The Greatest Scary Movie Soundtrack

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

© «2024 UMG Recordings, Inc.»
℗ «2024 UMG Recordings, Inc. FP»

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Annotation last modified on 2024-10-08 12:48 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Opening Sequence
Michael Bishop0:52
2Tubular Bells - From “The Exorcist”
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recording of:
Tubular Bells
composer:
Mike Oldfield
quotes music from:
Dies Irae (plainchant)
part of:
Tubular Bells, Part One
Erich Kunzel & Cincinnati Pops Orchestra2:41
3Murder - From “Psycho”
Erich Kunzel & Cincinnati Pops Orchestra1:21
4Main Titles From “Beetlejuice”
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer) and Rosalind Ilett (Telarc editor)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
arranger:
Crafton Beck and Mark McGurty
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1993-11-01 until 1994-01-16)
cover recording of:
Main Theme (Beetlejuice)
composer:
Danny Elfman (American singer and score composer)
part of:
Beetlejuice
Erich Kunzel & Cincinnati Pops Orchestra2:06
5Opening - From “The Shining”
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recording of:
The Shining (Theme)
composer:
Wendy Carlos and Rachel Elkind
is based on:
Dies Irae (plainchant)
is based on:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat
Erich Kunzel & Cincinnati Pops Orchestra3:08
6Closing Title from “Alien”
Erich Kunzel & Cincinnati Pops Orchestra2:58
7Theme - From “The Addams Family”
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recording of:
The Addams Family Theme (theme to the 1964 TV series)
lyricist and composer:
Vic Mizzy (US television & movie composer)
publisher:
EMI Music Publishing (do not use as a release label!)
part of:
The Addams Family (1964 television soundtrack)
part of:
The Addams Family (1991)
Erich Kunzel & Cincinnati Pops Orchestra2:19
8Herrmann: Prelude from Psycho - From “Psycho”
Erich Kunzel & Cincinnati Pops Orchestra1:34
9Theme - From “The Munsters”
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recording of:
Theme (The Munsters)
composer:
Jack Marshall (US jazz guitarist, composer, arranger & record producer)
Erich Kunzel & Cincinnati Pops Orchestra2:23
10Theme From “Jaws”
orchestra:
Cincinnati Pops Orchestra (from 1987-05-10 until 1987-09-15)
conductor:
Erich Kunzel (conductor) (from 1987-05-10 until 1987-09-15)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States
cover recording of:
Main Theme (Jaws)
composer:
John Williams (American score composer)
part of:
Jaws (1975 film score)
recording of:
Theme (Jaws)
composer:
John Williams (American score composer)
Erich Kunzel & Cincinnati Pops Orchestra2:28
11Prelude From “War Of The Worlds”
Erich Kunzel & Cincinnati Pops Orchestra1:11
12This Is Halloween - From “Tim Burton’s The Nightmare Before Christmas”
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recording of:
This Is Halloween (Tim Burton’s The Nightmare Before Christmas)
orchestrator:
Steve Bartek
lyricist and composer:
Danny Elfman (American singer and score composer)
writer:
Jonas Asplind, Melissa Bonny, Niklas Müller (German metal drummer) and Adrian Thessenvitz
publisher:
Buena Vista Music Company
orchestration of:
This Is Halloween (demo)
part of:
The Nightmare Before Christmas
Erich Kunzel & Cincinnati Pops Orchestra3:15
13Theme From “The Godfather”
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Robert Woods (classical music producer, founder of TELARC)
accordion:
Jeanne Dulaney (accordionist)
mandolin:
Timothy Berens and Paul Patterson (violin)
arranger:
Mark McGurty
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (in 1992-12)
recording of:
Love Theme from The Godfather (in 1992-12)
composer:
Nino Rota (Italian composer)
version of:
Buongiorno Fortunella
part of:
The Godfather (1972 film soundtrack)
Erich Kunzel & Cincinnati Pops Orchestra3:46
14The Imperial March (From “Star Wars: The Empire Strikes Back”)
recording engineer:
Jack Renner (engineer for Telarc)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (on 1983-11-21)
conductor:
Erich Kunzel (conductor) (on 1983-11-21)
phonographic copyright (℗) by:
TELARC International Corporation (in 1984)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (on 1983-11-21)
recording of:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme) (on 1983-11-21)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
Erich Kunzel & Cincinnati Pops Orchestra2:52
15Suite from “Batman Forever”: Gotham City Boogie (Arr. D. Snyder)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1996-06-02 until 1996-09-03)
Erich Kunzel & Cincinnati Pops Orchestra1:53
16Monster Mash
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
cover recording of:
Monster Mash
writer:
Lenny Capizzi and Bobby “Boris” Pickett (novelty musician, known for “Monster Mash”)
publisher:
T.M. Music Australia Pty. Ltd. and TM Music Ltd.
