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1CD: The Original Sessions
Nr.TitelBewertungLänge
1Get Happy
baritone saxophone und Klavier:
Gerry Mulligan (am 1952-06-10)
Kontrabass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1952-06-10)
Schlagzeug:
Chico Hamilton (am 1952-06-10)
aufgenommen bei:
Phil Turetsky’s House in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-06-10)
instrumental recording of:
Get Happy (am 1952-06-10)
Texter:
Ted Koehler (in 1929)
Komponist(in):
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
Summer Stock
Teil von:
The Nine‐Fifteen Revue (1930)
recording of:
Get Happy (am 1952-06-10)
Texter:
Ted Koehler (in 1929)
Komponist(in):
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
Summer Stock
Teil von:
The Nine‐Fifteen Revue (1930)
2:33
2's Wonderful
recording of:
’S Wonderful
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
3:34
3Godchild
recording of:
Godchild
Komponist(in):
George Wallington
2:54
4Dinah
recording of:
Dinah
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) und Morley Music Corp.
Teil von:
The Girl’s Suite
2:57
5She Didn't Say Yes She Didn't Say No
2:34
6Bernie's Tune
recording of:
Bernie’s Tune
Texter:
Jerry Leiber und Mike Stoller
Komponist(in):
Bernie Miller (US jazz pianist 1919-1945; wrote 'Bernie's Tune')
publisher:
Atlantic Music Corp. (BMI)
2:52
7Lullaby of the Leaves
instrumental recording of:
Lullaby of the Leaves
Texter:
Joe Young (US lyricist)
Komponist(in):
Bernice Petkere
recording of:
Lullaby of the Leaves
Texter:
Joe Young (US lyricist)
Komponist(in):
Bernice Petkere
3:13
8Utter Chaos, No. 1
recording of:
Utter Chaos
Komponist(in):
Gerry Mulligan
0:37
9Aren't You Glad You're You
baritone saxophone:
Gerry Mulligan
Kontrabass:
Bob Whitlock (Jazz bassist)
Schlagzeug:
Chico Hamilton
Trompete:
Chet Baker (American jazz trumpeter and vocalist)
instrumental recording of:
Aren’t You Glad You’re You? (in 1952)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1945)
Komponist(in):
Jimmy Van Heusen (in 1945)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
recording of:
Aren’t You Glad You’re You?
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1945)
Komponist(in):
Jimmy Van Heusen (in 1945)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
2:50
10Frenesi
recording of:
Frenesí
Texter und Komponist(in):
Alberto Domínguez
3:09
11Nights at the Turntable
recording of:
Nights at the Turntable
Komponist(in):
Gerry Mulligan
2:52
12Freeway
recording of:
Freeway
Komponist(in):
Chet Baker (American jazz trumpeter and vocalist)
2:44
13Soft Shoe
recording of:
Soft Shoe
Komponist(in):
Gerry Mulligan
2:38
14Walkin' Shoes
recording of:
Walkin’ Shoes
Komponist(in):
Gerry Mulligan
recording of:
Walking Shoes
Verfasser(in):
Gerry Mulligan
3:12
15Aren't You Glad You're You (live)
live instrumental cover recording of:
Aren’t You Glad You’re You?
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1945)
Komponist(in):
Jimmy Van Heusen (in 1945)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
3:59
16Get Happy (live)
live recording of:
Get Happy
Texter:
Ted Koehler (in 1929)
Komponist(in):
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
Summer Stock
Teil von:
The Nine‐Fifteen Revue (1930)
5:53
17Poinciana (live)
3:51
18Godchild (live)
live recording of:
Godchild
Komponist(in):
George Wallington
3:59
19Makin' Whoopee3:29
20Cherry
instrumental recording of:
Cherry (am 1953-02-24)
Komponist(in):
Charles N. Daniels und Arthur Gillespie
recording of:
Cherry
Komponist(in):
Charles N. Daniels und Arthur Gillespie
2:57
21Motele
recording of:
Motel
Komponist(in):
Gerry Mulligan
2:35
22Carson City Stage
recording of:
Carson City Stage
Komponist(in):
Carson Smith
2:29
2CD: The Original Sessions
Nr.TitelBewertungLänge
1My Old Flame
baritone saxophone:
Gerry Mulligan (am 1953-04-27)
Kontrabass:
Carson Smith (am 1953-04-27)
Schlagzeug:
Larry Bunker (am 1953-04-27)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1953-04-27)
recording of:
My Old Flame
Texter:
Sam Coslow
Komponist(in):
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:12
2All the Things You Are
baritone saxophone:
Gerry Mulligan (am 1953-04-27)
Kontrabass:
Carson Smith (am 1953-04-27)
Schlagzeug:
Larry Bunker (am 1953-04-27)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1953-04-27)
recording of:
All the Things You Are (from “Very Warm for May”)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
Komponist(in):
