Complete Fantasy Recordings

~ Release by Bill Evans (see all versions of this release, 1 available)

Annotation

9 CD box set

Annotation last modified on 2014-12-26 02:51 UTC.

Tracklist

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1▼CD
#TitleRatingLength
1Mornin’ Glory
recording engineer:
半田健一 (sound engineer) (on 1973-01-20), 前島裕一 (on 1973-01-20) and 鈴木智雄 (Tomoo Suzuki) (on 1973-01-20)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (on 1973-01-20)
drums (drum set):
Marty Morell (drums) (on 1973-01-20)
piano:
Bill Evans (pianist) (on 1973-01-20)
recorded at:
メルパルク東京 (Mielparque Tokyo) in Shibakōen, Minato (Minato-ku), Tokyo, Japan (on 1973-01-20)
live instrumental cover recording of:
Mornin’ Glory (on 1973-01-20)
lyricist and composer:
Bobbie Gentry
publisher:
Northridge Music Co.
5:48
2Up With the Lark
recording engineer:
半田健一 (sound engineer) (on 1973-01-20), 前島裕一 (on 1973-01-20) and 鈴木智雄 (Tomoo Suzuki) (on 1973-01-20)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (on 1973-01-20)
drums (drum set):
Marty Morell (drums) (on 1973-01-20)
piano:
Bill Evans (pianist) (on 1973-01-20)
recorded at:
メルパルク東京 (Mielparque Tokyo) in Shibakōen, Minato (Minato-ku), Tokyo, Japan (on 1973-01-20)
live instrumental recording of:
Up With the Lark (on 1973-01-20)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Jerome Kern
publisher:
Chappell Music Ltd.
6:48
3Yesterday I Heard the Rain
recording engineer:
半田健一 (sound engineer) (on 1973-01-20), 前島裕一 (on 1973-01-20) and 鈴木智雄 (Tomoo Suzuki) (on 1973-01-20)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (on 1973-01-20)
drums (drum set):
Marty Morell (drums) (on 1973-01-20)
piano:
Bill Evans (pianist) (on 1973-01-20)
recorded at:
メルパルク東京 (Mielparque Tokyo) in Shibakōen, Minato (Minato-ku), Tokyo, Japan (on 1973-01-20)
live instrumental recording of:
Yesterday I Heard the Rain (on 1973-01-20)
lyricist:
Gene Lees
writer:
Armando Manzanero
publisher:
Dunbar Music
6:33
4My Romance
recording engineer:
半田健一 (sound engineer) (on 1973-01-20), 前島裕一 (on 1973-01-20) and 鈴木智雄 (Tomoo Suzuki) (on 1973-01-20)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (on 1973-01-20)
drums (drum set):
Marty Morell (drums) (on 1973-01-20)
piano:
Bill Evans (pianist) (on 1973-01-20)
recorded at:
メルパルク東京 (Mielparque Tokyo) in Shibakōen, Minato (Minato-ku), Tokyo, Japan (on 1973-01-20)
live instrumental recording of:
My Romance (on 1973-01-20)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Chappell & Co., Inc. (USA), Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Jumbo
8:42
5When Autumn Comes
recording engineer:
半田健一 (sound engineer) (on 1973-01-20), 前島裕一 (on 1973-01-20) and 鈴木智雄 (Tomoo Suzuki) (on 1973-01-20)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (on 1973-01-20)
drums (drum set):
Marty Morell (drums) (on 1973-01-20)
piano:
Bill Evans (pianist) (on 1973-01-20)
recorded at:
メルパルク東京 (Mielparque Tokyo) in Shibakōen, Minato (Minato-ku), Tokyo, Japan (on 1973-01-20)
live cover recording of:
When Autumn Comes (on 1973-01-20)
writer:
Clare Fischer
6:05
6T.T.T.T. (Twelve Tone Tune Two)
recording engineer:
半田健一 (sound engineer) (on 1973-01-20), 前島裕一 (on 1973-01-20) and 鈴木智雄 (Tomoo Suzuki) (on 1973-01-20)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (on 1973-01-20)
drums (drum set):
Marty Morell (drums) (on 1973-01-20)
piano:
Bill Evans (pianist) (on 1973-01-20)
recorded at:
メルパルク東京 (Mielparque Tokyo) in Shibakōen, Minato (Minato-ku), Tokyo, Japan (on 1973-01-20)
live recording of:
TTT (Twelve Tone Tune) (on 1973-01-20)
composer:
Bill Evans (pianist)
publisher:
Orpheum Music
6:38
7Hullo Bolinas
recording engineer:
半田健一 (sound engineer) (on 1973-01-20), 前島裕一 (on 1973-01-20) and 鈴木智雄 (Tomoo Suzuki) (on 1973-01-20)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (on 1973-01-20)
drums (drum set):
Marty Morell (drums) (on 1973-01-20)
piano:
Bill Evans (pianist) (on 1973-01-20)
recorded at:
メルパルク東京 (Mielparque Tokyo) in Shibakōen, Minato (Minato-ku), Tokyo, Japan (on 1973-01-20)
live cover recording of:
Hullo Bolinas (on 1973-01-20)
composer:
Steve Swallow
publisher:
Greyfriar Music and Wonderbuns, Inc. (publisher for Steve Swallow)
4:01
8Gloria’s Step
recording engineer:
半田健一 (sound engineer) (on 1973-01-20), 前島裕一 (on 1973-01-20) and 鈴木智雄 (Tomoo Suzuki) (on 1973-01-20)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (on 1973-01-20)
drums (drum set):
Marty Morell (drums) (on 1973-01-20)
piano:
Bill Evans (pianist) (on 1973-01-20)
recorded at:
メルパルク東京 (Mielparque Tokyo) in Shibakōen, Minato (Minato-ku), Tokyo, Japan (on 1973-01-20)
live recording of:
Gloria’s Step (on 1973-01-20)
composer:
Scott LaFaro
publisher:
Orpheum Music
7:57
9On Green Dolphin Street
recording engineer:
半田健一 (sound engineer) (on 1973-01-20), 前島裕一 (on 1973-01-20) and 鈴木智雄 (Tomoo Suzuki) (on 1973-01-20)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (on 1973-01-20)
drums (drum set):
Marty Morell (drums) (on 1973-01-20)
piano:
Bill Evans (pianist) (on 1973-01-20)
recorded at:
メルパルク東京 (Mielparque Tokyo) in Shibakōen, Minato (Minato-ku), Tokyo, Japan (on 1973-01-20)
live instrumental recording of:
On Green Dolphin Street (on 1973-01-20)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
6:48
2▼CD
#TitleArtistRatingLength
1Up With the Lark
recording engineer:
Jim Stern (engineer) (in 1973-11)
producer:
Orrin Keepnews
double bass:
Eddie Gomez (jazz double bassist) (in 1973-11)
drums (drum set):
Marty Morell (drums) (in 1973-11)
piano:
Bill Evans (pianist) (in 1973-11)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (in 1973-11) and Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (in 1973-11)
live instrumental recording of:
Up With the Lark (in 1973-11)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Jerome Kern
publisher:
Chappell Music Ltd.
