A Book of Chorale‐Settings: Easter, Ascension, Pentecost, Trinity

~ Release by Johann Sebastian Bach; Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart, Gerhard Gnann, Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Choralvorspiel, BWV 627 / Choralsatz, BWV 276 “Christ ist erstanden”
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Jesuitenkirche (Porrentruy) in Porrentruy, Jura (Canton of Jura), Switzerland and Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 276 "Christ ist erstanden" (from 1998-09 until 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 36) and Bach-Werke-Verzeichnis (number: BWV 276)
recording of:
Christ ist erstanden, BWV 627 (from 1999-02-20 until 1999-02-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 29) and Bach-Werke-Verzeichnis (number: BWV 627)
Johann Sebastian Bach5:59
2Choralsatz, BWV 284 “Christus ist erstanden”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 284 "Christus ist erstanden" (from 1998-09 until 1999-02)
lyricist:
Michael Weiße (German theologian and hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 51) and Bach-Werke-Verzeichnis (number: BWV 284)
Johann Sebastian Bach0:59
3Choralsatz, BWV 306 “Erstanden ist der heilge Christ” / Choralvorspiel, BWV 628
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Jesuitenkirche (Porrentruy) in Porrentruy, Jura (Canton of Jura), Switzerland and Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 306 "Erstanden ist der heilge Christ" (from 1998-09 until 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 85) and Bach-Werke-Verzeichnis (number: BWV 306)
recording of:
Erstanden ist der heilge Christ, BWV 628 (from 1999-02-20 until 1999-02-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 30) and Bach-Werke-Verzeichnis (number: BWV 628)
Johann Sebastian Bach1:57
4Geistliches Lied, BWV 441 “Auf, auf! mein Herz, mit Freuden” / Choralsatz, BWV 441 “Auf, auf! mein Herz, mit Freuden”
choir vocals:
Gächinger Kantorei Stuttgart
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Geistliches Lied, BWV 441 "Auf, auf! mein Herz, mit Freuden" (from 1998-09 until 1999-02)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 441)
version of:
Auf, auf, mein Herz, mit Freuden
Johann Sebastian Bach2:09
5Choralvorspiel, BWV 630a “Heut triumphieret Gottes Sohn”
organ:
Gerhard Gnann (German organist)
recorded at:
Jesuitenkirche (Porrentruy) in Porrentruy, Jura (Canton of Jura), Switzerland
recording of:
Choralvorspiel, BWV 630a "Heut triumphieret Gottes Sohn" (from 1999-02-20 until 1999-02-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 630a)
Johann Sebastian Bach1:18
6Geistliches Lied, BWV 480 “Kommt wieder aus der finstren Gruft” / Choralsatz, BWV deest (Wiemer 10) “Kommt wieder aus der finstren Gruft”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV deest (Wiemer 10) "Kommt wieder aus der finstren Gruft" (from 1998-09 until 1999-02)
recording of:
Geistliches Lied, BWV 480 "Kommt wieder aus der finstren Gruft" (from 1998-09 until 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 480)
Johann Sebastian Bach2:24
7Choralsatz, BWV 342 “Heut triumphieret Gottes Sohn”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 342 "Heut triumphieret Gottes Sohn" (from 1998-09 until 1999-02)
lyricist:
Basilius Förtsch (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 171) and Bach-Werke-Verzeichnis (number: BWV 342)
Johann Sebastian Bach2:29
8Choralvorspiel, BWV 728 / Choralsatz, BWV 365 “Jesus, meine Zuversicht”
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Jesuitenkirche (Porrentruy) in Porrentruy, Jura (Canton of Jura), Switzerland and Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 365 "Jesus, meine Zuversicht" (from 1998-09 until 1999-02)
lyricist:
Luise Henriette, Electress of Brandenburg (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 208) and Bach-Werke-Verzeichnis (number: BWV 365)
recording of:
Jesus, meine Zuversicht, BWV 728 (from 1999-02-20 until 1999-02-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 728)
Johann Sebastian Bach3:54
9Geistliches Lied, BWV 475 “Jesus, unser Trost und Leben”
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Geistliches Lied, BWV 475 "Jesus, unser Trost und Leben" (from 1998-09 until 1999-02)
lyricist:
