Boulez Conducts Stravinsky

~ Release by Stravinsky; Pierre Boulez (see all versions of this release, 1 available)

Tracklist

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1▼CD: The Firebird / Fireworks / 4 Suites
#TitleArtistRatingLength
1L’Oiseau de feu : Introduction
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 1: Introduction (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu (The Firebird)
Igor Stravinsky2:32
2L’Oiseau de feu : Premier tableau : Le Jardin enchanté de Kastcheï
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 2: Tableau I, Le jardin enchanté de Kastchei (The Firebird: Act I, no. 2: The Enchanted Garden of Kastchei) (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu (The Firebird)
Igor Stravinsky1:47
3L’Oiseau de feu : Premier tableau : Apparition de l’oiseau de feu, poursuivi par Ivan Tsarévitch
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 3: Tableau I, Apparition de l’oiseau de feu, poursuivi par Ivan Tsarévitch (The Firebird: Act I, no. 3: Appearance of the Firebird, Pursued by Prince Ivan) (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu (The Firebird)
Igor Stravinsky2:26
4L’Oiseau de feu : Premier tableau : Danse de l’oiseau de feu
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 4: Tableau I, Danse de l’oiseau de feu (The Firebird: Act I, no. 4: Dance of the Firebird) (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu (The Firebird)
Igor Stravinsky1:22
5L’Oiseau de feu : Premier tableau : Capture de l’oiseau de feu par Ivan Tsarévitch
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 5: Tableau I, Capture de l’oiseau de feu par Ivan Tsarévitch (The Firebird: Act I, no. 5: Capture of the Firebird by Prince Ivan) (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu (The Firebird)
Igor Stravinsky0:53
6L’Oiseau de feu : Premier tableau : Supplications de l’oiseau de feu — Apparition des treize princesses enchantées
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 6: Tableau I, Supplications de l’oiseau de feu / Apparition des treize princesses enchantées (The Firebird: Act I, no. 6: Supplication of the Firebird / Appearance of the Thirteen Enchanted Princesses) (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu (The Firebird)
Igor Stravinsky8:14
7L’Oiseau de feu : Premier tableau : Jeu des princesses avec les pommes d’or (scherzo)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 7: Tableau I, Jeu des princesses avec les pommes d’or (scherzo) (The Firebird: Act I, no. 7: The Princesses' Game with the Golden Apples (scherzo)) (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu (The Firebird)
Igor Stravinsky2:25
8L’Oiseau de feu : Premier tableau : Brusque apparition d’Ivan Tsarévitch
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 8: Tableau I, Brusque apparition d’Ivan Tsarévitch (The Firebird: Act I, no. 8: Sudden Appearance of Prince Ivan) (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu (The Firebird)
Igor Stravinsky1:37
9L’Oiseau de feu : Premier tableau : Khorovode (Ronde) des princesses
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 9: Tableau I, Khorovode (Ronde) des princesses (The Firebird: Act I, no. 9: Khorovod (Round Dance) of the Princesses) (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu (The Firebird)
Igor Stravinsky3:43
10L’Oiseau de feu : Premier tableau : Lever du jour — Ivan Tsarévitch pénètre dans le palais de Kachtcheï
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 10: Tableau I, Lever du jour / Ivan Tsarévitch pénètre dans le palais de Kachtcheï (The Firebird: Act I, no. 10: Daybreak / Prince Ivan Penetrates Kastchei's Palace) (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu (The Firebird)
Igor Stravinsky1:32
11L’Oiseau de feu : Premier tableau : Carillon féerique, apparition des monstres‐gardiens de Kachtcheï et capture d’Ivan Tsarévitch — Arrivée de Kachtcheï l’Immorte — Dialogue de Kachtcheï avec Ivan Tsarévitch — Intercession des princesses — Apparition de l’oiseau de feu
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 11: Tableau I, Carillon Féerique, apparition des monstres-gardiens de Kachtcheï et capture d’Ivan Tsarévitch / Arrivée de Kachtcheï l’Immorte / Dialogue de Kachtcheï avec Ivan Tsarévitch / Intercession des princesses / Apparition de l’Oiseau de feu (The Firebird: Act I, no. 11: Magic Carillon, Appearance of Kastchei's Monster Guardians, and Capture of Prince Ivan / Arrival of Kastchei the Immortal / Dialogue of Kastchei and Prince Ivan / Intercession of the Princesses / Appearance of the Firebird) (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu (The Firebird)
Igor Stravinsky5:41
12L’Oiseau de feu : Premier tableau : Danse de la suite de Kachtcheï, enchantée par l’oiseau de feu
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 12: Tableau I, Danse de la suite de Kachtcheï, enchantée par l’Oiseau de feu (The Firebird: Act I, no. 12: Dance of Kastchei' Retinue, Enchanted by the Firebird) (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu (The Firebird)
Igor Stravinsky0:45
13L’Oiseau de feu : Premier tableau : Danse infernale de tous les sujets de Kachtcheï
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
partial recording of:
