ives (number: S. 89)
Charles Ives2:04
2Three-Page Sonata (1905): Andante
engineer and producer:
Joel Gordon (producer/engineer)
executive producer:
Joseph Ridings Dalton
piano:
Donald Berman (pianist)
recorded at:
Paine Hall in Cambridge, Massachusetts, United States
partial recording of:
Three-Page Sonata, S. 89
composer:
Charles Ives (American composer) (from 1910 until 1911)
part of:
A Descriptive Catalogue of the Music of Charles Ives (number: S. 89)
Charles Ives3:16
3Three-Page Sonata (1905): Allegro - March Time
engineer and producer:
Joel Gordon (producer/engineer)
executive producer:
Joseph Ridings Dalton
piano:
Donald Berman (pianist)
recorded at:
Paine Hall in Cambridge, Massachusetts, United States
partial recording of:
Three-Page Sonata, S. 89
composer:
Charles Ives (American composer) (from 1910 until 1911)
part of:
A Descriptive Catalogue of the Music of Charles Ives (number: S. 89)
Charles Ives2:39
4Study No. 6 (1907-09)
engineer and producer:
Joel Gordon (producer/engineer)
executive producer:
Joseph Ridings Dalton
piano:
Donald Berman (pianist)
recorded at:
Paine Hall in Cambridge, Massachusetts, United States
recording of:
Study No. 6: Andante, S. 94
composer:
Charles Ives (American composer) (from 1912 until 1913)
part of:
A Descriptive Catalogue of the Music of Charles Ives (number: S. 94)
Charles Ives4:23
5Study No. 7 (1907)
engineer and producer:
Joel Gordon (producer/engineer)
executive producer:
Joseph Ridings Dalton
piano:
Donald Berman (pianist)
recorded at:
Paine Hall in Cambridge, Massachusetts, United States
recording of:
Study No. 7: Andante cantabile, S. 95
composer:
Charles Ives (American composer) (from 1912 until 1913)
part of:
A Descriptive Catalogue of the Music of Charles Ives (number: S. 95)
Charles Ives2:58
6Study No. 8 (1907)
engineer and producer:
Joel Gordon (producer/engineer)
executive producer:
Joseph Ridings Dalton
piano:
Donald Berman (pianist)
recorded at:
Paine Hall in Cambridge, Massachusetts, United States
recording of:
Study No. 8: Trio (Allegro moderato - Presto), S. 96
composer:
Charles Ives (American composer) (from 1912 until 1913)
part of:
A Descriptive Catalogue of the Music of Charles Ives (number: S. 96)
Charles Ives1:51
7Study No. 9 "The Anti-Abolitionist Riots" (1907)
engineer and producer:
Joel Gordon (producer/engineer)
executive producer:
Joseph Ridings Dalton
piano:
Donald Berman (pianist)
recorded at:
Paine Hall in Cambridge, Massachusetts, United States
recording of:
Study No. 9: The Anti-Abolitionist Riots in the 1830's and 1840's, S. 97
composer:
Charles Ives (American composer) (from 1912 until 1913)
part of:
A Descriptive Catalogue of the Music of Charles Ives (number: S. 97)
Charles Ives3:19
8Study No. 15 (1907-1909; 1920s)
engineer and producer:
Joel Gordon (producer/engineer)
executive producer:
Joseph Ridings Dalton
piano:
Donald Berman (pianist)
recorded at:
Paine Hall in Cambridge, Massachusetts, United States
recording of:
Study No. 15: Allegro moderato, S. 100
composer:
Charles Ives (American composer) (from 1917 until 1918)
part of:
A Descriptive Catalogue of the Music of Charles Ives (number: S. 100)
Charles Ives4:05
9Study No. 16 / 19 (1907-1909; 1902s)
engineer and producer:
Joel Gordon (producer/engineer)
executive producer:
Joseph Ridings Dalton
piano:
Donald Berman (pianist)
recorded at:
Paine Hall in Cambridge, Massachusetts, United States
recording of:
Study no. 16/19, S. 101/103 (Kirkpatrick/Berman realization of two incomplete studies)
composer:
Charles Ives (American composer) (from 1914 until 1918)
part of:
A Descriptive Catalogue of the Music of Charles Ives (number: S. 101/103)
Charles Ives2:16
10Study No. 23 (1912-1914; 1920s)
engineer and producer:
Joel Gordon (producer/engineer)
executive producer:
Joseph Ridings Dalton
piano:
Donald Berman (pianist)
recorded at:
Paine Hall in Cambridge, Massachusetts, United States
recording of:
Study No. 23: Allegro, S. 107
composer:
Charles Ives (American composer) (from 1920 until 1922)
part of:
A Descriptive Catalogue of the Music of Charles Ives (number: S. 107)
Charles Ives4:08
11Set of Five Take-Offs (1906): I. The Seen and Unseen or Sweet and Tough
engineer and producer:
Joel Gordon (producer/engineer)
executive producer:
Joseph Ridings Dalton
piano:
Donald Berman (pianist)
recorded at:
Paine Hall in Cambridge, Massachusetts, United States
recording of:
Set of Five Take-Offs, S. 122: I. The Seen and Unseen?
composer:
Charles Ives (American composer) (from 1906 until 1909)
part of:
Set of Five Take-Offs, S. 122
Charles Ives2:56
12Set of Five Take-Offs (1906): II. Rough and Ready or The Jumping Frog
engineer and producer:
Joel Gordon (producer/engineer)
executive producer:
Joseph Ridings Dalton
piano:
Donald Berman (pianist)
recorded at:
Paine Hall in Cambridge, Massachusetts, United States
recording of:
Set of Five Take-Offs, S. 122: II. Rough and Ready et al.
