Elvis Presley (Legacy Edition)

~ Pubblicazione di Elvis Presley (visualizza tutte le versioni di questa pubblicazione: 18 disponibili)

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1▼CD
#TitoloValutazioneDurata
1Blue Suede Shoes
assistente tecnico:
Dror Mohar
tecnico di missaggio:
Ray Bardani
batteria :
D.J. Fontana (il 1956-01-30)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-01-30) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-30)
contrabbasso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-30)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-30)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 423)
registrazione cover di:
Blue Suede Shoes (il 1956-01-30)
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music) (nel 1955)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. e Wren Music Co.
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
4.452:02
2I'm Counting on You
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-11)
batteria :
D.J. Fontana (il 1956-01-11)
chitarra :
Chet Atkins (il 1956-01-11), Scotty Moore (American guitarist and recording engineer) (il 1956-01-11) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-11)
registrazione di:
I’m Counting on You (il 1956-01-11)
paroliere e compositore:
Don Robertson (“Happy Whistler” songwriter)
editore:
Carlin Music Corporation, Don Robertson Music Corp. e Ross Jungnickel, Inc.
3.52:25
3I Got a Woman
tecnico:
Bob Ferris (engineer)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-10)
batteria :
D.J. Fontana (il 1956-01-10)
chitarra :
Chet Atkins (il 1956-01-10), Scotty Moore (American guitarist and recording engineer) (il 1956-01-10) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10)
pianoforte :
Floyd Cramer (il 1956-01-10)
registrata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1956-01-10)
registrazione cover di:
I Got a Woman (il 1956-01-10)
autore:
Ray Charles (soul musician, singer and songwriter) e Renald Richard
editore:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3.52:26
4One-Sided Love Affair
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-30)
batteria :
D.J. Fontana (il 1956-01-30)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10) e Scotty Moore (American guitarist and recording engineer) (il 1956-01-30)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-01-30)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1957)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-01-30)
registrazione di:
One-Sided Love Affair (il 1956-01-30)
paroliere e compositore:
Bill Campbell (US songwriter)
editore:
EMI Unart Catalog Inc. e Sheldon Music
32:11
5I Love You Because
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-07-05)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05) e Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05)
voce:
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954, nel 1956, nel 1957)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1954-07-05)
registrazione cover di:
I Love You Because (il 1954-07-05)
paroliere e compositore:
Leon Payne (Country/Rockabilly artist)
editore:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1949-10-12)
42:41
6Just Because
registrazione cover di:
Just Because (il 1954-09-12)
paroliere:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) e Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
compositore:
Leon Chappelear e Sid Robin (US lyricist & composer)
editore:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) e State Street Music Publ. Co. Inc. (il 1936-03-19)
2:35
7Tutti Frutti
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-31)
batteria :
D.J. Fontana (il 1956-01-31)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-01-31) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-31)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-01-31)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1956)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-01-31)
registrazione cover di:
Tutti Frutti (il 1956-01-31)
paroliere:
Dorothy LaBostrie (American songwriter) e Richard Wayne Penniman
compositore:
Dorothy LaBostrie (American songwriter), Joe Lubin e Richard Wayne Penniman
editore:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Phonogram GmbH (nel 1983)
31:59
8Trying to Get to You
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1955-07, il 1955-07-11)
batteria :
Johnny Bernero (nel 1955-07, il 1955-07-11)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07, il 1955-07-11) e Scotty Moore (American guitarist and recording engineer) (il 1955-07-11)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (nel 1955-07)
voce:
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1955-07) e Sun Studios in Memphis, Tennessee, Stati Uniti (il 1955-07-11)
registrazione cover di:
Trying to Get to You (il 1955-07-11)
autore:
Rose Marie McCoy e Charles Singleton (composer/lyricist)
editore:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific e You Look Good Music Publishing
registrazione cover di:
Trying to Get to You (nel 1955-07)
autore:
Rose Marie McCoy e Charles Singleton (composer/lyricist)
editore:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific e You Look Good Music Publishing
42:33
9I'm Gonna Sit Right Down and Cry (Over You)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-31)