L’Oiseau de feu: no. 13: Tableau I, Danse infernale de tous les sujets de Kachtcheï / Berceuse / Réveil de Kachtcheï / Mort de Kachtcheï / Profondes ténèbres (The Firebird: Act I, no. 13: Infernal Dance of All Kastchei's Subjects / Lullaby / Kastchei's Awakening / Kastchei's Death / Profound Darkness) (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu (The Firebird)
Igor Stravinsky4:43
14L’Oiseau de feu : Premier tableau : Berceuse (L’Oiseau de feu) — Réveil de Kachtcheï — Mort de Kachtcheï — Profondes ténèbres
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
partial recording of:
L’Oiseau de feu: no. 13: Tableau I, Danse infernale de tous les sujets de Kachtcheï / Berceuse / Réveil de Kachtcheï / Mort de Kachtcheï / Profondes ténèbres (The Firebird: Act I, no. 13: Infernal Dance of All Kastchei's Subjects / Lullaby / Kastchei's Awakening / Kastchei's Death / Profound Darkness) (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu (The Firebird)
Igor Stravinsky5:17
15L’Oiseau de feu : Deuxième tableau : Disparition du palais et des sortilèges de Kastcheï, animation des chevaliers petrifiés, allégresse générale
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
L’Oiseau de feu: no. 14: Tableau II, Disparition du palais et des sortilèges de Kastchei / Animation des chevaliers petrifiés / Allégresse générale (The Firebird: Act I, no. 14: Disappearance of Kastchei's Palace and Magical Creations, Return to Life of the Petrified Knights, General Rejoicing) (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu (The Firebird)
Igor Stravinsky3:23
16Feu d’artifice, op. 4
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Feu d’artifice, op. 4 (Fireworks, op. 4) (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1908)
premiered at:
[concert] (1909-02-06)
part of:
K Catalog (number: K007)
Igor Stravinsky4:02
17Quatre Études pour orchestra : I. Dance. Con moto
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Four Etudes For Orchestra: I. Danse (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Quatre études pour orchestre
Igor Stravinsky0:59
18Quatre Études pour orchestra : II. Eccentric. Moderato
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Four Etudes For Orchestra: II. Excentrique (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Quatre études pour orchestre
Igor Stravinsky2:11
19Quatre Études pour orchestra : III. Canticle. Largo
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Four Etudes For Orchestra: III. Cantique (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Quatre études pour orchestre
Igor Stravinsky3:38
20Quatre Études pour orchestra : IV. Madrid. Allegro con moto
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Rainer Hebborn
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Four Etudes For Orchestra: IV. Madrid (in 1992-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Quatre études pour orchestre
Igor Stravinsky2:48
2▼CD: Pétrouchka / Le Sacre du printemps
#TitleArtistRatingLength
1Pétrouchka : Premier tableau
producer:
Karl-August Naegler (balance engineer)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Andrew Wedman (producer and engineer)
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (composer and conductor) (in 1991-03)
balance engineer:
Helmut Burk
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1991-03)
recording of:
Pétrouchka : Tableau I. Fête populaire de la semaine grasse (1911 version) (in 1991-03)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1911)
part of:
Pétrouchka (1911 original version)
Igor Stravinsky9:57
2Pétrouchka : Deuxième tableau
producer:
Karl-August Naegler (balance engineer)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Andrew Wedman (producer and engineer)
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (composer and conductor) (in 1991-03)
balance engineer:
Helmut Burk
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1991-03)
recording of:
Pétrouchka : Tableau II. Chez Pétrouchka (1911 version) (in 1991-03)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1911)
publisher:
Boosey & Hawkes Ltd.
part of:
Pétrouchka (1911 original version)
Igor Stravinsky4:30
3Pétrouchka : Troisième tableau
producer:
Karl-August Naegler (balance engineer)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Andrew Wedman (producer and engineer)
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (composer and conductor) (in 1991-03)
balance engineer:
Helmut Burk
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1991-03)
recording of:
Pétrouchka : Tableau III. Chez le Maure (1911 version) (in 1991-03)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1911)
part of:
Pétrouchka (1911 original version)
Igor Stravinsky7:02
4Pétrouchka : Quatrième tableau
producer:
Karl-August Naegler (balance engineer)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Andrew Wedman (producer and engineer)
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (composer and conductor) (in 1991-03)
balance engineer:
Helmut Burk
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1991-03)
recording of:
Pétrouchka : Tableau IV. Fête populaire de la semaine grasse (vers le soir) (1911 version) (in 1991-03)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1911)
publisher:
Boosey & Hawkes Ltd.