Ernst Christoph Homburg (in 1659)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Bach-Werke-Verzeichnis (number: BWV 475)
Johann Sebastian Bach2:31
10Choralsatz, BWV 364 “Jesus Christus, unser Heiland” / Choralvorspiel, BWV 626
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Jesuitenkirche (Porrentruy) in Porrentruy, Jura (Canton of Jura), Switzerland and Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 364 "Jesus Christus, unser Heiland" (from 1998-09 until 1999-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 207) and Bach-Werke-Verzeichnis (number: BWV 364)
recording of:
Chorale Prelude, Jesus Christus, unser Heiland, BWV 626 (from 1999-02-20 until 1999-02-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 28) and Bach-Werke-Verzeichnis (number: BWV 626)
Johann Sebastian Bach2:57
11Choralsatz, BWV 277 “Christ lag in Todesbanden” / Choralsatz, BWV 278 “Christ lag in Todesbanden” / Choralvorspiel, BWV 718
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Jesuitenkirche (Porrentruy) in Porrentruy, Jura (Canton of Jura), Switzerland and Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 277 "Christ lag in Todesbanden" (from 1998-09 until 1999-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 38) and Bach-Werke-Verzeichnis (number: BWV 277)
recording of:
Choralsatz, BWV 278 "Christ lag in Todesbanden" (from 1998-09 until 1999-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 39) and Bach-Werke-Verzeichnis (number: BWV 278)
recording of:
Christ lag in Todes Banden, BWV 718 (from 1999-02-20 until 1999-02-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: BC K 119) and Bach-Werke-Verzeichnis (number: BWV 718)
Johann Sebastian Bach8:34
12Choralsatz, BWV 266 “Als vierzig Tag nach Ostern war”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 266 "Als vierzig Tag nach Ostern war" (from 1998-09 until 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Nikolaus Herman
part of:
Breitkopf 389 Choralgesänge (number: 22) and Bach-Werke-Verzeichnis (number: BWV 266)
Johann Sebastian Bach0:54
13Choralvorspiel, BWV 736 / Choralsatz, BWV 415 “Valet will ich dir geben”
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Jesuitenkirche (Porrentruy) in Porrentruy, Jura (Canton of Jura), Switzerland and Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 415 "Valet will ich dir geben" (from 1998-09 until 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Valerius Herberger (German hymn writer)
part of:
Bach-Werke-Verzeichnis (number: BWV 415) and Breitkopf 389 Choralgesänge (number: 314)
recording of:
Valet will ich dir geben, BWV 736 (from 1999-02-20 until 1999-02-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 736)
Johann Sebastian Bach6:01
14Geistliches Lied, BWV 482 “Liebes Herz, bedenke doch”
tenor vocals:
James Taylor (operatic tenor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Geistliches Lied, BWV 482 "Liebes Herz, bedenke doch" (from 1998-09 until 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 482)
Johann Sebastian Bach1:55
15Choralsatz, BWV 387 “Nun freut euch, Gottes Kinder all”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 387 "Nun freut euch, Gottes Kinder all" (from 1998-09 until 1999-02)
lyricist:
Erasmus Alberus
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 260) and Bach-Werke-Verzeichnis (number: BWV 387)
Johann Sebastian Bach0:37
16Choralsatz, BWV 388 “Nun freut euch, lieben Christen gmein”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 388 „Nun freut euch, lieben Christen gmein“ (from 1998-09 until 1999-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 261) and Bach-Werke-Verzeichnis (number: BWV 388)
Johann Sebastian Bach1:55
17Choralvorspiel, BWV 667a “Komm, Gott Schöpfer, Heiliger Geist”
organ:
Gerhard Gnann (German organist)
recorded at:
Jesuitenkirche (Porrentruy) in Porrentruy, Jura (Canton of Jura), Switzerland
recording of:
Choralvorspiel, BWV 667a "Komm, Gott Schöpfer, Heiliger Geist" (from 1999-02-20 until 1999-02-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 667.1) and Bach-Werke-Verzeichnis (number: BWV 667a)
revision of:
Komm, Gott Schöpfer, Heiliger Geist, BWV 631
Johann Sebastian Bach2:05
18Geistliches Lied, BWV 479 “Kommt, Seelen dieser Tag” / Choralsatz, BWV deest (Wiemer 9) “Kommt, Seelen dieser Tag”
choir vocals:
Gächinger Kantorei Stuttgart
