Sold Out!

~ Release by Elvis Presley (see all versions of this release, 1 available)

Tracklist

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1▼CD: Tulsa Oklahoma – March 1
#TitleRatingLength
1Also sprach Zarathustra
recorded at:
Mabee Center in Tulsa, Oklahoma, United States (on 1974-03-01)
live recording of:
Also sprach Zarathustra, op. 30 (TrV 176)
premiered in:
Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (on 1896-11-27)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Works of Richard Strauss by opus number (number: op. 30) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 176)
?:??
2See See Rider
recorded at:
Mabee Center in Tulsa, Oklahoma, United States (on 1974-03-01)
live cover recording of:
See See Rider Blues (on 1974-03-01)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 10056)
?:??
3I Got a Woman / Amen
recorded at:
Mabee Center in Tulsa, Oklahoma, United States (on 1974-03-01)
live medley including a cover recording of:
Amen (gospel song popularized by The Impressions) (on 1974-03-01)
lyricist and composer:
Jester Hairston
live medley including a cover recording of:
I Got a Woman (on 1974-03-01)
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
4Love Me
recorded at:
Mabee Center in Tulsa, Oklahoma, United States (on 1974-03-01)
live cover recording of:
Love Me (on 1974-03-01)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) and Sony/ATV Songs LLC
?:??
5Trying to Get to You
recorded at:
Mabee Center in Tulsa, Oklahoma, United States (on 1974-03-01)
live cover recording of:
Trying to Get to You (on 1974-03-01)
writer:
Rose Marie McCoy and Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific and You Look Good Music Publishing
?:??
6Sweet Caroline
recorded at:
Mabee Center in Tulsa, Oklahoma, United States (on 1974-03-01)
live cover recording of:
Sweet Caroline (on 1974-03-01)
lyricist:
Neil Diamond
composer:
Neil Diamond (in 1969)
publisher:
Ahab Music Co., Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Sony Tunes, Inc., Stone Bridge Music Co., Tree Publishing and MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1969)
?:??
7Love Me Tender
recorded at:
Mabee Center in Tulsa, Oklahoma, United States (on 1974-03-01)
live recording of:
Love Me Tender (on 1974-03-01)
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (“The King of Rock and Roll”) (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Aura Lea
?:??
8Johnny B. Goode
recorded at:
Mabee Center in Tulsa, Oklahoma, United States (on 1974-03-01)
live cover recording of:
Johnny B. Goode (on 1974-03-01)
lyricist and composer:
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック (Rock ’n’ Roll Music)
part of:
Back to the Future: the Musical
?:??
9Hound Dog
recorded at:
Mabee Center in Tulsa, Oklahoma, United States (on 1974-03-01)
live cover recording of:
Hound Dog (on 1974-03-01)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
?:??
10Fever
recorded at:
Mabee Center in Tulsa, Oklahoma, United States (on 1974-03-01)
live cover recording of:
Fever (on 1974-03-01)
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
?:??
11Polk Salad Annie
recorded at:
Mabee Center in Tulsa, Oklahoma, United States (on 1974-03-01)
live cover recording of:
Polk Salad Annie (on 1974-03-01)
lyricist and composer:
Tony Joe White
publisher:
Combine Music Corp. and EMI Blackwood Music Inc.
?:??
12Why Me Lord
recorded at:
Mabee Center in Tulsa, Oklahoma, United States (on 1974-03-01)
live cover recording of:
Why Me (on 1974-03-01)
lyricist and composer:
Kris Kristofferson
publisher:
Resaca Music Publishing Co.
?:??
13Suspicious Minds
recorded at:
Mabee Center in Tulsa, Oklahoma, United States (on 1974-03-01)
live cover recording of:
Suspicious Minds (on 1974-03-01)
lyricist and composer:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
?:??
14Band Introductions
recorded at:
Mabee Center in Tulsa, Oklahoma, United States (on 1974-03-01)
?:??
15I Can’t Stop Loving You
recorded at:
Mabee Center in Tulsa, Oklahoma, United States (on 1974-03-01)
live cover recording of:
I Can’t Stop Lovin’ You (on 1974-03-01)
lyricist and composer:
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC and Acuff-Rose Publications, Inc. (BMI) (on 1958-02-07)
?:??
16Help Me
recorded at:
Mabee Center in Tulsa, Oklahoma, United States (on 1974-03-01)
live cover recording of:
Help Me (on 1974-03-01)
lyricist and composer:
Larry Gatlin
publisher:
First Generation Music
?:??
