Fidelio (Salzburg 1948)

~ Release by Beethoven; Wilhelm Furtwängler, Erna Schlüter, Lisa della Casa, Julius Patzak, Rudolf Schock, Ferdinand Frantz, Herbert Alsen (see all versions of this release, 2 available)

Tracklist

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1▼Digital Media
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1Fidelio, op. 72: Overture
recorded in:
Salzburg, Salzburg, Austria (on 1948-08-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1948-08-03)
conductor:
Wilhelm Furtwängler (conductor) (on 1948-08-03)
recorded at:
Fidelio (1948-08-03)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (on 1948-08-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven6:54
2Fidelio, op. 72, Act I: Jetzt, Schätzchen, jetzt sind wir allein
recorded in:
Salzburg, Salzburg, Austria (on 1948-08-03)
vocals:
Jaquino (tenor) (on 1948-08-03) and Marzelline (soprano) (on 1948-08-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1948-08-03)
conductor:
Wilhelm Furtwängler (conductor) (on 1948-08-03)
recorded at:
Fidelio (1948-08-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (on 1948-08-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:11
3Fidelio, op. 72, Act I: Dialogue
recorded in:
Salzburg, Salzburg, Austria (in 1948)
recorded at:
Fidelio (1948-08-03)
partial recording of:
Fidelio, op. 72 (1814 version) (in 1948)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
premiered at:
Theater am Kärntnertor in Innere Stadt, Wien (Vienna), Austria (on 1814-05-23)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72)
revision of:
Leonore, Hess 109
Ludwig van Beethoven0:12
4Fidelio, op. 72, Act I: O war’ ich schon mit dir vereint
recorded in:
Salzburg, Salzburg, Austria (on 1948-08-03)
vocals:
Marzelline (soprano) (on 1948-08-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1948-08-03)
conductor:
Wilhelm Furtwängler (conductor) (on 1948-08-03)
recorded at:
Fidelio (1948-08-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (on 1948-08-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly and Joseph Sonnleithner
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:54
5Fidelio, op. 72, Act I: Dialogue
recorded in:
Salzburg, Salzburg, Austria (on 1948-08-03)
recorded at:
Fidelio (1948-08-03)
partial recording of:
Fidelio, op. 72 (1814 version) (on 1948-08-03)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
premiered at:
Theater am Kärntnertor in Innere Stadt, Wien (Vienna), Austria (on 1814-05-23)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72)
revision of:
Leonore, Hess 109
Ludwig van Beethoven1:18
6Fidelio, op. 72, Act I: Mir ist so wunderbar
recorded in:
Salzburg, Salzburg, Austria (on 1948-08-03)
vocals:
Jaquino (tenor) (on 1948-08-03), Leonore (soprano) (on 1948-08-03), Marzelline (soprano) (on 1948-08-03) and Rocco (operatic bass) (on 1948-08-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1948-08-03)
conductor:
Wilhelm Furtwängler (conductor) (on 1948-08-03)
recorded at:
Fidelio (1948-08-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (on 1948-08-03)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:05
7Fidelio, op. 72, Act I: Dialogue
recorded in:
Salzburg, Salzburg, Austria (on 1948-08-03)
recorded at:
Fidelio (1948-08-03)
partial recording of:
Fidelio, op. 72 (1814 version) (on 1948-08-03)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
premiered at:
Theater am Kärntnertor in Innere Stadt, Wien (Vienna), Austria (on 1814-05-23)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72)
revision of:
Leonore, Hess 109
Ludwig van Beethoven0:50
8Fidelio, op. 72, Act I: Hat man nicht auch Gold beineben
recorded in:
Salzburg, Salzburg, Austria (in 1948)
vocals:
Rocco (operatic bass) (in 1948)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1948)
conductor:
Wilhelm Furtwängler (conductor) (in 1948)
recorded at:
Fidelio (1948-08-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (in 1948)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:02
9Fidelio, op. 72, Act I: Abscheulicher! Wo eilst du hin?
