Her Greatest Operas

~ Release by Maria Callas (see all versions of this release, 1 available)

Annotation

MP3-CD release. I still have the mp3s and the pdf booklet, I have yet to find the CD case again and be able to fill the label/barcode etc.

Annotation last modified on 2020-03-21 00:26 UTC.

Tracklist

1▼Data CD
#TitleArtistRatingLength
1Norma: Act I, Scene I. Sinfonia (Orchestra)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Sinfonia
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma
Vincenzo Bellini5:56
2Norma: Act I, Scene I. Introduzione (Orchestra) / "Ite sul colle, o Druidi" (Oroveso, Coro)
bass vocals [Oroveso]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-04-23 until 1954-05-03)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-04-23 until 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-04-23 until 1954-05-03)
conductor:
Tullio Serafin (conductor) (from 1954-04-23 until 1954-05-03)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (from 1954-04-23 until 1954-05-03)
recording of:
Norma: Atto I, scena 1. Coro d'introduzione “Ite sul colle, o Druidi” (Oroveso, coro) (from 1954-04-23 until 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini5:22
3Norma: Act I, Scene I. "Dell'aura tua profetica" (Oroveso, Coro)
engineer:
Oswaldo Varesco (engineer) (from 1954-04-23 until 1954-05-03)
producer:
Dino Olivieri (Italian musician, conductor and composer) (from 1954-04-23 until 1954-05-03)
bass vocals:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-04-26 until 1954-05-03)
bass vocals [Oroveso]:
Nicola Rossi‐Lemeni (operatic bass) (from 1954-04-23 until 1954-05-03)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1954-04-23 until 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-04-23 until 1954-05-03)
conductor:
Tullio Serafin (conductor) (from 1954-04-23 until 1954-05-03)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1954-04-23 until 1954-05-03)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (from 1954-04-23 until 1954-05-03)
recording of:
Norma: Atto I, scena 1. “Dell'aura tua profetica” (Oroveso, coro) (from 1954-04-23 until 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Norma: Atto I
Vincenzo Bellini4:40
4Norma: Act I, Scene I. "Svanir le voci!" (Pollione, Flavio)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
tenor vocals [Flavio]:
Paolo Caroli (tenor) (on 1954-04-23, on 1954-05-03)
tenor vocals [Pollione]:
Mario Filippeschi (tenor) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto I, scena 1. Recitativo “Svanir le voci!” (Pollione, Flavio) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 1. Recitativo “Svanir le voci!” (Pollione, Flavio) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini2:42
5Norma: Act I, Scene I. "Meco all'altar di Venere" (Pollione)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
tenor vocals [Pollione]:
Mario Filippeschi (tenor) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto I, scena 1. Cavatina “Meco all'altar di Venere” (Pollione, Flavio, Druidi) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 1. Cavatina “Meco all'altar di Venere” (Pollione, Flavio, Druidi) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini2:33
6Norma: Act I, Scene I. "Odi? I suoi riti a compiere" (Flavio, Coro, Pollione)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1954-04-23, on 1954-05-03)
tenor vocals [Flavio]:
Paolo Caroli (tenor) (on 1954-04-23, on 1954-05-03)
tenor vocals [Pollione]:
Mario Filippeschi (tenor) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto I, scena 1. Recitativo “Odi? … I suoi riti a compiere” (Pollione, Flavio, Druidi) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 1. Recitativo “Odi? … I suoi riti a compiere” (Pollione, Flavio, Druidi) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini1:39
7Norma: Act I, Scene I. "Me protegge, me difende" (Pollione)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
tenor vocals [Pollione]:
Mario Filippeschi (tenor) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto I, scena 1. Cabaletta “Me protegge, me difende” (Pollione, Flavio, Druidi) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 1. Cabaletta “Me protegge, me difende” (Pollione, Flavio, Druidi) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini1:31
8Norma: Act I, Scene I. Allegro assai... (Orchestra) / "Norma viene" (Coro)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto I, scena 1. “Norma viene” (Druidi, Sacerdotesse, Guerrieri, Bardi, Eubagi, Sacrificatori) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 1. “Norma viene” (Druidi, Sacerdotesse, Guerrieri, Bardi, Eubagi, Sacrificatori) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini4:43
9Norma: Act I, Scene I. "Sediziose voci" (Norma, Oroveso, Coro)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
bass vocals [Oroveso]:
Nicola Rossi‐Lemeni (operatic bass) (on 1954-04-23, on 1954-05-03)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto I, scena 1. Recitativo “Sediziose voci” (Norma, Oroveso, Druidi, Guerrieri) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 1. Recitativo “Sediziose voci” (Norma, Oroveso, Druidi, Guerrieri) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini4:22
10Norma: Act I, Scene I. "Casta Diva" (Norma, Oroveso, Coro)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
bass vocals [Oroveso]:
Nicola Rossi‐Lemeni (operatic bass) (on 1954-04-23, on 1954-05-03)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestre de la Scala de Milan (Orchestra of La Scala, Milan) (on 1954-04-23) and Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini7:19
11Norma: Act I, Scene I. "Fine al rito, e il sacro bosco" (Norma, Oroveso, Coro)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
bass vocals [Oroveso]:
