Complete Decca Recordings

~ Release by Erich Kleiber (see all versions of this release, 1 available)

Tracklist

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1▼CD: Strauss, Josef: Sphärenklänge / Strauss, Johann: Der Zigeunerbaron: Overture / Dvořák: Carnival Overture / Tchaikovsky: Symphony no. 4
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1Sphärenklänge, op. 235
recording of:
Sphärenklänge, op. 235 (Music of the Spheres, op. 235)
composer:
Josef Strauss (Austrian composer)
part of:
Works of Josef Strauss by opus number (number: op. 235)
Josef Strauss8:11
2Der Zigeunerbaron: Overture
recording of:
Der Zigeunerbaron: Ouvertüre
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Der Zigeunerbaron
Johann Strauss7:44
3Carnival Overture, op. 92
recording of:
Carnival Overture, op. 92, B. 169
composer:
Antonín Dvořák (composer) (from 1891-07-28 until 1891-09-12)
premiered at:
[concert] (1892-04-28)
publisher:
N. Simrock (in 1894)
part of:
Works of Antonín Dvořák by opus number (number: op. 92) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 169)
Antonín Dvořák9:04
4Symphony no. 4 in F minor, op. 36: 1. Andante sostenuto
recording of:
Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
Pyotr Ilyich Tchaikovsky17:11
5Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzone
recording of:
Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
Pyotr Ilyich Tchaikovsky8:05
6Symphony no. 4 in F minor, op. 36: 3. Scherzo
recording of:
Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
Pyotr Ilyich Tchaikovsky5:16
7Symphony no. 4 in F minor, op. 36: 4. Finale
recording of:
Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
Pyotr Ilyich Tchaikovsky8:52
2▼CD: Handel: Berenice: Act II. Andante larghetto / Mozart: Symphony no. 40 / Beethoven: Symphony no. 6 “Pastoral”
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1Berenice: Act II. Andante larghetto
partial recording of:
Berenice, HWV 38: Atto II
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Antonio Salvi (Italian poet and librettist)
part of:
Berenice, HWV 38
George Frideric Handel3:32
2Symphony no. 40 in G minor, K. 550: 1. Molto allegro
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1949-04-25)
conductor:
Erich Kleiber (conductor) (on 1949-04-25)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (on 1949-04-25)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart5:28
3Symphony no. 40 in G minor, K. 550: 2. Andante
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1949-04-25)
conductor:
Erich Kleiber (conductor) (on 1949-04-25)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: II. Andante (2nd version) (on 1949-04-25)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart7:19
4Symphony no. 40 in G minor, K. 550: 3. Menuetto & Trio (Allegretto)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1949-04-25)
conductor:
Erich Kleiber (conductor) (on 1949-04-25)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio (2nd version) (on 1949-04-25)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart4:05
5Symphony no. 40 in G minor, K. 550: 4. Allegro assai
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1949-04-25)
conductor:
Erich Kleiber (conductor) (on 1949-04-25)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai (2nd version) (on 1949-04-25)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart4:36
6Symphony no. 6 in F, op. 68, “Pastoral”: 1. Allegro ma non troppo
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country")
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven9:18
7Symphony no. 6 in F, op. 68, “Pastoral”: 2. Andante molto troppo
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” (Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto mosso "Scene at the brook")
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven13:45
8Symphony no. 6 in F, op. 68, “Pastoral”: 3. Allegro
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk”
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven2:55
9Symphony no. 6 in F, op. 68, “Pastoral”: 4. Allegro
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm”
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven3:18
10Symphony no. 6 in F, op. 68, “Pastoral”: 5. Allegretto
