Clavier‐Büchlein für Anna Magdalena Bach, 1725

~ Release by Johann Sebastian Bach; Michael Behringer (see all versions of this release, 1 available)

Tracklist

| |
1▼Digital Media
#TitleArtistRatingLength
1Clavier‐büchlein für Anna Magdalena Bach 1725: Partita no. 3 a‐Moll, BWV 827: I. Prélude
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Partita no. 3 in A minor, BWV 827: I. Fantaisie
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 3 in A minor, BWV 827
Johann Sebastian Bach3:08
2Clavier‐büchlein für Anna Magdalena Bach 1725: Partita no. 3 a‐Moll, BWV 827: II. Allemande
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Partita no. 3 in A minor, BWV 827: II. Allemande
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 3 in A minor, BWV 827
Johann Sebastian Bach3:42
3Clavier‐büchlein für Anna Magdalena Bach 1725: Partita no. 3 a‐Moll, BWV 827: III. Corrente
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Partita no. 3 in A minor, BWV 827: III. Courante
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 3 in A minor, BWV 827
Johann Sebastian Bach2:43
4Clavier‐büchlein für Anna Magdalena Bach 1725: Partita no. 3 a‐Moll, BWV 827: IV. Sarabande
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Partita no. 3 in A minor, BWV 827: IV. Sarabande
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 3 in A minor, BWV 827
Johann Sebastian Bach5:02
5Clavier‐büchlein für Anna Magdalena Bach 1725: Partita no. 3 a‐Moll, BWV 827: V. Menuet
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Partita no. 3 in A minor, BWV 827: V. Burlesca
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 3 in A minor, BWV 827
Johann Sebastian Bach1:51
6Clavier‐büchlein für Anna Magdalena Bach 1725: Partita no. 3 a‐Moll, BWV 827: VI. Gigue
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Partita no. 3 in A minor, BWV 827: VII. Gigue
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 3 in A minor, BWV 827
Johann Sebastian Bach4:38
7Clavier‐büchlein für Anna Magdalena Bach 1725: Partita no. 4 e‐Moll, BWV 830: I. Prélude
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Partita no. 6 in E minor, BWV 830: I. Toccata
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 6 in E minor, BWV 830
Johann Sebastian Bach6:13
8Clavier‐büchlein für Anna Magdalena Bach 1725: Partita no. 4 e‐Moll, BWV 830: II. Allemande
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Partita no. 6 in E minor, BWV 830: II. Allemande
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 6 in E minor, BWV 830
Johann Sebastian Bach4:10
9Clavier‐büchlein für Anna Magdalena Bach 1725: Partita no. 4 e‐Moll, BWV 830: III. Corrente
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Partita no. 6 in E minor, BWV 830: III. Courante (same as BWV 1019.1 (former 1019a/v1): III. Cembalo solo)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 6 in E minor, BWV 830
part of:
Sonate für Violine und Cembalo G-dur, BWV 1019.1 (Sonata for Violin and Harpsichord in G major, BWV 1019.1, former 1019a, 1. version)
Johann Sebastian Bach4:04
10Clavier‐büchlein für Anna Magdalena Bach 1725: Partita no. 4 e‐Moll, BWV 830: IV. Sarabande
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Partita no. 6 in E minor, BWV 830: V. Sarabande
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 6 in E minor, BWV 830
Johann Sebastian Bach8:07
11Clavier‐büchlein für Anna Magdalena Bach 1725: Partita no. 4 e‐Moll, BWV 830: V. Tempo di Gavotta
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Partita no. 6 in E minor, BWV 830: VI. Tempo di Gavotta
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 6 in E minor, BWV 830
Johann Sebastian Bach2:03
12Clavier‐büchlein für Anna Magdalena Bach 1725: Partita no. 4 e‐Moll, BWV 830: VI. Gigue
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Partita no. 6 in E minor, BWV 830: VII. Gigue
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 6 in E minor, BWV 830
Johann Sebastian Bach5:43
13Clavier‐büchlein für Anna Magdalena Bach 1725: Menuet F‐Dur, BWV Anh. 113
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Clavier-büchlein für Anna Magdalena Bach 1725: Menuet F-Dur, BWV Anh. 113
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 3) and Bach-Werke-Verzeichnis (number: BWV Anh. 113)
Johann Sebastian Bach1:20
14Clavier‐büchlein für Anna Magdalena Bach 1725: Menuet G‐Dur, BWV Anh. 114
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Minuet in G major, BWV Anh. 114 (for keyboard)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 4) and Bach-Werke-Verzeichnis (number: BWV Anh. 114)
Johann Sebastian Bach1:18
15Clavier‐büchlein für Anna Magdalena Bach 1725: Menuet g‐Moll, BWV Anh. 115
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Menuet in G minor, BWV Anh. 115
