101 Children's Classics

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1The Young Person's Guide to the Orchestra, op.34
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) (in 1963-03)
orchestra:
London Symphony Orchestra (in 1963-05)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1963-05)
phonographic copyright (℗) by:
Decca Music Group Limited (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1969)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1963-05)
recording of:
The Young Person’s Guide to the Orchestra, op. 34 (in 1963-05)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
part of:
Works of Benjamin Britten by opus number (number: op. 34)
Benjamin Britten16:34
2Kinderszenen, op. 15: I. Von fremden Ländern und Menschen
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1987-06 until 1987-07, in 1987-07)
recorded at:
Saalbau in Aarau, Aargau, Switzerland (from 1987-06 until 1987-07, in 1987-07)
recording of:
Kinderszenen, op. 15: No. 1. Von fremden Ländern und Menschen (from 1987-06 until 1987-07)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:42
3Kinderszenen, op. 15: II. Kuriose Geschichte
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1987-06 until 1987-07, in 1987-07)
recorded at:
Saalbau in Aarau, Aargau, Switzerland (from 1987-06 until 1987-07, in 1987-07)
recording of:
Kinderszenen, op. 15: No. 2. Kuriose Geschichte (from 1987-06 until 1987-07)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann0:59
4Kinderszenen, op. 15: III. Hasche-Mann
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1987-06 until 1987-07, in 1987-07)
recorded at:
Saalbau in Aarau, Aargau, Switzerland (from 1987-06 until 1987-07, in 1987-07)
recording of:
Kinderszenen, op. 15: No. 3. Hasche-Mann (from 1987-06 until 1987-07)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann0:34
5Kinderszenen, op. 15: IV. Bittendes Kind
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1987-06 until 1987-07, in 1987-07)
recorded at:
Saalbau in Aarau, Aargau, Switzerland (from 1987-06 until 1987-07, in 1987-07)
recording of:
Kinderszenen, op. 15: No. 4. Bittendes Kind (from 1987-06 until 1987-07)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann0:59
6Kinderszenen, op. 15: V. Glückes genug
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1987-06 until 1987-07, in 1987-07)
recorded at:
Saalbau in Aarau, Aargau, Switzerland (from 1987-06 until 1987-07, in 1987-07)
recording of:
Kinderszenen, op. 15: No. 5. Glückes genug (from 1987-06 until 1987-07)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:15
7Kinderszenen, op. 15: VI. Wichtige Begebenheit
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1987-06 until 1987-07, in 1987-07)
recorded at:
Saalbau in Aarau, Aargau, Switzerland (from 1987-06 until 1987-07, in 1987-07)
recording of:
Kinderszenen, op. 15: No. 6. Wichtige Begebenheit (from 1987-06 until 1987-07)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann0:58
8Kinderszenen, op. 15: VII. Träumerei
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1987-06 until 1987-07, in 1987-07)
recorded at:
Saalbau in Aarau, Aargau, Switzerland (from 1987-06 until 1987-07, in 1987-07)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (from 1987-06 until 1987-07)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (in 1987-07)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann2:47
9Kinderszenen, op. 15: VIII. Am Kamin
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1987-06 until 1987-07, in 1987-07)
recorded at:
Saalbau in Aarau, Aargau, Switzerland (from 1987-06 until 1987-07, in 1987-07)
recording of:
Kinderszenen, op. 15: No. 8. Am Kamin (from 1987-06 until 1987-07)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann0:59
10Kinderszenen, op. 15: IX. Ritter vom Steckenpferd
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1987-06 until 1987-07, in 1987-07)
recorded at:
Saalbau in Aarau, Aargau, Switzerland (from 1987-06 until 1987-07, in 1987-07)
recording of:
Kinderszenen, op. 15: No. 9. Ritter vom Steckenpferd (from 1987-06 until 1987-07)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann0:42
11Kinderszenen, op. 15: X. Fast zu ernst
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1987-06 until 1987-07, in 1987-07)
recorded at:
Saalbau in Aarau, Aargau, Switzerland (from 1987-06 until 1987-07, in 1987-07)
recording of:
Kinderszenen, op. 15: No. 10. Fast zu ernst (from 1987-06 until 1987-07)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:56
12Kinderszenen, op. 15: XI. Fürchtenmachen
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1987-06 until 1987-07, in 1987-07)
recorded at:
Saalbau in Aarau, Aargau, Switzerland (from 1987-06 until 1987-07, in 1987-07)
recording of:
Kinderszenen, op. 15: No. 11. Fürchtenmachen (from 1987-06 until 1987-07)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:30
13Kinderszenen, op. 15: XII. Kind im Einschlummern
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1987-06 until 1987-07, in 1987-07)
recorded at:
Saalbau in Aarau, Aargau, Switzerland (from 1987-06 until 1987-07, in 1987-07)
recording of:
Kinderszenen, op. 15: No. 12. Kind im Einschlummern (from 1987-06 until 1987-07)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann2:27
14Kinderszenen, op. 15: XIII. Der Dichter spricht
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1987-06 until 1987-07, in 1987-07)
recorded at:
Saalbau in Aarau, Aargau, Switzerland (from 1987-06 until 1987-07, in 1987-07)
recording of:
