Kantaten: Wachet auf, ruft uns die Stimme / Herz und Mund und Tat und Leben

~ Release by Johann Sebastian Bach; Edith Mathis, Hertha Töpper, Peter Schreier, Dietrich Fischer‐Dieskau, Münchener Bach‐Chor und ‐Orchester, Karl Richter (see all versions of this release, 2 available)

Tracklist

1▼CD
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1Cantata BWV 140: Wachet Auf, Ruft Uns Die Stimme: I. Wachet Auf, Ruft Uns Die Stimme (Chor)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach9:39
2Cantata BWV 140: Wachet Auf, Ruft Uns Die Stimme: II. Er Kommt, Er Kommt, Der Bräut'gam Kommt (Rezitativ: Tenor)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Recitativo (Tenor) “Er kommt, er kommt, der Bräutgam kommt!” (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:20
3Cantata BWV 140: Wachet Auf, Ruft Uns Die Stimme: III. Wann Kommst Du, Mein Heil? – Ich Komme, Dein Teil (Duett: Sopran – Bass)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-10, in 1978-03, in 1978-05)
soprano vocals:
Edith Mathis (soprano) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:55
4Cantata BWV 140: Wachet Auf, Ruft Uns Die Stimme: IV. Zion Hört Die Wächter Singen (Choral)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:58
5Cantata BWV 140: Wachet Auf, Ruft Uns Die Stimme: V. So Geh' Herein Zu Mir (Rezitativ: Bass)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Recitativo (Bass) “So geh herein zu mir” (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:59
6Cantata BWV 140: Wachet Auf, Ruft Uns Die Stimme: VI. Mein Freund Ist Mein! – Und Ich Bin Dein (Duett: Sopran – Bass)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1977-10, in 1978-03, in 1978-05)
soprano vocals:
Edith Mathis (soprano) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein” (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:23
7Cantata BWV 140: Wachet Auf, Ruft Uns Die Stimme: VII. Gloria Sei Dir Gesungen (Chor)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (in 1978-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:49
8Cantata BWV 147: Herz Und Mund Und Tat Und Leben: I. Herz Und Mund Und Tat Und Leben (Chor)
producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:08
9Cantata BWV 147: Herz Und Mund Und Tat Und Leben: II. Gebenedeiter Mund (Rezitativ: Tenor)
producer:
Prof. Dr. Hans Hickmann
tenor vocals:
John van Kesteren (tenor) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:07
10Cantata BWV 147: Herz Und Mund Und Tat Und Leben: III. Schäme Dich, O Seele Nicht (Arie: Alt)
producer:
Prof. Dr. Hans Hickmann
alto vocals:
Hertha Töpper (mezzo soprano) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:08
11Cantata BWV 147: Herz Und Mund Und Tat Und Leben: IV. Verstockung Kann Gewaltige Verblenden (Rezitativ: Bass)
producer:
Prof. Dr. Hans Hickmann
bass vocals:
Kieth Engen (operatic bass) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:15
12Cantata BWV 147: Herz Und Mund Und Tat Und Leben: V. Bereite Dir, Jesu, Noch Itzo Die Bahn (Arie: Sopran)
producer:
Prof. Dr. Hans Hickmann
soprano vocals:
Ursula Buckel (soprano) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:28
13Cantata BWV 147: Herz Und Mund Und Tat Und Leben: VI. Wohl Mir Dass Ich Jesum Habe (Choral)
producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:34
14Cantata BWV 147: Herz Und Mund Und Tat Und Leben: VII. Hilf, Jesu, Hilf, Dass Ich Auch Dich Bekenne (Arie: Tenor)
producer:
Prof. Dr. Hans Hickmann
tenor vocals:
John van Kesteren (tenor) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:36
15Cantata BWV 147: Herz Und Mund Und Tat Und Leben: VIII. Der Höchsten Allmacht Wunderhand (Rezitativ: Alt)
producer:
Prof. Dr. Hans Hickmann
alto vocals:
Hertha Töpper (mezzo soprano) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:47
16Cantata BWV 147: Herz Und Mund Und Tat Und Leben: IX. Ich Will Von Jesu Wundern Singen (Arie: Bass)
producer:
Prof. Dr. Hans Hickmann
bass vocals:
Kieth Engen (operatic bass) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:36
17Cantata BWV 147: Herz Und Mund Und Tat Und Leben: X. Jesus Bleibet Meine Freude (Choral)
producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) and Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:30