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 5), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 115 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 115)
Johann Sebastian Bach2:07
16Clavier‐büchlein für Anna Magdalena Bach 1725: Rondeau B‐Dur, BWV Anh. 183
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Rondeau, BWV Anh. 183
composer:
François Couperin (French composer of the Baroque era)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 6), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. III 183), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV Suppl 1, S. 638) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 183)
Johann Sebastian Bach4:29
17Clavier‐büchlein für Anna Magdalena Bach 1725: Menuet G‐Dur, BWV Anh. 116
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Minuet in G major, BWV Anh. 116
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 7), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 116) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 116)
Johann Sebastian Bach1:36
18Clavier‐büchlein für Anna Magdalena Bach 1725: Polonaise F‐Dur, BWV Anh. 117a/b
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Polonaise F-Dur, BWV Anh. 117a
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 8), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 117a) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 117a)
version of:
Polonaise F-Dur, BWV Anh. 117b
recording of:
Polonaise F-Dur, BWV Anh. 117b
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 8), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 117b) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 117)
Johann Sebastian Bach1:09
19Clavier‐büchlein für Anna Magdalena Bach 1725: Menuet B‐Dur, BWV Anh. 118
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Minuet in B-flat major, BWV Anh. 118
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 9) and Bach-Werke-Verzeichnis (number: BWV Anh. 118)
Johann Sebastian Bach1:06
20Clavier‐büchlein für Anna Magdalena Bach 1725: Polonaise g‐Moll, BWV Anh. 119
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Polonaise in G minor, BWV Anh. 119
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 10) and Bach-Werke-Verzeichnis (number: BWV Anh. 119)
Johann Sebastian Bach0:52
21Clavier‐büchlein für Anna Magdalena Bach 1725: Choralvorspiel, BWV 691 “Wer nur den lieben Gott läßt walten”
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Wer nur den lieben Gott läßt walten, BWV 691 (from 1999-02 until 1999-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Chorale Preludes, Kirnberger Collection (number: 2), Notebook for Anna Magdalena Bach (1725) (number: 11), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 691) and Bach Compendium (number: BC K 99)
is based on:
Wer nur den lieben Gott läßt walten (1641 hymn)
Johann Sebastian Bach2:12
22Clavier‐büchlein für Anna Magdalena Bach 1725: Choralvorspiel F‐Dur, BWV 510 “Gib dich zufrieden und sei stille”
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Choralsatz F-Dur, BWV 510 “Gib dich zufrieden und sei stille” (attribution doubtful)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Paul Gerhardt (17th century hymn writer)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 12), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 510) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 510)
Johann Sebastian Bach1:07
23Clavier‐büchlein für Anna Magdalena Bach 1725: Choralvorspiel, BWV 511/512 “Gib dich zufrieden und sei stille”
harpsichord and organ:
Michael Behringer (conductor, organist and harpsichordist)
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 511 “Gib dich zufrieden und sei stille”
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1666)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 13a), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 511), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 511) and Bach Compendium (number: BC F 214a)
recording of:
Choralsatz, BWV 512 “Gib dich zufrieden und sei stille”
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Paul Gerhardt (17th century hymn writer)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 13), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 512) and Bach Compendium (number: BC F 214b)
Johann Sebastian Bach1:02
24Clavier‐büchlein für Anna Magdalena Bach 1725: Menuet a‐Moll, BWV Anh. 120
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Clavier-büchlein für Anna Magdalena Bach 1725: Menuet a-Moll, BWV Anh. 120
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 14) and Bach-Werke-Verzeichnis (number: BWV Anh. 120)
Johann Sebastian Bach1:14
25Clavier‐büchlein für Anna Magdalena Bach 1725: Menuet c‐Moll, BWV Anh. 121
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Menuett c-Moll, BWV Anh. 121