Kinderszenen, op. 15: No. 13. Der Dichter spricht (from 1987-06 until 1987-07)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann2:35
15Le Carnaval des animaux: Introduction et Marche royale du Lion
piano:
Cristina Ortiz (Brazilian pianist) (in 1980-03) and Pascal Rogé (pianist) (in 1980-03)
orchestra:
London Sinfonietta (in 1980-03)
conductor:
Charles Dutoit (conductor) (in 1980-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-03)
recording of:
Le Carnaval des animaux : I. Introduction et marche royale du lion (The Carnival of the Animals: I. Introduction and Royal March of the Lion, strings and two pianos) (in 1980-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:17
16Le Carnaval des animaux: Poules et Coqs
piano:
Cristina Ortiz (Brazilian pianist) (in 1980-03) and Pascal Rogé (pianist) (in 1980-03)
orchestra:
London Sinfonietta (in 1980-03)
conductor:
Charles Dutoit (conductor) (in 1980-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-03)
recording of:
Le Carnaval des animaux : II. Poules et coqs (The Carnival of the Animals: II. Hens and Cocks, violins, viola, two pianos and clarinet) (in 1980-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:56
17Le Carnaval des animaux: Hémiones (Animaux véloces)
piano:
Cristina Ortiz (Brazilian pianist) (in 1980-03) and Pascal Rogé (pianist) (in 1980-03)
orchestra:
London Sinfonietta (in 1980-03)
conductor:
Charles Dutoit (conductor) (in 1980-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-03)
recording of:
Le Carnaval des animaux : III. Hémiones (Animaux véloces) (The Carnival of the Animals: III. Wild Asses, two pianos) (in 1980-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:31
18Le Carnaval des animaux: Tortues
piano:
Cristina Ortiz (Brazilian pianist) (in 1980-03) and Pascal Rogé (pianist) (in 1980-03)
orchestra:
London Sinfonietta (in 1980-03)
conductor:
Charles Dutoit (conductor) (in 1980-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-03)
recording of:
Le Carnaval des animaux : IV. Tortues (The Carnival of the Animals: IV. Tortoises, strings and piano) (in 1980-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:17
19Le Carnaval des animaux: L'Éléphant
double bass:
Robin McGee (British classical double bass player) (in 1980-03)
piano:
Cristina Ortiz (Brazilian pianist) (in 1980-03) and Pascal Rogé (pianist) (in 1980-03)
orchestra:
London Sinfonietta (in 1980-03)
conductor:
Charles Dutoit (conductor) (in 1980-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-03)
recording of:
Le Carnaval des animaux : V. L’Éléphant (The Carnival of the Animals: V. The Elephant, double bass and piano) (in 1980-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:30
20Le Carnaval des animaux: Kangourous
piano:
Cristina Ortiz (Brazilian pianist) (in 1980-03) and Pascal Rogé (pianist) (in 1980-03)
orchestra:
London Sinfonietta (in 1980-03)
conductor:
Charles Dutoit (conductor) (in 1980-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-03)
recording of:
Le Carnaval des animaux : VI. Kangourous (The Carnival of the Animals: VI. Kangaroos, two pianos) (in 1980-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:57
21Le Carnaval des animaux: Aquarium
engineer and balance engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
piano:
Cristina Ortiz (Brazilian pianist) (in 1980-03) and Pascal Rogé (pianist) (in 1980-03)
orchestra:
London Sinfonietta (in 1980-03)
conductor:
Charles Dutoit (conductor) (in 1980-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-03)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica) (in 1980-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:31
22Le Carnaval des animaux: Personnages à longues oreilles
piano:
Cristina Ortiz (Brazilian pianist) (in 1980-03) and Pascal Rogé (pianist) (in 1980-03)
orchestra:
London Sinfonietta (in 1980-03)
conductor:
Charles Dutoit (conductor) (in 1980-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-03)
recording of:
Le Carnaval des animaux : VIII. Personnages à longues oreilles (The Carnival of the Animals: VIII. Personages With Long Ears, two violins) (in 1980-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:44
23Le Carnaval des animaux: Le coucou au fond des bois
clarinet:
Antony Pay (clarinetist) (in 1980-03)
piano:
Cristina Ortiz (Brazilian pianist) (in 1980-03) and Pascal Rogé (pianist) (in 1980-03)
orchestra:
London Sinfonietta (in 1980-03)
conductor:
Charles Dutoit (conductor) (in 1980-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-03)
recording of:
Le Carnaval des animaux : IX. Le Coucou au fond des bois (The Carnival of the Animals: IX. The Cuckoo in the Heart of the Woods, two pianos and clarinet) (in 1980-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:34
24Le Carnaval des animaux: Volières
piano:
Cristina Ortiz (Brazilian pianist) (in 1980-03) and Pascal Rogé (pianist) (in 1980-03)
orchestra:
London Sinfonietta (in 1980-03)
conductor:
Charles Dutoit (conductor) (in 1980-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-03)
recording of:
Le Carnaval des animaux : X. Volière (The Carnival of the Animals: X. Aviary, strings, pianos and flute) (in 1980-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:12
25Le Carnaval des animaux: Pianistes
piano:
Cristina Ortiz (Brazilian pianist) (in 1980-03) and Pascal Rogé (pianist) (in 1980-03)
orchestra:
London Sinfonietta (in 1980-03)
conductor:
Charles Dutoit (conductor) (in 1980-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-03)
recording of:
Le Carnaval des animaux : XI. Pianistes (The Carnival of the Animals: XI. Pianists, strings and two pianos) (in 1980-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:20
26Le Carnaval des animaux: Fossiles
piano:
Cristina Ortiz (Brazilian pianist) (in 1980-03) and Pascal Rogé (pianist) (in 1980-03)
orchestra:
London Sinfonietta (in 1980-03)
conductor:
Charles Dutoit (conductor) (in 1980-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-03)
recording of:
Le Carnaval des animaux : XII. Fossiles (The Carnival of the Animals: XII. Fossils, strings, two pianos, clarinet, and xylophone) (in 1980-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:19
27Le Carnaval des animaux: Le Cygne
cello:
Christopher van Kampen (British cellist) (in 1980-03)
piano:
Cristina Ortiz (Brazilian pianist) (in 1980-03) and Pascal Rogé (pianist) (in 1980-03)
orchestra:
London Sinfonietta (in 1980-03)
conductor:
Charles Dutoit (conductor) (in 1980-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-03)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello) (in 1980-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:47
28Le Carnaval des animaux: Finale
piano:
Cristina Ortiz (Brazilian pianist) (in 1980-03) and Pascal Rogé (pianist) (in 1980-03)
orchestra:
London Sinfonietta (in 1980-03)
conductor:
Charles Dutoit (conductor) (in 1980-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-03)
recording of:
Le Carnaval des animaux : XIV. Finale (The Carnival of the Animals: XIV. Finale, full ensemble) (in 1980-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:57
29Cassation in G major "Toy Symphony": I. Marche
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
balance engineer:
Stanley Goodall (engineer) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Berchtesgadener Musik "Toy Symphony": I. Allegro (in 1984-02)
composer:
Edmund Angerer
previously attributed to:
Joseph Haydn (composer) and Leopold Mozart (composer)
part of:
Berchtesgadener Musik "Toy Symphony"
recording of:
Cassation in G major "Toy Symphony": I. Marche (in 1984-02)
composer:
Leopold Mozart (composer) (in 1759)
part of:
Cassation in G major "Toy Symphony"
recording of:
Cassation for Orchestra in G major, K. 63: I. Marche
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1769)
part of:
Cassation for Orchestra in G major, K. 63
Leopold Mozart3:20
30Cassation in G major "Toy Symphony": II. Menuetto
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
balance engineer:
Stanley Goodall (engineer) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Berchtesgadener Musik "Toy Symphony": II. Menuetto (in 1984-02)
composer:
Edmund Angerer
previously attributed to:
Joseph Haydn (composer) and Leopold Mozart (composer)
part of:
Berchtesgadener Musik "Toy Symphony"
recording of:
Cassation in G major "Toy Symphony": II. Menuetto and Trio (in 1984-02)
composer:
Leopold Mozart (composer) (in 1759)
part of:
Cassation in G major "Toy Symphony"
Leopold Mozart4:15
31Cassation in G major "Toy Symphony": III. Allegro
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
balance engineer:
Stanley Goodall (engineer) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Berchtesgadener Musik "Toy Symphony": III. Finale. Presto (in 1984-02)
composer:
Edmund Angerer
previously attributed to:
Joseph Haydn (composer) and Leopold Mozart (composer)
part of:
Berchtesgadener Musik "Toy Symphony"
recording of:
Cassation in G major "Toy Symphony": III. Allegro (in 1984-02)
composer:
Leopold Mozart (composer) (in 1759)
part of:
Cassation in G major "Toy Symphony"
recording of:
Cassation for Orchestra in G major, K. 63: III. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1769)
part of:
Cassation for Orchestra in G major, K. 63
Leopold Mozart1:38
2▼CD
#TitleArtistRatingLength
1Peter And The Wolf, op. 67
spoken vocals:
Sir Ralph Richardson (actor) (in 1959-03)
orchestra:
London Symphony Orchestra (in 1959-03)
conductor:
Sir Malcolm Sargent (conductor) (in 1959-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1959-03)
recording of:
Peter and the Wolf, op. 67
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Sergei Prokofiev26:22
2Children's Corner: I. Doctor Gradus Ad Parnassum
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (on 1979-09-20)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1979-09-20)
recording of:
Children’s Corner, L. 113: I. Doctor Gradus ad Parnassum (original piano version) (on 1979-09-20)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:15
3Children's Corner: II. Jimbo's Lullaby
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (on 1979-09-20)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1979-09-20)
recording of:
Children’s Corner, L. 113: II. Jimbo’s Lullaby (original piano version) (on 1979-09-20)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy4:06
4Children's Corner: III. Serenade for the Doll
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (on 1979-09-20)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1979-09-20)
recording of:
Children’s Corner, L. 113: III. Serenade for the Doll (original piano version) (on 1979-09-20)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:40
5Children's Corner: IV. The Snow is Dancing
recording engineer:
Colin Moorfoot (engineer) (on 1979-09-20)
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (on 1979-09-20)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1979-09-20)
recording of:
Children’s Corner, L. 113: IV. The Snow is Dancing (original piano version) (on 1979-09-20)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:49
6Children's Corner: V. The Little Shepherd
recording engineer:
Colin Moorfoot (engineer) (on 1979-09-20)
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (on 1979-09-20)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1979-09-20)
recording of:
Children’s Corner, L. 113: V. The Little Shepherd (original piano version) (on 1979-09-20)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:11
7Children's Corner: VI. Golliwog's Cakewalk
recording engineer:
Colin Moorfoot (engineer) (on 1979-09-20)
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (on 1979-09-20)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1979-09-20)
recording of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake‐Walk (original piano version) (on 1979-09-20)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:58
8Jeux d'enfants, op. 22: I. Marche: Trompette et tambour
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1960-10-08 until 1960-11-25)
conductor:
Ernest Ansermet (conductor) (from 1960-10-08 until 1960-11-25)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1960-10-08 until 1960-11-25)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: I. Marche. Trompette et tambour (from 1960-10-08 until 1960-11-25)
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : VI. Trompette et Tambour
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet2:16
9Jeux d'enfants, op. 22: II. Berceuse: La Poupée
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1960-10-08 until 1960-11-25)
conductor:
Ernest Ansermet (conductor) (from 1960-10-08 until 1960-11-25)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1960-10-08 until 1960-11-25)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: II. Berceuse. La Poupée (from 1960-10-08 until 1960-11-25)
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : III. La Poupée
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet2:27
10Jeux d'enfants, op. 22: III. Impromptu: La toupie
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1960-10-08 until 1960-11-25)
conductor:
Ernest Ansermet (conductor) (from 1960-10-08 until 1960-11-25)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1960-10-08 until 1960-11-25)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: III. Impromptu. La Toupie (from 1960-10-08 until 1960-11-25)
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : II. La Toupie
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet1:02
11Jeux d'enfants, op. 22: IV. Duo: Petit mari, petite femme
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1960-10-08 until 1960-11-25)
conductor:
Ernest Ansermet (conductor) (from 1960-10-08 until 1960-11-25)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1960-10-08 until 1960-11-25)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: IV. Duo. Petit mari, petite femme (from 1960-10-08 until 1960-11-25)
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : XI. Petit Mari, petite Femme
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet3:24
12Jeux d'enfants, op. 22: V. Galop: Le bal
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1960-10-08 until 1960-11-25)
conductor:
Ernest Ansermet (conductor) (from 1960-10-08 until 1960-11-25)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1960-10-08 until 1960-11-25)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: V. Galop. Le Bal (from 1960-10-08 until 1960-11-25)
orchestrator and composer:
Georges Bizet (French composer) (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : XII. Le Bal
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet1:52
13L'Apprenti sorcier
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Ernest Ansermet (conductor)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1963-04)
recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
Paul Dukas10:55
3▼CD
#TitleArtistRatingLength
1The Nutcracker, op. 71: Miniature Overture
recording engineer:
James Lock (James Locke, engineer) (from 1974-04-01 until 1974-04-06)
producer:
Michael Woolcock (producer) (in 1974-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1974-04-01 until 1974-04-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1974-04-01 until 1974-04-06)
concertmaster:
Sidney Sax (violinist) (from 1974-04-01 until 1974-04-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-04-01 until 1974-04-06)
recording of:
Щелкунчик, op. 71: Увертюра (The Nutcracker, op. 71: Overture, Nutcracker Overture) (from 1974-04-01 until 1974-04-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71 (The Nutcracker, op. 71, The Nutcracker)
Pyotr Ilyich Tchaikovsky3:29
2The Nutcracker, op. 71: March
recording engineer:
James Lock (James Locke, engineer) (from 1974-04-01 until 1974-04-06)
producer:
Michael Woolcock (producer) (in 1974-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1974-04-01 until 1974-04-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1974-04-01 until 1974-04-06)
concertmaster:
Sidney Sax (violinist) (from 1974-04-01 until 1974-04-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-04-01 until 1974-04-06)
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (The Nutcracker, op. 71: March, March) (from 1974-04-01 until 1974-04-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1, The Nutcracker, op. 71: Act 1)
Pyotr Ilyich Tchaikovsky2:29
3The Nutcracker, op. 71: Dance of the Sugar-Plum Fairy
recording engineer:
James Lock (James Locke, engineer) (from 1974-04-01 until 1974-04-06)
