Akoé: Nuevas músicas antiguas

~ Release by Taracea (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Preludio
recorded in:
Cáceres (Province of Cáceres), Extremadura, Spain (in 2019-06)
recording engineer and mixer:
Nicolás Tsabertidis (engineer)
flute:
Belén Nieto Galán (flautist) (in 2019-06)
vihuela:
Rainer Seiferth (in 2019-06)
mixed at:
Small Room Studio (Torrelodones, Madrid, Spain) in Torrelodones, Comunidad de Madrid (Community of Madrid), Spain
John Dowland1:12
2Come Again, Sweet Love Doth Now Invite
recorded in:
Cáceres (Province of Cáceres), Extremadura, Spain (in 2019-06)
recording engineer and mixer:
Nicolás Tsabertidis (engineer)
double bass:
Miguel Rodrigañez (in 2019-06)
flute:
Belén Nieto Galán (flautist) (in 2019-06)
instruments:
Taracea (early music trio) (in 2019-06)
percussion:
David Mayoral (in 2019-06)
vihuela:
Rainer Seiferth (in 2019-06)
mixed at:
Small Room Studio (Torrelodones, Madrid, Spain) in Torrelodones, Comunidad de Madrid (Community of Madrid), Spain
recording of:
The First Booke of Songs or Ayres, No. 17: "Come Again: Sweet Love Doth Now Invite" (in 2019-06)
composer:
John Dowland (composer and lutenist) (in 1597)
part of:
The First Booke of Songs or Ayres
John Dowland5:12
3Amarilli, mia bella
recorded in:
Cáceres (Province of Cáceres), Extremadura, Spain (in 2019-06)
recording engineer and mixer:
Nicolás Tsabertidis (engineer)
double bass:
Miguel Rodrigañez (in 2019-06)
flute:
Belén Nieto Galán (flautist) (in 2019-06)
instruments:
Taracea (early music trio) (in 2019-06)
serpent:
Michel Godard (in 2019-06)
vihuela:
Rainer Seiferth (in 2019-06)
mixed at:
Small Room Studio (Torrelodones, Madrid, Spain) in Torrelodones, Comunidad de Madrid (Community of Madrid), Spain
recording of:
Le nuove musiche: 8. Amarilli, mia bella (original, for voice and continuo) (in 2019-06)
lyricist:
Elisabeth von Hessen-Kassel
composer:
Giulio Caccini (Italian renaissance composer, 1551-1618)
publisher:
G. Schirmer Inc.
part of:
Le nuove musiche
Giulio Caccini6:29
4Cuchilleros
recorded in:
Cáceres (Province of Cáceres), Extremadura, Spain (in 2019-06)
recording engineer and mixer:
Nicolás Tsabertidis (engineer)
double bass:
Miguel Rodrigañez (in 2019-06)
flute:
Belén Nieto Galán (flautist) (in 2019-06)
instruments:
Taracea (early music trio) (in 2019-06)
percussion:
David Mayoral (in 2019-06)
vihuela:
Rainer Seiferth (in 2019-06)
mixed at:
Small Room Studio (Torrelodones, Madrid, Spain) in Torrelodones, Comunidad de Madrid (Community of Madrid), Spain
Anonymous4:53
5Innsbruck, ich muss dich lassen
recorded in:
Cáceres (Province of Cáceres), Extremadura, Spain (in 2019-06)
recording engineer and mixer:
Nicolás Tsabertidis (engineer)
double bass:
Miguel Rodrigañez (in 2019-06)
flute:
Belén Nieto Galán (flautist) (in 2019-06)
instruments:
Taracea (early music trio) (in 2019-06)
vihuela:
Rainer Seiferth (in 2019-06)
mixed at:
Small Room Studio (Torrelodones, Madrid, Spain) in Torrelodones, Comunidad de Madrid (Community of Madrid), Spain
recording of:
Innsbruck, ich muss dich lassen (in 2019-06)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Heinrich Isaac (Flemish Renaissance composer)
Heinrich Isaac4:53
6Marizápalos
recorded in:
Cáceres (Province of Cáceres), Extremadura, Spain (in 2019-06)
recording engineer and mixer:
Nicolás Tsabertidis (engineer)
double bass:
Miguel Rodrigañez (in 2019-06)
flute:
Belén Nieto Galán (flautist) (in 2019-06)
instruments:
Taracea (early music trio) (in 2019-06)
percussion:
David Mayoral (in 2019-06)
serpent:
Michel Godard (in 2019-06)
vihuela:
Rainer Seiferth (in 2019-06)
mixed at:
Small Room Studio (Torrelodones, Madrid, Spain) in Torrelodones, Comunidad de Madrid (Community of Madrid), Spain
Anonymous6:21
7¡Ay triste que vengo!
recorded in:
Cáceres (Province of Cáceres), Extremadura, Spain (in 2019-06)
recording engineer and mixer:
Nicolás Tsabertidis (engineer)