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (beendet), T.B. Harms Inc. (beendet) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Broadway Rhythm (film)
5:06
3Love Me or Leave Me (alternate take)
recording of:
Love Me or Leave Me
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
2:48
4Love Me or Leave Me
recording of:
Love Me or Leave Me
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
2:42
5Swinghouse (10" LP take)
recording of:
Swing House
Komponist(in):
Gerry Mulligan
2:55
6Swinghouse (12" LP take)
recording of:
Swing House
Komponist(in):
Gerry Mulligan
2:56
7Jeru
recording of:
Jeru
Komponist(in):
Gerry Mulligan
2:30
8Utter Chaos #2
baritone saxophone:
Gerry Mulligan (am 1953-04-27)
Kontrabass:
Carson Smith (am 1953-04-27)
Schlagzeug:
Larry Bunker (am 1953-04-27)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1953-04-27)
recording of:
Utter Chaos
Komponist(in):
Gerry Mulligan
0:32
9Darn That Dream
instrumental recording of:
Darn That Dream
Texter:
Eddie DeLange (in 1939)
Komponist(in):
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
Teil von:
Swingin’ the Dream
recording of:
Darn That Dream
Texter:
Eddie DeLange (in 1939)
Komponist(in):
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
Teil von:
Swingin’ the Dream
3:49
10Darn That Dream (alternate take)
baritone saxophone:
Gerry Mulligan (von 1953-04-29 bis 1953-04-30)
Kontrabass:
Carson Smith (von 1953-04-29 bis 1953-04-30)
Schlagzeug:
Larry Bunker (von 1953-04-29 bis 1953-04-30)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (von 1953-04-29 bis 1953-04-30)
recording of:
Darn That Dream
Texter:
Eddie DeLange (in 1939)
Komponist(in):
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
Teil von:
Swingin’ the Dream
3:21
11I May Be Wrong (12" LP take)
recording of:
I May Be Wrong
Texter:
Eddie DeLange
Verfasser(in):
Harry Ruskin und Henry Sullivan
Komponist(in):
Jimmy Van Heusen
2:59
12I May Be Wrong (10" LP take)
recording of:
I May Be Wrong
Texter:
Eddie DeLange
Verfasser(in):
Harry Ruskin und Henry Sullivan
Komponist(in):
Jimmy Van Heusen
2:51
13I'm Beginning to See the Light (10" LP take)
recording of:
I’m Beginning to See the Light
Texter:
Don George (US songwriter/composer, 1909–1987) (in 1944)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) und Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
3:36
14I'm Beginning to See the Light (12" LP take)
recording of:
I’m Beginning to See the Light
Texter:
Don George (US songwriter/composer, 1909–1987) (in 1944)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) und Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
3:08
15The Nearness of You
recording of:
The Nearness of You
Texter:
Ned Washington (in 1938)
Komponist(in):
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK und Sony/ATV Music Publishing LLC (1995–2020)
2:52
16Tea for Two
recording of:
Tea for Two (No, No, Nanette)
Texter:
Irving Caesar
Komponist(in):
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
No, No, Nanette
2:48
17Five Brothers
recording of:
Five Brothers
Komponist(in):
Gerry Mulligan
2:59
18I Can't Get Started
baritone saxophone:
Gerry Mulligan (am 1953-05-20)
Kontrabass:
Carson Smith (am 1953-05-20)
Schlagzeug:
Larry Bunker (am 1953-05-20)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1953-05-20)
recording of:
I Can’t Get Started
Texter:
Ira Gershwin
Komponist(in):
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:02
19Ide's Side
baritone saxophone:
Gerry Mulligan (am 1953-05-20)
Kontrabass:
Carson Smith (am 1953-05-20)
Schlagzeug:
Larry Bunker (am 1953-05-20)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1953-05-20)
recording of:
Ide’s Side
Komponist(in):
Gerry Mulligan
4:23
20Funhouse
recording of:
Funhouse
Komponist(in):
Gerry Mulligan
3:28
21My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Teil von:
Waiting to Exhale (1995 film)
5:17
3CD: The Reunion
Nr.TitelKünstlerBewertungLänge
1People Will Say We're in Love
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (von 1957-12-03 bis 1957-12-17)
Bass:
Henry Grimes (US free jazz bassist) (von 1957-12-03 bis 1957-12-17)
Schlagzeug:
Dave Bailey (US jazz drummer) (von 1957-12-03 bis 1957-12-17)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (von 1957-12-03 bis 1957-12-17)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
aufgenommen bei:
Coastal Studios in New York, New York, Vereinigte Staaten (von 1957-12-03 bis 1957-12-17)
instrumental cover recording of:
People Will Say We’re in Love (von 1957-12-03 bis 1957-12-17)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company und Williamson Music, Inc.