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven9:44
3▼CD: Beethoven: Symphonies nos. 3 "Eroica" & 7
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1Symphony no. 3 in E flat major (“Eroica”), op. 55: I. Allegro con brio
recording engineer:
Kenneth Wilkinson (engineer) (in 1950-05)
producer:
Victor Olof
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1950-05)
conductor:
Erich Kleiber (conductor) (in 1950-05)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1950-05)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio (in 1950-05)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven14:00
2Symphony no. 3 in E flat major (“Eroica”), op. 55: II. Marcia funebre
recording engineer:
Kenneth Wilkinson (engineer) (in 1950-05)
producer:
Victor Olof
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1950-05)
conductor:
Erich Kleiber (conductor) (in 1950-05)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1950-05)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai (in 1950-05)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven15:28
3Symphony no. 3 in E flat major (“Eroica”), op. 55: III. Scherzo & Trio
recording engineer:
Kenneth Wilkinson (engineer) (in 1950-05)
producer:
Victor Olof
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1950-05)
conductor:
Erich Kleiber (conductor) (in 1950-05)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1950-05)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace (in 1950-05)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven5:32
4Symphony no. 3 in E flat major (“Eroica”), op. 55: IV. Finale – Allegro molto
recording engineer:
Kenneth Wilkinson (engineer) (in 1950-05)
producer:
Victor Olof
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 1950-05)
conductor:
Erich Kleiber (conductor) (in 1950-05)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1950-05)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto (in 1950-05)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven11:13
5Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra) (on 1950-05-09)
conductor:
Erich Kleiber (conductor) (on 1950-05-09)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1950-05-09)
recording of:
Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace (on 1950-05-09)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven10:52
6Symphony no. 7 in A major, op. 92: II. Allegretto
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra) (on 1950-05-09)
conductor:
Erich Kleiber (conductor) (on 1950-05-09)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1950-05-09)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto (on 1950-05-09)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven7:39
7Symphony no. 7 in A major, op. 92: III. Presto – Assai meno presto
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra) (on 1950-05-09)
conductor:
Erich Kleiber (conductor) (on 1950-05-09)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1950-05-09)
recording of:
Symphony no. 7 in A major, op. 92: III. Presto (on 1950-05-09)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven7:27
8Symphony no. 7 in A major, op. 92: IV. Allegro con brio
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra) (on 1950-05-09)
conductor:
Erich Kleiber (conductor) (on 1950-05-09)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1950-05-09)
recording of:
Symphony no. 7 in A major, op. 92: IV. Allegro con brio (on 1950-05-09)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven7:35
4▼CD: Beethoven: Symphony no. 9 “Choral”
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1Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1952-06)
conductor:
Erich Kleiber (conductor) (in 1952-06)
balance engineer:
Cyril Windebank (in 1952-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1952-06)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso (in 1952-06)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven15:57
2Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1952-06)
conductor:
Erich Kleiber (conductor) (in 1952-06)
balance engineer:
Cyril Windebank (in 1952-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1952-06)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto (in 1952-06)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven10:23
3Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1952-06)
conductor:
Erich Kleiber (conductor) (in 1952-06)
balance engineer:
Cyril Windebank (in 1952-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1952-06)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo (in 1952-06)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven16:00
4Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto – Allegro assai
producer:
Victor Olof
bass vocals:
Ludwig Weber (operatic bass) (in 1952-06)
choir vocals:
Singverein Der Gesellschaft Der Musikfreunde (in 1952-06)
contralto vocals:
Sieglinde Wagner (contralto) (in 1952-06)
soprano vocals:
Hilde Gueden (soprano) (in 1952-06)
tenor vocals:
Anton Dermota (tenor) (in 1952-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1952-06)
conductor:
Erich Kleiber (conductor) (in 1952-06)
balance engineer:
Cyril Windebank (in 1952-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1952-06)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (in 1952-06)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven23:45
5▼CD: Beethoven: Symphonies nos. 5 & 6
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1Symphony no. 5 in C minor, op. 67: I. Allegro con brio
recording engineer:
Kenneth Wilkinson (engineer) (in 1953-09)
producer:
Victor Olof
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra) (in 1953-09)
conductor:
Erich Kleiber (conductor) (in 1953-09)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1953-09)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (in 1953-09)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:18
2Symphony no. 5 in C minor, op. 67: II. Andante con moto
recording engineer:
Kenneth Wilkinson (engineer) (in 1953-09)
producer:
Victor Olof
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra) (in 1953-09)
conductor:
Erich Kleiber (conductor) (in 1953-09)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1953-09)
recording of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto (in 1953-09)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven9:15
3Symphony no. 5 in C minor, op. 67: III. Allegro
recording engineer:
Kenneth Wilkinson (engineer) (in 1953-09)
producer:
Victor Olof
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra) (in 1953-09)
conductor:
Erich Kleiber (conductor) (in 1953-09)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1953-09)
recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro (in 1953-09)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven5:20
4Symphony no. 5 in C minor, op. 67: IV. Allegro
recording engineer:
Kenneth Wilkinson (engineer) (in 1953-09)
producer:
Victor Olof
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra) (in 1953-09)
conductor:
Erich Kleiber (conductor) (in 1953-09)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1953-09)
recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro (in 1953-09)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven9:25
5Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo
producer:
Victor Olof
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra) (in 1953-09)
conductor:
Erich Kleiber (conductor) (in 1953-09)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1953-09)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country") (in 1953-09)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven9:10
6Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach: (Andante molto mosso)
producer:
Victor Olof
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra) (in 1953-09)
conductor:
Erich Kleiber (conductor) (in 1953-09)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1953-09)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” (Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto mosso "Scene at the brook") (in 1953-09)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven14:07
7Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute (Allegro)
producer:
Victor Olof
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra) (in 1953-09)
conductor:
Erich Kleiber (conductor) (in 1953-09)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1953-09)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” (in 1953-09)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven5:14
8Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm (Allegro)
producer:
Victor Olof
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra) (in 1953-09)
conductor:
Erich Kleiber (conductor) (in 1953-09)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1953-09)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm” (in 1953-09)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven3:26
9Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Allegretto)
producer:
Victor Olof
orchestra:
Concertgebouw Orchestra (Royal Concertgebouw Orchestra) (in 1953-09)
conductor:
Erich Kleiber (conductor) (in 1953-09)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1953-09)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto) (in 1953-09)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven9:35
6▼CD: Tchaikovsky: Symphony no. 6 "Pathetique"
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1Symphony No. 6 in B minor ('Pathetique'), Op.74: 1. Adagio - Allegro non troppo
Pyotr Ilyich Tchaikovsky18:38
2Symphony No. 6 in B minor ('Pathetique'), Op.74: 2. Allegro con grazia
Pyotr Ilyich Tchaikovsky7:38
3Symphony No. 6 in B minor ('Pathetique'), Op.74: 3. Allegro molto vivace
Pyotr Ilyich Tchaikovsky9:00
4Symphony No. 6 in B minor ('Pathetique'), Op.74: 4. Finale: Adagio lamentoso
Pyotr Ilyich Tchaikovsky8:40
7▼CD: Mozart: German dances / Symphony no. 39 / Schubert: Symphony No. 9 in C "The Great"
#TitleArtistRatingLength
1German dance for orchestra in C major, K. 600/1
Wolfgang Amadeus Mozart1:51
2German dance for orchestra in G major ('The Canary'), K. 600/5
Wolfgang Amadeus Mozart1:36
3German dance for orchestra in C major ('The Organ Grinder'), K. 602/3
Wolfgang Amadeus Mozart1:48
4German dance for orchestra in C major ('Die Schlittenfahrt'), K. 605/3
Wolfgang Amadeus Mozart1:45
5Symphony No. 39 in E flat major, K. 543: I. Adagio - Allegro
Wolfgang Amadeus Mozart8:30
6Symphony No. 39 in E flat major, K. 543: II. Andante con moto
Wolfgang Amadeus Mozart8:17
7Symphony No. 39 in E flat major, K. 543: III. Menuetto & Trio: Allegretto
Wolfgang Amadeus Mozart3:41
8Symphony No. 39 in E flat major, K. 543: IV. Finale: Allegro
Wolfgang Amadeus Mozart3:59
9Symphony No. 9 in C ('The Great'), D. 944, I. Andante - Allegro ma non troppo
Franz Schubert13:12
10Symphony No. 9 in C ('The Great'), D. 944: II. Andante con moto
Franz Schubert14:01
11Symphony No. 9 in C ('The Great'), D. 944: III. Scherzo
Franz Schubert10:55
12Symphony No. 9 in C ('The Great'), D. 944: IV. Finale: Allegro vivace
Franz Schubert10:51
8▼CD: Beethoven: Symphony no. 3 "Eroica" / Weber: Symphony no. 1 in C, Op. 19
#TitleArtistRatingLength
1Symphony No. 3 in E flat major (-Eroica-), Op. 55- I. Allegro con brio
engineer:
Cyril Windebank (from 1955-04-11 until 1955-04-14), Roy Wallace (recording engineer) (from 1955-04-11 until 1955-04-14) and Gil Went (from 1955-04-11 until 1955-04-14)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-04-11 until 1955-04-14)
conductor:
Erich Kleiber (conductor) (from 1955-04-11 until 1955-04-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-04-11 until 1955-04-14)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio (from 1955-04-11 until 1955-04-15)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven16:51
2Symphony No. 3 in E flat major (-Eroica-), Op. 55- II. Marcia funebre
engineer:
Cyril Windebank (from 1955-04-11 until 1955-04-14), Roy Wallace (recording engineer) (from 1955-04-11 until 1955-04-14) and Gil Went (from 1955-04-11 until 1955-04-14)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-04-11 until 1955-04-14)
conductor:
Erich Kleiber (conductor) (from 1955-04-11 until 1955-04-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-04-11 until 1955-04-14)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai (from 1955-04-11 until 1955-04-15)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven15:39
3Symphony No. 3 in E flat major (-Eroica-), Op. 55- III. Scherzo
engineer:
Cyril Windebank (from 1955-04-11 until 1955-04-14), Roy Wallace (recording engineer) (from 1955-04-11 until 1955-04-14) and Gil Went (from 1955-04-11 until 1955-04-14)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-04-11 until 1955-04-14)