17American Trilogy
recorded at:
Mabee Center in Tulsa, Oklahoma, United States (on 1974-03-01)
live cover recording of:
An American Trilogy (on 1974-03-01)
lyricist and arranger:
Mickey Newbury (American songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI) and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
medley of:
Dixie
medley of:
All My Trials
medley of:
Battle Hymn of the Republic (Glory, Glory, Hallelujah)
?:??
18Let Me Be There (with reprise)
recorded at:
Mabee Center in Tulsa, Oklahoma, United States (on 1974-03-01)
live cover recording of:
Let Me Be There (on 1974-03-01)
lyricist and composer:
John Rostill
publisher:
EMI Al Gallico Music Corp., EMI Music (do not use as release label! this is a music publisher) and Petal Music Ltd.
?:??
19Funny How Time Slips Away
recorded at:
Mabee Center in Tulsa, Oklahoma, United States (on 1974-03-01)
live cover recording of:
Funny How Time Slips Away (on 1974-03-01)
lyricist and composer:
Willie Nelson
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC, Sony/ATV Tree Publishing and Tree Publishing
?:??
20Can’t Help Falling in Love
recorded at:
Mabee Center in Tulsa, Oklahoma, United States (on 1974-03-01)
live recording of:
Can’t Help Falling in Love (on 1974-03-01)
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Plaisir d’amour (Romance du chevrier)
?:??
21Closing Vamp
recorded at:
Mabee Center in Tulsa, Oklahoma, United States (on 1974-03-01)
?:??
22Elvis Has Left the Building
recorded at:
Mabee Center in Tulsa, Oklahoma, United States (on 1974-03-01)
?:??
2▼CD: Cleveland Ohio – June 21
#TitleRatingLength
1See See Rider
recorded at:
Public Auditorium (complex; use ONLY if no more specific venue info is available!) in Cleveland, Ohio, United States (on 1974-06-21)
live cover recording of:
See See Rider Blues (on 1974-06-21)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 10056)
?:??
2I Got a Woman / Amen
recorded at:
Public Auditorium (complex; use ONLY if no more specific venue info is available!) in Cleveland, Ohio, United States (on 1974-06-21)
live medley including a cover recording of:
Amen (gospel song popularized by The Impressions) (on 1974-06-21)
lyricist and composer:
Jester Hairston
live medley including a cover recording of:
I Got a Woman (on 1974-06-21)
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
3Love Me
recorded at:
Public Auditorium (complex; use ONLY if no more specific venue info is available!) in Cleveland, Ohio, United States (on 1974-06-21)
live cover recording of:
Love Me (on 1974-06-21)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) and Sony/ATV Songs LLC
?:??
4Trying to Get to You
recorded at:
Public Auditorium (complex; use ONLY if no more specific venue info is available!) in Cleveland, Ohio, United States (on 1974-06-21)
live cover recording of:
Trying to Get to You (on 1974-06-21)
writer:
Rose Marie McCoy and Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific and You Look Good Music Publishing
?:??
5All Shook Up
recorded at:
Public Auditorium (complex; use ONLY if no more specific venue info is available!) in Cleveland, Ohio, United States (on 1974-06-21)
live cover recording of:
All Shook Up (on 1974-06-21)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) and Shalimar Music Corp.
?:??
6Love Me Tender
recorded at:
Public Auditorium (complex; use ONLY if no more specific venue info is available!) in Cleveland, Ohio, United States (on 1974-06-21)
live recording of:
Love Me Tender (on 1974-06-21)
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (“The King of Rock and Roll”) (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Aura Lea
?:??
7Hound Dog
recorded at:
Public Auditorium (complex; use ONLY if no more specific venue info is available!) in Cleveland, Ohio, United States (on 1974-06-21)
live cover recording of:
Hound Dog (on 1974-06-21)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
?:??
8Fever
recorded at:
Public Auditorium (complex; use ONLY if no more specific venue info is available!) in Cleveland, Ohio, United States (on 1974-06-21)
live cover recording of:
Fever (on 1974-06-21)
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
?:??
9Polk Salad Annie
recorded at:
Public Auditorium (complex; use ONLY if no more specific venue info is available!) in Cleveland, Ohio, United States (on 1974-06-21)
live cover recording of:
Polk Salad Annie (on 1974-06-21)
lyricist and composer:
Tony Joe White
publisher:
Combine Music Corp. and EMI Blackwood Music Inc.
?:??