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 15), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 121) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 121)
Johann Sebastian Bach1:08
26Clavier‐büchlein für Anna Magdalena Bach 1725: Marche D‐Dur, BWV Anh. 122
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Marche in D major, BWV Anh. 122, H. 1/1
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 1/1), Notebook for Anna Magdalena Bach (1725) (number: 16) and Bach-Werke-Verzeichnis (number: BWV Anh. 122)
Johann Sebastian Bach0:51
27Clavier‐büchlein für Anna Magdalena Bach 1725: Polonaise g‐Moll, BWV Anh. 123
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Polonaise in G minor, BWV Anh. 123, H. 1/2
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Repertorium Carl Philipp Emanuel Bach (BR‑CPEB) (number: BR‑CPEB A‑Juv 3), Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 1/2), Notebook for Anna Magdalena Bach (1725) (number: 17), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 123 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 123)
Johann Sebastian Bach1:02
28Clavier‐büchlein für Anna Magdalena Bach 1725: Marche G‐Dur, BWV Anh. 124
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Marche in G major, BWV Anh. 124, H. 1/3
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 1/3), Notebook for Anna Magdalena Bach (1725) (number: 18) and Bach-Werke-Verzeichnis (number: BWV Anh. 124)
Johann Sebastian Bach0:59
29Clavier‐büchlein für Anna Magdalena Bach 1725: Polonaise g‐Moll, BWV Anh. 125
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Polonaise in G minor, BWV Anh. 125, H. 1/4
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 1/4), Notebook for Anna Magdalena Bach (1725) (number: 19) and Bach-Werke-Verzeichnis (number: BWV Anh. 125)
Johann Sebastian Bach1:30
2▼Digital Media
#TitleArtistRatingLength
1Clavier‐büchlein für Anna Magdalena Bach 1725: Aria “So oft ich meine Tobackspfeife”, BWV 515
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Aria “ Schaffs mit mir, Gott, nach deinem Willen”, BWV 515a (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 20b), Bach-Werke-Verzeichnis (number: BWV 515) and Bach-Werke-Verzeichnis (number: BWV 515a)
Johann Sebastian Bach0:45
2Clavier‐büchlein für Anna Magdalena Bach 1725: Aria “So oft ich meine Tobackspfeife”, BWV 515a
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
baritone vocals:
Johannes-Christoph Happel
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Aria “ Schaffs mit mir, Gott, nach deinem Willen”, BWV 515a (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 20b), Bach-Werke-Verzeichnis (number: BWV 515) and Bach-Werke-Verzeichnis (number: BWV 515a)
Johann Sebastian Bach2:23
3Clavier‐büchlein für Anna Magdalena Bach 1725: Menuet G‐Dur fair par Mons. Böhm, BWV deest
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Menuet G-Dur (from 1999-09 until 1999-10)
composer:
Georg Böhm (German organist and composer)
part of:
Georg Böhm, Sämtliche Werke (number: 12)
Johann Sebastian Bach1:22
4Clavier‐büchlein für Anna Magdalena Bach 1725: Musette D‐Dur, BWV Anh. 126
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Musette in D major, BWV Anh. 126 (from 1999-09 until 1999-10)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 22) and Bach-Werke-Verzeichnis (number: BWV Anh. 126)
Johann Sebastian Bach0:38
5Clavier‐büchlein für Anna Magdalena Bach 1725: Marche Es‐Dur, BWV Anh. 127
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Marche Es-dur, BWV Anh. 127 (from 1999-09 until 1999-10)
composer:
Carl Philipp Emanuel Bach (German classical composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Repertorium Carl Philipp Emanuel Bach (BR‑CPEB) (number: BR‑CPEB A‑Juv 6.3), Notebook for Anna Magdalena Bach (1725) (number: 23), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 127) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 127)
Johann Sebastian Bach1:24
6Clavier‐büchlein für Anna Magdalena Bach 1725: (Polonaise) d‐Moll, BWV Anh. 128
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Polonaise d-Moll, BWV Anh. 128 (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 24), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 128) and Bach-Werke-Verzeichnis (number: BWV Anh. 128)
Johann Sebastian Bach1:11
7Clavier‐büchlein für Anna Magdalena Bach 1725: Aria “Bist du bei mir”, BWV 508
organ:
Michael Behringer (conductor, organist and harpsichordist)
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (from 1999-09 until 1999-10)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
Johann Sebastian Bach2:18
8Clavier‐büchlein für Anna Magdalena Bach 1725: Aria G‐Dur, BWV 988/1
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach5:34
9Clavier‐büchlein für Anna Magdalena Bach 1725: Solo per il Cembalo: Allegro, BWV Anh. 129