Bill Evans6:44
2Quiet Now
recording engineer:
Jim Stern (engineer) (in 1973-11)
producer:
Orrin Keepnews
double bass:
Eddie Gomez (jazz double bassist) (in 1973-11)
drums (drum set):
Marty Morell (drums) (in 1973-11)
piano:
Bill Evans (pianist) (in 1973-11)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (in 1973-11) and Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (in 1973-11)
live recording of:
Quiet Now (in 1973-11)
composer:
Denny Zeitlin
publisher:
Ludlow Music, Ludlow Music, Inc. and TRO Essex Music Ltd.
Bill Evans4:58
3Gloria’s Step
recording engineer:
Jim Stern (engineer) (in 1973-11)
producer:
Orrin Keepnews
double bass:
Eddie Gomez (jazz double bassist) (in 1973-11)
drums (drum set):
Marty Morell (drums) (in 1973-11)
piano:
Bill Evans (pianist) (in 1973-11)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (in 1973-11) and Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (in 1973-11)
live recording of:
Gloria’s Step (in 1973-11)
composer:
Scott LaFaro
publisher:
Orpheum Music
Bill Evans6:53
4When in Rome
recording engineer:
Jim Stern (engineer) (in 1973-11)
producer:
Orrin Keepnews
double bass:
Eddie Gomez (jazz double bassist) (in 1973-11)
drums (drum set):
Marty Morell (drums) (in 1973-11)
piano:
Bill Evans (pianist) (in 1973-11)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (in 1973-11) and Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (in 1973-11)
live recording of:
When in Rome (in 1973-11)
writer:
Mark Arm, Matt Lukin, Dan Peters (Mudhoney drummer) and Steve Turner (American guitarist, member of Mudhoney, Green River)
publisher:
Better Than Your Music
Bill Evans3:23
5It Amazes Me
recording engineer:
Jim Stern (engineer) (in 1973-11)
producer:
Orrin Keepnews
double bass:
Eddie Gomez (jazz double bassist) (in 1973-11)
drums (drum set):
Marty Morell (drums) (in 1973-11)
piano:
Bill Evans (pianist) (in 1973-11)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (in 1973-11) and Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (in 1973-11)
live recording of:
It Amazes Me (in 1973-11)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Big Deal Notes (ASCAP), Carwin Music, Inc., Notable Music Co., Inc., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Bill Evans2:31
6Since We Met
recording engineer:
Michael Delugg (from 1974-01-11 until 1974-01-12)
producer:
Helen Keane and Orrin Keepnews
double bass:
Eddie Gomez (jazz double bassist) (from 1974-01-11 until 1974-01-12)
drums (drum set):
Marty Morell (drums) (from 1974-01-11 until 1974-01-12)
piano:
Bill Evans (pianist) (from 1974-01-11 until 1974-01-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (from 1974-01-11 until 1974-01-12)
live recording of:
Since We Met (from 1974-01-11 until 1974-01-12)
writer:
Bill Evans (pianist)
publisher:
Ludlow Music and Teneten Music, Inc.
Bill Evans Trio8:54
7Midnight Mood
recording engineer:
Michael Delugg (from 1974-01-11 until 1974-01-12)
producer:
Helen Keane and Orrin Keepnews
double bass [bass]:
Eddie Gomez (jazz double bassist) (from 1974-01-11 until 1974-01-12)
drums (drum set):
Marty Morell (drums) (from 1974-01-11 until 1974-01-12)
piano:
Bill Evans (pianist) (from 1974-01-11 until 1974-01-12)
remixer:
Michael Delugg
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1976)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (from 1974-01-11 until 1974-01-12)
remixed at:
Mediasound Studios in New York, New York, United States
live recording of:
Midnight Mood (from 1974-01-11 until 1974-01-12)
composer:
Ben Raleigh and Joe Zawinul (jazz and fusion keyboard player)
publisher:
Helios Music and Helios Music Corp.
Bill Evans Trio6:54
8See Saw
recording engineer:
Michael Delugg (from 1974-01-11 until 1974-01-12)
producer:
Helen Keane and Orrin Keepnews
double bass:
Eddie Gomez (jazz double bassist) (from 1974-01-11 until 1974-01-12)
drums (drum set):
Marty Morell (drums) (from 1974-01-11 until 1974-01-12)
piano:
Bill Evans (pianist) (from 1974-01-11 until 1974-01-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (from 1974-01-11 until 1974-01-12)
live cover recording of:
Seesaw (from 1974-01-11 until 1974-01-12)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Cy Coleman
publisher:
Notable Music
part of:
Seesaw
Bill Evans Trio6:52
9Elsa
recording engineer:
Michael Delugg (from 1974-01-11 until 1974-01-12)
producer:
Helen Keane and Orrin Keepnews
double bass:
Eddie Gomez (jazz double bassist) (from 1974-01-11 until 1974-01-12)
drums (drum set):
Marty Morell (drums) (from 1974-01-11 until 1974-01-12)
piano:
Bill Evans (pianist) (from 1974-01-11 until 1974-01-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (from 1974-01-11 until 1974-01-12)
live recording of:
Elsa (from 1974-01-11 until 1974-01-12)
composer:
Earl Zindars
publisher:
Zindars Music and Zindars Publishing
Bill Evans7:17
10Sareen Jurer
recording engineer:
Michael Delugg (from 1974-01-11 until 1974-01-12)
producer:
Helen Keane and Orrin Keepnews
double bass:
Eddie Gomez (jazz double bassist) (from 1974-01-11 until 1974-01-12)
drums (drum set):
Marty Morell (drums) (from 1974-01-11 until 1974-01-12)
piano:
Bill Evans (pianist) (from 1974-01-11 until 1974-01-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (from 1974-01-11 until 1974-01-12)
live recording of:
Sareen Jurer (from 1974-01-11 until 1974-01-12)
composer:
Earl Zindars
publisher:
Zindars Music
Bill Evans Trio6:40
11Time Remembered
recording engineer:
Michael Delugg (from 1974-01-11 until 1974-01-12)
producer:
Helen Keane and Orrin Keepnews
double bass:
Eddie Gomez (jazz double bassist) (from 1974-01-11 until 1974-01-12)
drums (drum set):
Marty Morell (drums) (from 1974-01-11 until 1974-01-12)
piano:
Bill Evans (pianist) (from 1974-01-11 until 1974-01-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (from 1974-01-11 until 1974-01-12)
live recording of:
Time Remembered (from 1974-01-11 until 1974-01-12)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp.