Nicola Rossi‐Lemeni (operatic bass) (on 1954-04-23, on 1954-05-03)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto I, scena 1. Recitativo “Fine al rito” (Norma, Oroveso, coro) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 1. Recitativo “Fine al rito” (Norma, Oroveso, coro) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini1:37
12Norma: Act I, Scene I. "Ah! bello a me ritorna" (Norma, Oroveso, Coro)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
bass vocals [Oroveso]:
Nicola Rossi‐Lemeni (operatic bass) (on 1954-04-23, on 1954-05-03)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto I, scena 1. Cabaletta “Ah! bello a me ritorna” (Norma, Oroveso, coro) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 1. Cabaletta “Ah! bello a me ritorna” (Norma, Oroveso, coro) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini3:29
13Norma: Act I, Scene I. "Andante... (Orchestra) / "Sgombra è la sacra selva" (Adalgisa)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Adalgisa]:
Ebe Stignani (mezzo soprano) (on 1954-04-23, on 1954-05-03)
tenor vocals [Pollione]:
Mario Filippeschi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto I, scena 1. Recitativo “Sgombra è la sacra selva” (Adalgisa, Pollione) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 1. Recitativo “Sgombra è la sacra selva” (Adalgisa, Pollione) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini4:10
14Norma: Act I, Scene I. "Deh! proteggimi, o Dio!" (Adalgisa)
engineer:
Oswaldo Varesco (engineer) (from 1954-04-23 until 1954-05-03)
producer:
Dino Olivieri (Italian musician, conductor and composer) (from 1954-04-23 until 1954-05-03)
mezzo-soprano vocals and mezzo-soprano vocals [Adalgisa]:
Ebe Stignani (mezzo soprano) (from 1954-04-23 until 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-04-23 until 1954-05-03)
conductor:
Tullio Serafin (conductor) (from 1954-04-23 until 1954-05-03)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (from 1954-04-23 until 1954-05-03)
recording of:
Norma: Atto I, scena 1. Aria “Deh! proteggimi, o Dio!” (Adalgisa) (from 1954-04-23 until 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini1:53
15Norma: Act I, Scene I. "Eccola - va, mi lascia" (Pollione, Adalgisa)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Adalgisa]:
Ebe Stignani (mezzo soprano) (on 1954-04-23, on 1954-05-03)
tenor vocals [Pollione]:
Mario Filippeschi (tenor) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto I, scena 1. Scena “Eccola! va, mi lascia” (Adalgisa, Pollione) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 1. Scena “Eccola! va, mi lascia” (Adalgisa, Pollione) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini1:30
16Norma: Act I, Scene I. "Va, crudele" (Pollione, Adalgisa)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Adalgisa]:
Ebe Stignani (mezzo soprano) (on 1954-04-23, on 1954-05-03)
tenor vocals [Pollione]:
Mario Filippeschi (tenor) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto I, scena 1. Duetto “Va, crudele” (Pollione, Adalgisa) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 1. Duetto “Va, crudele” (Pollione, Adalgisa) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini5:24
17Norma: Act I, Scene I. "Vieni in Roma" (Pollione, Adalgisa)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Adalgisa]:
Ebe Stignani (mezzo soprano) (on 1954-04-23, on 1954-05-03)
tenor vocals [Pollione]:
Mario Filippeschi (tenor) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto I, scena 1. “Vieni in Roma” (Pollione, Adalgisa) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 1. “Vieni in Roma” (Pollione, Adalgisa) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini3:19
18Norma: Act I, Scene II. Allegro agitato... (Orchestra) / "Vanne, e li cela entrambi" (Norma, Clotilde)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Clotilde]:
Rina Cavallari (mezzo-soprano) (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto I, scena 2. Recitativo “Vanne, e li cela entrambi” (Norma, Clotilde) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 2. Recitativo “Vanne, e li cela entrambi” (Norma, Clotilde) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini4:46
19Norma: Act I, Scene II. "Adalgisa!... Alma, costanza" (Norma, Adalgisa)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Adalgisa]:
Ebe Stignani (mezzo soprano) (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto I, scena 2. Scena “Adalgisa! … Alma, costanza” (Norma, Adalgisa) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 2. Scena “Adalgisa! … Alma, costanza” (Norma, Adalgisa) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini3:22
20Norma: Act I, Scene II. "Oh, rimembranza!" (Norma, Adalgisa)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Adalgisa]:
Ebe Stignani (mezzo soprano) (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto I, scena 2. Duetto “Oh, rimembranza!” (Norma, Adalgisa) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 2. Duetto “Oh, rimembranza!” (Norma, Adalgisa) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini5:25
21Norma: Act I, Scene II. "Ah sì, fa' core, abbracciami" (Norma, Adalgisa)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Adalgisa]:
Ebe Stignani (mezzo soprano) (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto I, scena 2. “Ah si, fa core, abbracciami” (Norma, Adalgisa) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 2. “Ah si, fa core, abbracciami” (Norma, Adalgisa) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini3:07
22Norma: Act I, Scene II. "Ma di: l'amato giovane" (Norma, Adalgisa, Pollione)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Adalgisa]:
Ebe Stignani (mezzo soprano) (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
tenor vocals [Pollione]:
Mario Filippeschi (tenor) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto I, scena 2. Finale “Ma di … l'amato giovane?” (Norma, Adalgisa, Pollione) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 2. Finale “Ma di … l'amato giovane?” (Norma, Adalgisa, Pollione) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini3:02
23Norma: Act I, Scene II. "Oh, di qual sei tu vittima" (Norma, Adalgisa, Pollione)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Adalgisa]:
Ebe Stignani (mezzo soprano) (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
tenor vocals [Pollione]:
Mario Filippeschi (tenor) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto I, scena 2. Trio “Oh! di qual sei tu vittima” (Norma, Adalgisa, Pollione) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 2. Trio “Oh! di qual sei tu vittima” (Norma, Adalgisa, Pollione) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini4:13
24Norma: Act I, Scene II. "Perfido!... Or basti!" (Norma, Adalgisa, Pollione)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Adalgisa]:
Ebe Stignani (mezzo soprano) (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
tenor vocals [Pollione]:
Mario Filippeschi (tenor) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto I, scena 2. Trio “Perfido! Or basti!” (Norma, Pollione, Adalgisa) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 2. Trio “Perfido! Or basti!” (Norma, Pollione, Adalgisa) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini1:24
25Norma: Act I, Scene II. "Vanne, sì, mi lascia, indegno" (Norma, Pollione, Adalgisa, Coro)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1954-04-23, on 1954-05-03)
mezzo-soprano vocals [Adalgisa]:
Ebe Stignani (mezzo soprano) (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
tenor vocals [Pollione]:
Mario Filippeschi (tenor) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto I, scena 2. “Vanne, si, mi lascia, indegno” (Norma, Pollione, Adalgisa, coro) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 2. “Vanne, si, mi lascia, indegno” (Norma, Pollione, Adalgisa, coro) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini2:36
26Norma: Act II, Scene I. Introduzione (Orchestra)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto II. Introduzione (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
recording of:
Norma: Atto II. Introduzione (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:47
27Norma: Act II, Scene I. "Dormono entrambi!" (Norma)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto II, scena 1. Recitativo “Dormono entrambi!” (Norma, Clotilde) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
recording of:
Norma: Atto II, scena 1. Recitativo “Dormono entrambi!” (Norma, Clotilde) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:45
28Norma: Act II, Scene I. "Olà! Clotilde!" (Norma, Clotilde)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Clotilde]:
Rina Cavallari (mezzo-soprano) (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto II, scena 1. “Olà! Clotilde!” (Norma, Clotilde) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
recording of:
Norma: Atto II, scena 1. “Olà! Clotilde!” (Norma, Clotilde) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini0:50
29Norma: Act II, Scene I. "Mi chiami, o Norma?" (Adalgisa, Norma)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Adalgisa]:
Ebe Stignani (mezzo soprano) (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto II, scena 1. Scena “Mi chiami, o Norma?” (Norma, Adalgisa) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
recording of:
Norma: Atto II, scena 1. Scena “Mi chiami, o Norma?” (Norma, Adalgisa) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini2:34
30Norma: Act II, Scene I. "Deh! con te, con te li prendi" (Adalgisa, Norma)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Adalgisa]:
Ebe Stignani (mezzo soprano) (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto II, scena 1. Duetto “Deh! con te, con te li prendi” (Norma, Adalgisa) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
recording of:
Norma: Atto II, scena 1. Duetto “Deh! con te, con te li prendi” (Norma, Adalgisa) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:15
31Norma: Act II, Scene I. "Mira, o Norma" (Adalgisa, Norma)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Adalgisa]:
Ebe Stignani (mezzo soprano) (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto II, scena 1. Duetto “Mira, o Norma” (Norma, Adalgisa) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
recording of:
Norma: Atto II, scena 1. Duetto “Mira, o Norma” (Norma, Adalgisa) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:59
32Norma: Act II, Scene I. "Cedi, deh cedi!" (Adalgisa, Norma)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Adalgisa]:
Ebe Stignani (mezzo soprano) (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto II, scena 1. Duetto “Cedi...deh cedi!” (Adalgisa, Norma) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
recording of:
Norma: Atto II, scena 1. Duetto “Cedi...deh cedi!” (Adalgisa, Norma) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini1:06
33Norma: Act II, Scene I. "Sì, fino all'ore estreme" (Adalgisa, Norma)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Adalgisa]:
Ebe Stignani (mezzo soprano) (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto II, scena 1. “Si, fino all’ore estreme” (Adalgisa, Norma) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Norma: Atto II
recording of:
Norma: Atto II, scena 1. “Si, fino all’ore estreme” (Adalgisa, Norma) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Norma: Atto II
Vincenzo Bellini2:09
34Norma: Act II, Scene II. Allegro maestoso... (Orchestra) / "Non parti?" (Coro)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto II, scena 2. “Non parti?” (coro) (chorus of the warriors) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
recording of:
Norma: Atto II, scena 2. “Non parti?” (coro) (chorus of the warriors) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini5:33
35Norma: Act II, Scene II. "Guerrieri! a voi venirne" (Oroveso, Coro)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
bass vocals [Oroveso]:
Nicola Rossi‐Lemeni (operatic bass) (on 1954-04-23, on 1954-05-03)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto II, scena 2. Recitativo “Guerrieri! a voi venirne” (Oroveso, coro) (on 1954-04-23)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
recording of:
Norma: Atto II, scena 2. Recitativo “Guerrieri! a voi venirne” (Oroveso, coro) (on 1954-05-03)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini1:52
36Norma: Act II, Scene II. "Ah! del Tebro al giogo indegno" (Oroveso, Coro)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
bass vocals [Oroveso]:
Nicola Rossi‐Lemeni (operatic bass) (on 1954-04-23, on 1954-05-03)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto II, scena 2. Scena “Ah! del Tebro al giogo indegno” (Oroveso, coro) (on 1954-04-23)
lyricist and librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
recording of:
Norma: Atto II, scena 2. Scena “Ah! del Tebro al giogo indegno” (Oroveso, coro) (on 1954-05-03)
lyricist and librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:03
37Norma: Act II, Scene III. Andante maestoso... (Orchestra) / "Ei tornerà! Sì!" (Norma, Clotilde)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Clotilde]:
Rina Cavallari (mezzo-soprano) (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto II, scena 3. Scena “Ei tornerà. Sì!” (Norma, Clotilde) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
recording of:
Norma: Atto II, scena 3. Scena “Ei tornerà. Sì!” (Norma, Clotilde) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:12
38Norma: Act II, Scene III. "Squilla el bronzo del Dio!" (Oroveso, Coro, Norma)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
bass vocals [Oroveso]:
Nicola Rossi‐Lemeni (operatic bass) (on 1954-04-23, on 1954-05-03)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto II, scena 3. Scena “Squilla il bronzo del Dio!” (Coro, Oroveso, Norma) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
recording of:
Norma: Atto II, scena 3. Scena “Squilla il bronzo del Dio!” (Coro, Oroveso, Norma) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini1:50
39Norma: Act II, Scene III. "Guerra! guerra!" (Oroveso, Coro, Norma)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto II, scena 3. “Guerra! Guerra!” (Coro, Oroveso, Norma) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
recording of:
Norma: Atto II, scena 3. “Guerra! Guerra!” (Coro, Oroveso, Norma) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini2:14
40Norma: Act II, Scene III. "Né compi il rito, o Norma?" (Oroveso, Norma, Clotilde, Coro, Pollione)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
bass vocals [Oroveso]:
Nicola Rossi‐Lemeni (operatic bass) (on 1954-04-23, on 1954-05-03)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1954-04-23, on 1954-05-03)
mezzo-soprano vocals [Clotilde]:
Rina Cavallari (mezzo-soprano) (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
tenor vocals [Pollione]:
Mario Filippeschi (tenor) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto II, scena 3. Recitativo “Nè compi il rito, o Norma?” (Oroveso, Norma, Clotilde, Coro, Pollione) (on 1954-04-23)
lyricist and librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
recording of:
Norma: Atto II, scena 3. Recitativo “Nè compi il rito, o Norma?” (Oroveso, Norma, Clotilde, Coro, Pollione) (on 1954-05-03)
lyricist and librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:12
41Norma: Act II, Scene III. "In mia man alfin tu sei" (Norma, Pollione)
engineer:
Oswaldo Varesco (engineer)
producer:
Dino Olivieri (Italian musician, conductor and composer)
soprano vocals [Norma]:
Maria Callas (soprano) (from 1954-04-23 until 1954-05-03)
tenor vocals [Pollione]:
Mario Filippeschi (tenor) (from 1954-04-23 until 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-04-23 until 1954-05-03)
conductor:
Tullio Serafin (conductor) (from 1954-04-23 until 1954-05-03)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (from 1954-04-23 until 1954-05-03)
recording of:
Norma: Atto II, scena 3. Duetto “In mia man alfin tu sei” (Norma, Pollione) (from 1954-04-23 until 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:05
42Norma: Act II, Scene III. "Ah, crudele! In sen del padre" (Norma, Pollione)
engineer:
Oswaldo Varesco (engineer)
producer:
Dino Olivieri (Italian musician, conductor and composer)
soprano vocals [Norma]:
Maria Callas (soprano) (from 1954-04-23 until 1954-05-03)
tenor vocals [Pollione]:
Mario Filippeschi (tenor) (from 1954-04-23 until 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1954-04-23 until 1954-05-03)
conductor:
Tullio Serafin (conductor) (from 1954-04-23 until 1954-05-03)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (from 1954-04-23 until 1954-05-03)
recording of:
Norma: Atto II, scena 3. “Ah, crudele! In sen del padre” (Norma, Pollione) (from 1954-04-23 until 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Norma: Atto II
Vincenzo Bellini4:10
43Norma: Act II, Scene III. "Dammi quel ferro!" (Pollione, Norma, Oroveso, Coro)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
bass vocals [Oroveso]:
Nicola Rossi‐Lemeni (operatic bass) (on 1954-04-23, on 1954-05-03)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
tenor vocals [Pollione]:
Mario Filippeschi (tenor) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto II, scena 3. “Dammi quel ferro!” (Pollione, Norma, Oroveso, Coro) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
recording of:
Norma: Atto II, scena 3. Finale “All'ira vostra” (Norma, Pollione, Oroveso, Coro) (on 1954-04-23)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