conductor:
Erich Kleiber (conductor) (from 1955-04-11 until 1955-04-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-04-11 until 1955-04-14)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace (from 1955-04-11 until 1955-04-15)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven5:39
4Symphony No. 3 in E flat major (-Eroica-), Op. 55- IV. Finale. Allegro molto
engineer:
Cyril Windebank (from 1955-04-11 until 1955-04-14), Roy Wallace (recording engineer) (from 1955-04-11 until 1955-04-14) and Gil Went (from 1955-04-11 until 1955-04-14)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-04-11 until 1955-04-14)
conductor:
Erich Kleiber (conductor) (from 1955-04-11 until 1955-04-15)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-04-11 until 1955-04-14)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto (from 1955-04-11 until 1955-04-15)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven10:56
5Symphony No. 1 in C, Op. 19, I. Allegro con fuoco
Carl Maria von Weber7:21
6Symphony No. 1 in C, Op. 19, II. Andante
Carl Maria von Weber5:57
7Symphony No. 1 in C, Op. 19, III. Scherzo. Presto
Carl Maria von Weber3:53
8Symphony No. 1 in C, Op. 19, IV. Finale- Presto
Carl Maria von Weber4:58
9▼CD: Strauss: Der Rosenkavalier (1)
#TitleArtistRatingLength
1Der Rosenkavalier: Act I. Prelude
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
mezzo-soprano vocals [Octavian]:
Sena Jurinac (soprano) (in 1954-06)
soprano vocals [Die Feldmarschallin]:
Maria Reining (soprano) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt I. Einleitung (The Rose-knight, Act 1: Introduction) (in 1954-06)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:51
2Der Rosenkavalier: Act I. "Wie du warst! Wie du bist!"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
mezzo-soprano vocals [Octavian]:
Sena Jurinac (soprano) (in 1954-06)
soprano vocals [Die Feldmarschallin]:
Maria Reining (soprano) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Wie du warst! Wie du bist!" (Octavian, Marschallin) (in 1954-06)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss7:48
3Der Rosenkavalier: Act I. "Marie Theres! - Octavian!"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
mezzo-soprano vocals [Octavian]:
Sena Jurinac (soprano) (in 1954-06)
soprano vocals [Die Feldmarschallin]:
Maria Reining (soprano) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Marie Theres'!" - "Octavian!" (in 1954-06)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss4:16
4Der Rosenkavalier: Act I. "Quinquin, es ist mein Mann!"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
bass vocals [Der Baron Ochs auf Lerchenau]:
Ludwig Weber (operatic bass) (in 1954-06)
bass-baritone vocals [Der Haushofmeister bei der Feldmarschallin]:
Harald Pröglhöf (Austrian operatic bass-baritone) (in 1954-06)
mezzo-soprano vocals [Octavian]:
Sena Jurinac (soprano) (in 1954-06)
soprano vocals [Die Feldmarschallin]:
Maria Reining (soprano) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Quinquin, es ist ein Besuch" (Marschallin, Haushofmeister, Baron, Octavian) (in 1954-06)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:28
5Der Rosenkavalier: Act I. "Selbstverständlich empfängt mich Ihro Gnaden"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
bass vocals [Der Baron Ochs auf Lerchenau]:
Ludwig Weber (operatic bass) (in 1954-06)
bass-baritone vocals [Der Haushofmeister bei der Feldmarschallin]:
Harald Pröglhöf (Austrian operatic bass-baritone) (in 1954-06)
soprano vocals [Die Feldmarschallin]:
Maria Reining (soprano) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Selbstverständlich empfängt mich Ihro Gnaden" (Baron, Lakaien, Marschallin, Haushofmeister) (in 1954-06)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss8:19
6Der Rosenkavalier: Act I. "Hat Sie schon einmal mit einem Kavalier"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
bass vocals [Der Baron Ochs auf Lerchenau]:
Ludwig Weber (operatic bass) (in 1954-06)
mezzo-soprano vocals [Octavian]:
Sena Jurinac (soprano) (in 1954-06)
soprano vocals [Die Feldmarschallin]:
Maria Reining (soprano) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Hat Sie schon einmal" (Baron, Octavian, Marschallin) (in 1954-06)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss6:18
7Der Rosenkavalier: Act I. "Nein, Er agiert mir gar zu gut!"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
bass vocals [Der Baron Ochs auf Lerchenau]:
Ludwig Weber (operatic bass) (in 1954-06)
mezzo-soprano vocals [Octavian]:
Sena Jurinac (soprano) (in 1954-06)
soprano vocals [Die Feldmarschallin]:
Maria Reining (soprano) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Nein, er agiert mir gar zu gut!" (in 1954-06)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:39
8Der Rosenkavalier: Act I. "I komm glei!"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1954-06)
contralto vocals [Drei adellige Waisen]:
Maria Trupp (operatic contralto) (in 1954-06)
mezzo-soprano vocals [Drei adelige Waisen]:
Elfriede Hochstätter (operatic mezzo-soprano) (in 1954-06)
mezzo-soprano vocals [Octavian]:
Sena Jurinac (soprano) (in 1954-06)
soprano vocals [Drei adelige Waisen]:
Wilfriede Loibner (operatic soprano) (in 1954-06)
soprano vocals [Eine Modistin]:
Berta Seidl (operatic soprano) (in 1954-06)
tenor vocals [Ein Tierhändler]:
Erich Majkut (tenor) (in 1954-06)
tenor vocals [Valzacchi]:
Peter Klein (tenor) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt I. "I komm' glei" … "Drei arme adelige Waisen" (Octavian, Die drei Waisen, Modistin, Tierhändler, Marschallin, Valzacchi) (in 1954-06)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:16
9Der Rosenkavalier: Act I. "Di rigori armato il seno"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
tenor vocals [Ein Sänger]:
Anton Dermota (tenor) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Di rigori armato il seno" (Ein Sänger) (in 1954-06)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:54
10Der Rosenkavalier: Act I. "Als Morgengabe - ganz separatim jedoch"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
bass vocals [Der Baron Ochs auf Lerchenau]:
Ludwig Weber (operatic bass) (in 1954-06)
bass vocals [Ein Notar]:
Franz Bierbach (operatic bass) (in 1954-06)
tenor vocals [Ein Sänger]:
Anton Dermota (tenor) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Als Morgengabe …" (Baron, Notar, Sänger) (in 1954-06)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:11
11Der Rosenkavalier: Act I. "Mein lieber Hippolyte"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
bass vocals [Der Baron Ochs auf Lerchenau]:
Ludwig Weber (operatic bass) (in 1954-06)
contralto vocals [Annina]:
Hilde Rössel‐Majdan (Austrian contralto) (in 1954-06)
soprano vocals [Die Feldmarschallin]:
Maria Reining (soprano) (in 1954-06)
tenor vocals [Valzacchi]:
Peter Klein (tenor) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Mein lieber Hippolyte" (Marschallin, Valzacchi, Baron, Annina) (in 1954-06)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:39
12Der Rosenkavalier: Act I. "Da geht er hin"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
soprano vocals [Die Feldmarschallin]:
Maria Reining (soprano) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt I. “Da geht er hin, der aufgeblasene schlechte Kerl” (Marschallin, Octavian) (in 1954-06)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss4:53
13Der Rosenkavalier: Act I. "Ach, du bist wieder da!"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
mezzo-soprano vocals [Octavian]:
Sena Jurinac (soprano) (in 1954-06)
soprano vocals:
Sena Jurinac (soprano) (in 1954) and Maria Reining (soprano) (in 1954)
soprano vocals [Die Feldmarschallin]:
Maria Reining (soprano) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Ach, du bist wieder da!" (Marschallin, Octavian) (in 1954-06)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:32
14Der Rosenkavalier: Act I. "Die Zeit, die ist ein sonderbar Ding"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
mezzo-soprano vocals [Octavian]:
Sena Jurinac (soprano) (in 1954-06)
soprano vocals [Die Feldmarschallin]:
Maria Reining (soprano) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Die Zeit, die ist ein sonderbar Ding" (Marschallin) (in 1954-06)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss8:59
15Der Rosenkavalier: Act I. "Ich hab ihn nicht einmal geküßt"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