double bass:
Miguel Rodrigañez (in 2019-06)
flute:
Belén Nieto Galán (flautist) (in 2019-06)
instruments:
Taracea (early music trio) (in 2019-06)
percussion:
Isabel Martin (Spanish traditional music performer and researcher) (in 2019-06) and David Mayoral (in 2019-06)
vihuela:
Rainer Seiferth (in 2019-06)
vocals:
Isabel Martin (Spanish traditional music performer and researcher) (in 2019-06)
mixed at:
Small Room Studio (Torrelodones, Madrid, Spain) in Torrelodones, Comunidad de Madrid (Community of Madrid), Spain
recording of:
Ay, triste, que vengo (in 2019-06)
composer:
Juan del Encina (Spanish composer, poet, priest, playwright, c. 1468-1529/30)
part of:
Cancionero de Palacio
Juan del Encina5:43
8Mille regretz
recorded in:
Cáceres (Province of Cáceres), Extremadura, Spain (in 2019-06)
recording engineer and mixer:
Nicolás Tsabertidis (engineer)
double bass:
Miguel Rodrigañez (in 2019-06)
flute:
Belén Nieto Galán (flautist) (in 2019-06)
instruments:
Taracea (early music trio) (in 2019-06)
vihuela:
Rainer Seiferth (in 2019-06)
mixed at:
Small Room Studio (Torrelodones, Madrid, Spain) in Torrelodones, Comunidad de Madrid (Community of Madrid), Spain
recording of:
Mille regretz (à 4) (in 2019-06)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez3:19
9Passemèze
recorded in:
Cáceres (Province of Cáceres), Extremadura, Spain (in 2019-06)
recording engineer and mixer:
Nicolás Tsabertidis (engineer)
double bass:
Miguel Rodrigañez (in 2019-06)
flute:
Belén Nieto Galán (flautist) (in 2019-06)
instruments:
Taracea (early music trio) (in 2019-06)
percussion:
David Mayoral (in 2019-06)
serpent:
Michel Godard (in 2019-06)
vihuela:
Rainer Seiferth (in 2019-06)
mixed at:
Small Room Studio (Torrelodones, Madrid, Spain) in Torrelodones, Comunidad de Madrid (Community of Madrid), Spain
recording of:
Passameze (in 2019-06)
composer:
Adrien Le Roy (French lutenist, guitarist, composer & publisher, c. 1520-1598) (in 1568)
Adrien Le Roy3:40
10O quam mirabilis est
recorded in:
Cáceres (Province of Cáceres), Extremadura, Spain (in 2019-06)
recording engineer and mixer:
Nicolás Tsabertidis (engineer)
double bass:
Miguel Rodrigañez (in 2019-06)
flute:
Belén Nieto Galán (flautist) (in 2019-06)
instruments:
Taracea (early music trio) (in 2019-06)
vihuela:
Rainer Seiferth (in 2019-06)
mixed at:
Small Room Studio (Torrelodones, Madrid, Spain) in Torrelodones, Comunidad de Madrid (Community of Madrid), Spain
recording of:
Symphonia armonie celestium revelationem: O quam mirabilis est (in 2019-06)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen3:46
11Tant que vivray
recorded in:
Cáceres (Province of Cáceres), Extremadura, Spain (in 2019-06)
recording engineer and mixer:
Nicolás Tsabertidis (engineer)
double bass:
Miguel Rodrigañez (in 2019-06)
flute:
Belén Nieto Galán (flautist) (in 2019-06)
instruments:
Taracea (early music trio) (in 2019-06)
percussion:
David Mayoral (in 2019-06)
serpent:
Michel Godard (in 2019-06)
vihuela:
Rainer Seiferth (in 2019-06)
mixed at:
Small Room Studio (Torrelodones, Madrid, Spain) in Torrelodones, Comunidad de Madrid (Community of Madrid), Spain
recording of:
Tant que vivray (in 2019-06)
publisher:
Pierre Attaingnant (French Renaissance music publisher, fl. 1514-1551) (in 1527)
lyricist:
Clément Marot (French renaissance poet, 1496-1544)
composer:
Claudin de Sermisy (French Renaissance composer) (in 1527)
Claudin de Sermisy5:43

Credits

Release

liner notes:Mario Muñoz Carrasco
Rainer Seiferth
liner notes translator:Laurent Cantagrel
Dennis Collins (liner notes translator)
Susanne Lowien
John Thornley (liner notes translator)
Loïc Windels
mastering:Nicolás Tsabertidis (engineer)
illustration:Aline Lugand
design:Valérie Lagarde (designer)
mastered at:Small Room Studio (Torrelodones, Madrid, Spain) in Torrelodones, Comunidad de Madrid (Community of Madrid), Spain
ASIN:FR: B084B22YX8 [info]