recorded in:
Salzburg, Salzburg, Austria (in 1948)
vocals:
Leonore (soprano) (in 1948)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1948)
conductor:
Wilhelm Furtwängler (conductor) (in 1948)
recorded at:
Fidelio (1948-08-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (in 1948)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:21
10Fidelio, op. 72, Act I: Komm, Hoffnung, lass den letzten Stern
recorded in:
Salzburg, Salzburg, Austria (in 1948)
vocals:
Leonore (soprano) (in 1948), Marzelline (soprano) (in 1948) and Rocco (operatic bass) (in 1948)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1948)
conductor:
Wilhelm Furtwängler (conductor) (in 1948)
recorded at:
Fidelio (1948-08-03)
recording of:
Fidelio: Act I. No. 9b Aria. "Komm Hoffnung, lass den letzten Stern" (Leonore, Marzelline, Rocco) (in 1948)
composer:
Ludwig van Beethoven (German composer)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
Ludwig van Beethoven3:27
11Fidelio, op. 72, Act I: Ich folg’ dem innern Triebe
recorded in:
Salzburg, Salzburg, Austria (in 1948)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor) (in 1948)
recorded at:
Fidelio (1948-08-03)
partial recording of:
Fidelio, op. 72: Akt I
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72 (1814 version)
Ludwig van Beethoven2:13
12Fidelio, op. 72, Act I: Dialogue
recorded in:
Salzburg, Salzburg, Austria (in 1948)
recorded at:
Fidelio (1948-08-03)
partial recording of:
Fidelio, op. 72 (1814 version) (in 1948)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
premiered at:
Theater am Kärntnertor in Innere Stadt, Wien (Vienna), Austria (on 1814-05-23)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72)
revision of:
Leonore, Hess 109
Ludwig van Beethoven1:44
13Fidelio, op. 72, Act I: O welche Lust, in freier Luft den Atem leicht zu heben! “Prison Chorus”
recorded in:
Salzburg, Salzburg, Austria (in 1948)
vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1948)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1948)
conductor:
Wilhelm Furtwängler (conductor) (in 1948)
recorded at:
Fidelio (1948-08-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (in 1948)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven8:05
14Fidelio, op. 72, Act I: Nun sprecht, wie ging’s?
recorded in:
Salzburg, Salzburg, Austria (in 1948)
vocals:
Leonore (soprano) (in 1948) and Rocco (operatic bass) (in 1948)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1948)
conductor:
Wilhelm Furtwängler (conductor) (in 1948)
recorded at:
Fidelio (1948-08-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (in 1948)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:58
15Fidelio, op. 72, Act I: Ach, Vater, Vater, eilt!
recorded in:
Salzburg, Salzburg, Austria (in 1948)
vocals:
Don Pizarro (baritone) (in 1948), Jaquino (tenor) (in 1948), Leonore (soprano) (in 1948), Marzelline (soprano) (in 1948) and Rocco (operatic bass) (in 1948)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1948)
conductor:
Wilhelm Furtwängler (conductor) (in 1948)
recorded at:
Fidelio (1948-08-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (in 1948)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:41
16Fidelio, op. 72, Act I: Leb wohl, du warmes Sonnenlicht
recorded in:
Salzburg, Salzburg, Austria (in 1948)
vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1948), Don Pizarro (baritone) (in 1948), Jaquino (tenor) (in 1948), Leonore (soprano) (in 1948), Marzelline (soprano) (in 1948) and Rocco (operatic bass) (in 1948)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1948)
conductor:
Wilhelm Furtwängler (conductor) (in 1948)
recorded at:
Fidelio (1948-08-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (in 1948)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:29
17Fidelio, op. 72, Act I: Overture. Leonore II
recorded in:
Hamburg, Germany (on 1947-06-09)
orchestra:
Philharmonisches Staatsorchester Hamburg (Hamburg Philharmonic State Orchestra) (on 1947-06-09)
conductor:
Wilhelm Furtwängler (conductor) (on 1947-06-09)
recording of:
Overture “Leonore” no. 2 in C major, op. 72a (on 1947-06-09)
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72a)
part of:
Leonore, Hess 109
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven15:53
2▼Digital Media
#TitleArtistRatingLength
1Fidelio, op. 72, Act II: Gott! Welch’ Dunkel hier!
