The Chronological Classics: Sarah Vaughan 1944-1946

~ Release by Sarah Vaughan (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1I’ll Wait and Pray
alto saxophone:
Bill Frazier (jazz saxophonist) (on 1944-12-05) and John Jackson (American jazz saxophonist) (on 1944-12-05)
baritone saxophone:
Leo Parker (on 1944-12-05)
double bass:
Tommy Potter (on 1944-12-05)
drums (drum set):
Art Blakey (on 1944-12-05)
guitar:
Connie Wainwright (on 1944-12-05)
piano:
John Malachi (on 1944-12-05)
tenor saxophone:
Gene Ammons (on 1944-12-05) and Dexter Gordon (on 1944-12-05)
trombone:
Taswell Baird (on 1944-12-05), Chippy Outcalt (on 1944-12-05), Howard Scott (trombonist active in the 1940s/50s) (on 1944-12-05) and Gerald Valentine (trombone, aka Jerry Valentine) (on 1944-12-05)
trumpet:
Gail Brockman (Jazz trumpet player) (on 1944-12-05), Dizzy Gillespie (on 1944-12-05), Marion "Boonie" Hazel (on 1944-12-05) and Shorty McConnell (on 1944-12-05)
concertmaster:
Sarah Vaughan (on 1944-12-05)
recording of:
I’ll Wait and Pray (on 1944-12-05)
writer:
Jerry Valentine (trombone, aka Jerry Valentine) and George Treadwell
Billy Eckstine and His Orchestra2:55
2Signing Off
recorded in:
New York, New York, United States (on 1944-12-31)
clarinet:
Aaron Sachs (on 1944-12-31)
double bass:
Jack Lesberg (on 1944-12-31)
drums (drum set):
Morey Feld (on 1944-12-31)
guitar:
Chuck Wayne (on 1944-12-31)
piano:
Leonard Feather (on 1944-12-31)
tenor saxophone:
Georgie Auld (on 1944-12-31)
trumpet:
Dizzy Gillespie (on 1944-12-31)
vocals:
Sarah Vaughan (on 1944-12-31)
orchestra:
Dizzy Gillespie and His Orchestra (on 1944-12-31)
Sarah Vaughan with Dizzy Gillespie and His Orchestra2:37
3Interlude (a Night in Tunisia)
clarinet:
Aaron Sachs (on 1940-12-31)
double bass:
Jack Lesberg (on 1940-12-31)
drums (drum set):
Morey Field (on 1940-12-31)
guitar:
Chuck Wayne (on 1940-12-31)
piano:
Leonard Feather (on 1940-12-31)
tenor saxophone:
Don Byas (on 1940-12-31)
trumpet:
Dizzy Gillespie (on 1944-12-31)
lead vocals:
Sarah Vaughan (on 1940-12-31)
vocals:
Sarah Vaughan (on 1944-12-31)
recording of:
A Night in Tunisia (song version with English lyrics by Jon Hendricks) (on 1944-12-31)
lyricist:
Jon Hendricks
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corporation (German label, 1980s) and Universal‐MCA Music Publishing (US)
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) (ended), Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
version of:
Night in Tunisia (instrumental)
Sarah Vaughan with Dizzy Gillespie and His Orchestra2:28
4No Smokes Blues
recorded in:
New York, New York, United States (on 1944-12-31)
clarinet:
Aaron Sachs (on 1944-12-31)
double bass:
Jack Lesberg (on 1944-12-31)
drums (drum set):
Morey Feld (on 1944-12-31)
guitar:
Chuck Wayne (on 1944-12-31)
piano:
Leonard Feather (on 1944-12-31)
tenor saxophone:
Georgie Auld (on 1944-12-31)
trumpet:
Dizzy Gillespie (on 1944-12-31)
vocals:
Sarah Vaughan (on 1944-12-31)
orchestra:
Dizzy Gillespie and His Orchestra (on 1944-12-31)
recording of:
No Smoke Blues
writer:
Leonard Feather
Sarah Vaughan with Dizzy Gillespie and His Orchestra2:25
5East of the Sun (and West of the Moon)
recorded in:
New York, New York, United States (on 1944-12-31)
clarinet:
Aaron Sachs (on 1944-12-31)
double bass:
Jack Lesberg (on 1944-12-31)
drums (drum set):
Morey Feld (on 1944-12-31)
guitar:
Chuck Wayne (on 1944-12-31)
piano:
Leonard Feather (on 1944-12-31)
tenor saxophone:
Georgie Auld (on 1944-12-31)
trumpet:
Dizzy Gillespie (on 1944-12-31)
vocals:
Sarah Vaughan (on 1944-12-31)
orchestra:
Dizzy Gillespie and His Orchestra (on 1944-12-31)
cover recording of:
East of the Sun (and West of the Moon) (on 1944-12-31)
lyricist and composer:
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. and Chappell & Co.