producer:
Michael Woolcock (producer) (in 1974-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1974-04-01 until 1974-04-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1974-04-01 until 1974-04-06)
concertmaster:
Sidney Sax (violinist) (from 1974-04-01 until 1974-04-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-04-01 until 1974-04-06)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy) (from 1974-04-01 until 1974-04-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky2:34
4The Nutcracker, op. 71: Russian Dance (Trépak)
recording engineer:
James Lock (James Locke, engineer) (from 1974-04-01 until 1974-04-06)
producer:
Michael Woolcock (producer) (in 1974-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1974-04-01 until 1974-04-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1974-04-01 until 1974-04-06)
concertmaster:
Sidney Sax (violinist) (from 1974-04-01 until 1974-04-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-04-01 until 1974-04-06)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12d. Дивертисмент (г) Трепак: русский танец (Trepak: Russian dance) (from 1974-04-01 until 1974-04-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky1:12
5The Nutcracker, op. 71: Arabian Dance (Coffee)
recording engineer:
James Lock (James Locke, engineer) (from 1974-04-01 until 1974-04-06)
producer:
Michael Woolcock (producer) (in 1974-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1974-04-01 until 1974-04-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1974-04-01 until 1974-04-06)
concertmaster:
Sidney Sax (violinist) (from 1974-04-01 until 1974-04-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-04-01 until 1974-04-06)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12b. Дивертисмент (б) Кофе: арабский танец (Coffee: Arabian dance) (from 1974-04-01 until 1974-04-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky3:10
6The Nutcracker, op. 71: Chinese Dance (Tea)
recording engineer:
James Lock (James Locke, engineer) (from 1974-04-01 until 1974-04-06)
producer:
Michael Woolcock (producer) (in 1974-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1974-04-01 until 1974-04-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1974-04-01 until 1974-04-06)
concertmaster:
Sidney Sax (violinist) (from 1974-04-01 until 1974-04-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-04-01 until 1974-04-06)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12c. Дивертисмент (в) Чай: китайский танец (Tea: Chinese dance) (from 1974-04-01 until 1974-04-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky1:02
7The Nutcracker, op. 71: Dance of the Reed-Pipes
recording engineer:
James Lock (James Locke, engineer) (from 1974-04-01 until 1974-04-06)
producer:
Michael Woolcock (producer) (in 1974-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1974-04-01 until 1974-04-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1974-04-01 until 1974-04-06)
concertmaster:
Sidney Sax (violinist) (from 1974-04-01 until 1974-04-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-04-01 until 1974-04-06)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds) (from 1974-04-01 until 1974-04-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky2:29
8The Nutcracker, op. 71: Waltz of the Flowers
recording engineer:
James Lock (James Locke, engineer) (from 1974-04-01 until 1974-04-06)
producer:
Michael Woolcock (producer) (in 1974-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1974-04-01 until 1974-04-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1974-04-01 until 1974-04-06)
concertmaster:
Sidney Sax (violinist) (from 1974-04-01 until 1974-04-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-04-01 until 1974-04-06)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers) (from 1974-04-01 until 1974-04-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky6:44
9The Sleeping Beauty, op. 66: Introduction and Lilac Fairy
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1965-03-15 until 1965-03-19)
conductor:
Herbert von Karajan (conductor) (from 1965-03-15 until 1965-03-19)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1965-03-15 until 1965-03-19) and Gordon Parry (engineer) (from 1965-03-15 until 1965-03-19)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1965-03-15 until 1965-03-19)
recording of:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas (from 1965-03-15 until 1965-03-19)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Pyotr Ilyich Tchaikovsky5:18
10The Sleeping Beauty, op. 66: Pas d'action (Andante - "Rose Adagio")
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1965-03-15 until 1965-03-19)
conductor:
Herbert von Karajan (conductor) (from 1965-03-15 until 1965-03-19)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1965-03-15 until 1965-03-19) and Gordon Parry (engineer) (from 1965-03-15 until 1965-03-19)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1965-03-15 until 1965-03-19)
recording of:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action (from 1965-03-15 until 1965-03-19)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Pyotr Ilyich Tchaikovsky6:33
11The Sleeping Beauty, op. 66: Pas de Caractère (Puss in Boots)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1965-03-15 until 1965-03-19)
conductor:
Herbert von Karajan (conductor) (from 1965-03-15 until 1965-03-19)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1965-03-15 until 1965-03-19) and Gordon Parry (engineer) (from 1965-03-15 until 1965-03-19)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1965-03-15 until 1965-03-19)