Bill Evans Trio5:28
12Turn Out the Stars
recording engineer:
Michael Delugg (from 1974-01-11 until 1974-01-12)
producer:
Helen Keane and Orrin Keepnews
double bass:
Eddie Gomez (jazz double bassist) (from 1974-01-11 until 1974-01-12)
drums (drum set):
Marty Morell (drums) (from 1974-01-11 until 1974-01-12)
piano:
Bill Evans (pianist) (from 1974-01-11 until 1974-01-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (from 1974-01-11 until 1974-01-12)
live recording of:
Turn Out the Stars (from 1974-01-11 until 1974-01-12)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc.
Bill Evans Trio5:08
13But Beautiful
recording engineer:
Michael Delugg (from 1974-01-11 until 1974-01-12)
producer:
Helen Keane and Orrin Keepnews
double bass:
Eddie Gomez (jazz double bassist) (from 1974-01-11 until 1974-01-12)
drums (drum set):
Marty Morell (drums) (from 1974-01-11 until 1974-01-12)
piano:
Bill Evans (pianist) (from 1974-01-11 until 1974-01-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (from 1974-01-11 until 1974-01-12)
live instrumental recording of:
But Beautiful (from 1974-01-11 until 1974-01-12)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) and Onyx Music Corporation (in 1947)
Bill Evans Trio6:23
3▼CD
#TitleArtistRatingLength
1Re: Person I Knew
recording engineer:
Michael Delugg (from 1974-01-11 until 1974-01-12)
producer:
Helen Keane and Orrin Keepnews
double bass:
Eddie Gomez (jazz double bassist) (from 1974-01-11 until 1974-01-12)
drums (drum set):
Marty Morell (drums) (from 1974-01-11 until 1974-01-12)
piano:
Bill Evans (pianist) (from 1974-01-11 until 1974-01-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (from 1974-01-11 until 1974-01-12)
live recording of:
Re: Person I Knew (from 1974-01-11 until 1974-01-12)
composer:
Bill Evans (pianist)
publisher:
Folkways Music, Kensington Music Ltd. and TRO-Acorn Music
Bill Evans5:17
2Sugar Plum
recording engineer:
Michael Delugg (from 1974-01-11 until 1974-01-12)
producer:
Helen Keane and Orrin Keepnews
double bass:
Eddie Gomez (jazz double bassist) (from 1974-01-11 until 1974-01-12)
drums (drum set):
Marty Morell (drums) (from 1974-01-11 until 1974-01-12)
piano:
Bill Evans (pianist) (from 1974-01-11 until 1974-01-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (from 1974-01-11 until 1974-01-12)
live recording of:
Sugar Plum (from 1974-01-11 until 1974-01-12)
composer:
Bill Evans (pianist)
publisher:
Pennywhistle Music
Bill Evans8:11
3Alfie
recording engineer:
Michael Delugg (from 1974-01-11 until 1974-01-12)
producer:
Helen Keane and Orrin Keepnews
double bass:
Eddie Gomez (jazz double bassist) (from 1974-01-11 until 1974-01-12)
drums (drum set):
Marty Morell (drums) (from 1974-01-11 until 1974-01-12)
piano:
Bill Evans (pianist) (from 1974-01-11 until 1974-01-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (from 1974-01-11 until 1974-01-12)
live instrumental recording of:
Alfie (from 1974-01-11 until 1974-01-12)
lyricist:
Hal David (in 1965)
composer:
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 39th Academy Award for Best Original Song (number: 2)
Bill Evans4:54
4T.T.T
recording engineer:
Michael Delugg (from 1974-01-11 until 1974-01-12)
producer:
Helen Keane and Orrin Keepnews
double bass:
Eddie Gomez (jazz double bassist) (from 1974-01-11 until 1974-01-12)
drums (drum set):
Marty Morell (drums) (from 1974-01-11 until 1974-01-12)
piano:
Bill Evans (pianist) (from 1974-01-11 until 1974-01-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (from 1974-01-11 until 1974-01-12)
live recording of:
TTT (Twelve Tone Tune) (from 1974-01-11 until 1974-01-12)
composer:
Bill Evans (pianist)
publisher:
Orpheum Music
Bill Evans5:15
5Excerpt from Dolphin Dance / Very Early
recording engineer:
Michael Delugg (from 1974-01-11 until 1974-01-12)
producer:
Helen Keane and Orrin Keepnews
double bass:
Eddie Gomez (jazz double bassist) (from 1974-01-11 until 1974-01-12)
drums (drum set):
Marty Morell (drums) (from 1974-01-11 until 1974-01-12)
piano:
Bill Evans (pianist) (from 1974-01-11 until 1974-01-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (from 1974-01-11 until 1974-01-12)
live medley including a partial cover recording of:
Dolphin Dance (from 1974-01-11 until 1974-01-12)
composer:
Herbert J. Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music
live medley including a recording of:
Very Early (from 1974-01-11 until 1974-01-12)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music, Folkways Music Publishers Inc. and TRO-Acorn Music
Bill Evans7:20
634 Skidoo
recording engineer:
Michael Delugg (from 1974-01-11 until 1974-01-12)
producer:
Helen Keane and Orrin Keepnews
double bass:
Eddie Gomez (jazz double bassist) (from 1974-01-11 until 1974-01-12)
drums (drum set):
Marty Morell (drums) (from 1974-01-11 until 1974-01-12)
piano:
Bill Evans (pianist) (from 1974-01-11 until 1974-01-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (from 1974-01-11 until 1974-01-12)
live recording of:
34 Skidoo (from 1974-01-11 until 1974-01-12)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Kensington Music Ltd. and TRO-Acorn Music
Bill Evans6:06
7Emily
recording engineer:
Michael Delugg (from 1974-01-11 until 1974-01-12)
producer:
Helen Keane and Orrin Keepnews
double bass:
Eddie Gomez (jazz double bassist) (from 1974-01-11 until 1974-01-12)
drums (drum set):
Marty Morell (drums) (from 1974-01-11 until 1974-01-12)
piano:
Bill Evans (pianist) (from 1974-01-11 until 1974-01-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (from 1974-01-11 until 1974-01-12)
live recording of:
Emily (Emily Theme from The Americanization of Emily) (from 1974-01-11 until 1974-01-12)
lyricist:
Johnny Mercer
composer:
Johnny Mandel (American composer and arranger)
publisher:
EMI Miller Catalog, Inc., Primary Wave Songs and SBK Miller Catalog, Inc.