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV deest (Wiemer 9) "Kommt, Seelen dieser Tag" (from 1998-09 until 1999-02)
recording of:
Geistliches Lied, BWV 479 "Kommt, Seelen dieser Tag" (from 1998-09 until 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 479)
Johann Sebastian Bach1:59
19Choralsatz, BWV 370 “Komm, Gott Schöpfer, Heiliger Geist” / Choralvorspiel, BWV 631a
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Jesuitenkirche (Porrentruy) in Porrentruy, Jura (Canton of Jura), Switzerland and Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 370 "Komm, Gott Schöpfer, Heiliger Geist" (from 1998-09 until 1999-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 218) and Bach-Werke-Verzeichnis (number: BWV 370)
recording of:
Choralvorspiel, BWV 631a "Komm, Gott Schöpfer, heiliger Geist" (from 1999-02-20 until 1999-02-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 631a)
Johann Sebastian Bach2:27
20Geistliches Lied, BWV 445 “Brunnquell aller Güter” / Choralsatz, BWV deest (Wiemer 4) “Brunnquell aller Güter”
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV deest (Wiemer 4) "Brunnquell aller Güter" (from 1998-09 until 1999-02)
recording of:
Geistliches Lied, BWV 445 "Brunnquell aller Güter" (from 1998-09 until 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 445)
Johann Sebastian Bach2:39
21Geistliches Lied, BWV 462 “Gott, wie groß ist deine Güte”
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Geistliches Lied, BWV 462 "Gott, wie groß ist deine Güte" (from 1998-09 until 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 462)
Johann Sebastian Bach1:40
22Choralsatz, BWV 295 “Des Heilgen Geistes reiche Gnad”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 295 "Des Heilgen Geistes reiche Gnad" (from 1998-09 until 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 63) and Bach-Werke-Verzeichnis (number: BWV 295)
Johann Sebastian Bach0:43
23Geistliches Lied, BWV 452 “Dir, dir, Jehova, will ich singen”
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Geistliches Lied, BWV 452 "Dir, dir, Jehova, will ich singen" (for voice and basso continuo) (from 1998-09 until 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Bartholomäus Crasselius (German hymn writer)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 39b), Bach Compendium (number: BC F 250) and Bach-Werke-Verzeichnis (number: BWV 452)
adaptation of:
Choralsatz, BWV 299 [1] "Dir, dir, Jehova, will ich singen" (for choir, in Clavier-Büchlein for Anna Magdalena Bach)
Johann Sebastian Bach1:53
24Choralsatz, BWV 385 “Nun bitten wir den heiligen Geist”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 385 "Nun bitten wir den heiligen Geist" (from 1998-09 until 1999-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 254) and Bach-Werke-Verzeichnis (number: BWV 385)
Johann Sebastian Bach1:53
25Choralvorspiel, BWV 652a “Komm, heiliger Geist”
organ:
Gerhard Gnann (German organist)
recorded at:
Jesuitenkirche (Porrentruy) in Porrentruy, Jura (Canton of Jura), Switzerland
recording of:
Choralvorspiel, BWV 652a "Komm, heiliger Geist" (from 1999-02-20 until 1999-02-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 652a)
Johann Sebastian Bach11:03
26Choralsatz, BWV 293 “Der du bist drei in Einigkeit”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 293 "Der du bist drei in Einigkeit" (from 1998-09 until 1999-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 61) and Bach-Werke-Verzeichnis (number: BWV 293)
Johann Sebastian Bach1:42
27Choralsatz, BWV 317 “Gott, der Vater, wohn uns bei”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 317 "Gott, der Vater, wohn uns bei" (from 1998-09 until 1999-02)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 113) and Bach-Werke-Verzeichnis (number: BWV 317)
Johann Sebastian Bach1:45
28Fuga super, BWV 716 “Allein Gott in der Höh sei Ehr”
organ:
Gerhard Gnann (German organist)
recorded at:
Jesuitenkirche (Porrentruy) in Porrentruy, Jura (Canton of Jura), Switzerland
recording of:
Fuga super "Allein Gott in der Höh sei Ehr", BWV 716 (from 1999-02-20 until 1999-02-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 716)
is based on:
Allein Gott in der Höh sei Ehr (Choral)
Johann Sebastian Bach2:16

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 88) (order: 80)