Erich Kunzel & Cincinnati Pops Orchestra3:50
17Theme - From “Ghostbusters”
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recording of:
Ghostbusters
lyricist and composer:
Ray Parker Jr.
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (in 1984) and Raydiola Music (in 1984)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
is based on:
I Want a New Drug
Erich Kunzel & Cincinnati Pops Orchestra3:24
18The Legend Lives / End Theme - From “Sleepy Hollow”
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
medley including a recording of:
Sleepy Hollow: End Credits
composer:
Danny Elfman (American singer and score composer)
part of:
Sleepy Hollow (1999)
Erich Kunzel & Cincinnati Pops Orchestra4:36
19The Haunted Fun House
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
Erich Kunzel & Cincinnati Pops Orchestra3:08
20Themes - From “Beetlejuice”
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer) and Rosalind Ilett (Telarc editor)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
arranger:
Crafton Beck and Mark McGurty
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1993-11-01 until 1994-01-16)
cover recording of:
Main Theme (Beetlejuice)
composer:
Danny Elfman (American singer and score composer)
part of:
Beetlejuice
Erich Kunzel & Cincinnati Pops Orchestra2:13
21They’ve Landed! / Martian Hop
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
Erich Kunzel & Cincinnati Pops Orchestra2:42
22Theme - From “Tales From The Crypt”
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recording of:
Theme (Tales From the Crypt)
composer:
Danny Elfman (American singer and score composer)
Erich Kunzel & Cincinnati Pops Orchestra1:31
23The Carousel - From “The Haunting”
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recording of:
The Haunting: The Carousel
orchestrator:
Alexander Courage
composer:
Jerry Goldsmith (American score composer)
Erich Kunzel & Cincinnati Pops Orchestra3:26
24Waxman: The Bride of Frankenstein
Erich Kunzel & Cincinnati Pops Orchestra5:12
25The Sand Volcano (From “The Mummy”)
recording engineer:
Michael Bishop (Telarc engineer/producer) (on 1999-06-07)
producer:
Robert Woods (classical music producer, founder of TELARC) (on 1999-06-07)
orchestra:
Cincinnati Pops Orchestra (on 1999-06-07)
conductor:
Erich Kunzel (conductor) (on 1999-06-07)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (on 1999-06-07)
recording of:
The Sand Volcano (The Mummy)
composer:
Jerry Goldsmith (American score composer)
Erich Kunzel & Cincinnati Pops Orchestra4:10
26Theme - From “Dark Shadows”
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recording of:
Dark Shadows Theme
writer:
Robert Cobert (Television Music Composer)
Erich Kunzel & Cincinnati Pops Orchestra1:31
27Beware Of The Blob - From “The Blob”
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
cover recording of:
Beware of the Blob
writer:
Burt Bacharach and Mack David (American lyricist and songwriter)
Erich Kunzel & Cincinnati Pops Orchestra2:55
28Theme / Tomatoes On The Rampage - From “Attack Of The Killer Tomatoes”
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recording of:
Attack of the Killer Tomatoes
writer:
John De Bello
Erich Kunzel & Cincinnati Pops Orchestra2:50
29Gounod: Funeral March of a Marionette (from Alfred Hitchcock Presents) - From “Alfred Hitchcock Presents”
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recording of:
Marche funèbre d’une marionnette (for orchestra, 1879)
composer:
Charles Gounod (French composer)
arrangement of:
Marche funèbre d’une marionnette (Funeral March of a Marionette, original, for piano solo, 1872)
Erich Kunzel & Cincinnati Pops Orchestra3:38
30Synthesizer Effects
Rosalind Ilett0:52
31Webber: Overture to The Phantom of the Opera
organ:
Robert Muckenfuss
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
Erich Kunzel & Cincinnati Pops Orchestra2:14
32Berlioz: Pandemonium from The Damnation of Faust - From “The Damnation Of Faust, Op. 24”
recording of:
La Damnation de Faust : Quatrième Partie, scène 19. Pandaemonium « Has ! Irimirukarabrao ! Has ! Has ! Has ! » (Chœur, Méphistophélès)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
Erich Kunzel & Cincinnati Pops Orchestra3:28
33Grieg: In the Hall of the Mountain King from Peer Gynt - From “Peer Gynt, Suite No. 1, Op. 46”
Erich Kunzel & Cincinnati Pops Orchestra2:33
34Constant: Theme from The Twilight Zone - From “The Twilight Zone”
recording of:
Main Theme (The Twilight Zone)
composer:
Marius Constant (Romanian-born French composer and conductor)
publisher:
Aspenfair Music Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Erich Kunzel & Cincinnati Pops Orchestra0:52
35Herrmann: Sleigh Ride from The Devil and Daniel Webster - From “The Devil And Daniel Webster”
Erich Kunzel & Cincinnati Pops Orchestra1:57
36Herrmann: The Mad House from Psycho - From “Psycho”
Erich Kunzel & Cincinnati Pops Orchestra2:02
