The Time-Life Library of Classical Favorites: Baroque Pleasures

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1The Four Seasons, Concerto No.1 in E (Spring), Allegro
Vivaldi3:25
2The Four Seasons, Concerto No.1 in E (Spring), Largo
Vivaldi2:52
3The Four Seasons, Concerto No.1 in E (Spring), Allegro
Vivaldi4:03
4The Four Seasons, Concerto No.2 in G Minor (Summer), Allegro non molto
Vivaldi5:17
5The Four Seasons, Concerto No.2 in G Minor (Summer), Adagio
Vivaldi2:10
6The Four Seasons, Concerto No.2 in G Minor (Summer), Presto
Vivaldi2:45
7The Four Seasons, Concerto No.3 in F (Autumn), Allegro
recording engineer:
Stanley Goodall (engineer) (in 1969-09)
producer:
Michael Bremner (producer/engineer)
harpsichord and organ:
Simon Preston (organist, conductor, composer) (from 1969-09-08 until 1969-09-10)
violin:
Alan Loveday (violinist) (from 1969-09-08 until 1969-09-10)
orchestra:
Academy of St Martin in the Fields (from 1969-09-08 until 1969-09-10)
conductor:
Sir Neville Marriner (conductor) (from 1969-09-08 until 1969-09-10)
balance engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) and Stanley Goodall (engineer) (from 1969-09-08 until 1969-09-10)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1969-09-08 until 1969-09-10)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale (from 1969-09-08 until 1969-09-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Vivaldi44:36
8The Four Seasons, Concerto No.3 in F (Autumn), Adagio molto
Vivaldi2:43
9The Four Seasons, Concerto No.3 in F (Autumn), Allegro
Vivaldi3:20
10The Four Seasons, Concerto No.4 in F Minor (Winter), Allegro non molto
Vivaldi3:20
11The Four Seasons, Concerto No.4 in F Minor (Winter), Largo
Vivaldi2:11
12The Four Seasons, Concerto No.4 in F Minor (Winter), Allegro
Vivaldi3:15
13Brandenburg Concerto No.2 in F, BWV 1047, Allegro moderato
oboe:
Ku Ebbinge (oboist) (in 1983)
recorder:
Ricardo Kanji (Brazilian recorder player & luthier) (in 1983)
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1983)
violin:
Alison Bury (violinist) (in 1983)
orchestra:
Amsterdam Baroque Orchestra (in 1983)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1983)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1983)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (in 1983)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
J.S. Bach5:20
14Brandenburg Concerto No.2 in F, BWV 1047, Andante
oboe:
Ku Ebbinge (oboist) (in 1983)
recorder:
Ricardo Kanji (Brazilian recorder player & luthier) (in 1983)
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1983)
violin:
Alison Bury (violinist) (in 1983)
orchestra:
Amsterdam Baroque Orchestra (in 1983)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1983)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1983)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) (in 1983)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
J.S. Bach3:54
15Brandenburg Concerto No.2 in F, BWV 1047, Allegro assai
oboe:
Ku Ebbinge (oboist) (in 1983)
recorder:
Ricardo Kanji (Brazilian recorder player & luthier) (in 1983)
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1983)
violin:
Alison Bury (violinist) (in 1983)
orchestra:
Amsterdam Baroque Orchestra (in 1983)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1983)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1983)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (in 1983)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
J.S. Bach3:07
16Water Music (excerpts), (Allegro)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
Handel1:38
17Water Music (excerpts), (Hornpipe)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
Handel4:08
18Handel / Water Music (excerpts), (Menuet)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
Handel2:40
19Water Music (excerpts), Bourree
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
Handel2:39
20Water Music (excerpts), Lentement (Loure)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
Handel2:00
21Water Music (excerpts), Air (Bourree)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
Handel0:32
22Water Music (excerpts), (Menuet)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
Handel1:06
23Water Music (excerpts), (Air)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
Handel0:52
24Water Music (excerpts), Gigue I
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
Handel0:31
25Water Music (excerpts), Gigue II
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
Handel0:58
26Water Music (excerpts), Coro
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
Handel0:56
2▼CD
#TitleArtistRatingLength
1Toccata and Fugue in D Minor, BWV 565
engineer:
Yolanta Skura
organ:
Marie‐Claire Alain (organist) (in 1970)
recorded at:
Collégiale de Saint-Donat (has a Schwenkedel) in Saint-Donat-sur-l'Herbasse, Drôme, Auvergne-Rhône-Alpes, France (in 1970)
recording of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565) (in 1970)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 565) and Bach Compendium (number: BC J 37)
J.S. Bach8:23
2Mass in B Minor, BWV 232 (excerpts), Gloria
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
J.S. Bach6:39
3Mass in B Minor, BWV 232 (excerpts), Laudamus te
soprano vocals:
Delores Ziegler (mezzo-soprano) (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
J.S. Bach4:07
4Mass in B Minor, BWV 232 (excerpts), Quoniam tu solus sanctus
bass vocals:
Robert Holl (bass‐baritone) (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
J.S. Bach5:15
5Mass in B Minor, BWV 232 (excerpts), Cum sancto spiritu
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
J.S. Bach4:16
6Mass in B Minor, BWV 232 (excerpts), Patrem omnipotentem
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
J.S. Bach2:05
7Mass in B Minor, BWV 232 (excerpts), Et in unum Dominum
contralto vocals:
Jadwiga Rappé (alto) (in 1986-04)
soprano vocals:
Angela Maria Blasi (soprano) (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
J.S. Bach5:06
8Mass in B Minor, BWV 232 (excerpts), Et incarnatus est
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
J.S. Bach2:59
9Mass in B Minor, BWV 232 (excerpts), Crucifixus
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
J.S. Bach3:33
10Mass in B Minor, BWV 232 (excerpts), Et resurrexit
choir vocals:
Arnold Schoenberg Chor (in 1986-04)
orchestra:
Concentus Musicus Wien (in 1986-04)
conductor:
Nikolaus Harnoncourt (conductor) (in 1986-04)
chorus master:
Erwin Ortner (in 1986-04)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1986)
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (in 1986-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1986-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
J.S. Bach4:36
11Organ Concerto in B Flat, Op 4, No.6, Andante-Allegro
organ:
Ton Koopman (conductor, organist and harpsichordist)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
Handel5:24
12Organ Concerto in B Flat, Op 4, No.6, Larghetto
organ:
Ton Koopman (conductor, organist and harpsichordist)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
Handel3:27
13Organ Concerto in B Flat, Op 4, No.6, Allegro moderato
organ:
Ton Koopman (conductor, organist and harpsichordist)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
Handel2:52
14Messiah (excerpts), And the Glory of the Lord
choir vocals:
Stockholms kammarkör (Stockholm Chamber Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Handel2:31
15Messiah (excerpts), O thou that tellest good tidings to Zion
choir vocals:
Stockholms kammarkör (Stockholm Chamber Choir)
solo alto vocals:
Marjana Lipovšek (mezzo soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Handel6:17
16Messiah (excerpts), And suddenly there was with the angel
solo soprano vocals:
Elizabeth Gale (soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
Handel0:28
17Messiah (excerpts), Glory to God
choir vocals:
Stockholms kammarkör (Stockholm Chamber Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Handel1:58
18Messiah (excerpts), Hallelujah Chorus
choir vocals:
Stockholms kammarkör (Stockholm Chamber Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Handel3:40