recording of:
Norma: Atto II, scena 3. “Dammi quel ferro!” (Pollione, Norma, Oroveso, Coro) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
recording of:
Norma: Atto II, scena 3. Finale “All'ira vostra” (Norma, Pollione, Oroveso, Coro) (on 1954-05-03)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:27
44Norma: Act II, Scene III. "Qual cor tradisti" (Pollione, Norma, Oroveso, Coro)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
bass vocals [Oroveso]:
Nicola Rossi‐Lemeni (operatic bass) (on 1954-04-23, on 1954-05-03)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
tenor vocals [Pollione]:
Mario Filippeschi (tenor) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto II, scena 3. Finale “Qual cor tradisti” (Norma, Pollione, Oroveso, Coro) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
recording of:
Norma: Atto II, scena 3. Finale “Qual cor tradisti” (Norma, Pollione, Oroveso, Coro) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:47
45Norma: Act II, Scene III. "Norma! deh Norma! scòlpati" (Pollione, Norma, Oroveso, Coro)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
bass vocals [Oroveso]:
Nicola Rossi‐Lemeni (operatic bass) (on 1954-04-23, on 1954-05-03)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
tenor vocals [Pollione]:
Mario Filippeschi (tenor) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto II, scena 3. Finale “Norma!.. deh! Norma, scòlpati! …” (Coro, Norma, Pollione, Oroveso) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
recording of:
Norma: Atto II, scena 3. Finale “Norma!.. deh! Norma, scòlpati! …” (Coro, Norma, Pollione, Oroveso) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini2:36
46Norma: Act II, Scene III. "Deh! Non volerli vittime" (Pollione, Norma, Oroveso, Coro)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
bass vocals [Oroveso]:
Nicola Rossi‐Lemeni (operatic bass) (on 1954-04-23, on 1954-05-03)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
tenor vocals [Pollione]:
Mario Filippeschi (tenor) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-04-23, on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1954-04-23, on 1954-05-03)
recording of:
Norma: Atto II, scena 3. Finale “Deh! non volerli vittime” (Norma, Oroveso, Coro, Pollione) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
recording of:
Norma: Atto II, scena 3. Finale “Deh! non volerli vittime” (Norma, Oroveso, Coro, Pollione) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:55
47Lucia di Lammermoor: Atto I, Scena 1. Prelude
producer:
Dino Olivieri (Italian musician, conductor and composer)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiagge vicine” (Normanno, Coro) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiagge vicine” (Normanno, Coro) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiagge vicine” (Normanno, Coro) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:11
48Lucia di Lammermoor: Atto I, Scena 1. “Percorrete le spiagge vicine”
producer:
Dino Olivieri (Italian musician, conductor and composer)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Normanno]:
Gino Sarri (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiagge vicine” (Normanno, Coro) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiagge vicine” (Normanno, Coro) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiagge vicine” (Normanno, Coro) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:27
49Lucia di Lammermoor: Atto I, Scena 1. “Tu sei turbato!… E n’ho ben d’onde”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Normanno]:
Gino Sarri (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2a) “Tu sei turbato!” (Normanno, Enrico, Raimondo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2a) “Tu sei turbato!” (Normanno, Enrico, Raimondo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2a) “Tu sei turbato!” (Normanno, Enrico, Raimondo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti3:13
50Lucia di Lammermoor: Atto I, Scena 1. “Cruda, funesta smania”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Normanno]:
Gino Sarri (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2b) “Cruda, funesta smania” (Enrico, Normanno) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2b) “Cruda, funesta smania” (Enrico, Normanno) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2b) “Cruda, funesta smania” (Enrico, Normanno) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:22
51Lucia di Lammermoor: Atto I, Scena 1. “Il tuo dubbio è omai certezza”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Normanno]:
Gino Sarri (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2c) “Il tuo dubbio è ormai certezza … Come vinti da stanchezza” (Coro, Normanno, Enrico, Raimondo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2c) “Il tuo dubbio è ormai certezza … Come vinti da stanchezza” (Coro, Normanno, Enrico, Raimondo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2c) “Il tuo dubbio è ormai certezza … Come vinti da stanchezza” (Coro, Normanno, Enrico, Raimondo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:10
52Lucia di Lammermoor: Atto I, Scena 1. “La pietade in suo favore”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2d) “La pietade in suo favore” (Enrico, Coro, Raimondo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2d) “La pietade in suo favore” (Enrico, Coro, Raimondo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2d) “La pietade in suo favore” (Enrico, Coro, Raimondo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti1:40
53Lucia di Lammermoor: Atto I, Scena 2. Maestoso
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. Intermezzo "Maestoso” (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:39
54Lucia di Lammermoor: Atto I, Scena 2. “Ancor non giunse?”