37Addison: Overture to Sleuth
Erich Kunzel & Cincinnati Pops Orchestra2:54
38Goldsmith: The Light from Poltergeist - From “Poltergeist”
Erich Kunzel & Cincinnati Pops Orchestra2:44
39Mancini: Super Sleuth from Without a Clue - From “Without A Clue”
Erich Kunzel & Cincinnati Pops Orchestra2:08
40Thriller
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
cover recording of:
Thriller
lyricist and composer:
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Rodsongs (publisher), Rondor Music (London) Ltd., Universal Music Publishing France (not for release label use!) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
is based on:
Starlight
part of:
MJ: The Musical
Erich Kunzel & Cincinnati Pops Orchestra4:00
41Suite from “Batman Forever”: Fledermausmarschmusik (Arr. D. Snyder)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1996-06-02 until 1996-09-03)
Erich Kunzel & Cincinnati Pops Orchestra0:47
42Eine kleine Nachtmusik, K. 525: I. Allegro (From “Amadeus” & “The Witches of Eastwick”)
orchestra:
Cincinnati Pops Orchestra (on 1990-03-12)
conductor:
Erich Kunzel (conductor) (on 1990-03-12)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (on 1990-03-12)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (on 1990-03-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Erich Kunzel & Cincinnati Pops Orchestra4:26
43Suite from “Batman Forever”: Batterdämmerung (Arr. D. Snyder)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1996-06-02 until 1996-09-03)
Erich Kunzel & Cincinnati Pops Orchestra1:29
44End Title From “Ghost”
recording engineer:
Jack Renner (engineer for Telarc)
assistant engineer:
Michael Bishop (Telarc engineer/producer) and Thomas Knab (editor)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Erica Brenner (producer/editor), Rosalind Ilett (Telarc editor) and Thomas Knab (editor)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1990-12-15 until 1990-12-16)
Erich Kunzel & Cincinnati Pops Orchestra4:21
45Suite from “Batman Forever”: Main Title and Fanfare (Arr. D. Snyder)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1996-06-02 until 1996-09-03)
Erich Kunzel & Cincinnati Pops Orchestra1:43
46Also sprach Zarathustra, Op. 30, TrV 176: Introduction (From “2001: A Space Odyssey” and “2010: The Year We Make Contact”) [Altered Version]
recording engineer:
Jack Renner (engineer for Telarc) (on 1984-09-17)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (on 1984-09-17)
conductor:
Erich Kunzel (conductor) (on 1984-09-17)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (on 1984-09-17)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (on 1984-09-17)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Erich Kunzel & Cincinnati Pops Orchestra1:50
47Theme From “Batman” - Excerpt
Erich Kunzel & Cincinnati Pops Orchestra2:35
48Turandot, SC 91: Nessun dorma! (From “The Witches of Eastwick”)
tenor vocals:
Richard Leech (operatic tenor) (on 1990-03-12)
orchestra:
Cincinnati Pops Orchestra (on 1990-03-12)
conductor:
Erich Kunzel (conductor) (on 1990-03-12)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (on 1990-03-12)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (on 1990-03-12)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Erich Kunzel & Cincinnati Pops Orchestra3:12
49Al Capone (From “The Untouchables”)
Erich Kunzel & Cincinnati Pops Orchestra2:49
50Berlioz: March to the Scaffold from Symphonie fantastique - From “Symphonie Fantastique, Op. 14”
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Erich Kunzel & Cincinnati Pops Orchestra5:04
51Through The Black Hole (Sound Effects)
Erich Kunzel & Cincinnati Pops Orchestra2:53
52Carol Ann’s Theme (From “Poltergeist”)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States
recording of:
Carol Ann’s Theme (Poltergeist, main theme)
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Poltergeist (1982 film score)
Erich Kunzel & Cincinnati Pops Orchestra3:56
53Main Title From “To Kill A Mockingbird”
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
recording of:
Main Title (To Kill a Mockingbird)
composer:
Elmer Bernstein (American score composer)
part of:
To Kill a Mockingbird
Erich Kunzel & Cincinnati Pops Orchestra3:05
54Cavatina (From “The Deer Hunter”)
recording engineer:
Jack Renner (engineer for Telarc)
assistant engineer:
Michael Bishop (Telarc engineer/producer) and Thomas Knab (editor)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Erica Brenner (producer/editor), Rosalind Ilett (Telarc editor) and Thomas Knab (editor)
guitar:
Ángel Romero (guitarist/conductor)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
arranger:
Steven Bernstein (American Orchestrator)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1990-12-15 until 1990-12-16)
recording of:
Cavatina (theme from The Deer Hunter, for guitar)
composer:
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. and Robbins Music Corp. Ltd.