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
recording of:
People Will Say We’re in Love
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company und Williamson Music, Inc.
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Gerry Mulligan3:41
2Reunion
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (von 1957-12-03 bis 1957-12-17)
Bass:
Henry Grimes (US free jazz bassist) (von 1957-12-03 bis 1957-12-17)
Schlagzeug:
Dave Bailey (US jazz drummer) (von 1957-12-03 bis 1957-12-17)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (von 1957-12-03 bis 1957-12-17)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
aufgenommen bei:
Coastal Studios in New York, New York, Vereinigte Staaten (von 1957-12-03 bis 1957-12-17)
recording of:
Reunion (von 1957-12-03 bis 1957-12-17)
Komponist(in):
Gerry Mulligan
Gerry Mulligan4:05
3When Your Lover Has Gone
Gerry Mulligan5:07
4Stardust
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (von 1957-12-03 bis 1957-12-17)
Bass:
Henry Grimes (US free jazz bassist) (von 1957-12-03 bis 1957-12-17)
Schlagzeug:
Dave Bailey (US jazz drummer) (von 1957-12-03 bis 1957-12-17)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (von 1957-12-03 bis 1957-12-17)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
aufgenommen bei:
Coastal Studios in New York, New York, Vereinigte Staaten (von 1957-12-03 bis 1957-12-17)
instrumental cover recording of:
Stardust (the jazz standard) (von 1957-12-03 bis 1957-12-17)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
recording of:
Stardust (the jazz standard)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
Gerry Mulligan4:43
5My Heart Belongs to Daddy
Gerry Mulligan4:13
6Jersey Bounce
Gerry Mulligan4:28
7The Surrey With the Fringe on Top
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (von 1957-12-03 bis 1957-12-17)
Bass:
Henry Grimes (US free jazz bassist) (von 1957-12-03 bis 1957-12-17)
Schlagzeug:
Dave Bailey (US jazz drummer) (von 1957-12-03 bis 1957-12-17)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (von 1957-12-03 bis 1957-12-17)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
aufgenommen bei:
Coastal Studios in New York, New York, Vereinigte Staaten (von 1957-12-03 bis 1957-12-17)
instrumental cover recording of:
The Surrey With the Fringe on Top (von 1957-12-03 bis 1957-12-17)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Williamson Music Company (vom 1943 bis heute)
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Gerry Mulligan4:43
8Ornithology
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (von 1957-12-03 bis 1957-12-17)
Bass:
Henry Grimes (US free jazz bassist) (von 1957-12-03 bis 1957-12-17)
Schlagzeug:
Dave Bailey (US jazz drummer) (von 1957-12-03 bis 1957-12-17)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (von 1957-12-03 bis 1957-12-17)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
aufgenommen bei:
Coastal Studios in New York, New York, Vereinigte Staaten (von 1957-12-03 bis 1957-12-17)
cover recording of:
Ornithology (von 1957-12-03 bis 1957-12-17)
Komponist(in):
Benny Harris und Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
Gerry Mulligan5:10
9Travelin' Light
Gerry Mulligan3:41
10Travelin' Light (alternate take)
Gerry Mulligan4:33
11The Song Is You
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (von 1957-12-03 bis 1957-12-17)
Bass:
Henry Grimes (US free jazz bassist) (von 1957-12-03 bis 1957-12-17)
Schlagzeug:
Dave Bailey (US jazz drummer) (von 1957-12-03 bis 1957-12-17)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (von 1957-12-03 bis 1957-12-17)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
aufgenommen bei:
Coastal Studios in New York, New York, Vereinigte Staaten (von 1957-12-03 bis 1957-12-17)
instrumental cover recording of:
The Song Is You (von 1957-12-03 bis 1957-12-17)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co.