part of:
Pétrouchka (1911 original version)
Igor Stravinsky13:34
5Le Sacre du printemps : Première partie : L'Adoration de la terre
producer:
Karl-August Naegler (balance engineer)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Andrew Wedman (producer and engineer)
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (composer and conductor) (in 1991-03)
balance engineer:
Helmut Burk
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1991-03)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth) (in 1991-03)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
part of:
Le Sacre du printemps
Igor Stravinsky16:02
6Le Sacre du printemps : Seconde partie : Le Sacrifice
producer:
Karl-August Naegler (balance engineer)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Andrew Wedman (producer and engineer)
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (composer and conductor) (in 1991-03)
balance engineer:
Helmut Burk
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1991-03)
recording of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice) (in 1991-03)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
part of:
Le Sacre du printemps
Igor Stravinsky17:27
3▼CD: Le Chant du rossignol / L’Histoire du Soldat (suite) / Scherzo fantastique / Le Roi des étoiles
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1Scherzo fantastique, op. 3: Con moto — Moderato assai — Più mosso — Tempo I
recording engineer:
Klaus Behrens (engineer)
producer:
Helmut Burk
orchestra:
The Cleveland Orchestra (in 1994-11)
conductor:
Pierre Boulez (composer and conductor) (in 1994-11)
balance engineer:
Rainer Maillard
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1994-11)
recording of:
Scherzo Fantastique, op. 3 (in 1994-11)
premiered in:
St. Petersburg, Florida, United States (on 1909-02-06)
composer:
Igor Stravinsky (Russian composer) (from 1907 until 1908)
part of:
K Catalog (number: K005)
Igor Stravinsky11:33
2Le Roi des étoiles (Zvezdolíkiy)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Helmut Burk
choir vocals:
The Cleveland Orchestra Chorus (in 1996-02)
orchestra:
The Cleveland Orchestra (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
balance engineer:
Ulrich Vette (engineer)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1996-02)
recording of:
Le roi des étoiles (The King of the Stars, The King of the Stars) (in 1996-02)
premiered in:
Brussels (Brussels-Capital Region), Belgium (on 1939-04-19)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1912)
librettist:
Константин Бальмонт (Konstantin Balmont, Russian symbolist poet and translator, major figure of the Silver Age of Russian Poetry)
publisher:
P. Jurgenson (in 1913)
part of:
K Catalog (number: K014)
Igor Stravinsky5:35
3Le Chant du rossignol : Introduction : Presto — Andantino — Tempo I
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Helmut Burk
orchestra:
The Cleveland Orchestra (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
balance engineer:
Ulrich Vette (engineer)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1996-02)
recording of:
Le Chant du rossignol : I. Introduction (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Le Chant du rossignol
Igor Stravinsky2:25
4Le Chant du rossignol : Marche chinoise : ♩ = 72 — Poco più mosso — Tempo giusto
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Helmut Burk
orchestra:
The Cleveland Orchestra (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
balance engineer:
Ulrich Vette (engineer)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1996-02)
recording of:
Le Chant du rossignol : II. Marche chinoise (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Le Chant du rossignol
Igor Stravinsky3:29
5Le Chant du rossignol : Chant du rossignol : Cadenza — Adagio — Presto — Vivace
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Helmut Burk
orchestra:
The Cleveland Orchestra (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
balance engineer:
Ulrich Vette (engineer)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1996-02)
recording of:
Le Chant du rossignol : III. Chant du rossignol (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Le Chant du rossignol
Igor Stravinsky3:32
6Le Chant du rossignol : Jeu du rossignol mécanique : Moderato — Larghetto — Molto ritmico — Maestoso et piano — Pianissimo — Tranquillo
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Helmut Burk
orchestra:
The Cleveland Orchestra (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
balance engineer:
Ulrich Vette (engineer)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1996-02)
recording of:
Le Chant du rossignol : IV. Jeu du rossignol mécanique (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Le Chant du rossignol
Igor Stravinsky11:15
7L’Histoire du soldat : Marche du soldat
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Helmut Burk
orchestra:
Members of Cleveland Orchestra (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
balance engineer:
Ulrich Vette (engineer)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1996-02)
recording of:
Suite from "L'Histoire du soldat": I. Marche du soldat (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Suite from "L'Histoire du soldat" (for septet, 1920)
Igor Stravinsky1:47
8L’Histoire du soldat : Petits airs au bord du ruisseau