bass vocals [Lakai der Marschallin]:
Alois Buchbauer (bass) (in 1954-06)
soprano vocals [Die Feldmarschallin]:
Maria Reining (soprano) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Ich hab' ihn nicht einmal geküßt" (in 1954-06)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:35
10▼CD: Strauss: Der Rosenkavalier (2)
#TitleArtistRatingLength
1Der Rosenkavalier: Act II. "Ein ernster Tag, ein großer Tag!"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
baritone vocals [Herr von Faninal]:
Alfred Poell (baritone) (in 1954-06)
soprano vocals [Jungfer Marianne Leitmetzerin]:
Judith Hellwig (soprano) (in 1954-06)
tenor vocals [Der Haushofmeister bei Faninal]:
August Jaresch (tenor) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Ein ernster Tag, ein grosser Tag" (Faninal, Marianne, Haushofmeister) (in 1954-06)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss2:00
2Der Rosenkavalier: Act II. "In dieser feierlichen Stunde der Prüfung"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
soprano vocals [Jungfer Marianne Leitmetzerin]:
Judith Hellwig (soprano) (in 1954-06)
soprano vocals [Sophie]:
Hilde Güden (soprano) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt II. "In dieser feierlichen Stunde der Prüfung" (Sophie, Marianne, Drei Läufer) (in 1954-06)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:35
3Der Rosenkavalier: Act II. "Mir ist die Ehre widerfahren"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
mezzo-soprano vocals [Octavian]:
Sena Jurinac (soprano) (in 1954-06)
soprano vocals [Sophie]:
Hilde Güden (soprano) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Mir ist die Ehre widerfahren" (Octavian, Sophie) (in 1954-06)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss6:14
4Der Rosenkavalier: Act II. "Ich kenn Ihn schon recht wohl, mon cousin!"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
mezzo-soprano vocals [Octavian]:
Sena Jurinac (soprano) (in 1954-06)
soprano vocals [Sophie]:
Hilde Güden (soprano) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Ich kenn' ihn schon recht wohl" (Sophie, Octavian) (in 1954-06)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:44
5Der Rosenkavalier: Act II. "Jetzt aber kommt mein Herr Zukünftiger"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
baritone vocals [Herr von Faninal]:
Alfred Poell (baritone) (in 1954-06)
bass vocals [Der Baron Ochs auf Lerchenau]:
Ludwig Weber (operatic bass) (in 1954-06)
mezzo-soprano vocals [Octavian]:
Sena Jurinac (soprano) (in 1954-06)
soprano vocals [Jungfer Marianne Leitmetzerin]:
Judith Hellwig (soprano) (in 1954-06)
soprano vocals [Sophie]:
Hilde Güden (soprano) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Jetzt aber kommt mein Herr Zukünftiger" (Sophie, Faninal, Baron, Octavian, Marianne) (in 1954-06)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:50
6Der Rosenkavalier: Act II. "Eh bien! Nun plauder Sie uns eins"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
baritone vocals [Herr von Faninal]:
Alfred Poell (baritone) (in 1954-06)
bass vocals [Der Baron Ochs auf Lerchenau]:
Ludwig Weber (operatic bass) (in 1954-06)
mezzo-soprano vocals [Octavian]:
Sena Jurinac (soprano) (in 1954-06)
soprano vocals [Jungfer Marianne Leitmetzerin]:
Judith Hellwig (soprano) (in 1954-06)
soprano vocals [Sophie]:
Hilde Güden (soprano) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier: Akt II. "Eh bien Nun plander Sie uns eins" (in 1954-06)
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss6:58
7Der Rosenkavalier: Act II. "Wird Sie das Mannsbild da heiraten, ma cousin?"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
mezzo-soprano vocals [Octavian]:
Sena Jurinac (soprano) (in 1954-06)
soprano vocals [Jungfer Marianne Leitmetzerin]:
Judith Hellwig (soprano) (in 1954-06)
soprano vocals [Sophie]:
Hilde Güden (soprano) (in 1954-06)
tenor vocals [Der Haushofmeister bei Faninal]:
August Jaresch (tenor) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Wird Sie das Mannsbild da heiraten" (in 1954-06)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss6:06
8Der Rosenkavalier: Act II. "Herr Baron von Lerchenau"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