Bill Evans5:12
8Are You All the Things
recording engineer:
Michael Delugg (from 1974-01-11 until 1974-01-12)
producer:
Helen Keane and Orrin Keepnews
double bass:
Eddie Gomez (jazz double bassist) (from 1974-01-11 until 1974-01-12)
drums (drum set):
Marty Morell (drums) (from 1974-01-11 until 1974-01-12)
piano:
Bill Evans (pianist) (from 1974-01-11 until 1974-01-12)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (from 1974-01-11 until 1974-01-12)
live instrumental recording of:
All the Things You Are (from “Very Warm for May”) (from 1974-01-11 until 1974-01-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
Bill Evans6:20
9Invitation
recording engineer:
Don Cody (from 1974-11-07 until 1974-11-10)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1974-11-07 until 1974-11-10)
piano:
Bill Evans (pianist) (from 1974-11-07 until 1974-11-10)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1974-11-07 until 1974-11-10)
recording of:
Invitation (from 1974-11-07 until 1974-11-10)
lyricist:
Paul Francis Webster
composer:
Bronisław Kaper
Bill Evans / Eddie Gomez6:28
10Blue Serge
recording engineer:
Don Cody (from 1974-11-07 until 1974-11-10)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1974-11-07 until 1974-11-10)
piano:
Bill Evans (pianist) (from 1974-11-07 until 1974-11-10)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1974-11-07 until 1974-11-10)
recording of:
Blue Serge (Mercer Ellington) (from 1974-11-07 until 1974-11-10)
composer:
Mercer Ellington
Bill Evans / Eddie Gomez5:06
11Show‐Type Tune
recording engineer:
Don Cody (from 1974-11-07 until 1974-11-10)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1974-11-07 until 1974-11-10)
piano:
Bill Evans (pianist) (from 1974-11-07 until 1974-11-10)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1974-11-07 until 1974-11-10)
recording of:
Show-Type Tune (from 1974-11-07 until 1974-11-10)
composer:
Bill Evans (pianist)
publisher:
TRO-Acorn Music
Bill Evans / Eddie Gomez4:04
12The Nature of Things
recording engineer:
Don Cody (from 1974-11-07 until 1974-11-10)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1974-11-07 until 1974-11-10)
piano:
Bill Evans (pianist) (from 1974-11-07 until 1974-11-10)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1974-11-07 until 1974-11-10)
cover recording of:
The Nature of Things (from 1974-11-07 until 1974-11-10)
writer:
Irvin Rochlin
Bill Evans / Eddie Gomez3:22
4▼CD
#TitleArtistRatingLength
1Are You All the Things
recording engineer:
Don Cody (from 1974-11-07 until 1974-11-10)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1974-11-07 until 1974-11-10)
piano:
Bill Evans (pianist) (from 1974-11-07 until 1974-11-10)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1974-11-07 until 1974-11-10)
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (from 1974-11-07 until 1974-11-10)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
Bill Evans / Eddie Gomez4:59
2A Face Without a Name
recording engineer:
Don Cody (from 1974-11-07 until 1974-11-10)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1974-11-07 until 1974-11-10)
piano:
Bill Evans (pianist) (from 1974-11-07 until 1974-11-10)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1974-11-07 until 1974-11-10)
cover recording of:
A Face Without a Name (from 1974-11-07 until 1974-11-10)
writer:
Claus Ogerman
Bill Evans / Eddie Gomez5:35
3Falling Grace
recording engineer:
Don Cody (from 1974-11-07 until 1974-11-10)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1974-11-07 until 1974-11-10)
piano:
Bill Evans (pianist) (from 1974-11-07 until 1974-11-10)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1974-11-07 until 1974-11-10)
recording of:
Falling Grace (from 1974-11-07 until 1974-11-10)
composer:
Steve Swallow
Bill Evans / Eddie Gomez4:28
4Hi Lili, Hi, Lo
recording engineer:
Don Cody (from 1974-11-07 until 1974-11-10)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1974-11-07 until 1974-11-10)
piano:
Bill Evans (pianist) (from 1974-11-07 until 1974-11-10)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1974-11-07 until 1974-11-10)
instrumental recording of:
Hi-Lili, Hi-Lo (from 1974-11-07 until 1974-11-10)
orchestrator:
Robert Franklyn and Gerald Fried
lyricist:
Helen Deutsch (writer)
composer:
Bronisław Kaper
publisher:
Robbins Music Corp. and Robbins Music Corp. Ltd.
Bill Evans / Eddie Gomez7:16
5Gone With the Wind
recording engineer:
Don Cody (from 1974-11-07 until 1974-11-10)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1974-11-07 until 1974-11-10)
piano:
Bill Evans (pianist) (from 1974-11-07 until 1974-11-10)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1974-11-07 until 1974-11-10)
instrumental recording of:
Gone With the Wind (from 1974-11-07 until 1974-11-10)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
Bill Evans5:31
6Saudade do Brasil
recording engineer:
Don Cody (from 1974-11-07 until 1974-11-10)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1974-11-07 until 1974-11-10)
piano:
Bill Evans (pianist) (from 1974-11-07 until 1974-11-10)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1974-11-07 until 1974-11-10)
recording of:
Saudades do Brasil (from 1974-11-07 until 1974-11-10)
writer:
Antônio Carlos Jobim
Bill Evans5:40
7My Foolish Heart
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
engineer:
Don Cody
executive producer:
Orrin Keepnews
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Fantasy, Inc. (not for release label use!) (in 1975)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
cover recording of:
My Foolish Heart (from 1975-06-10 until 1975-06-13)
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
part of:
The 22nd Academy Award for Best Original Song (number: 2)
Tony Bennett / Bill Evans4:47
8The Touch of your Lips
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
engineer:
Don Cody
executive producer:
Orrin Keepnews
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Fantasy, Inc. (not for release label use!) (in 1975)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
cover recording of:
The Touch of Your Lips (from 1975-06-10 until 1975-06-13)
lyricist and composer:
Ray Noble
publisher:
Anne-Rachel Music, Jerry Leiber Music, Range Road Music and Silver Seahorse Music LLC
Tony Bennett / Bill Evans3:54
9Some Other Time
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
cover recording of:
Some Other Time (from 1975-06-10 until 1975-06-13)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Music Publishing Company of America, Quaytor Productions LLC, Universal PolyGram International (SESAC), Warner Bros. (holding: file NO releases) and WC Music Corp.
Tony Bennett / Bill Evans4:40
10When in Rome
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
cover recording of:
When in Rome (from 1975-06-10 until 1975-06-13)
writer:
Cy Coleman and Carolyn Leigh
Tony Bennett / Bill Evans2:53
11We’ll be Together Again
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
recording of:
We’ll Be Together Again (from 1975-06-10 until 1975-06-13)
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Tony Bennett / Bill Evans4:36
12Young and Foolish
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
recording of:
Young and Foolish (from 1975-06-10 until 1975-06-13)
lyricist:
Arnold Horwitt
composer:
Albert Hague
publisher:
Chappell & Co. and Chappell Music (UK)
Tony Bennett / Bill Evans3:51
13Waltz for Debby
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
cover recording of:
Waltz for Debby (English lyrics) (from 1975-06-10 until 1975-06-13)
lyricist:
Gene Lees
composer:
Bill Evans (pianist)
publisher:
Acorn Music (label in Berkeley, CA founded by hammered dulcimer player Tony Elman), Folkways Music Publishers Inc. and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
version of:
Waltz for Debby (instrumental)
Tony Bennett / Bill Evans4:02
14But Beautiful
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
cover recording of:
But Beautiful (from 1975-06-10 until 1975-06-13)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) and Onyx Music Corporation (in 1947)
Tony Bennett / Bill Evans3:34
15Days of Wine and Roses
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
cover recording of:
Days of Wine and Roses (from 1975-06-10 until 1975-06-13)
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
part of:
The 35th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1964 winner) and Academy Award for Best Original Song (number: 1962 winner)
Tony Bennett / Bill Evans2:20
5▼CD
#TitleRatingLength
1Elsa
recorded in:
Montreux, Vaud (Canton of Vaud), Switzerland (on 1975-07-20)
recording engineer:
John Timperley (on 1975-07-20)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (on 1975-07-20)
piano:
Bill Evans (pianist) (on 1975-07-20)
live recording of:
Elsa (on 1975-07-20)
composer:
Earl Zindars
publisher:
Zindars Music and Zindars Publishing
7:23
2Milano
recorded in:
Montreux, Vaud (Canton of Vaud), Switzerland (on 1975-07-20)
recording engineer:
John Timperley (on 1975-07-20)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (on 1975-07-20)
piano:
Bill Evans (pianist) (on 1975-07-20)
live recording of:
Milano (on 1975-07-20)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
publisher:
MJQ Music, Inc.