mezzo-soprano vocals [Alisa]:
Anna Maria Canali (mezzo-soprano) (from 1953-01-29 until 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3a) Scena “Ancor non giunse!” (Lucia, Alisa) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti1:35
55Lucia di Lammermoor: Atto I, Scena 2. “Regnava nel silenzio”
producer:
Dino Olivieri (Italian musician, conductor and composer)
mezzo-soprano vocals [Alisa]:
Anna Maria Canali (mezzo-soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti4:02
56Lucia di Lammermoor: Atto I, Scena 2. “Quando rapito in estasi”
producer:
Dino Olivieri (Italian musician, conductor and composer)
mezzo-soprano vocals [Alisa]:
Anna Maria Canali (mezzo-soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) (from 1953-01-29 until 1953-01-30)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) (from 1953-02-03 until 1953-02-04)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) (on 1953-02-06)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti4:02
57Lucia di Lammermoor: Atto I, Scena 2. “Egli s’avanza”
producer:
Dino Olivieri (Italian musician, conductor and composer)
mezzo-soprano vocals [Alisa]:
Anna Maria Canali (mezzo-soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4a) “Egli s'avanza” (“Lucia perdona”) (Alisa, Edgardo, Lucia) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4a) “Egli s'avanza” (“Lucia perdona”) (Alisa, Edgardo, Lucia) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4a) “Egli s'avanza” (“Lucia perdona”) (Alisa, Edgardo, Lucia) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:39
58Lucia di Lammermoor: Atto I, Scena 2. “Sulla tomba che rinserra”
producer:
Dino Olivieri (Italian musician, conductor and composer)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4b) Duetto "Sulla tomba che rinserra" (Edgardo, Lucia) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4b) Duetto "Sulla tomba che rinserra" (Edgardo, Lucia) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4b) Duetto "Sulla tomba che rinserra" (Edgardo, Lucia) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:57
59Lucia di Lammermoor: Atto I, Scena 2. “Qui di sposa eterna fede”
producer:
Dino Olivieri (Italian musician, conductor and composer)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti1:35
60Lucia di Lammermoor: Atto I, Scena 2. “Ah, talor del tuo pensiero”
producer:
Dino Olivieri (Italian musician, conductor and composer)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
partial recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) “Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti0:46
61Lucia di Lammermoor: Atto I, Scena 2. “Verranno a te sull’aure”
producer:
Dino Olivieri (Italian musician, conductor and composer)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4d) “Verranno a te sull’aure” (Edgardo, Lucia) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4d) “Verranno a te sull’aure” (Edgardo, Lucia) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4d) “Verranno a te sull’aure” (Edgardo, Lucia) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti4:15
62Lucia di Lammermoor: Atto II, Scena 1. “Moderato... Lucia fra poco a te verrà”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Normanno]:
Gino Sarri (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 5) Scena “Lucia fra poco a te verrà” (Normanno, Enrico) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 5) Scena “Lucia fra poco a te verrà” (Normanno, Enrico) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 5) Scena “Lucia fra poco a te verrà” (Normanno, Enrico) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:14
63Lucia di Lammermoor: Atto II, Scena 1. “Appressati, Lucia”
baritone vocals and baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6a) Recitativo “Appressati, Lucia” (Enrico) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:12
64Lucia di Lammermoor: Atto II, Scena 1. “Il pallor funesto, orrendo… A ragion mi fe’spietato”
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6b) Duetto “Il pallor, funesto, orrendo” (Lucia, Enrico) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
partial recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6b) Duetto “Il pallor, funesto, orrendo” (Lucia, Enrico)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti2:43
65Lucia di Lammermoor: Atto II, Scena 1. “Nobil sposo... Cessa, cessa!”
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6b) Duetto “Il pallor, funesto, orrendo” (Lucia, Enrico) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:14
66Lucia di Lammermoor: Atto II, Scena 1. “Soffriva nel pianto”
recorded in:
Firenze (Florence), Firenze, Toscana (Tuscany), Italy
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals:
Maria Callas (soprano)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6c) Duetto “Soffriva nel pianto” (Lucia, Enrico) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6c) Duetto “Soffriva nel pianto” (Lucia, Enrico) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6c) Duetto “Soffriva nel pianto” (Lucia, Enrico) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:24
67Lucia di Lammermoor: Atto II, Scena 1. “Che fia?… Suonar di giubilo”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6d) Duetto “Che fia“ (Lucia, Enrico) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6d) Duetto “Che fia“ (Lucia, Enrico) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6d) Duetto “Che fia“ (Lucia, Enrico) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:24
68Lucia di Lammermoor: Atto II, Scena 1. “Se tradirmi tu potrai”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6e) Duetto “Se tradirmi tu potrai“ (Enrico, Lucia) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6e) Duetto “Se tradirmi tu potrai“ (Enrico, Lucia) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6e) Duetto “Se tradirmi tu potrai“ (Enrico, Lucia) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:59
69Lucia di Lammermoor: Atto II, Scena 2. “Per te d’immenso giubilo… Per poco fra le tenebre”
producer:
Dino Olivieri (Italian musician, conductor and composer)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Arturo]:
Valiano Natali (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (No. 8) Coro e cavatina “Per te d’immenso giubilo… Per poco fra le tenebre” (Coro, Arturo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (No. 8) Coro e cavatina “Per te d’immenso giubilo… Per poco fra le tenebre” (Coro, Arturo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (No. 8) Coro e cavatina “Per te d’immenso giubilo… Per poco fra le tenebre” (Coro, Arturo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:41
70Lucia di Lammermoor: Atto II, Scena 2. “Dov’è Lucia… Qui giungere or la vedrem”
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
tenor vocals [Arturo]:
Valiano Natali (tenor) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9a) Scena “Dov'è Lucia?” – “Piange la madre estinta” (Arturo, Enrico, Coro) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:59
71Lucia di Lammermoor: Atto II, Scena 2. “Ecco il tuo sposo”
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-02-06)
tenor vocals [Arturo]:
Valiano Natali (tenor) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9b) Quartetto “Ecco il tuo sposo” (Enrico, Lucia, Arturo, Raimondo) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti2:13
72Lucia di Lammermoor: Atto II, Scena 2. “Chi mi frena in tal momento”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
mezzo-soprano vocals [Alisa]:
Anna Maria Canali (mezzo-soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Arturo]:
Valiano Natali (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:35
73Lucia di Lammermoor: Atto II, Scena 2. “T’allontana, sciagurato…”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Arturo]:
Valiano Natali (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10a) Stretta del finale “T'allontana, sciagurato” (Enrico, Arturo, Edgardo, Lucia, Raimondo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10a) Stretta del finale “T'allontana, sciagurato” (Enrico, Arturo, Edgardo, Lucia, Raimondo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10a) Stretta del finale “T'allontana, sciagurato” (Enrico, Arturo, Edgardo, Lucia, Raimondo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:08
74Lucia di Lammermoor: Atto II, Scena 2. “Sconsigliato! In queste porte chi ti guida?”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10) Finale II “Maledetto sia l'istante” (Edgardo, Enrico, Arturo, Coro, Lucia, Raimondo, Alisa) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
partial recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10) Finale II “Maledetto sia l'istante” (Edgardo, Enrico, Arturo, Coro, Lucia, Raimondo, Alisa) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
partial recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10) Finale II “Maledetto sia l'istante” (Edgardo, Enrico, Arturo, Coro, Lucia, Raimondo, Alisa) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti2:09
75Lucia di Lammermoor: Atto II, Scena 2. “Esci, fuggi, il furor che m’accende”
producer:
Dino Olivieri (Italian musician, conductor and composer)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
mezzo-soprano vocals [Alisa]:
Anna Maria Canali (mezzo-soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
soprano vocals [Lucia]:
Maria Callas (soprano) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Arturo]:
Valiano Natali (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10c) “Esci, fuggi, il furor che mi accende” (Arturo, Enrico, Coro, Raimondo, Lucia, Edgardo, Alisa) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10c) “Esci, fuggi, il furor che mi accende” (Arturo, Enrico, Coro, Raimondo, Lucia, Edgardo, Alisa) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10c) “Esci, fuggi, il furor che mi accende” (Arturo, Enrico, Coro, Raimondo, Lucia, Edgardo, Alisa) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:23
76Lucia di Lammermoor: Atto III, Scena 1. “D’immenso giubilo”
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. “D'immenso giubilo s'innalzi un grido” (Coro) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti1:46
77Lucia di Lammermoor: Atto III, Scena 1. “Ah!… Deh, cessate quel contento!”
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Deh, cessate quel contento” … “Dalle stanze ove Lucia” (Raimondo, Coro) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:22
78Lucia di Lammermoor: Atto III, Scena 1. “Oh! qual funesto avvenimento!”
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Oh! qual funesto avvenimento” (Coro, Raimondo) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti2:49
79Lucia di Lammermoor: Atto III, Scena 1. “Oh giusto cielo!”
choir vocals:
Coro del Maggio Musicale Fiorentino
soprano vocals [Lucia]:
Maria Callas (soprano)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:28
80Lucia di Lammermoor: Atto III, Scena 1. “Ohime! Sorge il tremendo”
soprano vocals [Lucia]:
Maria Callas (soprano)
orchestra:
Orchestra del Maggio Musicale Fiorentino
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ahimè! sorge il tremendo fantasma” (Lucia)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia)
Gaetano Donizetti3:28
81Lucia di Lammermoor: Atto III, Scena 1. “Ardon gli incensi; Splendon le sacre fa”
recorded in:
Firenze (Florence), Firenze, Toscana (Tuscany), Italy (in 1953)
bass vocals:
Raffaele Arié (operatic bass) (in 1953)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (in 1953, from 1953-01-29 until 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (in 1953)
soprano vocals:
Maria Callas (soprano) (in 1953)
soprano vocals [Lucia]:
Maria Callas (soprano) (in 1953, from 1953-01-29 until 1953-02-06)
tenor vocals:
Gino Sarri (tenor) (in 1953)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1953, from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (in 1953, from 1953-01-29 until 1953-02-06)
chorus master:
Andrea Morosini (chorus master) (in 1953)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (in 1953, from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo) (in 1953)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti5:26
82Lucia di Lammermoor: Atto III, Scena 1. “Spargi d’amaro pianto”
recorded in:
Firenze (Florence), Firenze, Toscana (Tuscany), Italy (in 1953)
baritone vocals [Enrico]:
Tito Gobbi (baritone) (in 1953)
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (in 1953)
choir vocals:
Coro del Maggio Musicale Fiorentino (in 1953)
soprano vocals [Lucia]:
Maria Callas (soprano) (in 1953)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1953)
conductor:
Tullio Serafin (conductor) (in 1953, from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro) (in 1953)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:52
83Lucia di Lammermoor: Atto III, Scena 2. Maestoso... “Tombe degli avi miei… Fra poco a me ricovero”
producer:
Dino Olivieri (Italian musician, conductor and composer)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
balance engineer:
Oswaldo Varesco (engineer)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-01-30, from 1953-02-03 until 1953-02-04, on 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) (from 1953-01-29 until 1953-01-30)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) (from 1953-02-03 until 1953-02-04)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) (on 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti4:09
84Lucia di Lammermoor: Atto III, Scena 2. “Fra poco a me ricovero”
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Fra poco a me ricovero” (Edgardo) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:31
85Lucia di Lammermoor: Atto III, Scena 2. “Oh, meschina! Oh, fato orrendo!”