recorded in:
Salzburg, Salzburg, Austria (in 1948)
vocals:
Florestan (tenor) (in 1948)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1948)
conductor:
Wilhelm Furtwängler (conductor) (in 1948)
recorded at:
Fidelio (1948-08-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan) (in 1948)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:39
2Fidelio, op. 72, Act II: In des Lebens Frühlingstagen
recorded in:
Salzburg, Salzburg, Austria (in 1948)
vocals:
Florestan (tenor) (in 1948)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1948)
conductor:
Wilhelm Furtwängler (conductor) (in 1948)
recorded at:
Fidelio (1948-08-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11b "In des Lebens Frühlingstagen" (Florestan) (in 1948)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
Ludwig van Beethoven2:52
3Fidelio, op. 72, Act II: Und spur ich nicht linde
recorded in:
Salzburg, Salzburg, Austria (on 1948-08-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1948-08-03)
conductor:
Wilhelm Furtwängler (conductor) (on 1948-08-03)
recorded at:
Fidelio (1948-08-03)
partial recording of:
Fidelio, op. 72: Akt II
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72 (1814 version)
Ludwig van Beethoven2:50
4Fidelio, op. 72, Act II: Wie kalt ist es
recorded in:
Salzburg, Salzburg, Austria (on 1948-08-03)
vocals:
Leonore (soprano) (on 1948-08-03) and Rocco (operatic bass) (on 1948-08-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1948-08-03)
conductor:
Wilhelm Furtwängler (conductor) (on 1948-08-03)
recorded at:
Fidelio (1948-08-03)
recording of:
Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (dialogue w/ music) (on 1948-08-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven2:06
5Fidelio, op. 72, Act II: Nur hurtig fort, nur frisch gegraben
recorded in:
Salzburg, Salzburg, Austria (in 1948)
vocals:
Leonore (soprano) (in 1948) and Rocco (operatic bass) (in 1948)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1948)
conductor:
Wilhelm Furtwängler (conductor) (in 1948)
recorded at:
Fidelio (1948-08-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (in 1948)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven4:34
6Fidelio, op. 72, Act II: Dialogue
recorded in:
Salzburg, Salzburg, Austria (in 1948)
recorded at:
Fidelio (1948-08-03)
partial recording of:
Fidelio, op. 72 (1814 version) (in 1948)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
premiered at:
Theater am Kärntnertor in Innere Stadt, Wien (Vienna), Austria (on 1814-05-23)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72)
revision of:
Leonore, Hess 109
Ludwig van Beethoven2:07
7Fidelio, op. 72, Act II: Euch werde Lohn in bessern Welten
recorded in:
Salzburg, Salzburg, Austria (in 1948)
vocals:
Florestan (tenor) (in 1948), Leonore (soprano) (in 1948) and Rocco (operatic bass) (in 1948)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1948)
conductor:
Wilhelm Furtwängler (conductor) (in 1948)
recorded at:
Fidelio (1948-08-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (in 1948)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:41
8Fidelio, op. 72, Act II: Dialogue
recorded in:
Salzburg, Salzburg, Austria (in 1948)
recorded at:
Fidelio (1948-08-03)
partial recording of:
Fidelio, op. 72 (1814 version) (in 1948)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
premiered at:
Theater am Kärntnertor in Innere Stadt, Wien (Vienna), Austria (on 1814-05-23)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72)
revision of:
Leonore, Hess 109
Ludwig van Beethoven0:49
9Fidelio, op. 72, Act II: Er sterbe!