4:38
3Venutian Rhythm Dance
recorded in:
Montreux, Vaud (Canton of Vaud), Switzerland (on 1975-07-20)
recording engineer:
John Timperley (on 1975-07-20)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (on 1975-07-20)
piano:
Bill Evans (pianist) (on 1975-07-20)
cover recording of:
Venutian Rhythm Dance (on 1975-07-20)
writer:
Clive Stevens
4:25
4Django
recorded in:
Montreux, Vaud (Canton of Vaud), Switzerland (on 1975-07-20)
recording engineer:
John Timperley (on 1975-07-20)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (on 1975-07-20)
piano:
Bill Evans (pianist) (on 1975-07-20)
live recording of:
Django (on 1975-07-20)
composer:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1954)
publisher:
MJQ Music, Inc.
6:10
5But Beautiful
recorded in:
Montreux, Vaud (Canton of Vaud), Switzerland (on 1975-07-20)
recording engineer:
John Timperley (on 1975-07-20)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (on 1975-07-20)
piano:
Bill Evans (pianist) (on 1975-07-20)
live instrumental recording of:
But Beautiful (on 1975-07-20)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) and Onyx Music Corporation (in 1947)
3:42
6Minha (All Mine)
recorded in:
Montreux, Vaud (Canton of Vaud), Switzerland (on 1975-07-20)
recording engineer:
John Timperley (on 1975-07-20)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (on 1975-07-20)
piano:
Bill Evans (pianist) (on 1975-07-20)
live instrumental recording of:
Minha (on 1975-07-20)
lyricist:
Ruy Guerra
composer:
Francis Hime
publisher:
Group 88 Music and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
4:09
7Driftin’
recorded in:
Montreux, Vaud (Canton of Vaud), Switzerland (on 1975-07-20)
recording engineer:
John Timperley (on 1975-07-20)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (on 1975-07-20)
piano:
Bill Evans (pianist) (on 1975-07-20)
live recording of:
Driftin' (on 1975-07-20)
composer:
Dan Haerle
5:10
8I Love You
recorded in:
Montreux, Vaud (Canton of Vaud), Switzerland (on 1975-07-20)
recording engineer:
John Timperley (on 1975-07-20)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (on 1975-07-20)
piano:
Bill Evans (pianist) (on 1975-07-20)
live instrumental recording of:
I Love You (Mexican Hayride musical) (on 1975-07-20)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
6:34
9The Summer Knows
recorded in:
Montreux, Vaud (Canton of Vaud), Switzerland (on 1975-07-20)
recording engineer:
John Timperley (on 1975-07-20)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (on 1975-07-20)
piano:
Bill Evans (pianist) (on 1975-07-20)
live recording of:
The Summer Knows (Summer of ’42; instrumental version) (on 1975-07-20)
composer:
Michel Legrand
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Olive Music LLC and Warner/Chappell North America
3:22
10In a Sentimental Mood
recorded in:
Montreux, Vaud (Canton of Vaud), Switzerland (on 1975-07-20)
recording engineer:
John Timperley (on 1975-07-20)
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (on 1975-07-20)
piano:
Bill Evans (pianist) (on 1975-07-20)
live instrumental recording of:
In a Sentimental Mood (on 1975-07-20)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
5:58
11The Touch of Your Lips
recording engineer:
Don Cody (from 1975-12-16 until 1975-12-18)
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-12-16 until 1975-12-18)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-12-16 until 1975-12-18)
instrumental recording of:
The Touch of Your Lips (from 1975-12-16 until 1975-12-18)
lyricist and composer:
Ray Noble
publisher:
Anne-Rachel Music, Jerry Leiber Music, Range Road Music and Silver Seahorse Music LLC
7:01
12In Your Own Sweet Way
recording engineer:
Don Cody (from 1975-12-16 until 1975-12-18)
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-12-16 until 1975-12-18)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-12-16 until 1975-12-18)
instrumental recording of:
In Your Own Sweet Way (original instrumental composition) (from 1975-12-16 until 1975-12-18)
composer:
Dave Brubeck (in 1952)
publisher:
Derry Music
8:53
13Make Someone Happy
recording engineer:
Don Cody (from 1975-12-16 until 1975-12-18)
producer:
Helen Keane and Creed Taylor
piano:
Bill Evans (pianist) (from 1975-12-16 until 1975-12-18)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-12-16 until 1975-12-18)
instrumental recording of:
Make Someone Happy (Do Re Mi) (from 1975-12-16 until 1975-12-18)
orchestrator:
Bruce Coughlin
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Sole Selling Agent and Stratford Music Corporation
part of:
Do Re Mi
7:08
6▼CD
#TitleRatingLength
1All of You
recording engineer:
Don Cody (from 1975-12-16 until 1975-12-18)
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-12-16 until 1975-12-18)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-12-16 until 1975-12-18)
recording of:
All of You (Silk Stockings musical) (from 1975-12-16 until 1975-12-18)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
4:57
2What Kind of Fool am I
recording engineer:
Don Cody (from 1975-12-16 until 1975-12-18)
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-12-16 until 1975-12-18)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-12-16 until 1975-12-18)
instrumental recording of:
What Kind of Fool Am I? (from 1975-12-16 until 1975-12-18)
lyricist and composer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Essex Music and Ludlow Music
part of:
Grammy Award: Song of the Year nominees (number: 1963 winner)
part of:
Stop the World – I Want to Get Off
6:02
3People
recording engineer:
Don Cody (from 1975-12-16 until 1975-12-18)
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-12-16 until 1975-12-18)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-12-16 until 1975-12-18)
instrumental recording of:
People (Funny Girl) (from 1975-12-16 until 1975-12-18)
lyricist:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1963)
composer:
Jule Styne (in 1963)
publisher:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Funny Girl (Broadway musical)
13:33
4Since We Met
recording engineer:
Don Cody (from 1975-12-16 until 1975-12-18)
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-12-16 until 1975-12-18)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-12-16 until 1975-12-18)
recording of:
Since We Met (from 1975-12-16 until 1975-12-18)
writer:
Bill Evans (pianist)
publisher:
Ludlow Music and Teneten Music, Inc.
