Kantaten: Wachet auf, ruft uns die Stimme, BWV 140 / Herz und Mund und Tat und Leben, BWV 147

~ Release by Johann Sebastian Bach; John Eliot Gardiner (see all versions of this release, 4 available)

Tracklist

1▼CD
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1Wachet auf, ruft uns die Stimme, BWV 140: 1. Chorale: »Wachet auf, ruft uns die Stimme«
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
oboe:
Richard Earle (oboist) (in 1990-03) and Anthony Robson (oboist) (in 1990-03)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:17
2Wachet auf, ruft uns die Stimme, BWV 140: 2. Recitative: »Er kommt, er kommt, der Bräut’gam kommt!«
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Anthony Rolfe Johnson (tenor) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Recitativo (Tenor) “Er kommt, er kommt, der Bräutgam kommt!” (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach0:51
3Wachet auf, ruft uns die Stimme, BWV 140: 3. Aria Duet: »Wann kömmst du, mein Heil?« (Adagio)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1990-03)
soprano vocals:
Ruth Holton (soprano) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Alison Bury (violinist) (in 1990-03), Ruth Holton (soprano) (in 1990-03) and Stephen Varcoe (bass-baritone) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:32
4Wachet auf, ruft uns die Stimme, BWV 140: 4. Chorale: »Zion hört die Wächter singen«
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1990-03)
choir vocals [tenors]:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Gardiner (John Eliot Gardiner) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
recording of:
Zion Hears the Watchmen's Voices (in 1992)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
Johann Sebastian Bach3:49
5Wachet auf, ruft uns die Stimme, BWV 140: 5. Recitative: »So geh herein zu mir«
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Stephen Varcoe (bass-baritone) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Recitativo (Bass) “So geh herein zu mir” (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:25
6Wachet auf, ruft uns die Stimme, BWV 140: 6. Aria Duet: »Mein Freund ist mein«
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1990-03)
soprano vocals:
Ruth Holton (soprano) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Ruth Holton (soprano) (in 1990-03), Anthony Robson (oboist) (in 1990-03) and Stephen Varcoe (bass-baritone) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein” (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:05
7Wachet auf, ruft uns die Stimme, BWV 140: 7. Chorale »Gloria sei dir gesungen«
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:45
8Herz und Mund und Tat und Leben, BWV 147: Erster Teil: 1. Chorus: »Herz und Mund und Tat und Leben«
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:00
9Herz und Mund und Tat und Leben, BWV 147: Erster Teil: 2. Recitative: »Gebenedeiter Mund!«
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Anthony Rolfe Johnson (tenor) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach1:44
10Herz und Mund und Tat und Leben, BWV 147: Erster Teil: 3. Aria: »Schäme dich, o Seele, nicht«
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Michael Chance (British countertenor) (in 1990-03) and Anthony Robson (oboist) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:14
11Herz und Mund und Tat und Leben, BWV 147: Erster Teil: 4. Recitative: »Verstockung kann Gewaltige verblenden«
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Stephen Varcoe (bass-baritone) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach1:34
12Herz und Mund und Tat und Leben, BWV 147: Erster Teil: 5. Aria: »Bereite dir, Jesu, noch itzo die Bahn«
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
soprano vocals:
Ruth Holton (soprano) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Alison Bury (violinist) (in 1990-03) and Ruth Holton (soprano) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:29
13Herz und Mund und Tat und Leben, BWV 147: Erster Teil: 6. Chorale: »Wohl mir, dass ich Jesum habe«
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:29
14Herz und Mund und Tat und Leben, BWV 147: Zweiter Teil: 7. Aria: »Hilf, Jesu, hilf, dass ich auch dich bekenne«
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Anthony Rolfe Johnson (tenor) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:16
15Herz und Mund und Tat und Leben, BWV 147: Zweiter Teil: 8. Recitative: »Der höchsten Allmacht Wunderhand«
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Michael Chance (British countertenor) (in 1990-03), Richard Earle (oboist) (in 1990-03) and Anthony Robson (oboist) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:16
16Herz und Mund und Tat und Leben, BWV 147: Zweiter Teil: 9. Aria: »Ich will von Jesu Wundern singen«
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
performer:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1990-03) and Stephen Varcoe (bass-baritone) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:33
17Herz und Mund und Tat und Leben, BWV 147: Zweiter Teil: 10. Chorale: »Jesus bleibet meine Freude«
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
The English Baroque Soloists (in 1990-03)
conductor:
John Eliot Gardiner (in 1990-03)
performer:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
recorded at:
St. Andrewʼs Church, Fontmell Magna (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:31