Sarah Vaughan with Dizzy Gillespie and His Orchestra2:50
6Lover Man
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1945-05-11)
double bass:
Curley Russell (on 1945-05-11)
drums (drum set):
Sid Catlett (on 1945-05-11)
piano:
Al Haig (on 1945-05-11)
trumpet:
Dizzy Gillespie (on 1945-05-11)
vocals:
Sarah Vaughan (on 1945-05-11)
cover recording of:
Lover Man (on 1945-05-11)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Sarah Vaughan3:20
7What More Can a Woman Do
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1945-05-25)
double bass:
Curley Russell (on 1945-05-25)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1945-05-25)
guitar:
Bill DeArango (on 1945-05-25)
piano:
Nat Jaffe (on 1945-05-25)
tenor saxophone:
Flip Phillips (on 1945-05-25)
trumpet:
Dizzy Gillespie (on 1945-05-25)
vocals:
Dizzy Gillespie and Sarah Vaughan (on 1945-05-25)
orchestra:
Dizzy Gillespie Sextet (on 1945-05-25)
cover recording of:
What More Can a Woman Do? (on 1945-05-25)
writer:
Dave Barbour and Peggy Lee (jazz vocalist)
Sarah Vaughan3:00
8I’d Rather Have a Memory Than a Dream
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1945-05-25)
double bass:
Curley Russell (on 1945-05-25)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1945-05-25)
guitar:
Bill DeArango (on 1945-05-25)
piano:
Tadd Dameron (on 1945-05-25)
tenor saxophone:
Flip Phillips (on 1945-05-25)
trumpet:
Dizzy Gillespie (on 1945-05-25)
vocals:
Dizzy Gillespie and Sarah Vaughan (on 1945-05-25)
orchestra:
Dizzy Gillespie Sextet (on 1945-05-25)
recording of:
I’d Rather Have a Memory Than a Dream (on 1945-05-25)
writer:
Leonard Feather and Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
Sarah Vaughan2:40
9Mean to Me
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1945-05-25)
double bass:
Curley Russell (on 1945-05-25)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1945-05-25)
guitar:
Bill DeArango (on 1945-05-25)
piano:
Nat Jaffe (on 1945-05-25)
tenor saxophone:
Flip Phillips (on 1945-05-25)
trumpet:
Dizzy Gillespie (on 1945-05-25)
vocals:
Dizzy Gillespie and Sarah Vaughan (on 1945-05-25)
orchestra:
Dizzy Gillespie Sextet (on 1945-05-25)
cover recording of:
Mean to Me (on 1945-05-25)
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
Sarah Vaughan2:39
10Time and Again
double bass:
Pete Glover (on 1945-10-01)
piano:
Freddy Jefferson (on 1945-10-01)
violin:
Stuff Smith (jazz violinist) (on 1945-10-01)
vocals:
Sarah Vaughan (on 1945-10-01)
Sarah Vaughan with Stuff Smith and his Trio3:20
11I’m Scared
alto saxophone:
Russell Procope (on 1946-01-09)
clarinet:
Buster Bailey (clarinetist) (on 1946-01-09)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1946-01-09)
drums (drum set):
Bill Beason (on 1946-01-09)
piano:
Billy Kyle (on 1946-01-09)
trumpet:
Clarence Brereton (on 1946-01-09)
vocals:
Sarah Vaughan (on 1946-01-09)
recording of:
I’m Scared (on 1946-01-09)
writer:
Raymond Leveen (Composer, songwriter and author) and Lou Singer (pianist)
John Kirby and His Orchestra2:32
12You Go to My Head
alto saxophone:
Russell Procope (on 1946-01-09)
clarinet:
Buster Bailey (clarinetist) (on 1946-01-09)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1946-01-09)
drums (drum set):
