Back to Jazz: As melhores vozes do jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Let’s Face the Music and Dance
producer:
Tommy LiPuma and Johnny Mandel (American composer and arranger)
double bass:
John Clayton (US jazz and classical double bassist)
drums (drum set):
Jeff Hamilton (jazz drummer)
guitar:
Russell Malone
piano and lead vocals:
Diana Krall
conductor:
Eddie Karam and Johnny Mandel (American composer and arranger)
arranger:
Johnny Mandel (American composer and arranger)
cover recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
Diana Krall5:21
2It’s Oh So Quiet
recording of:
It’s Oh So Quiet
lyricist:
Erich Meder
composer:
Hans Lang (Austrian composer) and Bert Reisfeld
translator:
Bert Reisfeld
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Peermusic (UK) Limited and Songs of PolyGram International, Inc.
translated version of:
Und jetzt ist es still
Lisa Ekdahl2:39
3Your Heart Is as Black as Night
bass:
Ken Pendergast (bass player, vocalist)
drums (drum set):
Vinnie Colaiuta (drummer)
Hammond organ:
Larry Goldings
tenor saxophone:
Bryan Rogers (Musician - Saxophonist)
trumpet:
Patrick Hughes (Musician - Trumpet Player - Vocalist)
vocals:
Melody Gardot
recording of:
Your Heart Is as Black as Night
lyricist and composer:
Melody Gardot
Melody Gardot52:45
4That Ole Devil Called Love
vocals:
Alison Moyet
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
music videos:
That Ole Devil Called Love by Alison Moyet
cover recording of:
That Ole Devil Called Love
lyricist:
Doris Fisher (in 1944)
composer:
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Alison Moyet33:06
5I Get a Kick Out of You
bass:
Geoff Gascoyne
membranophone:
Sebastiaan de Krom (Dutch jazz drummer)
horn and strings arranger:
Geoff Gascoyne
arranger:
Jamie Cullum (pianist, jazz‐pop artist)
cover recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Jamie Cullum44:13
6Always Watching You
bass:
Barak Mori
electric guitar:
Dean Parks (American session guitarist)
membranophone:
Obed Calvaire (US jazz drummer)
organ:
Jochem van der Saag
Rhodes piano and piano:
Peter Cincotti
saxophone:
Scott Kreitzer
vocals:
Peter Cincotti
Peter Cincotti5:06
7Taking a Chance on Love
recording engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer) and Humberto Gatica
assistant mixer:
Courtney Blooding and Jorge Vivo (engineer)
bass:
Brian Bromberg
drums (drum set):
Vinnie Colaiuta (drummer)
guitar:
Dennis Budimir
piano:
Chris Dawson (pianist)
solo trumpet:
Rick Baptist
conductor:
Jeremy Lubbock
arranger:
Jeremy Lubbock
recorded at and mixed at:
Chartmaker Studios in Malibu, California, United States
cover recording of:
Taking a Chance on Love
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
Renee Olstead3:32
8In the Still of the Night
recording engineer and mixer:
Al Schmitt
producer:
Peter Asher and Al Schmitt
vocals:
Jane Monheit
conductor:
Jorge Calandrelli
arranger:
Jorge Calandrelli
cover recording of:
In the Still of the Night (Cole Porter song)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
Jane Monheit45:07
9No One After You
engineer:
Ed Sanders (producer/engineer)
producer:
Leonard Cohen (Canadian singer‐songwriter and poet), Ed Sanders (producer/engineer) and Anjani Thomas
arranger:
Anjani Thomas
engineered at:
7th Street Sound in Los Angeles, California, United States
recording of:
No One After You
lyricist:
Leonard Cohen (Canadian singer‐songwriter and poet)
composer:
Anjani Thomas
publisher:
Little Fountain Music and Sony/ATV Songs LLC
Anjani Thomas4:11
10Teach Me Tonight
recording engineer:
Ken Freeman (US sound engineer)
associate producer:
Kevin Mahogany