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Helmut Burk
orchestra:
Members of Cleveland Orchestra (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
balance engineer:
Ulrich Vette (engineer)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1996-02)
recording of:
Suite from "L'Histoire du soldat": II. Petit airs au bord du ruisseau (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Suite from "L'Histoire du soldat" (for septet, 1920)
Igor Stravinsky2:42
9L’Histoire du soldat : Pastorale
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Helmut Burk
orchestra:
Members of Cleveland Orchestra (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
balance engineer:
Ulrich Vette (engineer)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1996-02)
recording of:
Suite from "L'Histoire du soldat": III. Pastorale (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Suite from "L'Histoire du soldat" (for septet, 1920)
Igor Stravinsky3:56
10L’Histoire du soldat : Marche royale
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Helmut Burk
orchestra:
Members of Cleveland Orchestra (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
balance engineer:
Ulrich Vette (engineer)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1996-02)
recording of:
Suite from "L'Histoire du soldat": IV. Marche royale (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Suite from "L'Histoire du soldat" (for septet, 1920)
Igor Stravinsky2:42
11L’Histoire du soldat : Petit concert
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Helmut Burk
orchestra:
Members of Cleveland Orchestra (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
balance engineer:
Ulrich Vette (engineer)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1996-02)
recording of:
Suite from "L'Histoire du soldat": V. Petit concert (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Suite from "L'Histoire du soldat" (for septet, 1920)
Igor Stravinsky3:07
12L’Histoire du soldat : Trois Danses (Tango — Valse — Ragtime)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Helmut Burk
orchestra:
Members of Cleveland Orchestra (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
balance engineer:
Ulrich Vette (engineer)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1996-02)
recording of:
Suite from "L'Histoire du soldat": VI. Trois danses: a) Tango (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Suite from "L'Histoire du soldat" (for septet, 1920)
recording of:
Suite from "L'Histoire du soldat": VI. Trois danses: b) Valse (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Suite from "L'Histoire du soldat" (for septet, 1920)
recording of:
Suite from "L'Histoire du soldat": VI. Trois danses: c) Ragtime (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Suite from "L'Histoire du soldat" (for septet, 1920)
Igor Stravinsky6:16
13L’Histoire du soldat : Danse du diable
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Helmut Burk
orchestra:
Members of Cleveland Orchestra (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
balance engineer:
Ulrich Vette (engineer)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1996-02)
recording of:
Suite from "L'Histoire du soldat": VII. Danse du diable (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Suite from "L'Histoire du soldat" (for septet, 1920)
Igor Stravinsky1:23
14L’Histoire du soldat : Grand choral
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Helmut Burk
orchestra:
Members of Cleveland Orchestra (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
balance engineer:
Ulrich Vette (engineer)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1996-02)
recording of:
Suite from "L'Histoire du soldat": VIII. Grand choral (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Suite from "L'Histoire du soldat" (for septet, 1920)
Igor Stravinsky2:43
15L’Histoire du soldat : Marche triomphale du diable
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Helmut Burk
orchestra:
Members of Cleveland Orchestra (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
balance engineer:
Ulrich Vette (engineer)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1996-02)
recording of:
Suite from "L'Histoire du soldat": IX. Marche triomphale du diable (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Suite from "L'Histoire du soldat" (for septet, 1920)
Igor Stravinsky2:21
4▼CD: Symphony of Psalms / Symphony in Three Movements / Symphony of Wind Instruments
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1Symphonies d’instruments à vent
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
balance engineer:
Rainer Maillard
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1996-02)
recording of:
Symphonies of Wind Instruments (original 1920 version) (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1920)
dedicated to:
Claude Debussy (French composer)
part of:
K Catalog (number: K036)
Igor Stravinsky9:16
2Symphonie de psaumes : Exaudi orationem meam, Domine
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
chorus master:
Sigurd Brauns (chorus master)
balance engineer:
Rainer Maillard
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1996-02)
recording of:
Symphony of Psalms: I. “Exaudi orationem meam, Domine” (1948 revision) (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (until 1948)