Gerry Mulligan3:23
12Gee Baby, Ain't I Good to You
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (von 1957-12-03 bis 1957-12-17)
Bass:
Henry Grimes (US free jazz bassist) (von 1957-12-03 bis 1957-12-17)
Schlagzeug:
Dave Bailey (US jazz drummer) (von 1957-12-03 bis 1957-12-17)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (von 1957-12-03 bis 1957-12-17)
aufgenommen bei:
Coastal Studios in New York, New York, Vereinigte Staaten (von 1957-12-03 bis 1957-12-17)
instrumental cover recording of:
Gee, Baby Ain’t I Good to You (von 1957-12-03 bis 1957-12-17)
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Gerry Mulligan3:36
13Gee Baby, Ain't I Good to You (alternate take)
Gerry Mulligan3:32
14I Got Rhythm
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (von 1957-12-03 bis 1957-12-17)
Bass:
Henry Grimes (US free jazz bassist) (von 1957-12-03 bis 1957-12-17)
Schlagzeug:
Dave Bailey (US jazz drummer) (von 1957-12-03 bis 1957-12-17)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (von 1957-12-03 bis 1957-12-17)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
aufgenommen bei:
Coastal Studios in New York, New York, Vereinigte Staaten (von 1957-12-03 bis 1957-12-17)
instrumental cover recording of:
I Got Rhythm (von 1957-12-03 bis 1957-12-17)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV und New World Music Co. (in 1930)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Gerry Mulligan6:01
15All the Things You Are
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (von 1957-12-03 bis 1957-12-17)
Bass:
Henry Grimes (US free jazz bassist) (von 1957-12-03 bis 1957-12-17)
Schlagzeug:
Dave Bailey (US jazz drummer) (von 1957-12-03 bis 1957-12-17)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (von 1957-12-03 bis 1957-12-17)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
aufgenommen bei:
Coastal Studios in New York, New York, Vereinigte Staaten (von 1957-12-03 bis 1957-12-17)
instrumental cover recording of:
All the Things You Are (from “Very Warm for May”) (von 1957-12-03 bis 1957-12-17)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
Komponist(in):
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (beendet), T.B. Harms Inc. (beendet) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Broadway Rhythm (film)
recording of:
All the Things You Are (from “Very Warm for May”)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
Komponist(in):
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (beendet), T.B. Harms Inc. (beendet) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Broadway Rhythm (film)
Gerry Mulligan6:46
16Festive Minor
recording of:
Festive Minor
Komponist(in):
Gerry Mulligan
Gerry Mulligan4:09
4CD: The Collaborations
Nr.TitelKünstlerBewertungLänge
1Too Marvelous for Words
recording of:
Too Marvelous for Words
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Gerry Mulligan3:43
2Lover Man
recording of:
Lover Man
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
Gerry Mulligan3:07
3I'll Remember April
recording of:
I’ll Remember April
Texter:
Patricia Johnston und Don Raye
Komponist(in):
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) und Universal Music Corp. (USA, affiliated with ASCAP)
Gerry Mulligan4:15
4These Foolish Things
Gerry Mulligan3:28
5All the Things You Are
recording of:
All the Things You Are (from “Very Warm for May”)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
Komponist(in):
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (beendet), T.B. Harms Inc. (beendet) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Broadway Rhythm (film)
Gerry Mulligan3:55
6Bernie's Rune
recording of:
Bernie’s Tune
Texter:
Jerry Leiber und Mike Stoller
Komponist(in):
Bernie Miller (US jazz pianist 1919-1945; wrote 'Bernie's Tune')
publisher:
Atlantic Music Corp. (BMI)
Gerry Mulligan3:32
7Almost Like Being in Love
recording of:
Almost Like Being in Love (from “Brigadoon”)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
Brigadoon (complete musical)
Gerry Mulligan2:57
8Sextet
recording of:
Sextet
Komponist(in):
Gerry Mulligan
Gerry Mulligan3:01
9Broadway
recording of:
Broadway
Verfasser(in):
Bill Bird (US composer mostly known for co-writing "Broadway" in 1940), Teddy McRae und William Henri Woode
publisher:
Rayven Music
Gerry Mulligan2:55
10I Can't Believe That You're in Love With MeGerry Mulligan3:08
11Lady Be Good
Gerry Mulligan2:31
12Lady Be Good (alternate take)
Gerry Mulligan1:55
13Between the Devil and the Deep Blue Sea
recorded in:
New York, New York, Vereinigte Staaten (von 1957-12-11 bis 1957-12-12)
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (von 1957-12-11 bis 1957-12-12)
Bass:
Henry Grimes (US free jazz bassist) (von 1957-12-11 bis 1957-12-12)
Schlagzeug:
Dave Bailey (US jazz drummer) (von 1957-12-11 bis 1957-12-12)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (von 1957-12-11 bis 1957-12-12)
vocals:
Annie Ross (von 1957-12-11 bis 1957-12-12)
recording of:
Between the Devil and the Deep Blue Sea (von 1957-12-11 bis 1957-12-12)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
publisher:
Mills Music, S.A. Music Co. und Ted Koehler Music Co.