producer:
Matt Pierson (producer)
mixer:
James A. Farber (sound engineer)
bass:
Charles Fambrough
drums (drum set):
Billy Kilson (American jazz drummer)
piano:
Bob James (US jazz keyboardist, arranger and producer)
tenor saxophone:
Kirk Whalum
vocals:
Kevin Mahogany
arranger:
Bob James (US jazz keyboardist, arranger and producer)
cover recording of:
Teach Me Tonight
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Co., Hub Music Co., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Kevin Mahogany4:29
11(Getting Some) Fun Out of Life
recording engineer and engineer:
Michael O’Reilly (engineer)
producer:
Yves Beauvais and Greg Cohen
bass:
Steve Kirby (American jazz bassist)
drums (drum set):
Leon Parker
guitar:
Madeleine Peyroux (US jazz singer & songwriter)
piano:
Cyrus Chestnut (American jazz composer and pianist)
vocals:
Madeleine Peyroux (US jazz singer & songwriter)
recorded at:
Unique Studios in Manhattan, New York, New York, United States
cover recording of:
(Getting Some) Fun Out of Life
lyricist:
Edgar Leslie
composer:
Joe Burke (American composer)
Madeleine Peyroux33:13
12Gosto
Maria João & Mário Laginha6:17
13The Logical Song
cover recording of:
The Logical Song
writer:
Rick Davies (UK keyboardist, member of Supertramp) and Roger Hodgson
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Delicate Music and Rondor Music
Fleurine & Brad Mehldau5:25
14Bewitched, Bothered and Bewildered
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (in 2000)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
Silje Nergaard5:25
15Ev’ry Time We Say Goodbye
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Simply Red3:27
16I’m Alright Now
recording of:
I'm All Right Now (in 1994)
additional lyricist:
Cynthia Thompson
composer:
Ray Jessel
John Pizzarelli3:08
17Quando
Paula Oliveira & Bernardo Moreira2:30
18Dream
Jimmy Scott4:44
2▼CD
#TitleArtistRatingLength
1Autumn Leaves
cover recording of:
Autumn Leaves (jazz standard, english lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
Tony Bennett2:00
2Mad About the Boy
recorded in:
Chicago, Illinois, United States (on 1961-12-04)
piano:
Jack Wilson (jazz pianist) (on 1961-12-04)
trombone:
Billy Byers (on 1961-12-04)
trumpet:
Joe Newman (US jazz trumpeter) (on 1961-12-04)
vocals:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (on 1961-12-04)
arranger:
Quincy Jones (on 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington52:48
3Keepin’ Out of Mischief Now
recording engineer:
Steve Sykes (US engineer) and Thomas R. Yezzi
mixer:
Tom Schick
bass:
Chuck Berghofer (Jazz bassist)
drums (drum set):
John Guerin
guitar:
Dean Parks (American session guitarist)
piano:
Alan Broadbent
vocals:
Diane Schuur
arranger:
Shane Keister
recording of:
Keepin’ Out of Mischief Now
lyricist:
Andy Razaf
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Razaf Music
Diane Schuur3:15
4How Am I to Know?
recording engineer:
David Baker (American engineer and producer - jazz, funk, ...) and Al Schmitt
producer:
Johnny Mandel (American composer and arranger)
mixer:
Al Schmitt
bass:
Charles Ables
drums (drum set):
Steve Williams (US jazz drummer)
piano:
Shirley Horn
solo flute:
James Walker (plays flute on Shirley Horn's album “Here’s to Live”)
vocals:
Shirley Horn
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States and Group IV Studios in Hollywood, Los Angeles, California, United States
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
cover recording of:
How Am I to Know?
lyricist:
Dorothy Parker
composer:
Jackie King
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Shirley Horn3:25
5Brother Can You Spare a Dime?