part of:
Symphony of Psalms (1948 revised version)
Igor Stravinsky3:12
3Symphonie de psaumes : Expectans expectavi Dominum
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1996-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
chorus master:
Sigurd Brauns (chorus master) (in 1996-02)
balance engineer:
Rainer Maillard
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1996-02)
recording of:
Symphony of Psalms: II. “Expectans expectavi Dominum” (1948 revision) (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (until 1948)
part of:
Symphony of Psalms (1948 revised version)
Igor Stravinsky6:08
4Symphonie de psaumes : Alleluia, laudate Dominum
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1996-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
chorus master:
Sigurd Brauns (chorus master) (in 1996-02)
balance engineer:
Rainer Maillard
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1996-02)
recording of:
Symphony of Psalms: III. “Alleluia, laudate Dominum” (1948 revision) (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (until 1948)
part of:
Symphony of Psalms (1948 revised version)
Igor Stravinsky10:50
5Symphony in Three Movements: I. ♩ = 160
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
balance engineer:
Rainer Maillard
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1996-02)
recording of:
Symphony in Three Movements: I. Overture. Allegro (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1942 until 1945)
part of:
Symphony in Three Movements
Igor Stravinsky9:56
6Symphony in Three Movements: II. Andante — Interlude (L’istesso tempo)
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
balance engineer:
Rainer Maillard
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1996-02)
recording of:
Symphony in Three Movements: II. Andante - Interlude: L’istesso tempo (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1942 until 1945)
part of:
Symphony in Three Movements
Igor Stravinsky6:37
7Symphony in Three Movements: III. Con moto
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1996-02)
conductor:
Pierre Boulez (composer and conductor) (in 1996-02)
balance engineer:
Rainer Maillard
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1996-02)
recording of:
Symphony in Three Movements: III. Con moto (in 1996-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1942 until 1945)
part of:
Symphony in Three Movements
Igor Stravinsky6:06
5▼CD: Ebony Concerto / 3 Pieces for Clarinet Solo / Concertino for String Quartet / 8 Instrumental Miniatures / Concerto “Dumbarton Oaks” / Elegy for Viola Solo / Epitaphium / Double Canon for String Quartet
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1Ebony Concerto: Allegro moderato — Andante — Moderato — Con moto — Moderato — Vivo
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
clarinet:
Michel Arrignon (French clarinetist) (in 1981-12)
instruments:
Ensemble intercontemporain (in 1981-12)
conductor:
Pierre Boulez (composer and conductor) (in 1981-12)
balance engineer:
Karl-August Naegler (balance engineer) (in 1981-12)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1981-12)
recording of:
Ebony Concerto for Clarinet Solo and Big Band (in 1981-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1945)
dedicated to and was commissioned by:
Woody Herman
premiered at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1946-03-25)
part of:
K Catalog (number: K074)
Igor Stravinsky8:56
2Three Pieces for Clarinet Solo
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
clarinet:
Alain Damiens (clarinetist) (in 1982-02)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1982-02)
recording of:
Three Pieces for Clarinet Solo (in 1982-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
K Catalog (number: K033)
Igor Stravinsky4:07
3Concertino for String Quartet
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
conductor:
Pierre Boulez (composer and conductor) (in 1982-02)
performer:
Ensemble intercontemporain (in 1982-02)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1982-02)
recording of:
Concertino (for string quartet) (in 1982-02)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1920)
part of:
K Catalog (number: K035)
Igor Stravinsky6:38
4Eight Instrumental Miniatures for Fifteen Players
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
instruments:
Ensemble intercontemporain (in 1980-11)
conductor:
Pierre Boulez (composer and conductor) (in 1980-11)
balance engineer:
Karl-August Naegler (balance engineer) (in 1980-11)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-11)
recording of:
Eight Instrumental Miniatures (in 1980-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1962)
premiered at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (on 1962-04-29)
Igor Stravinsky7:20
5Concerto “Dumbarton Oaks” in E‐flat major for Chamber Orchestra: I. Tempo giusto
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
instruments:
Ensemble intercontemporain (in 1981-12)
orchestra:
Ensemble intercontemporain
conductor:
Pierre Boulez (composer and conductor) (in 1981-12)
balance engineer:
Karl-August Naegler (balance engineer) (in 1981-12)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1981-12)
recording of:
Concerto in E-flat for chamber orchestra "Dumbarton Oaks": I. Tempo giusto (in 1981-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1937 until 1938-03-29)