Gerry Mulligan3:41
14This Time the Dream's on Me
recorded in:
New York, New York, Vereinigte Staaten (von 1957-12-11 bis 1957-12-12)
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (von 1957-12-11 bis 1957-12-12)
Bass:
Henry Grimes (US free jazz bassist) (von 1957-12-11 bis 1957-12-12)
Schlagzeug:
Dave Bailey (US jazz drummer) (von 1957-12-11 bis 1957-12-12)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (von 1957-12-11 bis 1957-12-12)
vocals:
Annie Ross (von 1957-12-11 bis 1957-12-12)
recording of:
This Time the Dream’s on Me (von 1957-12-11 bis 1957-12-12)
Texter:
Johnny Mercer (in 1941)
Komponist(in):
Harold Arlen (in 1941)
Gerry Mulligan3:23
15Let There Be Love
recorded in:
New York, New York, Vereinigte Staaten (von 1957-12-11 bis 1957-12-12)
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (von 1957-12-11 bis 1957-12-12)
Bass:
Henry Grimes (US free jazz bassist) (von 1957-12-11 bis 1957-12-12)
Schlagzeug:
Dave Bailey (US jazz drummer) (von 1957-12-11 bis 1957-12-12)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (von 1957-12-11 bis 1957-12-12)
vocals:
Annie Ross (von 1957-12-11 bis 1957-12-12)
recording of:
Let There Be Love (von 1957-12-11 bis 1957-12-12)
Texter:
Ian Grant (lyricist)
Komponist(in):
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Gerry Mulligan3:44
16How About You?
recording of:
How About You?
Texter:
Ralph Freed
Komponist(in):
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1942 nominee)
Gerry Mulligan2:51
17I Guess I'll Have to Change My Plans
recording of:
I Guess I’ll Have to Change My Plan
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
Teil von:
The Band Wagon (1953 film)
Gerry Mulligan2:25
18This Is Always (alternate version)
recording of:
This Is Always
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
Gerry Mulligan4:00
19My Old Flame
recording of:
My Old Flame
Texter:
Sam Coslow
Komponist(in):
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Gerry Mulligan3:50
20It Don't Mean a Thing If It Ain't Got That Swing
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Gerry Mulligan2:10
21The Lady's in Love With You
recorded in:
New York, New York, Vereinigte Staaten (von 1957-12-11 bis 1957-12-12)
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (von 1957-12-11 bis 1957-12-12)
Kontrabass [bass]:
Henry Grimes (US free jazz bassist) (von 1957-12-11 bis 1957-12-12)
Schlagzeug:
Dave Bailey (US jazz drummer) (von 1957-12-11 bis 1957-12-12)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (von 1957-12-11 bis 1957-12-12)
vocals:
Annie Ross (von 1957-12-11 bis 1957-12-12)
recording of:
The Lady’s in Love With You (von 1957-12-11 bis 1957-12-12)
Texter:
Frank Loesser
Komponist(in):
Burton Lane
Gerry Mulligan2:27
22I've Grown Accustomed to Your Face (alternate version)
recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
My Fair Lady (full musical)
Gerry Mulligan3:06
23You Turned the Tables on Me
recorded in:
New York, New York, Vereinigte Staaten (von 1957-12-11 bis 1957-12-12)
Produzent(in):
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (von 1957-12-11 bis 1957-12-12)
Kontrabass [bass]:
Henry Grimes (US free jazz bassist) (von 1957-12-11 bis 1957-12-12)
Schlagzeug:
Dave Bailey (US jazz drummer) (von 1957-12-11 bis 1957-12-12)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (von 1957-12-11 bis 1957-12-12)
vocals:
Annie Ross (von 1957-12-11 bis 1957-12-12)
recording of:
You Turned the Tables on Me (von 1957-12-11 bis 1957-12-12)
Texter:
Sidney Mitchell
Komponist(in):
Louis Alter
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label) (in 1936)
Gerry Mulligan3:24

Nennungen

Veröffentlichung

Interpret(in):Chet Baker (American jazz trumpeter and vocalist)
Gerry Mulligan
Discogs:https://www.discogs.com/release/2550180 [Info]
ASIN:US: B00GMV6RSA [Info]
US: B000006L9F [Info]

Veröffentlichungsgruppe

Teil von:Prix de la meilleure réédition ou du meilleur inédit de l’Académie du Jazz (Nummer: 1996) (Reihenfolge: 48)