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Keyboard Sonata in E-flat major, Wq. 65 no. 7, BWV Anh. 129, H. 16: I. Allegro moderato (from 1999-09 until 1999-10)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Keyboard Sonata in E-flat major, Wq. 65 no. 7, BWV Anh. 129, H. 16
Johann Sebastian Bach2:55
10Clavier‐büchlein für Anna Magdalena Bach 1725: Polonaise G‐Dur, BWV Anh. 130
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Polonaise, BWV Anh. 130 (from 1999-09 until 1999-10)
composer:
Johann Adolf Hasse (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 28), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 130 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 130)
Johann Sebastian Bach1:44
11Clavier‐büchlein für Anna Magdalena Bach 1725: Präludium C‐Dur, BWV 846/1
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (from 1999-02 until 1999-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach2:19
12Clavier‐büchlein für Anna Magdalena Bach 1725: Suite 1 pour le Clavessin, BWV 812: I. Allemande
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: I. Allemande (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)
Johann Sebastian Bach4:57
13Clavier‐büchlein für Anna Magdalena Bach 1725: Suite 1 pour le Clavessin, BWV 812: II. Courante
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: II. Courante (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)
Johann Sebastian Bach1:52
14Clavier‐büchlein für Anna Magdalena Bach 1725: Suite 1 pour le Clavessin, BWV 812: III. Sarabande
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: III. Sarabande (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)
Johann Sebastian Bach3:38
15Clavier‐büchlein für Anna Magdalena Bach 1725: Suite 1 pour le Clavessin, BWV 812: IV. Menuet 1
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: IV. Menuet I (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)
Johann Sebastian Bach1:09
16Clavier‐büchlein für Anna Magdalena Bach 1725: Suite 1 pour le Clavessin, BWV 812: V. Menuet 2
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: V. Menuet II - Menuet I da capo (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)
Johann Sebastian Bach1:20
17Clavier‐büchlein für Anna Magdalena Bach 1725: Suite 1 pour le Clavessin, BWV 812: VI. Gigue
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: VI. Gigue (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 1 d-Moll, BWV 812.2/812 (French Suite No. 1 in D minor, BWV 812, revised version, commonly performed)
Johann Sebastian Bach3:34
18Clavier‐büchlein für Anna Magdalena Bach 1725: Suite 2 pour le Clavessin, BWV 813: I. Allemande
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Französische Suite no. 2 c-Moll, BWV 813: I. Allemande (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)
Johann Sebastian Bach3:14
19Clavier‐büchlein für Anna Magdalena Bach 1725: Suite 2 pour le Clavessin, BWV 813: II. Courante
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Französische Suite no. 2 c-Moll, BWV 813: II. Courante (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)
Johann Sebastian Bach1:57
20Clavier‐büchlein für Anna Magdalena Bach 1725: Suite 2 pour le Clavessin, BWV 813: III. Sarabande
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Französische Suite no. 2 c-Moll, BWV 813: III. Sarabande (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Französische Suite Nr. 2 c-Moll, BWV 813 (French Suite No. 2 in C minor, BWV 813)
Johann Sebastian Bach4:03
21Clavier‐büchlein für Anna Magdalena Bach 1725: (Satz ohne Bez.) F‐Dur, BWV Anh. 131
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
March in F, BWV Anh. 131 (from 1999-09 until 1999-10)
composer:
Johann Christian Bach (German composer, son of JSB)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johann Christian Bach, Thematic catalog (number: W. A22), Notebook for Anna Magdalena Bach (1725) (number: 32), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 131 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 131)
Johann Sebastian Bach0:40
22Clavier‐büchlein für Anna Magdalena Bach 1725: Aria “Warum betrübst du dich”, BWV 516
organ:
Michael Behringer (conductor, organist and harpsichordist)
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Aria “Warum betrübst du dich”, BWV 516 (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 33) and Bach-Werke-Verzeichnis (number: BWV 516)
Johann Sebastian Bach1:27
23Clavier‐büchlein für Anna Magdalena Bach 1725: Recitativo “Ich habe genug!” aus, BWV 82
organ:
Michael Behringer (conductor, organist and harpsichordist)
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Kantate, BWV 82a "Ich habe genug": II. Recitativo (Soprano) "Ich habe genug" (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach1:07