part of:
Concerto in E-flat for chamber orchestra "Dumbarton Oaks"
Igor Stravinsky4:42
6Concerto “Dumbarton Oaks” in E‐flat major for Chamber Orchestra: II. Allegretto
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
instruments:
Ensemble intercontemporain (in 1981-12)
orchestra:
Ensemble intercontemporain
conductor:
Pierre Boulez (composer and conductor) (in 1981-12)
balance engineer:
Karl-August Naegler (balance engineer) (in 1981-12)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1981-12)
recording of:
Concerto in E-flat for chamber orchestra "Dumbarton Oaks": II. Allegretto (in 1981-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1937 until 1938-03-29)
part of:
Concerto in E-flat for chamber orchestra "Dumbarton Oaks"
Igor Stravinsky5:17
7Concerto “Dumbarton Oaks” in E‐flat major for Chamber Orchestra: III. Con moto
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
instruments:
Ensemble intercontemporain (in 1981-12)
orchestra:
Ensemble intercontemporain
conductor:
Pierre Boulez (composer and conductor) (in 1981-12)
balance engineer:
Karl-August Naegler (balance engineer) (in 1981-12)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1981-12)
recording of:
Concerto in E-flat for chamber orchestra "Dumbarton Oaks": III. Con moto (in 1981-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1937 until 1938-03-29)
part of:
Concerto in E-flat for chamber orchestra "Dumbarton Oaks"
Igor Stravinsky5:20
8Élégie pour alto seul
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
viola:
Gérard Caussé (violist) (in 1981-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1981-12)
recording of:
Elegy for solo viola (in 1981-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1944)
part of:
K Catalog (number: K071)
Igor Stravinsky5:13
9Epitaphium for Flute, Clarinet and Harp
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
conductor:
Pierre Boulez (composer and conductor) (in 1980-11)
performer:
Ensemble intercontemporain (in 1980-11)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-11)
recording of:
Epitaphium for flute, clarinet and harp, "Fur das Grabmal des Prinzen Max Egon zu Fürstenberg" (in 1980-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1959)
premiered at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (on 1959-10-17)
Igor Stravinsky1:41
10Double Canon for String Quartet
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
conductor:
Pierre Boulez (composer and conductor) (in 1980-11)
performer:
Ensemble intercontemporain (in 1980-11)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-11)
recording of:
Double Canon "Raoul Dufy in Memoriam" (for string quartet) (in 1980-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1959)
Igor Stravinsky1:41
6▼CD: Songs
#TitleArtistRatingLength
1Pastorale
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Pastorale (for soprano and four winds) (in 1980-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1907)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1923)
arrangement of:
Pastorale (for soprano and piano)
Igor Stravinsky1:59
2Deux Poèmes de Paul Verlaine : Gdye v lunnom svyetye
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Two Poems of Paul Verlaine: The white moon shines in the woods (in 1980-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Two Poems of Paul Verlaine
Igor Stravinsky3:27
3Deux Poèmes de Paul Verlaine : Mrachniye sny
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Two Poems of Paul Verlaine: Sleep (in 1980-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Two Poems of Paul Verlaine
Igor Stravinsky1:35
4Two Poems of Konstantin Bal’mont: Nyezabudochka‐tsvyetochek
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Two Poems of Konstantin Bal'mont: I. The Flower (in 1980-10)
lyricist:
Константин Бальмонт (Konstantin Balmont, Russian symbolist poet and translator, major figure of the Silver Age of Russian Poetry)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Two Poems of Konstantin Balmont (voice + piano)
Igor Stravinsky1:16
5Two Poems of Konstantin Bal’mont: Golub’
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Two Poems of Konstantin Bal'mont: II. The Dove (in 1980-10)
lyricist:
Константин Бальмонт (Konstantin Balmont, Russian symbolist poet and translator, major figure of the Silver Age of Russian Poetry)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Two Poems of Konstantin Balmont (voice + piano)
Igor Stravinsky1:40
6Trois Poésies de la lyrique japonaise : Akahito
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Three Japanese Lyrics: I. Akahito (in 1980-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Three Japanese Lyrics
Igor Stravinsky0:49
7Trois Poésies de la lyrique japonaise : Mazatsumi
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Three Japanese Lyrics: II. Mazatsumi (in 1980-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Three Japanese Lyrics
Igor Stravinsky1:00
8Trois Poésies de la lyrique japonaise : Tsaraiuki
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Three Japanese Lyrics: III. Tsaraiuki (in 1980-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Three Japanese Lyrics
Igor Stravinsky1:36
9Three Little Songs “Recollections of My Childhood”: Sorochenka