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère (from 1965-03-15 until 1965-03-19)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Pyotr Ilyich Tchaikovsky2:03
12The Sleeping Beauty, op. 66: Panorama
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1965-03-15 until 1965-03-19)
conductor:
Herbert von Karajan (conductor) (from 1965-03-15 until 1965-03-19)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1965-03-15 until 1965-03-19) and Gordon Parry (engineer) (from 1965-03-15 until 1965-03-19)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1965-03-15 until 1965-03-19)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama (from 1965-03-15 until 1965-03-19)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Acte II, no. 17. Panorama
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte II
Pyotr Ilyich Tchaikovsky3:35
13The Sleeping Beauty, op. 66: Waltz
producer:
John Culshaw (in 1965-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1965-03-15 until 1965-03-19)
conductor:
Herbert von Karajan (conductor) (from 1965-03-15 until 1965-03-19)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1965-03-15 until 1965-03-19) and Gordon Parry (engineer) (from 1965-03-15 until 1965-03-19)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1965-03-15 until 1965-03-19)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse (from 1965-03-15 until 1965-03-19)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Pyotr Ilyich Tchaikovsky4.54:14
14Cinderella, op. 87: Spring Fairy
producer:
Paul Myers (classical record producer)
orchestra:
The Cleveland Orchestra (in 1983-03)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1983-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1983-03)
recording of:
Cinderella, op. 87: Act I. No. 12. Spring Fairy (in 1983-03)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Cinderella, op. 87: Act I
Sergei Prokofiev1:16
15Cinderella, op. 87: Summer Fairy
producer:
Paul Myers (classical record producer)
orchestra:
The Cleveland Orchestra (in 1983-03)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1983-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1983-03)
recording of:
Cinderella, op. 87: Act I. No. 13. Summer Fairy (in 1983-03)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Cinderella, op. 87: Act I
Sergei Prokofiev1:39
16Cinderella, op. 87: Autumn Fairy
producer:
Paul Myers (classical record producer)
orchestra:
The Cleveland Orchestra (in 1983-03)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1983-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1983-03)
recording of:
Cinderella, op. 87: Act I. No. 15. Autumn Fairy (in 1983-03)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Cinderella, op. 87: Act I
Sergei Prokofiev1:28
17Cinderella, op. 87: Winter Fairy
producer:
Paul Myers (classical record producer)
orchestra:
The Cleveland Orchestra (in 1983-03)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1983-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1983-03)
recording of:
Cinderella, op. 87: Act I. No. 16. Winter Fairy (in 1983-03)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Cinderella, op. 87: Act I
Sergei Prokofiev1:17
18Cinderella, op. 87: Duet of the Prince and Cinderella
producer:
Paul Myers (classical record producer)
orchestra:
The Cleveland Orchestra (in 1983-03)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1983-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1983-03)
recording of:
Cinderella, op. 87: Act II. No. 36. Duet of the Prince and Cinderella (in 1983-03)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Cinderella, op. 87: Act II
Sergei Prokofiev4:41
19Cinderella, op. 87: Waltz-Coda
producer:
Paul Myers (classical record producer)
orchestra:
The Cleveland Orchestra (in 1983-03)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1983-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1983-03)
recording of:
Cinderella, op. 87: Act II. No. 37. Waltz-Coda (in 1983-03)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Cinderella, op. 87: Act II
Sergei Prokofiev1:36
20Cinderella, op. 87: Midnight
producer:
Paul Myers (classical record producer)
orchestra:
The Cleveland Orchestra (in 1983-03)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1983-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1983-03)
recording of:
Cinderella, op. 87: Act II. No. 38. Midnight (in 1983-03)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Cinderella, op. 87: Act II
Sergei Prokofiev2:16
4▼CD
#TitleArtistRatingLength
1Scheherazade, op. 35: I. The Sea and Sinbad's Ship
engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
solo violin:
Christopher Warren‐Green (violinist and conductor) (in 1985-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-10)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1985-10)
recorded at:
Walthamstow Assembly Hall, London (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Scheherazade, op. 35: I. The Sea and Sinbad’s Ship (in 1985-10)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakov10:45
2Scheherazade, op. 35: II. The Story of the Calender Prince
engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
solo violin:
Christopher Warren‐Green (violinist and conductor) (in 1985-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-10)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1985-10)