bass vocals [Der Baron Ochs auf Lerchenau]:
Ludwig Weber (operatic bass) (in 1954-06)
contralto vocals [Annina]:
Hilde Rössel‐Majdan (Austrian contralto) (in 1954-06)
mezzo-soprano vocals [Octavian]:
Sena Jurinac (soprano) (in 1954-06)
soprano vocals [Sophie]:
Hilde Güden (soprano) (in 1954-06)
tenor vocals [Valzacchi]:
Peter Klein (tenor) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Herr Baron von Lerchenau!" (Valzacchi, Annina, Baron, Sophie, Octavian, Die Lerchenauschen, Faninals Dienerschaft, Marianne, Faninal) (in 1954-06)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss5:36
9Der Rosenkavalier: Act II. "Mord! Mord! Mein Blut! Zu Hilfe!"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
bass vocals [Der Baron Ochs auf Lerchenau]:
Ludwig Weber (operatic bass) (in 1954-06)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1954-06)
contralto vocals [Annina]:
Hilde Rössel‐Majdan (Austrian contralto) (in 1954-06)
mezzo-soprano vocals [Octavian]:
Sena Jurinac (soprano) (in 1954-06)
soprano vocals [Jungfer Marianne Leitmetzerin]:
Judith Hellwig (soprano) (in 1954-06)
soprano vocals [Sophie]:
Hilde Güden (soprano) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Mord! Mord! Mein Blut!" (in 1954-06)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss2:12
10Der Rosenkavalier: Act II. "Herr Schwiegersohn! Wie ist Ihm denn?"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
baritone vocals [Herr von Faninal]:
Alfred Poell (baritone) (in 1954-06)
bass vocals [Der Baron Ochs auf Lerchenau]:
Ludwig Weber (operatic bass) (in 1954-06)
mezzo-soprano vocals [Octavian]:
Sena Jurinac (soprano) (in 1954-06)
soprano vocals [Sophie]:
Hilde Güden (soprano) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Herr Schwiegersohn! Wie ist ihm denn?" (in 1954-06)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:13
11Der Rosenkavalier: Act II. "Blamage! Mir auseinander meine Eh!"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
baritone vocals [Herr von Faninal]:
Alfred Poell (baritone) (in 1954-06)
bass vocals [Der Baron Ochs auf Lerchenau]:
Ludwig Weber (operatic bass) (in 1954-06)
mezzo-soprano vocals [Octavian]:
Sena Jurinac (soprano) (in 1954-06)
soprano vocals [Jungfer Marianne Leitmetzerin]:
Judith Hellwig (soprano) (in 1954-06)
soprano vocals [Sophie]:
Hilde Güden (soprano) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Blamage! Mir auseinander meine Eh'" (in 1954-06)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss2:39
12Der Rosenkavalier: Act II. "Ist gut! Ist gut! Ein Schluck von was zum Trinken!"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
baritone vocals [Herr von Faninal]:
Alfred Poell (baritone) (in 1954-06)
bass vocals [Der Baron Ochs auf Lerchenau]:
Ludwig Weber (operatic bass) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Is gut! Is gut! Ein Schluck" (in 1954-06)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss2:07
13Der Rosenkavalier: Act II. "Da lieg ich!"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
bass vocals [Der Baron Ochs auf Lerchenau]:
Ludwig Weber (operatic bass) (in 1954-06)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Da lieg' ich!" (Baron, Die Lerchenauschen, Annina) (in 1954-06)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss5:16
14Der Rosenkavalier: Act II. "'Ohne mich, ohne mich jeder Tag dir so bang'"
engineer:
Cyril Windebank (in 1954-06) and Jack Law (engineer) (in 1954-06)
producer:
Victor Olof and James Walker (ballet/opera conductor, classical recordings producer for Decca)
bass vocals [Der Baron Ochs auf Lerchenau]:
Ludwig Weber (operatic bass) (in 1954-06)
contralto vocals [Annina]:
Hilde Rössel‐Majdan (Austrian contralto) (in 1954-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-06)
conductor:
Erich Kleiber (conductor) (in 1954-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-06)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Ohne mich, ohne mich jeder Tag dir so bang" (in 1954-06)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss6:36
11▶CD: Strauss: Der Rosenkavalier (3)
12▶CD: Mozart: Le Nozze di Figaro (1)
13▶CD: Mozart: Le Nozze di Figaro (2)
14▶CD: Mozart: Le Nozze di Figaro (3)
15▶CD: Audio Documentary