Le Barbier de Séville (French release)

~ Release by Rossini; Hermann Prey, Teresa Berganza, Luigi Alva, Enzo Dara, Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado (see all versions of this release, 10 available)

Annotation

Livre-disque de la collection "Grandes Œuvres Deutsche Grammophone"

Annotation last modified on 2022-12-16 23:08 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Le Barbier de Séville: Symphonie
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Sinfonia (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini7:26
2Le Barbier de Séville: Acte I. N° 1 Introduzione : « Piano, pianissimo » (Fiorello, chœur, le comte)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Fiorello, servitore del conte]:
Renato Cesari (bass-baritone) (from 1971-09-11 until 1971-09-15)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1971-09-11 until 1971-09-15)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto I, N°1a. Introduzione “Piano, pianissimo” (Fiorello, Coro, Conte) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:00
3Le Barbier de Séville: Acte I. Cavatina : « Ecco, ridente in cielo » (Le comte) - Seguito dell'Introduzione : « Ehi, Fiorello ? » (Le comte, Fiorello, chœur) - Recitativo : « Gente indiscreta ! » (le comte, Fiorello)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
guitar:
Barna Kováts (from 1971-09-11 until 1971-09-15)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-09-11 until 1971-09-15)
baritone vocals [Fiorello, servitore del conte]:
Renato Cesari (bass-baritone) (from 1971-09-11 until 1971-09-15)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1971-09-11 until 1971-09-15)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto I, N°1b. Cavatina “Ecco ridente in cielo” (Conte) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
recording of:
Il barbiere di Siviglia: Atto I, N°1c. Recitativo “Ehi, Fiorello” (Coro, Fiorello, Conte) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
recording of:
Il barbiere di Siviglia: Atto I, N°1e. “Gente indiscreta!” (Conte, Fiorello, Figaro) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini7:29
4Le Barbier de Séville: Acte I. N° 2 Cavatina « Largoal factotum » (Figaro) - Recitativo « Ah, ah, che bella vita ! » (Figaro, le comte, Rosina, Bartolo)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Figaro, barbiere]:
Hermann Prey (baritone) (from 1971-09-11 until 1971-09-15)
bass vocals [Bartolo, dottore in medicina]:
Enzo Dara (operatic bass) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
Teresa Berganza (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
recording of:
Il barbiere di Siviglia: Atto I, N°2b. “Ah che bella vita!” (Figaro, Conte) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini10:52
5Le Barbier de Séville: Acte I. N° 3 Canzone : « Se il mio nome» (Le comte, Rosina, Figaro) - Recitativo : « Oh cielo ! » (Le comte, Figaro)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-09-11 until 1971-09-15)
baritone vocals [Figaro, barbiere]:
Hermann Prey (baritone) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
Teresa Berganza (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto I, N°3a. Canzone “Se il mio nome saper voi bramate” (Conte, Rosina, Figaro) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
recording of:
Il barbiere di Siviglia: Atto I, N°3b. “Oh cielo!” (Conte, Figaro) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:50
6Le Barbier de Séville: Acte I. N° 4 Duetto : « All'idea di quel metallo » (Figaro, le comte)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Figaro, barbiere]:
Hermann Prey (baritone) (from 1971-09-11 until 1971-09-15)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto I, N°4. Duetto “All’idea di quel metallo” (Figaro, Conte) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini8:43
7Le Barbier de Séville: Acte I. N° 5 Cavatina : « Una voce poco fa » (Rosina) - Recitativo : « Sì, sì, la vincerò » (Rosina, Figaro, Bartolo, Basilio)
harpsichord:
Theodor Guschlbauer (conductor)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Enzo Dara (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
recording of:
Il barbiere di Siviglia: Atto I, N°5b. “Sì, sì, la vincerò” (Rosina, Figaro)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini9:41
8Le Barbier de Séville: Acte I. N° 6 Aria : « La calunnia è un venticello » (Basilio) - Recitativo : « Ah ! che ne dite ? » (Basilio, Bartolo, Figaro, Rosina)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-09-11 until 1971-09-15)
baritone vocals [Figaro, barbiere]:
Hermann Prey (baritone) (from 1971-09-11 until 1971-09-15)
bass vocals [Bartolo, dottore in medicina]:
Enzo Dara (operatic bass) (from 1971-09-11 until 1971-09-15)
bass vocals [Basilio, maestro di musica]:
Paolo Montarsolo (operatic bass) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
Teresa Berganza (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto I, N°6a. “La calunnia è un venticello” (Basilio) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
recording of:
Il barbiere di Siviglia: Atto I, N°6b. “Ah che ne dite?” (Basilio, Bartolo) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini7:44
9Le Barbier de Séville: Acte I. N° 7 Duetto : « Dunque io son » (Rosina, Figaro) - Recitativo : « Ora mi sento meglio » (Rosina, Bartolo)
harpsichord:
Theodor Guschlbauer (conductor)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Enzo Dara (operatic bass)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto I, N°7a. Duetto “Dunque io son” (Rosina, Figaro)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
recording of:
Il barbiere di Siviglia: Atto I, N°7b. “Ora mi sento meglio” (Rosina, Bartolo)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini6:23
10Le Barbier de Séville: Acte I. N° 8 Aria : « A un dottor della mia sorte » (Bartolo)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass vocals [Bartolo, dottore in medicina]:
Enzo Dara (operatic bass) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto I, N°8a. Aria “A un dottor della mia sorte” (Bartolo) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini6:09
2▼CD
#TitleArtistRatingLength
1Le Barbier de Séville: Acte I. Recitativo : « Finora in questa camera » (Berta, le comte) - N° 9 Finale I : « Ehi, di casa ! » (Le comte, Bartolo, Rosina, Berta, Basilio)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-09-11 until 1971-09-15)
bass vocals [Bartolo, dottore in medicina]:
Enzo Dara (operatic bass) (from 1971-09-11 until 1971-09-15)
bass vocals [Basilio, maestro di musica]:
Paolo Montarsolo (operatic bass) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Berta, cameriera di Bartolo]:
Stefania Malagú (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
Teresa Berganza (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto I, N°8b. “Finora in questa camera” (Berta, Conte) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
recording of:
Il barbiere di Siviglia: Atto I, N°9a. Finale I “Ehi di casa… buona gente” (Conte, Bartolo, Rosina, Berta, Basilio) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini9:12
2Le Barbier de Séville: Acte I. « Alto là ! » (Figaro, Bartolo, le comte, Rosina, Berta, Basilio, chœur, l'officier)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Figaro, barbiere]:
Hermann Prey (baritone) (from 1971-09-11 until 1971-09-15)
bass vocals [Bartolo, dottore in medicina]:
Enzo Dara (operatic bass) (from 1971-09-11 until 1971-09-15)
bass vocals [Basilio, maestro di musica]:
Paolo Montarsolo (operatic bass) (from 1971-09-11 until 1971-09-15)
bass vocals [un ufficiale]:
Luigi Roni (operatic bass) (from 1971-09-11 until 1971-09-15)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Berta, cameriera di Bartolo]:
Stefania Malagú (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
Teresa Berganza (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto I, N°9b. Finale I “Che cosa accadde, signori miei” (Conte, Bartolo, Rosina, Berta, Basilio, Figaro, Coro, Uffiziale) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
recording of:
Il barbiere di Siviglia: Atto I, N°9c. Finale I “La Forza!” … “Fermi tutti” … “Questa bestia di soldato” (Tutti, Ufficiale, Coro) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
recording of:
Il barbiere di Siviglia: Atto I, N°9d. “Fredda ed immobile” (Rosina, Conte, Bartolo, Figaro, Basilio, Berta) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini6:37
3Le Barbier de Séville: Acte I. « Ma signor... » « Zitto tu ! » (Bartolo, chœur, Berta, Basilio, Rosina, le comte, Figaro, l'officier)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Figaro, barbiere]:
Hermann Prey (baritone) (from 1971-09-11 until 1971-09-15)
bass vocals [Bartolo, dottore in medicina]:
Enzo Dara (operatic bass) (from 1971-09-11 until 1971-09-15)
bass vocals [Basilio, maestro di musica]:
Paolo Montarsolo (operatic bass) (from 1971-09-11 until 1971-09-15)
bass vocals [un ufficiale]:
Luigi Roni (operatic bass) (from 1971-09-11 until 1971-09-15)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Berta, cameriera di Bartolo]:
Stefania Malagú (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
Teresa Berganza (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto I, N°9e. Finale I “Ma signor… ma un dottor” … “Mi par d'essere con la testa” (Bartolo, Coro, Rosina, Basilio, Berta, Conte, Figaro) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:31
4Le Barbier de Séville: Acte II. Recitativo : « Ma vedi il mio destino ! » (Bartolo) - N° 10 Duetto : « Pace e gioia » (Le comte, Bartolo) - Recitativo : « Insomma, mio Signore » (Bartolo, le comte, Rosina)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-09-11 until 1971-09-15)
bass vocals [Bartolo, dottore in medicina]:
Enzo Dara (operatic bass) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
Teresa Berganza (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto II, No. 10. Duetto: “Pace e gioia sia con voi” (Conte, Bartolo) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Ma vedi il mio destino!” (Bartolo) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini6:37
5Le Barbier de Séville: Acte II. N° 11 Aria : « Contro un cor » (Rosina, le comte) - Recitativo : « Bellavoce ! Bravissima ! » (Le comte, Rosina, Bartolo)
harpsichord:
Theodor Guschlbauer (conductor)
bass vocals:
Enzo Dara (operatic bass)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano)
tenor vocals:
Luigi Alva (tenor)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (in 1971-09)
medley including a recording of:
Il barbiere di Siviglia: Atto II, No. 11. Aria “Contro un cor” (Rosina, Conte)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