recorded at:
Walthamstow Assembly Hall, London (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Scheherazade, op. 35: II. The Kalendar Prince (in 1985-10)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakov12:03
3Scheherazade, op. 35: III. The Young Prince and the Young Princess
engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
solo violin:
Christopher Warren‐Green (violinist and conductor) (in 1985-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-10)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1985-10)
recorded at:
Walthamstow Assembly Hall, London (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Scheherazade, op. 35: III. The Young Prince and the Young Princess (Andantino quasi allegretto) (in 1985-10)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakov9:55
4Scheherazade, op. 35: IV. Festival at Bagdad - The Sea - The Shipwreck against a Rock Surmounted by a Bronze Warrior
engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
solo violin:
Christopher Warren‐Green (violinist and conductor) (in 1985-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-10)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1985-10)
recorded at:
Walthamstow Assembly Hall, London (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Scheherazade, op. 35: IV. Festival at Baghdad. The Sea. The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman (in 1985-10)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakov13:23
5The Tale of Tsar Saltan Suite, op. 57: I. The Tsar's departure and Farewell
sound engineer and engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-10)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1985-10)
recorded at:
Walthamstow Assembly Hall, London (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Musical Pictures from “The Tale of Tsar Saltan”, op. 57: I. The Tsar’s Farewell and Departure (in 1985-10)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
part of:
Musical Pictures from “The Tale of Tsar Saltan”, op. 57
Nikolai Rimsky-Korsakov4:36
6The Tale of Tsar Saltan Suite, op. 57: II. The Tsaritsa and Her Son Afloat in the Cask
sound engineer and engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-10)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1985-10)
recorded at:
Walthamstow Assembly Hall, London (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Musical Pictures from “The Tale of Tsar Saltan”, op. 57: II. The Tsarina in a Barrel at Sea (in 1985-10)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
part of:
Musical Pictures from “The Tale of Tsar Saltan”, op. 57
Nikolai Rimsky-Korsakov6:40
7The Tale of Tsar Saltan Suite, op. 57: III. The Three Wonders
sound engineer and engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-10)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1985-10)
recorded at:
Walthamstow Assembly Hall, London (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Musical Pictures from “The Tale of Tsar Saltan”, op. 57: III. The Three Wonders (in 1985-10)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
part of:
Musical Pictures from “The Tale of Tsar Saltan”, op. 57
Nikolai Rimsky-Korsakov8:14
8The Flight Of The Bumble-Bee
sound engineer and engineer:
John Dunkerley (engineer)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-10)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1985-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1985-10) and Walthamstow Assembly Hall, London (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1985-10)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan) (in 1985-10)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900)
part of:
The Tale of Tsar Saltan: Act III
Nikolai Rimsky-Korsakov1:20
5▼CD
#TitleArtistRatingLength
1La Boîte à joujoux: Prélude
producer:
Ray Minshull (record producer)
editor:
Ian Watson (editor/engineer/producer)
cor anglais:
Pierre-Vincent Plante
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1992-05)
conductor:
Charles Dutoit (conductor) (in 1992-05)
balance engineer:
John Dunkerley (engineer) (in 1992-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1992-05)
recording of:
La Boîte à joujoux : I. Prélude. Le Sommeil de la boîte (André Caplet orchestration) (in 1992-05)
orchestrator:
André Caplet (French composer) (in 1919)
composer:
Claude Debussy (French composer) (from 1913-07 until 1913-10)
orchestration of:
La Boîte à Joujoux : I. Prélude. Le Sommeil de la boîte (for piano)
part of:
La Boîte à joujoux, CD 136b (André Caplet orchestration)
Claude Debussy2:31
2La Boîte à joujoux: Premier Tableau
producer:
Ray Minshull (record producer)
editor:
Ian Watson (editor/engineer/producer)
cor anglais:
Pierre-Vincent Plante (in 1992-05)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1992-05)
conductor:
Charles Dutoit (conductor) (in 1992-05)
balance engineer:
John Dunkerley (engineer) (in 1992-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1992-05)
recording of:
La Boîte à joujoux : II. 1er tableau. Le Magasin de jouets (André Caplet orchestration) (in 1992-05)
orchestrator:
André Caplet (French composer) (in 1919)
composer:
Claude Debussy (French composer) (from 1913-07 until 1913-10)
orchestration of:
La Boîte à joujoux : II. 1er tableau. Le Magasin de jouets (for piano)
part of:
La Boîte à joujoux, CD 136b (André Caplet orchestration)
Claude Debussy11:26
3La Boîte à joujoux: Deuxième Tableau
producer:
Ray Minshull (record producer)
editor:
Ian Watson (editor/engineer/producer)
