Arie Antiche

~ Release by Dmitri Hvorostovsky (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Vittoria, mio core!
recording engineer:
Thijs Hoekstra
executive producer:
Anna Barry (classical producer)
harpsichord and organ:
John Constable (pianist) (in 1997-01)
theorbo:
Elizabeth Kenny (lutenist) (in 1997-01)
baritone vocals:
Dmitri Hvorostovsky (Russian operatic baritone) (in 1997-01)
orchestra:
Academy of St Martin in the Fields (in 1997-01)
conductor:
Sir Neville Marriner (conductor) (in 1997-01)
balance engineer:
Jean‐Marie Geijsen
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-01)
recording of:
Vittoria, mio core
lyricist:
Domenico Benigni
composer:
Giacomo Carissimi
publisher:
G. Schirmer Inc.
Giacomo Carissimi2:43
2Tito Manlio, RV 738: A Se il cor guerriero
recording engineer:
Thijs Hoekstra
executive producer:
Anna Barry (classical producer)
harpsichord and organ:
John Constable (pianist) (in 1997-01)
theorbo:
Elizabeth Kenny (lutenist) (in 1997-01)
baritone vocals:
Dmitri Hvorostovsky (Russian operatic baritone) (in 1997-01)
orchestra:
Academy of St Martin in the Fields (in 1997-01)
conductor:
Sir Neville Marriner (conductor) (in 1997-01)
arranger:
Jonathan Papp (vocal coach / accompanist)
balance engineer:
Jean‐Marie Geijsen
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-01)
recording of:
Tito Manlio, RV 738: Atto I, Scena II. Aria "Se il cor guerriero" (Tito)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (from 1718 until 1719)
librettist:
Matteo Noris
part of:
Tito Manlio, RV 738: Atto I
Antonio Vivaldi2:58
3Paride ed Elena, Wq. 39: O del mio dolce ardor
recording engineer:
Thijs Hoekstra
executive producer:
Anna Barry (classical producer)
harpsichord and organ:
John Constable (pianist) (in 1997-01)
theorbo:
Elizabeth Kenny (lutenist) (in 1997-01)
baritone vocals:
Dmitri Hvorostovsky (Russian operatic baritone) (in 1997-01)
orchestra:
Academy of St Martin in the Fields (in 1997-01)
conductor:
Sir Neville Marriner (conductor) (in 1997-01)
balance engineer:
Jean‐Marie Geijsen
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-01)
recording of:
Paride ed Elena, Wq. 39: Act I. Aria “O del mio dolce ardor”
composer:
Christoph Willibald Gluck (composer) (until 1770)
librettist:
Ranieri de’ Calzabigi (until 1770)
publisher:
G. Schirmer Inc.
part of:
Paride ed Elena, Wq. 39
Christoph Willibald Gluck3:45
4Caro mio ben
recording engineer:
Thijs Hoekstra
executive producer:
Anna Barry (classical producer)
harpsichord and organ:
John Constable (pianist) (in 1997-01)
theorbo:
Elizabeth Kenny (lutenist) (in 1997-01)
baritone vocals:
Dmitri Hvorostovsky (Russian operatic baritone) (in 1997-01)
orchestra:
Academy of St Martin in the Fields (in 1997-01)
conductor:
Sir Neville Marriner (conductor) (in 1997-01)
arranger:
Sir Neville Marriner (conductor)
balance engineer:
Jean‐Marie Geijsen
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-01)
recording of:
Caro mio ben
lyricist:
[anonymous] (special purpose artist)
previously attributed to:
Giuseppe Giordani and Tommaso Giordani
publisher:
G. Schirmer Inc.
Giuseppe Giordani3:12
5Te Deum in D major "Dettingen", HWV 283: Dignare o Domine
recording engineer:
Thijs Hoekstra
executive producer:
Anna Barry (classical producer)
harpsichord and organ:
John Constable (pianist) (in 1997-01)
theorbo:
Elizabeth Kenny (lutenist) (in 1997-01)
baritone vocals:
Dmitri Hvorostovsky (Russian operatic baritone) (in 1997-01)
orchestra:
Academy of St Martin in the Fields (in 1997-01)
conductor:
Sir Neville Marriner (conductor) (in 1997-01)
balance engineer:
Jean‐Marie Geijsen
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-01)
recording of:
Te Deum in D major, HWV 283 "Dettingen": Aria "Vouchsafe, O Lord" (catch-all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Te Deum, HWV 283: XVII. Vouchsafe, o Lord
Georg Friedrich Händel2:10
6Tito Manlio, RV 778: Orribile lo scempio
recording engineer:
Thijs Hoekstra
executive producer:
Anna Barry (classical producer)
harpsichord and organ:
John Constable (pianist) (in 1997-01)
theorbo:
Elizabeth Kenny (lutenist) (in 1997-01)
baritone vocals:
Dmitri Hvorostovsky (Russian operatic baritone) (in 1997-01)
orchestra:
Academy of St Martin in the Fields (in 1997-01)
conductor:
Sir Neville Marriner (conductor) (in 1997-01)
arranger:
Jonathan Papp (vocal coach / accompanist)
balance engineer:
Jean‐Marie Geijsen
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-01)
recording of:
Tito Manlio, RV 738-A: Atto I, Scena VIII. Aria "Orribile lo scempio" (Tito)
lyricist:
Matteo Noris
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (from 1718 until 1719)
part of:
Tito Manlio, RV 738: Atto I
Antonio Vivaldi3:05
7La costanza in amor vince l'inganno: Selve amiche
recording engineer:
Thijs Hoekstra
executive producer:
Anna Barry (classical producer)
harpsichord and organ:
John Constable (pianist) (in 1997-01)
theorbo:
Elizabeth Kenny (lutenist) (in 1997-01)
baritone vocals:
Dmitri Hvorostovsky (Russian operatic baritone) (in 1997-01)
orchestra:
Academy of St Martin in the Fields (in 1997-01)
conductor:
Sir Neville Marriner (conductor) (in 1997-01)
arranger:
Julian Reynolds
balance engineer:
Jean‐Marie Geijsen
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-01)
recording of:
La costanza in amor vince l'inganno: "Selve amiche"
lyricist:
[anonymous] (special purpose artist)
composer:
Antonio Caldara (Italian composer)
part of:
La costanza in amor vince l'inganno
Antonio Caldara2:50
8Orfeo ed Euridice, Wq. 30: Che farò senza Euridice?
recording engineer:
Thijs Hoekstra
executive producer:
Anna Barry (classical producer)
harpsichord and organ:
John Constable (pianist) (in 1997-01)
theorbo:
Elizabeth Kenny (lutenist) (in 1997-01)
baritone vocals:
Dmitri Hvorostovsky (Russian operatic baritone) (in 1997-01)
orchestra:
Academy of St Martin in the Fields (in 1997-01)
conductor:
Sir Neville Marriner (conductor) (in 1997-01)
balance engineer:
Jean‐Marie Geijsen
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-01)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck4:14
9Serse "Xerxes", HWV 40: Frondi levere e belle-Ombra mai fù
recording engineer:
Thijs Hoekstra
executive producer:
Anna Barry (classical producer)
harpsichord and organ:
John Constable (pianist) (in 1997-01)
theorbo:
Elizabeth Kenny (lutenist) (in 1997-01)
baritone vocals:
Dmitri Hvorostovsky (Russian operatic baritone) (in 1997-01)
orchestra:
Academy of St Martin in the Fields (in 1997-01)
conductor:
Sir Neville Marriner (conductor) (in 1997-01)
balance engineer:
Jean‐Marie Geijsen
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-01)
Georg Friedrich Händel3:52
10Orlando, HWV 31: Sorge infausta
recording engineer:
Thijs Hoekstra
executive producer:
Anna Barry (classical producer)
harpsichord and organ:
John Constable (pianist) (in 1997-01)
theorbo:
Elizabeth Kenny (lutenist) (in 1997-01)
baritone vocals:
Dmitri Hvorostovsky (Russian operatic baritone) (in 1997-01)
orchestra:
Academy of St Martin in the Fields (in 1997-01)
conductor:
Sir Neville Marriner (conductor) (in 1997-01)
balance engineer:
Jean‐Marie Geijsen
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-01)
Georg Friedrich Händel4:31
11Come raggio di sol
recording engineer:
Thijs Hoekstra
executive producer:
Anna Barry (classical producer)
harpsichord and organ:
John Constable (pianist) (in 1997-01)
theorbo:
Elizabeth Kenny (lutenist) (in 1997-01)
baritone vocals:
Dmitri Hvorostovsky (Russian operatic baritone) (in 1997-01)
orchestra:
Academy of St Martin in the Fields (in 1997-01)
conductor:
Sir Neville Marriner (conductor) (in 1997-01)
arranger:
Julian Reynolds
balance engineer:
Jean‐Marie Geijsen
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-01)
recording of:
Come raggio di sol
lyricist:
[anonymous] (special purpose artist)
composer:
Antonio Caldara (Italian composer)
publisher:
G. Schirmer Inc.
Antonio Caldara2:45
12Vergin, tutto amor
recording engineer:
Thijs Hoekstra
executive producer:
Anna Barry (classical producer)
harpsichord and organ:
John Constable (pianist) (in 1997-01)
theorbo:
Elizabeth Kenny (lutenist) (in 1997-01)
baritone vocals:
Dmitri Hvorostovsky (Russian operatic baritone) (in 1997-01)
orchestra:
Academy of St Martin in the Fields (in 1997-01)
conductor:
Sir Neville Marriner (conductor) (in 1997-01)
arranger:
Julian Reynolds
balance engineer:
Jean‐Marie Geijsen
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-01)
recording of:
Vergin, tutto amor
lyricist:
Lorenzo Pagans (Spanish tenor, 19c.) (until 1874)
composer:
Francesco Durante
publisher:
G. Schirmer Inc.
Francesco Durante2:36
13Brockes Passion "Der für die Sünde der Welt gemarterte und sterbende Jesus", HWV 48: Chi sprezzando
recording engineer:
Thijs Hoekstra
executive producer:
Anna Barry (classical producer)
harpsichord and organ:
John Constable (pianist) (in 1997-01)
theorbo:
Elizabeth Kenny (lutenist) (in 1997-01)
baritone vocals:
Dmitri Hvorostovsky (Russian operatic baritone) (in 1997-01)
orchestra:
Academy of St Martin in the Fields (in 1997-01)
conductor:
Sir Neville Marriner (conductor) (in 1997-01)
balance engineer:
Jean‐Marie Geijsen
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-01)
Georg Friedrich Händel2:27
14L'honestà negli amori: Già il sole dal Gange
recording engineer:
Thijs Hoekstra
executive producer:
Anna Barry (classical producer)
harpsichord and organ:
John Constable (pianist) (in 1997-01)
theorbo:
Elizabeth Kenny (lutenist) (in 1997-01)
baritone vocals:
Dmitri Hvorostovsky (Russian operatic baritone) (in 1997-01)
orchestra:
Academy of St Martin in the Fields (in 1997-01)
conductor:
Sir Neville Marriner (conductor) (in 1997-01)
arranger:
Julian Reynolds
balance engineer:
Jean‐Marie Geijsen
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-01)
recording of:
L'honestà negli amori: "Già il sole dal Gange"
lyricist:
Felice Parnasso
composer:
Alessandro Scarlatti (composer)
publisher:
G. Schirmer Inc.
part of:
L'honestà negli amori
Alessandro Scarlatti1:44
15Nina
recording engineer:
Thijs Hoekstra
executive producer:
Anna Barry (classical producer)
harpsichord and organ:
John Constable (pianist) (in 1997-01)
theorbo:
Elizabeth Kenny (lutenist) (in 1997-01)
baritone vocals:
Dmitri Hvorostovsky (Russian operatic baritone) (in 1997-01)
orchestra:
Academy of St Martin in the Fields (in 1997-01)
conductor:
Sir Neville Marriner (conductor) (in 1997-01)
arranger:
Dmitri Hvorostovsky (Russian operatic baritone)
balance engineer:
Jean‐Marie Geijsen
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-01)
recording of:
Nina (catch-all arrangement)
lyricist and composer:
[anonymous] (special purpose artist) (until 1749)
previously attributed to:
Giovanni Battista Pergolesi (composer)
publisher:
G. Schirmer Inc.
[anonymous]2:12
16Danza, danza, fanciulla
recording engineer:
Thijs Hoekstra
executive producer:
Anna Barry (classical producer)
harpsichord and organ:
John Constable (pianist) (in 1997-01)
theorbo:
Elizabeth Kenny (lutenist) (in 1997-01)
baritone vocals:
Dmitri Hvorostovsky (Russian operatic baritone) (in 1997-01)
orchestra:
Academy of St Martin in the Fields (in 1997-01)
conductor:
Sir Neville Marriner (conductor) (in 1997-01)
arranger:
Julian Reynolds
balance engineer:
Jean‐Marie Geijsen
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-01)
recording of:
Danza fanciulla gentile
lyricist:
Lorenzo Pagans (Spanish tenor, 19c.) (until 1874)
composer:
Francesco Durante
publisher:
G. Schirmer Inc.
Francesco Durante1:10
17Amarilli, mia bella
recording engineer:
Thijs Hoekstra
executive producer:
Anna Barry (classical producer)
harpsichord and organ:
John Constable (pianist) (in 1997-01)
theorbo:
Elizabeth Kenny (lutenist) (in 1997-01)
baritone vocals:
Dmitri Hvorostovsky (Russian operatic baritone) (in 1997-01)
orchestra:
Academy of St Martin in the Fields (in 1997-01)
conductor:
Sir Neville Marriner (conductor) (in 1997-01)
arranger:
Dmitry Hvorostovsky (Dmitri Hvorostovsky, Russian operatic baritone)
balance engineer:
Jean‐Marie Geijsen
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-01)
recording of:
Le nuove musiche: 8. Amarilli, mia bella (original, for voice and continuo) (in 1997-01)
lyricist:
Elisabeth von Hessen-Kassel
composer:
Giulio Caccini (Italian renaissance composer, 1551-1618)
publisher:
G. Schirmer Inc.
part of:
Le nuove musiche
Giulio Caccini3:06
18Alessandro: Si mantiene il mio amor
recording engineer:
Thijs Hoekstra
executive producer:
Anna Barry (classical producer)
harpsichord and organ:
John Constable (pianist) (in 1997-01)
solo violin:
Malcolm Latchem (violinist) (in 1997-01) and Kenneth Sillito (violinist) (in 1997-01)
theorbo:
Elizabeth Kenny (lutenist) (in 1997-01)
baritone vocals:
Dmitri Hvorostovsky (Russian operatic baritone) (in 1997-01)
orchestra:
Academy of St Martin in the Fields (in 1997-01)
conductor:
Sir Neville Marriner (conductor) (in 1997-01)
arranger:
Julian Reynolds
balance engineer:
Jean‐Marie Geijsen
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-01)
recording of:
Alessandro: Si mantiene il mio amor
composer:
Antonio Cesti
Antonio Cesti2:26
19Pietà, signore
recording engineer:
Thijs Hoekstra
executive producer:
Anna Barry (classical producer)
harpsichord and organ:
John Constable (pianist) (in 1997-01)
theorbo:
Elizabeth Kenny (lutenist) (in 1997-01)
baritone vocals:
Dmitri Hvorostovsky (Russian operatic baritone) (in 1997-01)
orchestra:
Academy of St Martin in the Fields (in 1997-01)
conductor:
Sir Neville Marriner (conductor) (in 1997-01)
arranger:
Julian Reynolds
balance engineer:
Jean‐Marie Geijsen
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1997-01)
recording of:
Pietà, Signore
lyricist and previously attributed to:
Alessandro Stradella (composer)
composer:
Louis Niedermeyer
publisher:
G. Schirmer Inc.
Alessandro Stradella7:43