composer:
Charles Ives (American composer) (from 1906 until 1909)
part of:
Set of Five Take-Offs, S. 122
Charles Ives3:07
13Set of Five Take-Offs (1906): III. Song Without (good) Words
engineer and producer:
Joel Gordon (producer/engineer)
executive producer:
Joseph Ridings Dalton
piano:
Donald Berman (pianist)
recorded at:
Paine Hall in Cambridge, Massachusetts, United States
recording of:
Set of Five Take-Offs, S. 122: III. Song without (good) Words or The Good & the Bad (new & old)
composer:
Charles Ives (American composer) (from 1906 until 1909)
part of:
Set of Five Take-Offs, S. 122
Charles Ives3:17
14Set of Five Take-Offs (1906): IV. Scene Episode
engineer and producer:
Joel Gordon (producer/engineer)
executive producer:
Joseph Ridings Dalton
piano:
Donald Berman (pianist)
recorded at:
Paine Hall in Cambridge, Massachusetts, United States
recording of:
Set of Five Take-Offs, S. 122: IV. Scene Episode
composer:
Charles Ives (American composer) (from 1906 until 1909)
part of:
Set of Five Take-Offs, S. 122
Charles Ives2:12
15Set of Five Take-Offs (1906): V. Bad Resolutions and Good One
engineer and producer:
Joel Gordon (producer/engineer)
executive producer:
Joseph Ridings Dalton
piano:
Donald Berman (pianist)
recorded at:
Paine Hall in Cambridge, Massachusetts, United States
recording of:
Set of Five Take-Offs, S. 122: V. Bad Resolutions [and] Good WAN! (Jan 1, 190[7])
composer:
Charles Ives (American composer) (from 1906 until 1909)
part of:
Set of Five Take-Offs, S. 122
Charles Ives0:58
16Study No. 20 (1920s)
engineer and producer:
Joel Gordon (producer/engineer)
executive producer:
Joseph Ridings Dalton
piano:
Donald Berman (pianist)
recorded at:
Paine Hall in Cambridge, Massachusetts, United States
recording of:
Study No. 20: March (Slow Allegro or Fast Andante), S. 104
composer:
Charles Ives (American composer) (from 1917 until 1919)
part of:
A Descriptive Catalogue of the Music of Charles Ives (number: S. 104)
Charles Ives7:31
17Study No. 22 (1909)
engineer and producer:
Joel Gordon (producer/engineer)
executive producer:
Joseph Ridings Dalton
piano:
Donald Berman (pianist)
recorded at:
Paine Hall in Cambridge, Massachusetts, United States
recording of:
Study No. 22: Andante maestoso - Allegro vivace, S. 106
composer:
Charles Ives (American composer) (from 1918 until 1923)
part of:
A Descriptive Catalogue of the Music of Charles Ives (number: S. 106)
Charles Ives1:57
18Study No. 21 "Some South-Paw Pitching" (1917)
engineer and producer:
Joel Gordon (producer/engineer)
executive producer:
Joseph Ridings Dalton
piano:
Donald Berman (pianist)
recorded at:
Paine Hall in Cambridge, Massachusetts, United States
recording of:
Study No. 21: Some Southpaw Pitching, S. 105
composer:
Charles Ives (American composer) (from 1918 until 1919)
part of:
A Descriptive Catalogue of the Music of Charles Ives (number: S. 105)
Charles Ives2:48
19Evocations, Four Chants for Piano (1937-1954): I. Largo (To Harriette Miller)
engineer and producer:
Joel Gordon (producer/engineer)
executive producer:
Joseph Ridings Dalton
piano:
Donald Berman (pianist)
recorded at:
Paine Hall in Cambridge, Massachusetts, United States
recording of:
Evocations: No. 1. Largo (for piano)
composer:
Carl Sprague Ruggles (from 1934 until 1943)
part of:
Evocations (for piano)
Carl Ruggles2:02
20Evocations, Four Chants for Piano (1937-1954): II. Andante con fantasia (To John Kirkpatrick)
engineer and producer:
Joel Gordon (producer/engineer)
executive producer:
Joseph Ridings Dalton
piano:
Donald Berman (pianist)
recorded at:
Paine Hall in Cambridge, Massachusetts, United States
recording of:
Evocations: No. 2. Andante con fantasia (for piano)
composer:
Carl Sprague Ruggles (from 1934 until 1943)
part of:
Evocations (for piano)
Carl Ruggles2:51
21Evocations, Four Chants for Piano (1937-1954): III. Moderato appasionato (To Charlotte Ruggles)
engineer and producer:
Joel Gordon (producer/engineer)
executive producer:
Joseph Ridings Dalton
piano:
Donald Berman (pianist)
recorded at:
Paine Hall in Cambridge, Massachusetts, United States
recording of:
Evocations: No. 3. Moderato appassionato (for piano)
composer:
Carl Sprague Ruggles (from 1934 until 1943)
part of:
Evocations (for piano)
Carl Ruggles1:38
22Evocations, Four Chants for Piano (1937-1954): IV. Adagio Sostenuto (To Charles Ives)
engineer and producer:
Joel Gordon (producer/engineer)
executive producer:
Joseph Ridings Dalton
piano:
Donald Berman (pianist)
recorded at:
Paine Hall in Cambridge, Massachusetts, United States
recording of:
Evocations: No. 4. Adagio sostenuto (for piano)
composer:
Carl Sprague Ruggles (from 1934 until 1943)
part of:
Evocations (for piano)
Carl Ruggles3:32