3:39
5But Not for Me / Isn’t It Romantic / The Opener
recording engineer:
Don Cody (from 1975-12-16 until 1975-12-18)
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-12-16 until 1975-12-18)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-12-16 until 1975-12-18)
medley including a instrumental cover recording of:
But Not for Me (from 1975-12-16 until 1975-12-18)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
medley including a instrumental recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”) (from 1975-12-16 until 1975-12-18)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony
medley including a recording of:
The Opener (from 1975-12-16 until 1975-12-18)
writer:
Bill Evans (pianist)
publisher:
Ludlow Music
5:11
6Sweet Dulcinea
recording engineer:
Phil Kaffel (from 1976-05-27 until 1976-05-30)
producer:
Helen Keane
double bass:
Ray Brown (jazz bassist) (from 1976-05-27 until 1976-05-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1976-05-27 until 1976-05-30)
piano:
Bill Evans (pianist) (from 1976-05-27 until 1976-05-30)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (from 1976-05-27 until 1976-05-30)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1976-05-27 until 1976-05-30)
cover recording of:
Sweet Dulcinea Blue (from 1976-05-27 until 1976-05-30)
composer:
Kenny Wheeler
publisher:
Essex Music International
6:02
7Martina
recording engineer:
Phil Kaffel (from 1976-05-27 until 1976-05-30)
producer:
Helen Keane
double bass:
Ray Brown (jazz bassist) (from 1976-05-27 until 1976-05-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1976-05-27 until 1976-05-30)
piano:
Bill Evans (pianist) (from 1976-05-27 until 1976-05-30)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (from 1976-05-27 until 1976-05-30)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1976-05-27 until 1976-05-30)
cover recording of:
Martina (from 1976-05-27 until 1976-05-30)
lyricist:
Eddy Marnay (French lyricist) and Hal Shaper
composer:
Michel Legrand
publisher:
Burgundy Productions Inc., Diana Music and Warner Chappell Music France
8:12
8Second Time Around
recording engineer:
Phil Kaffel (from 1976-05-27 until 1976-05-30)
producer:
Helen Keane
double bass:
Ray Brown (jazz bassist) (from 1976-05-27 until 1976-05-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1976-05-27 until 1976-05-30)
piano:
Bill Evans (pianist) (from 1976-05-27 until 1976-05-30)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (from 1976-05-27 until 1976-05-30)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1976-05-27 until 1976-05-30)
instrumental recording of:
The Second Time Around (from 1976-05-27 until 1976-05-30)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Miller Catalog, Inc., Miller Music (publisher), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Twentieth Century Music Corp. (in 1960, in 1988)
part of:
The 33rd Academy Award for Best Original Song (number: 2)
3:41
9A Child is Born
recording engineer:
Phil Kaffel (from 1976-05-27 until 1976-05-30)
producer:
Helen Keane
double bass:
Ray Brown (jazz bassist) (from 1976-05-27 until 1976-05-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1976-05-27 until 1976-05-30)
piano:
Bill Evans (pianist) (from 1976-05-27 until 1976-05-30)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (from 1976-05-27 until 1976-05-30)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1976-05-27 until 1976-05-30)
instrumental recording of:
A Child Is Born (from 1976-05-27 until 1976-05-30)
lyricist:
Alec Wilder (American composer)
composer:
Thad Jones (American jazz trumpeter)
publisher:
D'accord Music
version of:
A Child Is Born (Original instrumental version)
7:30
10Bass Face
recording engineer:
Phil Kaffel (from 1976-05-27 until 1976-05-30)
producer:
Helen Keane
double bass:
Ray Brown (jazz bassist) (from 1976-05-27 until 1976-05-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1976-05-27 until 1976-05-30)
piano:
Bill Evans (pianist) (from 1976-05-27 until 1976-05-30)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (from 1976-05-27 until 1976-05-30)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1976-05-27 until 1976-05-30)
cover recording of:
Bass Face (from 1976-05-27 until 1976-05-30)
writer:
Kenny Burrell
publisher:
Kuro Productions
10:04
11Nobody Else But Me
recording engineer:
Phil Kaffel (from 1976-05-27 until 1976-05-30)
producer:
Helen Keane
double bass:
Ray Brown (jazz bassist) (from 1976-05-27 until 1976-05-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1976-05-27 until 1976-05-30)
piano:
Bill Evans (pianist) (from 1976-05-27 until 1976-05-30)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (from 1976-05-27 until 1976-05-30)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1976-05-27 until 1976-05-30)
instrumental recording of:
Nobody Else but Me (from 1976-05-27 until 1976-05-30)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
Harms, Inc.
7:27
7▼CD
#TitleArtistRatingLength
1Sugar Plum
recorded in:
Paris, Île-de-France, France (on 1976-11-05)
producer:
André Francis
bass:
Eddie Gomez (jazz double bassist) (on 1976-11-05)
drums (drum set):
Eliot Zigmund (on 1976-11-05)
piano:
Bill Evans (pianist) (on 1976-11-05)
live recording of:
Sugar Plum (on 1976-11-05)
composer:
Bill Evans (pianist)
publisher:
Pennywhistle Music
Bill Evans6:28
2Time Remembered
recorded in:
Paris, Île-de-France, France (on 1976-11-05)
producer:
André Francis
bass:
Eddie Gomez (jazz double bassist) (on 1976-11-05)
drums (drum set):
Eliot Zigmund (on 1976-11-05)
piano:
Bill Evans (pianist) (on 1976-11-05)
live recording of:
Time Remembered (on 1976-11-05)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp.
Bill Evans5:33
334 Skidoo
recorded in:
Paris, Île-de-France, France (on 1976-11-05)
producer:
André Francis
bass:
Eddie Gomez (jazz double bassist) (on 1976-11-05)
drums (drum set):
Eliot Zigmund (on 1976-11-05)
piano:
Bill Evans (pianist) (on 1976-11-05)
live recording of:
34 Skidoo (on 1976-11-05)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Kensington Music Ltd. and TRO-Acorn Music
Bill Evans7:10
4T.T.T.T.
recorded in:
Paris, Île-de-France, France (on 1976-11-05)
producer:
André Francis
bass:
Eddie Gomez (jazz double bassist) (on 1976-11-05)
drums (drum set):
Eliot Zigmund (on 1976-11-05)
piano:
Bill Evans (pianist) (on 1976-11-05)
live recording of:
T.T.T.T. (on 1976-11-05)
writer:
Bill Evans (pianist)
live recording of:
TTT (Twelve Tone Tune) (on 1976-11-05)
composer:
Bill Evans (pianist)
publisher:
Orpheum Music
Bill Evans6:34
5Turn Out the Stars
recorded in:
Paris, Île-de-France, France (on 1976-11-05)
producer:
André Francis
bass:
Eddie Gomez (jazz double bassist) (on 1976-11-05)
drums (drum set):
Eliot Zigmund (on 1976-11-05)
piano:
Bill Evans (pianist) (on 1976-11-05)
live recording of:
Turn Out the Stars (on 1976-11-05)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc.
