British Composers: Vaughan Williams

~ Release by Ralph Vaughan Williams (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Toward the Unknown Region
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1973-04-16 until 1973-04-18)
producer:
Christopher Bishop (conductor/producer) (from 1973-04-16 until 1973-04-18)
choir vocals:
London Philharmonic Choir (from 1973-04-16 until 1973-04-18)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-04-16 until 1973-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1973-04-16 until 1973-04-18)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-04-16 until 1973-04-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-04-16 until 1973-04-18)
recording of:
Toward the Unknown Region (from 1973-04-16 until 1973-04-18)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (in 1906)
12:18
2Dona nobis pacem: I. "Agnus Dei" (lento)
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
John Carol Case (English baritone) (from 1973-04-16 until 1973-04-18)
choir vocals:
London Philharmonic Choir (from 1973-04-16 until 1973-04-18)
soprano vocals:
Sheila Armstrong (soprano) (from 1973-04-16 until 1973-04-18)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-04-16 until 1973-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1973-04-16 until 1973-04-18)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-04-16 until 1973-04-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-04-16 until 1973-04-18)
recording of:
Dona nobis pacem: I. Agnus Dei (from 1973-04-16 until 1973-04-18)
lyricist:
[traditional] (special purpose artist)
composer:
Ralph Vaughan Williams (English composer) (in 1936)
part of:
Dona nobis pacem (Vaughan Williams Cantata for soprano, baritone, choir, and orchestra)
3:32
3Dona nobis pacem: II. "Beat! Beat! Drums!" (allegro moderato)
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
John Carol Case (English baritone) (from 1973-04-16 until 1973-04-18)
choir vocals:
London Philharmonic Choir (from 1973-04-16 until 1973-04-18)
soprano vocals:
Sheila Armstrong (soprano) (from 1973-04-16 until 1973-04-18)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-04-16 until 1973-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1973-04-16 until 1973-04-18)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-04-16 until 1973-04-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-04-16 until 1973-04-18)
recording of:
Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato) (from 1973-04-16 until 1973-04-18)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (in 1936)
part of:
Dona nobis pacem (Vaughan Williams Cantata for soprano, baritone, choir, and orchestra)
3:48
4Dona nobis pacem: III. Reconciliation (andantino)
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
John Carol Case (English baritone) (from 1973-04-16 until 1973-04-18)
choir vocals:
London Philharmonic Choir (from 1973-04-16 until 1973-04-18)
soprano vocals:
Sheila Armstrong (soprano) (from 1973-04-16 until 1973-04-18)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-04-16 until 1973-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1973-04-16 until 1973-04-18)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-04-16 until 1973-04-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-04-16 until 1973-04-18)
recording of:
Dona nobis pacem: III. Reconciliation (Andantino) (from 1973-04-16 until 1973-04-18)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (in 1936)
part of:
Dona nobis pacem (Vaughan Williams Cantata for soprano, baritone, choir, and orchestra)
6:00
5Dona nobis pacem: IV. Dirge for Two Veterans (moderato alla marcia
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
John Carol Case (English baritone) (from 1973-04-16 until 1973-04-18)
choir vocals:
London Philharmonic Choir (from 1973-04-16 until 1973-04-18)
soprano vocals:
Sheila Armstrong (soprano) (from 1973-04-16 until 1973-04-18)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-04-16 until 1973-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1973-04-16 until 1973-04-18)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-04-16 until 1973-04-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-04-16 until 1973-04-18)
recording of:
Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia) (from 1973-04-16 until 1973-04-18)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Ralph Vaughan Williams (English composer) (in 1936)
part of:
Dona nobis pacem (Vaughan Williams Cantata for soprano, baritone, choir, and orchestra)
11:10
6Dona nobis pacem: V. "The Angel of Death has been abroad" (l'istesso tempo)
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
John Carol Case (English baritone) (from 1973-04-16 until 1973-04-18)
choir vocals:
London Philharmonic Choir (from 1973-04-16 until 1973-04-18)
soprano vocals:
Sheila Armstrong (soprano) (from 1973-04-16 until 1973-04-18)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-04-16 until 1973-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1973-04-16 until 1973-04-18)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-04-16 until 1973-04-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-04-16 until 1973-04-18)
recording of:
Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo) (from 1973-04-16 until 1973-04-18)
lyricist:
[traditional] (special purpose artist) and John Bright
composer:
Ralph Vaughan Williams (English composer) (in 1936)
part of:
Dona nobis pacem (Vaughan Williams Cantata for soprano, baritone, choir, and orchestra)