recorded in:
Salzburg, Salzburg, Austria (in 1948)
vocals:
Don Pizarro (baritone) (in 1948), Florestan (tenor) (in 1948), Leonore (soprano) (in 1948) and Rocco (operatic bass) (in 1948)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1948)
conductor:
Wilhelm Furtwängler (conductor) (in 1948)
recorded at:
Fidelio (1948-08-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (in 1948)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven5:09
10Fidelio, op. 72, Act II: Dialogue
recorded in:
Salzburg, Salzburg, Austria (in 1948)
recorded at:
Fidelio (1948-08-03)
partial recording of:
Fidelio, op. 72 (1814 version) (in 1948)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
premiered at:
Theater am Kärntnertor in Innere Stadt, Wien (Vienna), Austria (on 1814-05-23)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72)
revision of:
Leonore, Hess 109
Ludwig van Beethoven0:10
11Fidelio, op. 72, Act II: O namenlose Freude!
recorded in:
Salzburg, Salzburg, Austria (in 1948)
vocals:
Florestan (tenor) (in 1948) and Leonore (soprano) (in 1948)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1948)
conductor:
Wilhelm Furtwängler (conductor) (in 1948)
recorded at:
Fidelio (1948-08-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (in 1948)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven2:38
12Fidelio, op. 72, Act II: Overture Leonore III
recorded in:
Salzburg, Salzburg, Austria (in 1948)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Wilhelm Furtwängler (conductor)
recorded at:
Fidelio (1948-08-03)
recording of:
Overture “Leonore” no. 3 in C major, op. 72b (in 1948)
composer:
Ludwig van Beethoven (German composer) (from 1805 until 1806)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72b)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven16:42
13Fidelio, op. 72, Act II: Finale. Heil! Heil sei dem Tag!
recorded in:
Salzburg, Salzburg, Austria (in 1948)
vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1948)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1948)
conductor:
Wilhelm Furtwängler (conductor) (in 1948)
recorded at:
Fidelio (1948-08-03)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (in 1948)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven2:01
14Fidelio, op. 72, Act II: Des besten Königs Wink und Wille
recorded in:
Salzburg, Salzburg, Austria (on 1948-08-03)
vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (on 1948-08-03), Don Fernando (austrian bass-baritone) (on 1948-08-03), Don Pizarro (baritone) (on 1948-08-03), Leonore (soprano) (on 1948-08-03), Marzelline (soprano) (on 1948-08-03) and Rocco (operatic bass) (on 1948-08-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1948-08-03)
conductor:
Wilhelm Furtwängler (conductor) (on 1948-08-03)
recorded at:
Fidelio (1948-08-03)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (on 1948-08-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven3:54
15Fidelio, op. 72, Act II: Du schlossest auf des Edlen Grab
recorded in:
Salzburg, Salzburg, Austria (on 1948-08-03)
vocals:
Don Fernando (austrian bass-baritone) (on 1948-08-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1948-08-03)
conductor:
Wilhelm Furtwängler (conductor) (on 1948-08-03)
recorded at:
Fidelio (1948-08-03)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando) (on 1948-08-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven4:07
16Fidelio, op. 72, Act II: Wer ein holdes Weib errungen
recorded in:
Salzburg, Salzburg, Austria (on 1948-08-03)
vocals:
Don Fernando (austrian bass-baritone) (on 1948-08-03), Florestan (tenor) (on 1948-08-03), Jaquino (tenor) (on 1948-08-03), Leonore (soprano) (on 1948-08-03), Marzelline (soprano) (on 1948-08-03) and Rocco (operatic bass) (on 1948-08-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1948-08-03)
conductor:
Wilhelm Furtwängler (conductor) (on 1948-08-03)
recorded at:
Fidelio (1948-08-03)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (on 1948-08-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven4:35