Jamal at the Pershing, Vol. 2

~ Release by The Ahmad Jamal Trio (see all versions of this release, 2 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Too Late Now
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Too Late Now (Royal Wedding / On a Clear Day) (on 1958-01-17)
lyricist:
Alan Jay Lerner
composer:
Burton Lane
publisher:
Chappell & Co.
part of:
The 24th Academy Award for Best Original Song (number: 2)
2:31
A2All the Things You Are
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
All the Things You Are (from “Very Warm for May”) (on 1958-01-17)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
3:13
A3Cherokee
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Cherokee (on 1958-01-17)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
3:40
A4It Might as Well Be Spring
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
It Might as Well Be Spring (State Fair) (on 1958-01-17)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
3:28
A5I'll Remember April
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
I’ll Remember April (on 1958-01-17)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
2:42
A6My Funny Valentine
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (in 1958-01)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
3:25
B1Gone With the Wind
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Gone With the Wind (on 1958-01-17)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
3:25
B2Billy Boy
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Billy Boy (on 1958-01-17)
writer:
[traditional] (special purpose artist)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
part of:
Roud Folk Song Index (number: 326)
3:01
B3It's You or No One
recording engineer:
Malcolm Chisholm (on 1958-01-17)
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
2:30
B4They Can't Take That Away From Me
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1958-01-17)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
4:45
B5Poor Butterfly
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Poor Butterfly (on 1958-01-17)
lyricist:
John L. Golden (in 1916)
composer:
John Raymond Hubbell (composer, co-founder of ASCAP) (in 1916)
publisher:
Harms, Inc.
3:40