24Clavier‐büchlein für Anna Magdalena Bach 1725: Aria “Schlummert ein, ihr matten Augen” aus, BWV 82
organ:
Michael Behringer (conductor, organist and harpsichordist)
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Kantate, BWV 82a "Ich habe genug": III. Aria (Soprano) "Schlummert ein, ihr matten Augen" (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach6:45
25Clavier‐büchlein für Anna Magdalena Bach 1725: Choral “Schaffs mit mir, Gott”, BWV 514
organ:
Michael Behringer (conductor, organist and harpsichordist)
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Choral “Schaffs mit mir, Gott”, BWV 514 (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Benjamin Schmolck
part of:
Notebook for Anna Magdalena Bach (1725) (number: 35), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 514), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 514) and Bach Compendium (number: BC F 216)
Johann Sebastian Bach0:57
26Clavier‐büchlein für Anna Magdalena Bach 1725: Menuet d‐Moll, BWV Anh. 132
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Menuett in d-Moll, BWV Anh. 132 (from 1999-09 until 1999-10)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 36), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 132) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 132)
Johann Sebastian Bach0:57
27Clavier‐büchlein für Anna Magdalena Bach 1725: Aria di Giovannini “Willst du dein Herz mir schenken”, BWV 518
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Aria di Giovannini, BWV 518: Willst du dein Herz mir schenken (attribution doubtful) (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/An/13), Notebook for Anna Magdalena Bach (1725) (number: 37), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 518), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 518) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 518)
Johann Sebastian Bach2:23
28Clavier‐büchlein für Anna Magdalena Bach 1725: Choral “Dir, dir, Jehova will ich singen”, BWV 299
organ:
Michael Behringer (conductor, organist and harpsichordist)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 299 [1] "Dir, dir, Jehova, will ich singen" (for choir, in Clavier-Büchlein for Anna Magdalena Bach) (from 1999-09 until 1999-10)
lyricist:
Bartholomäus Crasselius (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 39a), Breitkopf 389 Choralgesänge (number: 67) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 299 [1])
adaptations:
Geistliches Lied, BWV 452 "Dir, dir, Jehova, will ich singen" (for voice and basso continuo)
Johann Sebastian Bach0:54
29Clavier‐büchlein für Anna Magdalena Bach 1725: Aria “Dir, dir, Jehova will ich singen”, BWV 299
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Geistliches Lied, BWV 452 "Dir, dir, Jehova, will ich singen" (for voice and basso continuo) (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Bartholomäus Crasselius (German hymn writer)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 39b), Bach Compendium (number: BC F 250) and Bach-Werke-Verzeichnis (number: BWV 452)
adaptation of:
Choralsatz, BWV 299 [1] "Dir, dir, Jehova, will ich singen" (for choir, in Clavier-Büchlein for Anna Magdalena Bach)
Johann Sebastian Bach2:17
30Clavier‐büchlein für Anna Magdalena Bach 1725: Aria “Wie wohl ist mir, o Fruend der Seelen”, BWV 517
organ:
Michael Behringer (conductor, organist and harpsichordist)
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: “Wie wohl ist mir, o Freund der Seelen”, BWV 517 (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Wolfgang Christoph Dessler (in 1692)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 40) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 517)
Johann Sebastian Bach1:27
31Clavier‐büchlein für Anna Magdalena Bach 1725: Aria “Gedenke doch, mein Geist, zurücke”, BWV 509
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: VI , Gedenke doch mein Geist, BWV 509 (attribution doubtful) (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 41) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 509)
Johann Sebastian Bach1:15
32Clavier‐büchlein für Anna Magdalena Bach 1725: Choral “O Ewigekeit, du Donnerwort”, BWV 513
organ:
Michael Behringer (conductor, organist and harpsichordist)
soprano vocals:
Sibylla Rubens (soprano)
recorded at:
Pfarrkirche Mariä Krönung (Oberried) in Oberried, Baden-Württemberg, Germany
recording of:
O Ewigkeit, du Donnerwort, BWV 513 (from 1999-09 until 1999-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1642)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 42), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 513) and Bach Compendium (number: BC F 218)
Johann Sebastian Bach1:17

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 137–138) (order: 116)