10Why Me Lord
recorded at:
Public Auditorium (complex; use ONLY if no more specific venue info is available!) in Cleveland, Ohio, United States (on 1974-06-21)
live cover recording of:
Why Me (on 1974-06-21)
lyricist and composer:
Kris Kristofferson
publisher:
Resaca Music Publishing Co.
?:??
11You Don’t Have to Say You Love Me
recorded at:
Public Auditorium (complex; use ONLY if no more specific venue info is available!) in Cleveland, Ohio, United States (on 1974-06-21)
live cover recording of:
You Don’t Have to Say You Love Me (on 1974-06-21)
lyricist:
Simon Napier-Bell, Vito Pallavicini (Lyricist) and Vicki Wickham
composer:
Pino Donaggio (Italian singer‐songwriter and score composer)
publisher:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. and Miller Music Corp.
translated version of:
Io che non vivo (senza te)
?:??
12Suspicious Minds
recorded at:
Public Auditorium (complex; use ONLY if no more specific venue info is available!) in Cleveland, Ohio, United States (on 1974-06-21)
live cover recording of:
Suspicious Minds (on 1974-06-21)
lyricist and composer:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
?:??
13Band Introductions
recorded at:
Public Auditorium (complex; use ONLY if no more specific venue info is available!) in Cleveland, Ohio, United States (on 1974-06-21)
?:??
14I Can’t Stop Loving You
recorded at:
Public Auditorium (complex; use ONLY if no more specific venue info is available!) in Cleveland, Ohio, United States (on 1974-06-21)
live cover recording of:
I Can’t Stop Lovin’ You (on 1974-06-21)
lyricist and composer:
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC and Acuff-Rose Publications, Inc. (BMI) (on 1958-02-07)
?:??
15Help Me
recorded at:
Public Auditorium (complex; use ONLY if no more specific venue info is available!) in Cleveland, Ohio, United States (on 1974-06-21)
live cover recording of:
Help Me (on 1974-06-21)
lyricist and composer:
Larry Gatlin
publisher:
First Generation Music
?:??
16Bridge of Troubled Water
recorded at:
Public Auditorium (complex; use ONLY if no more specific venue info is available!) in Cleveland, Ohio, United States (on 1974-06-21)
live cover recording of:
Bridge Over Troubled Water (on 1974-06-21)
lyricist:
Paul Simon (of Simon & Garfunkel)
composer:
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
?:??
17Let Me Be There (with reprise)
recorded at:
Public Auditorium (complex; use ONLY if no more specific venue info is available!) in Cleveland, Ohio, United States (on 1974-06-21)
live cover recording of:
Let Me Be There (on 1974-06-21)
lyricist and composer:
John Rostill
publisher:
EMI Al Gallico Music Corp., EMI Music (do not use as release label! this is a music publisher) and Petal Music Ltd.
?:??
18Funny How Time Slips Away
recorded at:
Public Auditorium (complex; use ONLY if no more specific venue info is available!) in Cleveland, Ohio, United States (on 1974-06-21)
live cover recording of:
Funny How Time Slips Away (on 1974-06-21)
lyricist and composer:
Willie Nelson
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC, Sony/ATV Tree Publishing and Tree Publishing
?:??
19Big Boss Man
recorded at:
Public Auditorium (complex; use ONLY if no more specific venue info is available!) in Cleveland, Ohio, United States (on 1974-06-21)
live cover recording of:
Big Boss Man (on 1974-06-21)
writer:
Luther Dixon and Al Smith (US blues artist)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Conrad Music (publisher; do NOT use as release label), Conrad Publishing Co. Inc., EMI Unart Catalog Inc., EMI United Partnership Ltd., Mijac Music, Sony/ATV Music Publishing (UK), Sony/ATV Songs LLC, Tristan Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ロックンロール ミュージック (Rock ’n’ Roll Music)
?:??
20Can’t Help Falling in Love
recorded at:
Public Auditorium (complex; use ONLY if no more specific venue info is available!) in Cleveland, Ohio, United States (on 1974-06-21)
live recording of:
Can’t Help Falling in Love (on 1974-06-21)
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Plaisir d’amour (Romance du chevrier)
?:??
21Turn Around, Look at Me (Four Lines Only)
recorded at:
Pete Maravich Assembly Center in Baton Rouge, Louisiana, United States (on 1974-06-17)
live partial cover recording of:
Turn Around, Look at Me (on 1974-06-17)
composer:
Jerry Capehart
?:??