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-11)
conductor:
Pierre Boulez (composer and conductor) (in 1980-11)
performer:
Ensemble intercontemporain (in 1980-11)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-11)
recording of:
Three Little Songs (Recollections of my Childhood): I. The Magpie (in 1980-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Three Little Songs (Recollections of my Childhood)
Igor Stravinsky1:02
10Three Little Songs “Recollections of My Childhood”: Vorona
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-11)
conductor:
Pierre Boulez (composer and conductor) (in 1980-11)
performer:
Ensemble intercontemporain (in 1980-11)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-11)
recording of:
Three Little Songs (Recollections of my Childhood): II. The Rook (in 1980-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Three Little Songs (Recollections of my Childhood)
Igor Stravinsky1:04
11Three Little Songs “Recollections of My Childhood”: Chicher‐Yacher
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-11)
conductor:
Pierre Boulez (composer and conductor) (in 1980-11)
performer:
Ensemble intercontemporain (in 1980-11)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-11)
recording of:
Three Little Songs (Recollections of my Childhood): III. The Jackdaw (in 1980-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Three Little Songs (Recollections of my Childhood)
Igor Stravinsky1:05
12Pribaoutki: Kornilo
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Pribaoutki (Pleasant Songs): I. Uncle Armand (in 1980-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pribaoutki
Igor Stravinsky0:51
13Pribaoutki: Natashka
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Pribaoutki (Pleasant Songs): II. The Oven (in 1980-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pribaoutki
Igor Stravinsky0:26
14Pribaoutki: Polkovnik
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Pribaoutki (Pleasant Songs): III. The Colonel (in 1980-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pribaoutki
Igor Stravinsky0:47
15Pribaoutki: Staryets i zayats
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Pribaoutki (Pleasant Songs): IV. The Old Man and the Hare (in 1980-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pribaoutki
Igor Stravinsky2:22
16Berceuses du chat : Spi, kot
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1980-12)
conductor:
Pierre Boulez (composer and conductor) (in 1980-12)
performer:
Ensemble intercontemporain (in 1980-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-12)
recording of:
Berceuses du chat: No. 1. Sur le poêle (in 1980-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1915 until 1916)
part of:
Berceuses du chat
Igor Stravinsky0:40
17Berceuses du chat : Kot na pyechi
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1980-12)
conductor:
Pierre Boulez (composer and conductor) (in 1980-12)
performer:
Ensemble intercontemporain (in 1980-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-12)
recording of:
Berceuses du chat: No. 2. Intérieur (in 1980-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1915 until 1916)
part of:
Berceuses du chat
Igor Stravinsky1:00
18Berceuses du chat : Bai‐bai
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1980-12)
conductor:
Pierre Boulez (composer and conductor) (in 1980-12)
performer:
Ensemble intercontemporain (in 1980-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-12)
recording of:
Berceuses du chat: No. 3. Dodo (Russian version) (in 1980-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1915 until 1916)
part of:
Berceuses du chat
Igor Stravinsky1:18
19Berceuses du chat : U koto, kota
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1980-12)
conductor:
Pierre Boulez (composer and conductor) (in 1980-12)
performer:
Ensemble intercontemporain (in 1980-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-12)
recording of:
Berceuses du chat: No. 4. Ce qu’il a, le chat (in 1980-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1915 until 1916)
part of:
Berceuses du chat
Igor Stravinsky0:53
20Four Songs: Sylezyen’
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Four Songs: I. The Drake (for voice, flute, harp and guitar) (in 1980-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1918 until 1919)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1953 until 1954)
arrangement of:
Four Russian Songs: No. 1. The Drake
part of:
Four Songs (for voice, flute, harp and guitar)
Igor Stravinsky1:14
21Four Songs: Syektanskaya
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Four Songs: II. A Russian Spiritual (for voice, flute, harp and guitar) (in 1980-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1918 until 1919)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1953 until 1954)
arrangement of:
Four Russian Songs: No. 4. Dissident Song
part of:
Four Songs (for voice, flute, harp and guitar)
Igor Stravinsky2:05
22Four Songs: Gusi y lyebyedi
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Four Songs: III. Geese and Swans (for voice, flute, harp and guitar) (in 1980-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1915 until 1917)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1953 until 1954)
arrangement of:
Three Tales for Children: No. 2. Geese, Swans...