Bill Evans5:01
6Someday My Prince Will Come
recorded in:
Paris, Île-de-France, France (on 1976-11-05)
producer:
André Francis
bass:
Eddie Gomez (jazz double bassist) (on 1976-11-05)
drums (drum set):
Eliot Zigmund (on 1976-11-05)
piano:
Bill Evans (pianist) (on 1976-11-05)
live instrumental recording of:
Someday My Prince Will Come (on 1976-11-05)
lyricist:
Larry Morey (American lyricist, 1905–1971)
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
live instrumental cover recording of:
Someday My Prince Will Come (on 1976-11-05)
lyricist:
Larry Morey (American lyricist, 1905–1971)
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
Bill Evans7:08
7Minha (All Mine)
recorded in:
Paris, Île-de-France, France (on 1976-11-05)
producer:
André Francis
bass:
Eddie Gomez (jazz double bassist) (on 1976-11-05)
drums (drum set):
Eliot Zigmund (on 1976-11-05)
piano:
Bill Evans (pianist) (on 1976-11-05)
live instrumental recording of:
Minha (on 1976-11-05)
lyricist:
Ruy Guerra
composer:
Francis Hime
publisher:
Group 88 Music and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
live instrumental cover recording of:
Minha (on 1976-11-05)
lyricist:
Ruy Guerra
composer:
Francis Hime
publisher:
Group 88 Music and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Bill Evans3:46
8All of You
recorded in:
Paris, Île-de-France, France (on 1976-11-05)
producer:
André Francis
bass:
Eddie Gomez (jazz double bassist) (on 1976-11-05)
drums (drum set):
Eliot Zigmund (on 1976-11-05)
piano:
Bill Evans (pianist) (on 1976-11-05)
live instrumental recording of:
All of You (Silk Stockings musical) (on 1976-11-05)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
live instrumental cover recording of:
All of You (Silk Stockings musical) (on 1976-11-05)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
Bill Evans8:09
9Waltz for Debby
recorded in:
Paris, Île-de-France, France (on 1976-11-05)
producer:
André Francis
bass:
Eddie Gomez (jazz double bassist) (on 1976-11-05)
drums (drum set):
Eliot Zigmund (on 1976-11-05)
piano:
Bill Evans (pianist) (on 1976-11-05)
live recording of:
Waltz for Debby (instrumental) (on 1976-11-05)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Bill Evans5:32
10Eiderdown
recording engineer:
Phil Kaffel (from 1977-02-28 until 1977-03-02)
producer:
Helen Keane
alto saxophone:
Lee Konitz (jazz saxophonist) (from 1977-02-28 until 1977-03-02)
bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
tenor saxophone:
Warne Marsh (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-02-28 until 1977-03-02)
recording of:
Eiderdown (from 1977-02-28 until 1977-03-02)
composer:
Steve Swallow
publisher:
Blue Horizon Music
Bill Evans Trio with Lee Konitz & Warne Marsh8:16
11Ev’ry Time We Say Goodbye
recording engineer:
Phil Kaffel (from 1977-02-28 until 1977-03-02)
producer:
Helen Keane
alto saxophone:
Lee Konitz (jazz saxophonist) (from 1977-02-28 until 1977-03-02)
bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
tenor saxophone:
Warne Marsh (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-02-28 until 1977-03-02)
instrumental recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (from 1977-02-28 until 1977-03-02)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Evans Trio with Lee Konitz & Warne Marsh3:28
12Pensativa
recording engineer:
Phil Kaffel (from 1977-02-28 until 1977-03-02)
producer:
Helen Keane
alto saxophone:
Lee Konitz (jazz saxophonist) (from 1977-02-28 until 1977-03-02)
bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
tenor saxophone:
Warne Marsh (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-02-28 until 1977-03-02)
recording of:
Pensativa (from 1977-02-28 until 1977-03-02)
composer:
Clare Fischer
publisher:
Amestoy Music
Bill Evans Trio with Lee Konitz & Warne Marsh5:35
8▼CD
#TitleArtistRatingLength
1Speak Low
recording engineer:
Phil Kaffel (from 1977-02-28 until 1977-03-02)
producer:
Helen Keane
alto saxophone:
Lee Konitz (jazz saxophonist) (from 1977-02-28 until 1977-03-02)
bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
tenor saxophone:
Warne Marsh (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-02-28 until 1977-03-02)
instrumental recording of:
Speak Low (One Touch of Venus) (from 1977-02-28 until 1977-03-02)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
Bill Evans Trio with Lee Konitz & Warne Marsh6:30
2When I Fall in Love
recording engineer:
Phil Kaffel (from 1977-02-28 until 1977-03-02)
producer:
Helen Keane
alto saxophone:
Lee Konitz (jazz saxophonist) (from 1977-02-28 until 1977-03-02)
bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
tenor saxophone:
Warne Marsh (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-02-28 until 1977-03-02)
instrumental cover recording of:
When I Fall in Love (from 1977-02-28 until 1977-03-02)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Evans Trio with Lee Konitz & Warne Marsh4:16
3Night and Day
recording engineer:
Phil Kaffel (from 1977-02-28 until 1977-03-02)
engineer:
Phil Kaffel
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (from 1977-02-28 until 1977-03-02)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Bill Evans Trio with Lee Konitz & Warne Marsh6:03
4I Will Say Goodbye
recording engineer:
Bruce Walford (from 1977-05-11 until 1977-05-13)
producer:
Helen Keane
bass:
Eddie Gomez (jazz double bassist) (from 1977-05-11 until 1977-05-13)
drums (drum set):
Eliot Zigmund (from 1977-05-11 until 1977-05-13)
piano:
Bill Evans (pianist) (from 1977-05-11 until 1977-05-13)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-05-11 until 1977-05-13)
recording of:
I Will Say Goodbye (in 1977-05)
publisher:
Michel Legrand
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
Legrand Societé
Bill Evans Trio3:26
5Dolphin Dance
recording engineer:
Bruce Walford (from 1977-05-11 until 1977-05-13)
producer:
Helen Keane
bass:
Eddie Gomez (jazz double bassist) (from 1977-05-11 until 1977-05-13)
drums (drum set):
Eliot Zigmund (from 1977-05-11 until 1977-05-13)
piano:
Bill Evans (pianist) (from 1977-05-11 until 1977-05-13)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-05-11 until 1977-05-13)
recording of:
Dolphin Dance (in 1977-05)
composer:
Herbert J. Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music
Bill Evans Trio6:00
6Seascape
recording engineer:
Bruce Walford (from 1977-05-11 until 1977-05-13)
producer:
Helen Keane
bass:
Eddie Gomez (jazz double bassist) (from 1977-05-11 until 1977-05-13)
drums (drum set):
Eliot Zigmund (from 1977-05-11 until 1977-05-13)
piano:
Bill Evans (pianist) (from 1977-05-11 until 1977-05-13)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-05-11 until 1977-05-13)
recording of:
Seascape (in 1977-05)
composer:
Johnny Mandel (American composer and arranger)
publisher:
Marissa Music
Bill Evans Trio5:20
7Peau Douce
recording engineer:
Bruce Walford (from 1977-05-11 until 1977-05-13)
producer:
Helen Keane
bass:
Eddie Gomez (jazz double bassist) (from 1977-05-11 until 1977-05-13)
drums (drum set):
Eliot Zigmund (from 1977-05-11 until 1977-05-13)
piano:
Bill Evans (pianist) (from 1977-05-11 until 1977-05-13)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-05-11 until 1977-05-13)
recording of:
Peau Douce (in 1977-05)
composer:
Steve Swallow
publisher:
Wonderbuns, Inc. (publisher for Steve Swallow)
Bill Evans Trio4:14
8Nobody Else But Me
recording engineer:
Bruce Walford (from 1977-05-11 until 1977-05-13)
producer:
Helen Keane
bass:
Eddie Gomez (jazz double bassist) (from 1977-05-11 until 1977-05-13)
drums (drum set):
Eliot Zigmund (from 1977-05-11 until 1977-05-13)
piano:
Bill Evans (pianist) (from 1977-05-11 until 1977-05-13)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-05-11 until 1977-05-13)
instrumental recording of:
Nobody Else but Me (in 1977-05)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
Harms, Inc.
