Best of Chesky: Classics, Jazz & Audiophile Test Disc, Vol. 3

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Recorded using the 128x oversampling A to D Mark III and Mark IV converters with ultra analog modules and vacuum tube equipment built by George Kaye. Track 9 is recorded using new 20-bit high-resolution technology.

Annotation last modified on 2022-05-25 01:37 UTC.

Tracklist

1CD
#TitleArtistRatingLength
1Africando
Ana Caram3:44
2Out of This World
producer:
John Baylor
mixer:
Paul Grupp
acoustic guitar and lead vocals:
Livingston Taylor
bass guitar:
Scott Edwards (bassist)
drums (drum set):
Russ Kunkel (session drummer)
keyboard and percussion:
Victor Feldman (jazz musician)
background vocals:
Tom Kelly (songwriter), Livingston Taylor and Tom Funderburk
orchestrator:
Jimmie Haskell
concertmaster:
Sid Sharp
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1980)
recorded at:
Westlake Sound (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1979-06 until 1980-03)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Out of This World (Livingston Taylor/Maggie Taylor)
writer:
Livingston Taylor and Maggie Taylor (songwriter, ex‐wife of Livingston Taylor)
publisher:
Bandier Family Music, EMI Jemaxal Music Inc., H & R Lastrada Music, Koppelman Family Music, Morgan Creek Music (work publisher), R2M Publishing (ASCAP), R2M Publishing H. & R. Lastrada Music, フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Livingston Taylor2:41
3Wave
Leny Andrade5:50
4The Four Seasons: Winter
Connecticut Early Music Festival Ensemble3:27
5Grandmother
recording engineer:
Bob Katz (American engineer)
audio engineer:
David Merrill (recording engineer at Master Sound Astoria; also bass player)
bass:
David Finck
cello:
Erik Friedlander (American cellist and composer)
guitar:
Anthony Coote, George Naha and Rebecca Pidgeon
percussion:
Gary Burke
piano:
Joel Diamond (US producer and songwriter)
synthesizer:
Mitch Margold
viola:
Juliet Haffner
violin:
Robert Chausow and Laura Seaton
background vocals:
Anthony Coote, Carolyn Kallis (Carolyn "Coco" Kallis), Paul Miller, Elise Morris and Stephanie Smothers
vocals:
Rebecca Pidgeon
arranger:
Joel Diamond (US producer and songwriter)
vocals arranger:
Rebecca Pidgeon
recorded at:
MasterSound Studios in Astoria, New York, New York, United States (from 1994-02-12 until 1994-02-15)
recording of:
Grandmother
lyricist and composer:
Rebecca Pidgeon
publisher:
Blue Mountain Music Ltd.
Rebecca Pidgeon6:25
6Battery Park
Orquesta Nova5:08
7I Cover the Waterfront
Laverne Butler6:07
8Horse I Used to Ride
Sara K.4:26
9Con Alma
Fred Hersch5:57
10Num Pagode Em Planaltina
Badi Assad4:42
11Ave Verum Corpus (Mozart)
Westminster Choir3:39
12Announcement / Artificial Stereo demonstration
John Henry1:26
13Mono Mike
John Henry0:38
14Artificial Stereo
John Henry0:46
15XY Cardioid Technique
John Henry0:40
16XY and added ambience
John Henry0:43
17XY with increased ambience
John Henry0:45
18Crossed Figure 8’s
John Henry0:47
19Spaced Pair of Omnis
John Henry0:42
20Three Spaced Omnis
John Henry0:44
21Announcement
John Henry0:15
22Piano against the wall of the studio
John Henry0:25
23Piano in the middle of the studio
John Henry0:16
24Announcement
John Henry0:24
25Drum Set recorded in a dry studio
John Henry1:00
26Drum set in a live studio
John Henry0:52
27Drum set with artificial reverberation
John Henry0:46
28Natural stereo imaging
John Henry1:44
29Artificial stereo imaging
John Henry1:28
30Introduction to compressors
John Henry0:58
31Jazz group with compression
John Henry0:15
32Jazz group without compression
John Henry0:15
33New 20-bit High-Resolution Technology
John Henry2:05
34Violin recorded with "dirty" power
John Henry0:24
35Violin recorded with "clean" power
John Henry0:25
3620-bit, all digital recording
John Henry0:44
3720-bit recording made from analog tape
John Henry0:45
38Equipment and Cable Burn-in Signal
John Henry1:07
39Volume Level Warning
John Henry0:09
40Music at -30 dB into 16 bit system
John Henry0:45
41Music at -30 dB into 20 bit with high resolution dither
John Henry0:42
42Fade to noise, no dither
John Henry0:19
43Fade to noise, flat dither
John Henry0:30
44Fade to noise, high resolution dither
John Henry0:32
45Volume Level Warning
John Henry0:06