batteria :
D.J. Fontana (il 1956-01-31)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-01-31) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-31)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-01-31)
registrazione cover di:
I’m Gonna Sit Right Down and Cry (Over You) (il 1956-01-31)
paroliere e compositore:
Howard Biggs e Joe Thomas (US songwriter and Jazz saxophonist)
editore:
Angle Music, Coblin Music Co., Copyright Records e EMI Music Publishing Ltd. (PRS‐affiliated)
4.32:05
10I'll Never Let You Go (Little Darlin')
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-09-10, dal 1954-09-12 al 1954-09-16)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1954-09-10) e Elvis Presley (“The King of Rock and Roll”) (il 1954-09-10, dal 1954-09-12 al 1954-09-16)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1954-09-12 al 1954-09-16)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1954-09-12 al 1954-09-16)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1956)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1954-09-10, dal 1954-09-12 al 1954-09-16)
registrazione cover di:
I’ll Never Let You Go Little Darlin’ (il 1954-09-10)
paroliere e compositore:
Jimmy Wakely (Country and western singer and songwriter)
editore:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) e Sunshine Music Co., Inc. (il 1941-11-17)
registrazione cover di:
I’ll Never Let You Go Little Darlin’ (dal 1954-09-12 al 1954-09-16)
paroliere e compositore:
Jimmy Wakely (Country and western singer and songwriter)
editore:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) e Sunshine Music Co., Inc. (il 1941-11-17)
32:26
11Blue Moon
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-08-19)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1954-08-19) e Elvis Presley (“The King of Rock and Roll”) (il 1954-08-19)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1954-08-19)
registrazione cover di:
Blue Moon (il 1954-08-19)
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
4.52:44
12Money Honey
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-10)
batteria :
D.J. Fontana (il 1956-01-10)
chitarra :
Chet Atkins (il 1956-01-10), Scotty Moore (American guitarist and recording engineer) (il 1956-01-10) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10)
pianoforte :
Floyd Cramer (il 1956-01-10)
registrata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1956-01-10)
registrazione cover di:
Money Honey (il 1956-01-10)
paroliere e compositore:
Jesse Stone
editore:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) e ZFC Music
42:37
13Heartbreak Hotel
tecnico:
Bob Ferris (engineer)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-10)
batteria :
D.J. Fontana (il 1956-01-10)
chitarra :
Chet Atkins (il 1956-01-10), Scotty Moore (American guitarist and recording engineer) (il 1956-01-10) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10)
pianoforte :
Floyd Cramer (il 1956-01-10)
voce:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (il 1956-01-10), Lena Brock "Mom" Speer (il 1956-01-10) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-01-10)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10)
editore:
Sony/ATV Songs LLC
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1956-01-10)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 45) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 347)
registrazione di:
Heartbreak Hotel (il 1956-01-10)
autore:
Mae Boren Axton, Tommy Durden e Elvis Presley (“The King of Rock and Roll”)
editore:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing e Unichappell Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
3.72:10
14I Was the One
registrazione di:
I Was the One (il 1956-01-11)
autore:
Hal Blair, Claude Demetrius, Bill Peppers e Aaron Schroeder (1950s~1960s US songwriter)
editore:
Anne-Rachel Music, Carlin Music Corporation, Chappell & Co., Inc. (USA), MCA Music Ltd. e Rachel’s Own Music
2:34
15My Baby Left Me
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
batteria :
D.J. Fontana (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10, dal 1956-01-30 al 1956-02-03) e Scotty Moore (American guitarist and recording engineer) (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956) e BMG Music (nel 1956)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-01-30, dal 1956-01-30 al 1956-01-31, il 1956-02-03)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 29)
registrazione cover di:
My Baby Left Me (dal 1956-01-30 al 1956-02-03)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. e Williamson Music Company
registrazione di:
My Baby Left Me
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. e Williamson Music Company
3.652:15
16Lawdy, Miss Clawdy
registrazione cover di:
Lawdy Miss Clawdy
paroliere e compositore:
Lloyd Price (US R&B/soul singer) (nel 1952-03)
editore:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC e Venice Music
2:09
17Shake, Rattle and Roll
registrazione cover di:
Shake, Rattle and Roll
paroliere aggiunto:
Daryl Bosteels
autore:
Charles Calhoun e Jesse Stone
editore:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music e Unichappell Music, Inc.
2:27
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#TitoloValutazioneDurata
[silence]
?:??