Bill Beason (on 1946-01-09)
piano:
Billy Kyle (on 1946-01-09)
trumpet:
Clarence Brereton (on 1946-01-09)
vocals:
Sarah Vaughan (on 1946-01-09)
recording of:
You Go to My Head (on 1945-01-09)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
John Kirby and His Orchestra3:00
13I Could Make You Love Me
alto saxophone:
Russell Procope (on 1946-01-09)
clarinet:
Buster Bailey (clarinetist) (on 1946-01-09)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1946-01-09)
drums (drum set):
Bill Beason (on 1946-01-09)
piano:
Billy Kyle (on 1946-01-09)
trumpet:
Clarence Brereton (on 1946-01-09)
vocals:
Sarah Vaughan (on 1946-01-09)
John Kirby and His Orchestra2:44
14It Might as Well Be Spring
alto saxophone:
Russell Procope (on 1946-01-09)
bass and double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1946-01-09)
clarinet:
Buster Bailey (clarinetist) (on 1946-01-09)
drums (drum set):
Bill Beason (on 1946-01-09)
piano:
Billy Kyle (on 1946-01-09)
trumpet:
Clarence Brereton (on 1946-01-09)
vocals:
Sarah Vaughan (on 1946-01-09)
cover recording of:
It Might as Well Be Spring (State Fair) (on 1946-01-09)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
John Kirby and His Orchestra2:58
15All Too Soon
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1946-03-06)
double bass:
Gene Ramey (on 1946-03-06)
drums (drum set):
Ed Nicholson (jazz drummer) (on 1946-03-06)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1946-03-06)
tenor saxophone:
Ben Webster (on 1946-03-06)
trombone:
Trummy Young (on 1946-03-06)
trumpet:
B. Bopstein (on 1946-03-06)
vocals:
Sarah Vaughan (on 1946-03-06)
recording of:
All Too Soon (on 1946-03-06)
lyricist:
Carl Sigman (in 1940)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
Tony Scott and His Down Beat Club Septet2:51
16We’re Through
baritone saxophone:
Cecil Scott (on 1946-03-21)
double bass:
Al McKibbon (double bassist) (on 1946-03-21) and Dicky Wells (on 1946-03-21)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (on 1946-03-21)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1946-03-21)
tenor saxophone:
Budd Johnson (on 1946-03-21)
trumpet:
George Treadwell (on 1946-03-21)
vocals:
Sarah Vaughan (on 1946-03-21)
recording of:
We’re Through (on 1946-03-21)
writer:
Anne Green and Tadd Dameron
Sarah Vaughan with Dicky Wells’ Big Seven2:37
17A Hundred Years From Today
alto saxophone:
Louis Prisby (on 1946-04-30) and Gene Zanoni (on 1946-04-30)
baritone saxophone:
Serge Chaloff (baritone saxophonist) (on 1946-04-30)
double bass:
Ed Cunningham (US jazz bassist, active 1940s) (on 1946-04-30)
drums (drum set):
Art Mardigan (American jazz drummer) (on 1946-04-30)
guitar:
Barry Galbraith (on 1946-04-30)
piano:
Roy Kral (on 1946-04-30)
saxophone:
Georgie Auld (on 1946-04-30)
tenor saxophone:
Al Cohn (on 1946-04-30) and Irv Roth (tenor and baritone saxophonist) (on 1946-04-30)
trombone:
Mike Datz (on 1946-04-30)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1946-04-30) and Al Porcino (on 1946-04-30)
vocals:
Sarah Vaughan (on 1946-04-30)
recording of:
A Hundred Years From Today (on 1946-04-30)
lyricist:
Ned Washington and Joe Young (US lyricist)
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and Warock Corp.