Erich Kunzel & Cincinnati Pops Orchestra3:30
55Unchained Melody (From “Ghost”)
recording engineer:
Jack Renner (engineer for Telarc)
assistant engineer:
Michael Bishop (Telarc engineer/producer) and Thomas Knab (editor)
producer:
Robert Woods (classical music producer, founder of TELARC)
editor:
Erica Brenner (producer/editor), Rosalind Ilett (Telarc editor) and Thomas Knab (editor)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
arranger:
Patrick Russ (composer, orchestrator, arranger)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1990-12-15 until 1990-12-16)
instrumental recording of:
Unchained Melody
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
Erich Kunzel & Cincinnati Pops Orchestra5:10
56Main Theme From “Schindler’s List”
engineer:
Michael Bishop (Telarc engineer/producer), Kenneth Hamann (engineer) and John Windt (engineer for Telarc)
producer:
Robert Woods (classical music producer, founder of TELARC)
mixer:
James Bonney (editor for Telarc)
editor:
James Bonney (editor for Telarc) and Rosalind Ilett (Telarc editor)
violin:
Alexander Kerr (violinist) (from 1996-06-02 until 1997-05-21)
orchestra:
Cincinnati Pops Orchestra (from 1996-06-02 until 1997-05-21)
conductor:
Erich Kunzel (conductor) (from 1996-06-02 until 1997-05-21)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (from 1996-06-02 until 1997-05-21)
recording of:
Main Theme (Schindler’s List) (from 1996-06-02 until 1997-05-21)
composer:
John Williams (American score composer) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
Erich Kunzel & Cincinnati Pops Orchestra4:37
57Die Zauberflöte, K. 620, Act I: Rezitativ und Arie. O zittre nicht
engineer:
Jack Renner (engineer for Telarc)
producer:
James Mallinson (producer)
soprano vocals:
June Anderson (soprano) (from 1991-07-13 until 1991-07-22)
orchestra:
Scottish Chamber Orchestra (from 1991-07-13 until 1991-07-22)
conductor:
Charles Mackerras (Australian conductor) (from 1991-07-13 until 1991-07-22)
recorded at:
Usher Hall in Edinburgh, Scotland, United Kingdom (from 1991-07-13 until 1991-07-22)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (from 1991-07-13 until 1991-07-22)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
June Anderson, Scottish Chamber Orchestra & Sir Charles Mackerras4:42
58End Title From “Twilight Zone: The Movie”
Erich Kunzel & Cincinnati Pops Orchestra4:58
59War (From “Pearl Harbor”)
recording engineer:
Michael Bishop (Telarc engineer/producer)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
arranger:
Suzette Moriarty
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States
recording of:
War (Pearl Harbor)
composer:
Hans Zimmer (German score composer)
part of:
Pearl Harbor (2001 film soundtrack)
Erich Kunzel & Cincinnati Pops Orchestra4:59
60Gayane: Adagio (From “2001: A Space Odyssey”)
recording engineer:
Jack Renner (engineer for Telarc) (on 1984-09-17)
producer:
Robert Woods (classical music producer, founder of TELARC)
orchestra:
Cincinnati Pops Orchestra (on 1984-09-17)
conductor:
Erich Kunzel (conductor) (on 1984-09-17)
recorded at:
Music Hall (Cincinnati) in Cincinnati, Ohio, United States (on 1984-09-17)
recording of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53: VII. Gayaneh’s Adagio (on 1984-09-17)
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1942)
part of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53
Erich Kunzel & Cincinnati Pops Orchestra5:00
61Main Theme From “Close Encounters Of The Third Kind”
orchestra:
Cincinnati Pops Orchestra (on 1983-11-21)
conductor:
Erich Kunzel (conductor) (on 1983-11-21)
phonographic copyright (℗) by:
TELARC International Corporation (in 1984)
recording of:
Theme From “Close Encounters of the Third Kind” (Close Encounters of the Third Kind) (on 1983-11-21)
composer:
John Williams (American score composer)
publisher:
Gold Horizon Music Corp. (ended), EMI Gold Horizon Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
Close Encounters of the Third Kind (film soundtrack)
Erich Kunzel & Cincinnati Pops Orchestra6:00
62Saint‐Saens: Danse Macabre
Erich Kunzel & Cincinnati Pops Orchestra7:47
63Main Title And Entrance Of Kong (From “King Kong”)
orchestra:
Cincinnati Pops Orchestra
conductor:
Erich Kunzel (conductor)
Erich Kunzel & Cincinnati Pops Orchestra3:07