part of:
Four Songs (for voice, flute, harp and guitar)
Igor Stravinsky0:33
23Four Songs: Tilim‐bom
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Four Songs: IV. Tilim-bom (for voice, flute, harp and guitar) (in 1980-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1915 until 1917)
arranger:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1953 until 1954)
arrangement of:
Three Tales for Children: No. 1. Tilimbom
part of:
Four Songs (for voice, flute, harp and guitar)
Igor Stravinsky1:14
24Tilim‐bom
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-11)
conductor:
Pierre Boulez (composer and conductor) (in 1980-11)
performer:
Ensemble intercontemporain (in 1980-11)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-11)
Igor Stravinsky1:15
25Song of Parasha From the Opera “Mavra”
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
soprano vocals:
Phyllis Bryn‐Julson (soprano) (in 1980-11)
conductor:
Pierre Boulez (composer and conductor) (in 1980-11)
performer:
Ensemble intercontemporain (in 1980-11)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-11)
recording of:
Mavra: Parasha's Song (catch-all for arrangements) (in 1980-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
arranger:
Samuel Dushkin (American violinist and transcriber) and Дмитрий Ситковецкий (Dmitry Sitkovetsky, violinist)
arrangement of:
Mavra: Parasha's Song (original aria)
Igor Stravinsky2:14
26Three Songs From William Shakespeare: “Musick to hear”
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
instruments:
Ensemble intercontemporain (in 1980-12)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1980-12)
conductor:
Pierre Boulez (composer and conductor) (in 1980-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-12)
recording of:
Three Songs from William Shakespeare: I. Music to hear (in 1980-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Three Songs from William Shakespeare
Igor Stravinsky2:53
27Three Songs From William Shakespeare: “Full fadom five”
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
instruments:
Ensemble intercontemporain (in 1980-12)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1980-12)
conductor:
Pierre Boulez (composer and conductor) (in 1980-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-12)
recording of:
Three Songs from William Shakespeare: II. Full fathom five (in 1980-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Three Songs from William Shakespeare
Igor Stravinsky1:58
28Three Songs From William Shakespeare: Spring (“When Dasies pied”)
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
instruments:
Ensemble intercontemporain (in 1980-12)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1980-12)
conductor:
Pierre Boulez (composer and conductor) (in 1980-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-12)
recording of:
Three Songs from William Shakespeare: III. When daisies pied (in 1980-12)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Three Songs from William Shakespeare
Igor Stravinsky2:23
29In memoriam Dylan Thomas
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
tenor vocals:
Robert Tear (tenor) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
In Memoriam Dylan Thomas: Do not go gentle into that good night (in 1980-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
arrangement of:
Do Not Go Gentle Into That Good Night
part of:
In memoriam Dylan Thomas
Igor Stravinsky7:53
30Elegy for J.F.K.
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1980-10)
conductor:
Pierre Boulez (composer and conductor) (in 1980-10)
performer:
Ensemble intercontemporain (in 1980-10)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-10)
recording of:
Elegy for J. F. K. (in 1980-10)
lyricist:
W. H. Auden
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1964)
part of:
K Catalog (number: K100)
Igor Stravinsky1:50
31Two Sacred Songs From the Spanisches Liederbuch by Hugo Wolf: “Herr, was trägt der Boden hier…”
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1980-12)
conductor:
Pierre Boulez (composer and conductor) (in 1980-12)
performer:
Ensemble intercontemporain (in 1980-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-12)
recording of:
Spanisches Liederbuch: Geistliche Lieder: No. 9. Herr, was trägt der Boden hier (in 1980-12)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (from 1889 until 1891)
librettist:
Franz Emanuel August Geibel (poet) and Paul Johann Ludwig von Heyse (German writer)
part of:
Spanisches Liederbuch: Part 1. Geistliche Lieder
Igor Stravinsky2:34
32Two Sacred Songs From the Spanisches Liederbuch by Hugo Wolf: “Wunden trägst du…”
recording engineer:
Wolf‐Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1980-12)
conductor:
Pierre Boulez (composer and conductor) (in 1980-12)
performer:
Ensemble intercontemporain (in 1980-12)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-12)
recording of:
Spanisches Liederbuch: Geistliche Lieder: No. 10. Wunden trägst du, mein Geliebter (in 1980-12)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (from 1889 until 1891)
part of:
Spanisches Liederbuch: Part 1. Geistliche Lieder
Igor Stravinsky5:05

Credits

Release

ASIN:UK: B002XDFOGM [info]

Release group

includes:Boulez conducts Stravinsky: Le Chant du rossignol / L’Histoire du soldat (suite) / Scherzo fantastique / Le roi des étoiles by Stravinsky (Igor Stravinsky, Russian composer); The Cleveland Orchestra, Boulez (composer and conductor)
Ebony Concerto / Dumbarton Oaks by Igor Stravinsky (Russian composer); Ensemble interContemporain, Pierre Boulez (composer and conductor)
L’Oiseau de feu / Feu d’artifice / Quatre Etudes pour orchestre by Stravinsky (Igor Stravinsky, Russian composer); Chicago Symphony Orchestra, Pierre Boulez (composer and conductor)
Pétrouchka / Le Sacre du printemps by Stravinsky (Igor Stravinsky, Russian composer); The Cleveland Orchestra, Pierre Boulez (composer and conductor)
Songs by Stravinsky (Igor Stravinsky, Russian composer); Phyllis Bryn‐Julson (soprano), Ann Murray (Irish mezzo-soprano), Robert Tear (tenor), John Shirley‐Quirk (bass-baritone), Ensemble interContemporain, Pierre Boulez (composer and conductor)
Symphony of Psalms / Symphony in Three Movements / Symphonies of Wind Instruments by Stravinsky (Igor Stravinsky, Russian composer); Berliner Philharmoniker (Berlin Philharmonic Orchestra), Pierre Boulez (composer and conductor)