Georgie Auld & His Orchestra2:54
18If You Could See Me Now
alto saxophone:
Leroy Harris (on 1946-05-07)
baritone saxophone:
Leo Parker (on 1946-05-07)
clarinet:
Hank Ross (on 1946-05-07)
double bass:
Ted Sturgis (on 1946-05-07)
drums (drum set):
Kenny Clarke (on 1946-05-07)
piano:
Bud Powell (on 1946-05-07)
trumpet:
Freddy Webster (on 1946-05-07)
vocals:
Sarah Vaughan (on 1946-05-07)
recording of:
If You Could See Me Now (jazz standard) (on 1946-05-07)
lyricist:
Carl Sigman (in 1946)
composer:
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Sarah Vaughan with Tadd Dameron and his Orchestra2:48
19I Can Make You Love Me
alto saxophone:
Leroy Harris (on 1946-05-07)
baritone saxophone:
Leo Parker (on 1946-05-07)
clarinet:
Hank Ross (on 1946-05-07)
double bass:
Ted Sturgis (on 1946-05-07)
drums (drum set):
Kenny Clarke (on 1946-05-07)
piano:
Bud Powell (on 1946-05-07)
trumpet:
Freddy Webster (on 1946-05-07)
vocals:
Sarah Vaughan (on 1946-05-07)
recording of:
I Can Make You Love Me (If You Let Me) (on 1946-05-07)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
Sarah Vaughan with Tadd Dameron and his Orchestra3:01
20You’re Not the Kind
alto saxophone:
Leroy Harris (on 1946-05-07)
baritone saxophone:
Leo Parker (on 1946-05-07)
clarinet:
Hank Ross (on 1946-05-07)
double bass:
Ted Sturgis (on 1946-05-07)
drums (drum set):
Kenny Clarke (on 1946-05-07)
piano:
Bud Powell (on 1946-05-07)
trumpet:
Freddy Webster (on 1946-05-07)
vocals:
Sarah Vaughan (on 1946-05-07)
cover recording of:
You’re Not the Kind (on 1946-05-07)
writer:
Will Hudson and Irving Mills
Sarah Vaughan with Tadd Dameron and his Orchestra2:45
21My Kinda Love
alto saxophone:
Leroy Harris (on 1946-05-07)
baritone saxophone:
Leo Parker (on 1946-05-07)
clarinet:
Hank Ross (on 1946-05-07)
double bass:
Ted Sturgis (on 1946-05-07)
drums (drum set):
Kenny Clarke (on 1946-05-07)
piano:
Bud Powell (on 1946-05-07)
trumpet:
Freddy Webster (on 1946-05-07)
vocals:
Sarah Vaughan (on 1946-05-07)
cover recording of:
My Kinda Love (on 1946-05-07)
lyricist:
Jo Trent
composer:
Louis Alter
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Sarah Vaughan with Tadd Dameron and his Orchestra2:37
22You’re Blasé
alto saxophone:
Gene Zanoni (on 1946-06-14) and Sam Zittman (on 1946-06-14)
baritone saxophone:
Serge Chaloff (baritone saxophonist) (on 1946-06-14)
double bass:
Joe Pellicane (on 1946-06-14)
drums (drum set):
Art Mardigan (American jazz drummer) (on 1946-06-14)
piano:
Harvey Leonard (on 1946-06-14)
saxophone and soprano saxophone:
Georgie Auld (on 1946-06-14)
tenor saxophone:
Al Cohn (on 1946-06-14) and Irv Roth (tenor and baritone saxophonist) (on 1946-06-14)
trombone:
Gus Dixon (on 1946-06-14), Johnny Mandel (American composer and arranger) (on 1946-06-14) and Micky Datz (on 1946-06-14)
trumpet:
Neal Hefti (on 1946-06-14), Al Porcino (on 1946-06-14), Sonny Rich (trumpet, USA) (on 1946-06-14) and George Schwartz (on 1946-06-14)
vocals and orchestra:
Sarah Vaughan (on 1946-06-14)
recording of:
You’re Blasé (on 1946-06-14)
lyricist:
Bruce Sievier
composer:
Ord Hamilton
Georgie Auld & His Orchestra2:59

Credits

Release group

part of:The Chronological Classics (number: 958) (order: 467)