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Oh, meschina! O, fato orrendo” (Coro, Edgardo, Raimondo) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:03
86Lucia di Lammermoor: Atto III, Scena 2. “Dove corri, sventurato?”
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Oh, meschina! O, fato orrendo” (Coro, Edgardo, Raimondo) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti1:06
87Lucia di Lammermoor: Atto III, Scena 2. “Tu che a dio spiegasti l’ali”
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti2:47
88Lucia di Lammermoor: Atto III, Scena 2. “Che facesti?”
bass vocals [Raimondo]:
Raffaele Arié (operatic bass) (from 1953-01-29 until 1953-02-06)
choir vocals:
Coro del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
tenor vocals [Edgardo]:
Giuseppe Di Stefano (tenor) (from 1953-01-29 until 1953-02-06)
orchestra:
Orchestra del Maggio Musicale Fiorentino (from 1953-01-29 until 1953-02-06)
conductor:
Tullio Serafin (conductor) (from 1953-01-29 until 1953-02-06)
recorded at:
Teatro Comunale di Firenze in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1953-01-29 until 1953-02-06)
partial recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro) (from 1953-01-29 until 1953-02-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti2:29
89Tosca: Act I. "Ah! Finalmente!" (Angelotti, Cavaradossi)
producer:
Walter Legge (British classical producer)
bass vocals [Cesare Angelotti]:
Franco Calabrese (operatic bass) (from 1953-08-10 until 1953-08-21)
bass-baritone vocals [Il sagrestano]:
Melchiorre Luise (bass-baritone) (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto I. “Ah! Finalmente!” (Angelotti) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “E sempre lava!” (Sagrestano, Cavaradossi) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini5:28
90Tosca: Act I. "Dammi i colori! ... Recondita armonia" (Cavaradossi)
producer:
Walter Legge (British classical producer)
bass-baritone vocals [Il sagrestano]:
Melchiorre Luise (bass-baritone) (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini4:22
91Tosca: Act I. "Gente là dentro!" (Cavaradossi, Angelotti, Tosca)
producer:
Walter Legge (British classical producer)
bass vocals [Cesare Angelotti]:
Franco Calabrese (operatic bass) (from 1953-08-10 until 1953-08-21)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto I. “Gente là dentro!” … “Voi! Cavaradossi” (Cavaradossi, Angelotti, Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini1:10
92Tosca: Act I. "Mario!" (Tosca, Cavaradossi)
producer:
Walter Legge (British classical producer)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
partial recording of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “Non la sospiri la nostra casetta” (Tosca, Cavaradossi) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “Ora stammi a sentir” (Tosca, Cavaradossi) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini6:56
93Tosca: Act I. "Ah, quegli occhi ... Quale occhio al mondo può di paro" (Tosca, Cavaradossi)
producer:
Walter Legge (British classical producer)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestre de la Scala de Milan (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto I. “Ah, quegli occhi!…” – “Quale occhio al mondo” (Tosca, Cavaradossi) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini5:05
94Tosca: Act I. "È buona la mia Tosca" (Cavaradossi, Angelotti)
producer:
Walter Legge (British classical producer)
bass vocals [Cesare Angelotti]:
Franco Calabrese (operatic bass) (from 1953-08-10 until 1953-08-21)
bass-baritone vocals [Il sagrestano]:
Melchiorre Luise (bass-baritone) (from 1953-08-10 until 1953-08-21)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto I. “È buona la mia Tosca” (Cavaradossi, Angelotti) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “Sommo giubilo, Eccellenza!” (Sagrestano, Coro) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini4:56
95Tosca: Act I. "Un tal baccano in chiesa!" (Scarpia)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
bass-baritone vocals [Il sagrestano]:
Melchiorre Luise (bass-baritone) (from 1953-08-10 until 1953-08-21)
tenor vocals [Spoletta]:
Angelo Mercuriali (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto I. “Un tal baccano in chiesa!” (Scarpia, Sagrestano, Spoletta) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:23
96Tosca: Act I. "Tutto è chiaro ... Tosca? Che non mi veda ... Mario ! Mario !" (Scarpia, Tosca)
producer:
Walter Legge (British classical producer)
baritone vocals [Il sagrestano]:
Melchiorre Luise (bass-baritone) (from 1953-08-10 until 1953-08-21)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto I. “Or tutto è chiaro” … “Mario! Mario!” (Scarpia, Tosca, Sagrestano) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:03
97Tosca: Act I. "Ed io venivo a lui tutta dogliosa" (Tosca, Scarpia)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto I. “Ed io venivo a lui tutta dogliosa” (Tosca, Scarpia) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:55
98Tosca: Act I. "Tre sbirri, una carrozza" (Scarpia)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1953-08-10 until 1953-08-21)
tenor vocals [Spoletta]:
Angelo Mercuriali (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto I. “Tre sbirri … una carrozza …” … “Te Deum” (Scarpia, Spoletta, Coro) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini4:11
99Tosca: Act II. "Tosca è un buon falco" (Scarpia)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
bass vocals [Sciarrone]:
Dario Caselli (operatic bass) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:03
100Tosca: Act II. "Ha più forte" (Scarpia)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
bass vocals [Sciarrone]:
Dario Caselli (operatic bass) (from 1953-08-10 until 1953-08-21)
tenor vocals [Spoletta]:
Angelo Mercuriali (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:17
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