cor anglais:
Pierre-Vincent Plante
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1992-05)
conductor:
Charles Dutoit (conductor) (in 1992-05)
balance engineer:
John Dunkerley (engineer) (in 1992-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1992-05)
recording of:
La Boîte à joujoux : III. 2e tableau. Le Champ de bataille (André Caplet orchestration) (in 1992-05)
orchestrator:
André Caplet (French composer) (in 1919)
composer:
Claude Debussy (French composer) (from 1913-07 until 1913-10)
orchestration of:
La Boîte à joujoux : III. 2e tableau. Le Champ de bataille (for piano)
part of:
La Boîte à joujoux, CD 136b (André Caplet orchestration)
Claude Debussy9:13
4La Boîte à joujoux: Troisième Tableau
producer:
Ray Minshull (record producer)
editor:
Ian Watson (editor/engineer/producer)
cor anglais:
Pierre-Vincent Plante (in 1992-05)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1992-05)
conductor:
Charles Dutoit (conductor) (in 1992-05)
balance engineer:
John Dunkerley (engineer) (in 1992-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1992-05)
recording of:
La Boîte à joujoux : IV. 3e tableau. La Bergerie à vendre (André Caplet orchestration) (in 1992-05)
orchestrator:
André Caplet (French composer) (in 1919)
composer:
Claude Debussy (French composer) (from 1913-07 until 1913-10)
orchestration of:
La Boîte à joujoux : IV. 3e tableau. La Bergerie à vendre (for piano)
part of:
La Boîte à joujoux, CD 136b (André Caplet orchestration)
Claude Debussy6:46
5La Boîte à joujoux: Quatrième Tableau
producer:
Ray Minshull (record producer)
editor:
Ian Watson (editor/engineer/producer)
cor anglais:
Pierre-Vincent Plante
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1992-05)
conductor:
Charles Dutoit (conductor) (in 1992-05)
balance engineer:
John Dunkerley (engineer) (in 1992-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1992-05)
recording of:
La Boîte à joujoux : V. 4e tableau. Après fortune faite (André Caplet orchestration) (in 1992-05)
orchestrator:
André Caplet (French composer) (in 1919)
composer:
Claude Debussy (French composer) (from 1913-07 until 1913-10)
orchestration of:
La Boîte à joujoux : V. 4e tableau. Après fortune faite (for piano)
part of:
La Boîte à joujoux, CD 136b (André Caplet orchestration)
Claude Debussy1:51
6La Boîte à joujoux: Épilogue
producer:
Ray Minshull (record producer)
editor:
Ian Watson (editor/engineer/producer)
cor anglais:
Pierre-Vincent Plante
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1992-05)
conductor:
Charles Dutoit (conductor) (in 1992-05)
balance engineer:
John Dunkerley (engineer) (in 1992-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1992-05)
recording of:
La Boîte à joujoux : VI. Épilogue (André Caplet orchestration) (in 1992-05)
orchestrator:
André Caplet (French composer) (in 1919)
composer:
Claude Debussy (French composer) (from 1913-07 until 1913-10)
orchestration of:
La Boîte à joujoux : VI. Épilogue (for piano)
part of:
La Boîte à joujoux, CD 136b (André Caplet orchestration)
Claude Debussy1:24
7Ma mère l'Oye: Prélude
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
recording of:
Ma mère l’Oye : Prélude: Très lent
orchestrator and composer:
Maurice Ravel (French composer) (in 1912)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
part of:
Ma mère l’Oye (ballet)
Maurice Ravel3:18
8Ma mère l'Oye: Danse du rouet et Scène
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
recording of:
Ma mère l’Oye : Tableau I : Danse du rouet et scène
orchestrator and composer:
Maurice Ravel (French composer) (in 1912)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
part of:
Ma mère l’Oye (ballet)
Maurice Ravel3:28
9Ma mère l'Oye: Pavane de la Belle au bois dormant
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
recording of:
Ma mère l’Oye : Tableau II : Pavane de la Belle au bois dormant
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
version of:
Ma mère l’Oye: I. Pavane de la Belle au bois dormant (pour piano à quatre mains)
part of:
Ma mère l’Oye (ballet)
Maurice Ravel2:28
10Ma mère l'Oye: Les Entretiens de la Belle et de la Bête
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
recording of:
Ma mère l’Oye : Tableau III : Les Entretiens de la Belle et de la Bête
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
version of:
Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête (pour piano à quatre mains)
part of:
Ma mère l’Oye (ballet)
Maurice Ravel5:13
11Ma mère l'Oye: Petit Poucet
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
recording of:
Ma mère l’Oye : Tableau IV : Petit Poucet
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
version of:
Ma mère l’Oye: II. Petit poucet (pour piano à quatre mains)
part of:
Ma mère l’Oye (ballet)
Maurice Ravel4:24
12Ma mère l'Oye: Laideronette; Apothéose - Le jardin féerique
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
recording of:
Ma mère l’Oye : Tableau V : Laideronnette, impératrice des pagodes
orchestrator:
Maurice Ravel (French composer) (in 1911)
composer:
Maurice Ravel (French composer) (from 1908 until 1910)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
version of:
Ma mère l’Oye: III. Laideronnette, impératrice des pagodes (pour piano à quatre mains)
part of:
Ma mère l’Oye (ballet)
recording of:
Ma mère l’Oye : Tableau VI : Le Jardin féerique
composer:
Maurice Ravel (French composer)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
part of:
Ma mère l’Oye (ballet)
Maurice Ravel9:22
6▶CD