1Rip It Up
tecnico:
Thorne Nogar
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-09-03)
batteria :
D.J. Fontana (il 1956-09-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (il 1956-09-03)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-09-03)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-03)
registrazione cover di:
Rip It Up (il 1956-09-03)
autore:
Robert “Bumps” Blackwell e John Marascalco
editore:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC e Venice Music
4.51:55
2Love Me
tecnico:
Thorne Nogar
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
batteria :
D.J. Fontana (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-09-01, dal 1956-09-01 al 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-09-01, dal 1956-09-01 al 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (dal 1956-09-01 al 1956-09-03)
voce:
The Jordanaires (southern gospel group) (dal 1956-09-01 al 1956-09-03)
voce aggiuntiva:
The Jordanaires (southern gospel group) (il 1956-09-01)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-09-01)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
registrazione cover di:
Love Me (dal 1956-09-01 al 1956-09-03)
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) e Sony/ATV Songs LLC
registrazione di:
Love Me, Love Me
autore:
George Richey e Glenn Sutton (US songwriter and producer)
42:46
3When My Blue Moon Turns to Gold Again
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-02)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 21)
registrazione cover di:
When My Blue Moon Turns to Gold Again (il 1956-09-02)
autore:
Gene Sullivan (nel 1940) e Wiley Walker (nel 1940)
editore:
APRS (American Performing Rights Society, Inc.(BMI)) e Peer International Corporation (BMI) (il 1941-12-03)
4.52:22
4Long Tall Sally
registrazione dal vivo cover di:
Long Tall Sally
autore:
Enotris Johnson (il 1955-11-29), Richard Wayne Penniman (il 1955-11-29) e Robert Alexander Blackwell (il 1955-11-29)
editore:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music e Venice Music
41:54
5First in Line
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-03)
registrazione di:
First in Line (il 1956-09-03)
compositore:
Aaron Schroeder (1950s~1960s US songwriter) e Ben Weisman
editore:
Rachel’s Own Music e Ross Jungnickel, Inc.
53:24
6Paralysed
tecnico:
Thorne Nogar
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-09-02)
batteria :
D.J. Fontana (il 1956-09-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-09-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-09-02)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-09-02)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1956-09-02)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-02)
registrazione di:
Paralyzed (il 1956-09-02)
compositore:
Otis Blackwell (American pianist, singer and songwriter) e Elvis Presley (“The King of Rock and Roll”)
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music e Williamson Music Company
3.52:26
7So Glad You're Mine
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-30)
batteria :
D.J. Fontana (il 1956-01-30)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10) e Scotty Moore (American guitarist and recording engineer) (il 1956-01-30)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-01-30)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-01-30)
registrazione cover di:
So Glad You’re Mine (il 1956-01-30)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Elvis Presley Music e Elvis Presley Music Inc.
32:22
8Old Shep
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1956-09-01 al 1956-09-03)
batteria :
D.J. Fontana (dal 1956-09-01 al 1956-09-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1956-09-01 al 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (dal 1956-09-01 al 1956-09-03)
pianoforte :
Elvis Presley (“The King of Rock and Roll”) (dal 1956-09-01 al 1956-09-03) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (dal 1956-09-01 al 1956-09-03)
voce:
The Jordanaires (southern gospel group) (dal 1956-09-01 al 1956-09-03)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1956-09-01 al 1956-09-03)
registrazione cover di:
Old Shep (dal 1956-09-01 al 1956-09-03)
editore:
Clyde Julian Foley (US country music musician) (il 1935-06-24)
paroliere:
Willis Arthur (lyricist)
compositore:
Clyde Julian Foley (US country music musician)
editore:
Westpar Music
54:10
9Ready Teddy
tecnico:
Thorne Nogar
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-09-03)
batteria :
D.J. Fontana (il 1956-09-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (il 1956-09-03)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-09-03)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-03)
registrazione cover di:
Ready Teddy (il 1956-09-03)
paroliere e compositore:
Robert “Bumps” Blackwell e John Marascalco
editore:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC e Venice Music, Inc.
41:57
10Anyplace Is Paradise
tecnico:
Thorne Nogar
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-09-03)
batteria :
D.J. Fontana (il 1956-09-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (il 1956-09-03)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-09-03)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1956-09-03)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-03)
registrazione di:
Anyplace Is Paradise (il 1956-09-03)
paroliere e compositore:
Joe Thomas (US songwriter and Jazz saxophonist)
editore:
Elvis Presley Music e Elvis Presley Music Inc.