Bill Evans5:03
9I Will Say Goodbye (alternate take)
recording engineer:
Bruce Walford (from 1977-05-11 until 1977-05-13)
producer:
Helen Keane
bass:
Eddie Gomez (jazz double bassist) (from 1977-05-11 until 1977-05-13)
drums (drum set):
Eliot Zigmund (from 1977-05-11 until 1977-05-13)
piano:
Bill Evans (pianist) (from 1977-05-11 until 1977-05-13)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-05-11 until 1977-05-13)
instrumental recording of:
I Will Say Goodbye (in 1977-05)
publisher:
Michel Legrand
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
Legrand Societé
Bill Evans Trio4:45
10The Opener
recording engineer:
Bruce Walford (from 1977-05-11 until 1977-05-13)
producer:
Helen Keane
bass:
Eddie Gomez (jazz double bassist) (from 1977-05-11 until 1977-05-13)
drums (drum set):
Eliot Zigmund (from 1977-05-11 until 1977-05-13)
piano:
Bill Evans (pianist) (from 1977-05-11 until 1977-05-13)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-05-11 until 1977-05-13)
recording of:
The Opener (from 1977-05-11 until 1977-05-13)
writer:
Bill Evans (pianist)
publisher:
Ludlow Music
Bill Evans Trio6:09
11Quiet Light
recording engineer:
Bruce Walford (from 1977-05-11 until 1977-05-13)
producer:
Helen Keane
bass:
Eddie Gomez (jazz double bassist) (from 1977-05-11 until 1977-05-13)
drums (drum set):
Eliot Zigmund (from 1977-05-11 until 1977-05-13)
piano:
Bill Evans (pianist) (from 1977-05-11 until 1977-05-13)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1992)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-05-11 until 1977-05-13)
cover recording of:
Quiet Light (from 1977-05-11 until 1977-05-13)
writer:
Earl Zindars
Bill Evans Trio2:26
12A House is Not a Home
recording engineer:
Bruce Walford (from 1977-05-11 until 1977-05-13)
producer:
Helen Keane
bass:
Eddie Gomez (jazz double bassist) (from 1977-05-11 until 1977-05-13)
drums (drum set):
Eliot Zigmund (from 1977-05-11 until 1977-05-13)
piano:
Bill Evans (pianist) (from 1977-05-11 until 1977-05-13)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1992)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-05-11 until 1977-05-13)
instrumental cover recording of:
A House Is Not a Home (from 1977-05-11 until 1977-05-13)
lyricist:
Hal David (in 1964)
composer:
Burt Bacharach (in 1964)
publisher:
Diplomat Music (ended), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (ended), Famous Chappell, Famous Music (UK) Ltd. and Sony/ATV Harmony
Bill Evans Trio4:36
13Orson’s Theme
recording engineer:
Bruce Walford (from 1977-05-11 until 1977-05-13)
producer:
Helen Keane
bass:
Eddie Gomez (jazz double bassist) (from 1977-05-11 until 1977-05-13)
drums (drum set):
Eliot Zigmund (from 1977-05-11 until 1977-05-13)
piano:
Bill Evans (pianist) (from 1977-05-11 until 1977-05-13)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1992)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1977-05-11 until 1977-05-13)
cover recording of:
Orson's Theme (from 1977-05-11 until 1977-05-13)
writer:
Michel Legrand
publisher:
Unichappell Music
Bill Evans3:46
9▼CD
#TitleRatingLength
1Marian McPartland’s Piano Jazz Interview
recording engineer:
John J. Gelinas (on 1978-11-06)
executive producer:
William D. Hay
producer:
Dick Phipps
recorded at:
Baldwin Piano Showroom in New York, United States (on 1978-11-06)
instrumental cover recording of:
All of You (Silk Stockings musical) (on 1978-11-06)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
instrumental cover recording of:
Days of Wine and Roses (on 1978-11-06)
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
part of:
The 35th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1964 winner) and Academy Award for Best Original Song (number: 1962 winner)
instrumental cover recording of:
I Love You (Mexican Hayride musical) (on 1978-11-06)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
cover recording of:
In Your Own Sweet Way (original instrumental composition) (on 1978-11-06)
composer:
Dave Brubeck (in 1952)
publisher:
Derry Music
recording of:
Kaleidoscope (on 1978-11-06)
writer:
Marian McPartland (pianist)
cover recording of:
Reflections in D (on 1978-11-06)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Duke Ellington Music and Tempo Music, Inc. (Duke Ellington’s music publishing company)
instrumental cover recording of:
The Touch of Your Lips (on 1978-11-06)
lyricist and composer:
Ray Noble
publisher:
Anne-Rachel Music, Jerry Leiber Music, Range Road Music and Silver Seahorse Music LLC
instrumental cover recording of:
This Is All I Ask (on 1978-11-06)
lyricist and composer:
Gordon Jenkins
publisher:
Anne-Rachel Music Corp., EMI Robbins Catalog Inc. (ASCAP), Intersong Music and Robbins Music Corp.
recording of:
Waltz for Debby (instrumental) (on 1978-11-06)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
instrumental cover recording of:
While We’re Young (on 1978-11-06)
lyricist:
William Engvick
composer:
Morty Palitz and Alec Wilder (American composer)
publisher:
Ludlow Music, Inc., Regent Music (BMI) and ロックンロール ミュージック (Rock ’n’ Roll Music)
58:16