3:15
7Dona nobis pacem: VI. "O Man Greatly Beloved"
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
John Carol Case (English baritone) (from 1973-04-16 until 1973-04-18)
choir vocals:
London Philharmonic Choir (from 1973-04-16 until 1973-04-18)
soprano vocals:
Sheila Armstrong (soprano) (from 1973-04-16 until 1973-04-18)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-04-16 until 1973-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1973-04-16 until 1973-04-18)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-04-16 until 1973-04-18)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1973-04-16 until 1973-04-18)
recording of:
Dona nobis pacem: VI. O man greatly beloved (from 1973-04-16 until 1973-04-18)
lyricist:
[traditional] (special purpose artist)
composer:
Ralph Vaughan Williams (English composer) (in 1936)
part of:
Dona nobis pacem (Vaughan Williams Cantata for soprano, baritone, choir, and orchestra)
8:37
8Fantasia on the Old 104th Psalm Tune
audio engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
producer:
Christopher Bishop (conductor/producer)
piano:
Peter Katin (on 1970-02-12)
choir vocals:
London Philharmonic Choir (on 1970-02-12)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1970-02-12)
conductor:
Sir Adrian Boult (conductor) (on 1970-02-12)
chorus master:
John Alldis (chorusmaster and conductor) (on 1970-02-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1970-02-12)
recording of:
Fantasia on the Old 104th Psalm Tune (on 1970-02-12)
composer:
Ralph Vaughan Williams (English composer)
14:26
9Magnificat
flute:
Christopher Hyde-Smith (British flautist) (on 1970-06-16)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (on 1970-06-16)
contralto vocals:
Helen Watts (contralto) (on 1970-06-16)
orchestra:
Orchestra Nova of London (on 1970-06-16)
conductor:
Meredith Davies (conductor) (on 1970-06-16)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1970-06-16)
recording of:
Magnificat (on 1970-06-16)
composer:
Ralph Vaughan Williams (English composer)
13:11
2▼CD
#TitleRatingLength
1Partita for Double String Orchestra: I. Prelude
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-10 until 1975-10-15)
recording of:
Partita for Double String Orchestra: I. Prelude (Andante tranquillo)
composer:
Ralph Vaughan Williams (English composer)
part of:
Partita for Double String Orchestra
3:55
2Partita for Double String Orchestra: II. Scherzo ostinato
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-10 until 1975-10-15)
recording of:
Partita for Double String Orchestra: II. Scherzo ostinato (Presto)
composer:
Ralph Vaughan Williams (English composer)
part of:
Partita for Double String Orchestra
4:37
3Partita for Double String Orchestra: III. Intermezzo (Homage to Henry Hall)
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-10 until 1975-10-15)
recording of:
Partita for Double String Orchestra: III. Intermezzo (Homage to Henry Hall)
composer:
Ralph Vaughan Williams (English composer)
part of:
Partita for Double String Orchestra
4:44
4Partita for Double String Orchestra: IV. Fantasia
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-10 until 1975-10-15)
recording of:
Partita for Double String Orchestra: IV. Fantasia (Allegro)
composer:
Ralph Vaughan Williams (English composer)
part of:
Partita for Double String Orchestra
6:23
5Concerto Grosso: I. Intrada
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-10 until 1975-10-15)
recording of:
Concerto Grosso: I. Intrada
composer:
Ralph Vaughan Williams (English composer)
part of:
Concerto Grosso
2:33
6Concerto Grosso: II. Burlesca ostinata
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-10 until 1975-10-15)
recording of:
Concerto Grosso: II. Burlesca ostinata
composer:
Ralph Vaughan Williams (English composer)
part of:
Concerto Grosso
3:06
7Concerto Grosso: III. Sarabande
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-10 until 1975-10-15)
recording of:
Concerto Grosso: III. Sarabande
composer:
Ralph Vaughan Williams (English composer)
part of:
Concerto Grosso
4:01
8Concerto Grosso: IV. Scherzo
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-10 until 1975-10-15)
recording of:
Concerto Grosso: IV. Scherzo
composer:
Ralph Vaughan Williams (English composer)
part of:
Concerto Grosso
2:48
9Concerto Grosso: V. March
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-10 until 1975-10-15)
recording of:
Concerto Grosso: V. March and Reprise
composer:
Ralph Vaughan Williams (English composer)
part of:
Concerto Grosso
5:06
10Fantasia on a Theme by Thomas Tallis
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Malcolm Sargent (conductor)
recording of:
Fantasia on a Theme by Thomas Tallis
composer:
Ralph Vaughan Williams (English composer) (in 1910)
is based on:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
15:11
11Romance in D-flat for Harmonica with Strings and Pianoforte
harmonica:
Larry Adler
piano:
Eric Gritton
orchestra:
BBC Symphony Orchestra
conductor:
Sir Malcolm Sargent (conductor)
recording of:
Romance for Harmonica
composer:
Ralph Vaughan Williams (English composer) (in 1951)
dedicated to:
Larry Adler
6:49
12The Lark Ascending
producer:
Lawrance Collingwood and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
violin:
Jean Pougnet (violinist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1052-10-21)
recording of:
The Lark Ascending (for violin and orchestra)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
13:22

Credits

Release

ASIN:UK: B00005Q2X8 [info]