medley including a recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bella voce! Bravissima!” (Conte, Rosina, Bartolo)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini5:07
6Le Barbier de Séville: Acte II. N° 12 Arietta: « Quando mi sei vicina » (Bartolo) - Recitativo : « Bravo, signor barbiere » (Bartolo, Figaro, Rosina, le comte)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-09-11 until 1971-09-15)
baritone vocals [Figaro, barbiere]:
Hermann Prey (baritone) (from 1971-09-11 until 1971-09-15)
bass vocals [Bartolo, dottore in medicina]:
Enzo Dara (operatic bass) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
Teresa Berganza (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto II, No. 12. Arietta “Quando mi sei vicina” (Bartolo) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bravo signor Barbiere” (Bartolo, Figaro, Rosina, Conte) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini3:30
7Le Barbier de Séville: Acte II. N° 13 Quintetto : « Don Basilio ! » (Rosina, le comte, Figaro, Bartolo, Basilio) - Recitativo : « Ah ! Disgraziato me ! » (Bartolo) - Recitativo : « Che vecchio sospettoso ! » (Berta)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-09-11 until 1971-09-15)
baritone vocals [Figaro, barbiere]:
Hermann Prey (baritone) (from 1971-09-11 until 1971-09-15)
bass vocals [Bartolo, dottore in medicina]:
Enzo Dara (operatic bass) (from 1971-09-11 until 1971-09-15)
bass vocals [Basilio, maestro di musica]:
Paolo Montarsolo (operatic bass) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Berta, cameriera di Bartolo]:
Stefania Malagú (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
Teresa Berganza (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto II, No. 13. Quintetto “Don Basilio! … Cosa veggo” (Rosina, Conte, Bartolo, Figaro, Basilio) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
recording of:
Il barbiere di Siviglia: Atto II. “Che vecchio sospettoso!” (Berta) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini11:40
8Le Barbier de Séville: Acte II. N° 14 Aria : « Il vecchiotto cerca moglie » (Berta) - Recitativo : « Dunque voi Don Alonso » (Bartolo, le comte, Rosina)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-09-11 until 1971-09-15)
bass vocals [Bartolo, dottore in medicina]:
Enzo Dara (operatic bass) (from 1971-09-11 until 1971-09-15)
bass vocals [Basilio, maestro di musica]:
Paolo Montarsolo (operatic bass) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Berta, cameriera di Bartolo]:
Stefania Malagú (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
Teresa Berganza (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto II, No. 14. Aria “Il vecchiotto cerca moglie” (Berta) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Dunque voi” - “Per forza o per amore” (Bartolo, Basilio, Rosina) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini4:04
9Le Barbier de Séville: Acte II. N° 15 Temporale - Recitativo : « Alfine, eccoci qua » (Figaro, le comte, Rosina)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-09-11 until 1971-09-15)
baritone vocals [Figaro, barbiere]:
Hermann Prey (baritone) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
Teresa Berganza (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto II, No. 15. Temporale (Thunderstorm) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Alfine eccoci qua” (Figaro, Conte, Rosina) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini4:12
10Le Barbier de Séville: Acte II. N° 16 Terzetto : « Ah ! Qual colpo inaspettato ! » (Rosina, Figaro, le comte) - Recitativo : « Ah, disgraziati noi ! » (Figaro, le comte, Rosina, Basilio, Bartolo, l'officier)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-09-11 until 1971-09-15)
baritone vocals [Figaro, barbiere]:
Hermann Prey (baritone) (from 1971-09-11 until 1971-09-15)
bass vocals [Bartolo, dottore in medicina]:
Enzo Dara (operatic bass) (from 1971-09-11 until 1971-09-15)
bass vocals [Basilio, maestro di musica]:
Paolo Montarsolo (operatic bass) (from 1971-09-11 until 1971-09-15)
bass vocals [un ufficiale]:
Luigi Roni (operatic bass) (from 1971-09-11 until 1971-09-15)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
Teresa Berganza (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Recitativo: “Ah, disgraziati noi! come si fa?” (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Terzetto “Ah, qual colpo inaspettato” (Rosina, Conte, Figaro) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini8:42
11Le Barbier de Séville: Acte II. N° 19 Finaletto II : « Di sì felice innesto » (Figaro, Rosina, le comte et les autres)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Figaro, barbiere]:
Hermann Prey (baritone) (from 1971-09-11 until 1971-09-15)
bass vocals [Bartolo, dottore in medicina]:
Enzo Dara (operatic bass) (from 1971-09-11 until 1971-09-15)
bass vocals [Basilio, maestro di musica]:
Paolo Montarsolo (operatic bass) (from 1971-09-11 until 1971-09-15)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Berta, cameriera di Bartolo]:
Stefania Malagú (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
Teresa Berganza (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (tenor) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-09-11 until 1971-09-15)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto II, No. 19. Finaletto II “Di sì felice innesto” (Rosina, Berta, Conte, Figaro, Bartolo, Basilio, Coro) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:18