42:27
11How's the World Treating You
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1956-09-01 al 1956-09-03)
batteria :
D.J. Fontana (dal 1956-09-01 al 1956-09-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1956-09-01 al 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (dal 1956-09-01 al 1956-09-03)
pianoforte :
Elvis Presley (“The King of Rock and Roll”) (dal 1956-09-01 al 1956-09-03) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (dal 1956-09-01 al 1956-09-03)
voce:
The Jordanaires (southern gospel group) (dal 1956-09-01 al 1956-09-03)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1956-09-01 al 1956-09-03)
registrazione cover di:
How’s the World Treating You (il 1956-09-01)
compositore:
Chet Atkins e Boudleaux Bryant
editore:
Acuff-Rose Publications, Inc. (BMI)
42:26
12How Do You Think I Feel
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-01)
registrazione cover di:
How Do You Think I Feel (il 1956-09-01)
compositore:
Webb Pierce e Wiley Walker
42:13
13I Want You, I Need You, I Love You
tecnico:
Bob Ferris (engineer)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-04-14)
batteria :
D.J. Fontana (il 1956-04-14)
chitarra :
Chet Atkins (il 1956-04-14) e Scotty Moore (American guitarist and recording engineer) (il 1956-04-14)
pianoforte :
Marvin Hughes (il 1956-04-14)
voce:
Brock Speer (il 1956-04-14), Ben Speer (il 1956-04-14), Lena Brock "Mom" Speer (il 1956-04-14) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-04-14)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-04-14)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
RCA Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1956-04-14)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 25)
registrazione di:
I Want You, I Need You, I Love You (il 1956-04-14)
autore:
Ira Kosloff e Maurice Mysels
editore:
Carlin Music Corporation, Cherry Lane Music Publishing, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music e Williamson Music Company
52:41
14Hound Dog
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-07-02)
batteria :
D.J. Fontana (il 1956-07-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-07-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-07-02)
voce:
The Jordanaires (southern gospel group) (il 1956-07-02)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
esecutore aggiunto:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956, nel 1972), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-07-02)
registrazione cover di:
Hound Dog (il 1956-07-02)
paroliere:
Jerry Leiber (il 1952-08-12)
compositore:
Mike Stoller (il 1952-08-12)
precedentemente attribuito a:
Johnny Otis
editore:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company e Williamson Music, Inc.
3.82:18
15Don't Be Cruel
registrazione di:
Don’t Be Cruel
autore:
Otis Blackwell (American pianist, singer and songwriter) e Elvis Presley (“The King of Rock and Roll”)
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. e Williamson Music Company
2:05
16Any Way You Want Me (That's How I Will Be)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-07-02)
batteria :
D.J. Fontana (il 1956-07-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-07-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-07-02)
voce:
The Jordanaires (southern gospel group) (il 1956-07-02)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-07-02)
registrazione di:
Any Way You Want Me (il 1956-07-02)
autore:
Cliff Owens e Aaron Schroeder (1950s~1960s US songwriter)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Rachel’s Own Music e Ross Jungnickel, Inc.
2:16
17Too Much
registrazione cover di:
Too Much
autore:
Lee Rosenberg e Bernard Weinman
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., MCS Music Ltd. e Southern Belle Music
2:35
18Playing for Keeps
registrazione di:
Playing for Keeps (il 1956-09-01)
paroliere e compositore:
Stan Kesler (US session musician, composer and producer)
52:53
19Love Me Tender
banjo :
Luther "Red" Roundtree (dal 1956-08-24 al 1956-09-04)
basso :
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (dal 1956-08-24 al 1956-09-04)
batteria :
Richard Cornell (Percussion) (dal 1956-08-24 al 1956-09-04)
chitarra :
Vito Mumolo (Session Musician (Guitar)) (dal 1956-08-24 al 1956-09-04)
fisarmonica :
Carl Fortina (dal 1956-08-24 al 1956-09-04) e Dominic Frontiere (dal 1956-08-24 al 1956-09-04)
voce:
Jon Dodson (dal 1956-08-24 al 1956-09-04, il 1956-09-01), Charles Prescott (dal 1956-08-24 al 1956-09-04, il 1956-09-01) e Rad Robinson (dal 1956-08-24 al 1956-09-04, il 1956-09-01)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-09-01)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
20th Century Fox Music Stage 1 in Los Angeles, California, Stati Uniti (il 1956-08-24, il 1956-09-04)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 437)
registrazione di:
Love Me Tender (dal 1956-08-24 al 1956-09-04)
paroliere:
Ken Darby (nel 1956)
autore aggiunto:
Vera Matson (nel 1956) e Elvis Presley (“The King of Rock and Roll”) (nel 1956)
compositore:
George R. Poulton (nel 1861)
editore:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company e Elvis Presley Music (dal 1956 a oggi)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Aura Lea
42:43

Accreditamenti

Pubblicazione

fabbricata a:Europa
distribuito da:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 2011)
Discogs:https://www.discogs.com/release/3236131 [info]
ASIN:DE: B005FI6IDA [info]