cover recording of:
Brother Can You Spare a Dime
lyricist:
Yip Harburg
composer:
Jay Gorney
Abbey Lincoln6:46
6Trav’lin’ Light
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (from 1964-10-19 until 1964-10-21)
clarinet:
Buddy DeFranco (from 1964-10-19 until 1964-10-21)
instruments:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1964-10-19 until 1964-10-21)
tenor saxophone:
Plas Johnson (from 1964-10-19 until 1964-10-21)
vibraphone:
Frank Flynn (from 1964-10-19 until 1964-10-21)
lead vocals:
Ella Fitzgerald (American jazz singer) (from 1964-10-19 until 1964-10-21)
conductor:
Nelson Riddle (from 1964-10-19 until 1964-10-21)
performer:
Nelson Riddle and His Orchestra (in 1964)
arranger:
Nelson Riddle
cover recording of:
Trav’lin’ Light (in 1964)
lyricist:
Johnny Mercer (in 1942)
composer:
Jimmy Mundy (in 1942) and Trummy Young (in 1942)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publishing, Music Sales Corporation (American copyright holder in both popular and classical music), Rytvoc, Inc. (ASCAP) and WB Music Corp. (1929–2019)
Ella Fitzgerald3:49
7Black Coffee
cover recording of:
Black Coffee (1948 song)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Chris Connor & Maynard Ferguson3:39
8Autumn in New York
engineer:
Arthur Lilley (engineer)
producer:
Tony D’Amato
orchestra:
The John Keating Orchestra
Caterina Valente3:44
9Strangers in the Night
Mel Tormé2:40
10When I Fall in Love
recorded in:
New York, New York, United States (from 1958-12-01 until 1958-12-02)
double bass:
Joe Benjamin (US jazz bassist) (from 1958-12-01 until 1958-12-02)
drums (drum set):
Charlie Smith (US jazz drummer) (from 1958-12-01 until 1958-12-02)
piano:
Don Abney (US jazz pianist) (from 1958-12-01 until 1958-12-02)
vocals:
Carmen McRae (from 1958-12-01 until 1958-12-02)
conductor:
Frank Hunter (Arranger/composer during the 50s/60s) (from 1958-12-01 until 1958-12-02)
arranger:
Frank Hunter (Arranger/composer during the 50s/60s)
cover recording of:
When I Fall in Love (from 1958-12-01 until 1958-12-02)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Carmen McRae3:49
11God Bless the Child
recording of:
God Bless the Child (on 1956-06-07)
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday44:00
12Tea for Two
recorded in:
New York, New York, United States (from 1958-09-12 until 1958-09-13)
engineer:
Tommy Nola
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1958-09-12 until 1958-09-13)
drums (drum set):
Ed Thigpen (from 1958-09-12 until 1958-09-13)
guitar:
Mundell Lowe (from 1958-09-12 until 1958-09-13)
piano:
Blossom Dearie (from 1958-09-12 until 1958-09-13)
vocals:
Blossom Dearie (from 1958-09-12 until 1958-09-13)
Blossom Dearie3:23
13Don’t Explain
cover recording of:
Don’t Explain
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Helen Merrill5:12
14Cheek to Cheek
recorded in:
Los Angeles, California, United States (in 1952-12)
producer:
Norman Granz
bass guitar:
Ray Brown (jazz bassist)
drums (drum set):
Alvin Stoller
guitar:
Barney Kessel
piano:
Oscar Peterson (Canadian jazz pianist and composer)
tenor saxophone:
Flip Phillips
trumpet:
Charlie Shavers
vocals:
Adele Astaire and Fred Astaire (in 1952-12)
cover recording of:
Cheek to Cheek (from “Top Hat”) (in 1952-12)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Fred Astaire5:42
15I Can’t Help It
Betty Carter2:47
16Wave
cover recording of:
Wave (English lyrics)
lyricist and composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp.
version of:
Wave (original instrumental)
Sarah Vaughan3:28
17If I Should Lose You
producer:
Hal Mooney
piano:
Nina Simone
vocals:
Nina Simone
arranger:
Nina Simone
cover recording of:
If I Should Lose You (on 1965-05-20)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Nina Simone4.54:00
18Come Rain or Come Shine
Joe Williams4:00
19As Time Goes By
Johnnie Ray3:15
20Blue Moon
cover recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
Billy Eckstine3:13
21What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong42:16