The Julie London Collection 1955–1962

~ Release by Julie London (see all versions of this release, 1 available)

Annotation

“comprises all her A & B sides from the era, including the landmark hit ‘Cry Me a River’, plus selected album tracks”

Annotation last modified on 2017-06-23 05:46 UTC.

Tracklist

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1▼CD
#TitleRatingLength
1Sometimes I Feel Like a Motherless Child
2:55
2A Foggy Day
3:17
3Don’t Worry ’bout Me
3:36
4You’re Blase
3:30
5Cry Me a River
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
recording of:
Cry Me a River (in 1955-08)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
4.652:55
6S’Wonderful
1:33
7Baby, Baby, All the Time
32:24
8Shadow Woman
2:37
9September in the Rain
1:40
10Lonely Girl
2:35
11Tall Boy
2:24
12Now, Baby, Now
2:07
13The Meaning of the Blues
2:58
14Boy on a Dolphin
2:09
15It Had to Be You
recording of:
It Had to Be You
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
3:38
16Dark
2:40
17I’d Like You for Christmas
producer:
Bobby Troup
lead vocals:
Julie London
phonographic copyright (℗) by:
Liberty (a division of UMG Recordings, Inc.)
recording of:
I’d Like You for Christmas (in 1957)
writer:
Bobby Troup
2:36
18Saddle the Wind
recording of:
Saddle the Wind
writer:
Ray Evans (American songwriter) and Jay Livingston
2:10
19Tell Me You’re Home
2:12
20The Freshman
2:14
21It’s Easy
2:03
22Voice in the Mirror
2:29
23Blue Moon
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
recording of:
Blue Moon (in 1958-07)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
52:31
24Man of the West
2:08
25My Strange Affair
2:18
26Come On-A My House
2:32
27Must Be Catchin’
2:08
28Something I Dreamed Last Night
2:32
2▼CD
#TitleRatingLength
1Comin’ Through the Rye
engineer:
Don Gallese and Ted Keep
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Jimmy Rowles and His Orchestra
conductor:
Jimmy Rowles
recording of:
Comin’ Thro’ the Rye
lyricist:
Robert Burns (18th century Scottish poet/lyricist) (in 1782)
composer:
[traditional] (special purpose artist)
publisher:
Heatherfield Music
2:35
2Makin’ Whoopee
2:42
3It’s a Blue World
2:22
4In the Wee Small Hours of the Morning
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1960-08)
cover recording of:
In the Wee Small Hours of the Morning (in 1960-08)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:48
5Time for Lovers
2:45
6Send for Me
2:40
7Evenin’
2:40
8Sanctuary
2:19
9Every Chance I Get
2:22
10My Darling, My Darling
2:18
11My Love, My Love
2:05
12(Slightly Out of Tune) Desafinado
recording of:
Off Key (Gene Lees version)
lyricist:
Gene Lees
composer:
Antônio Carlos Jobim
is based on:
Desafinado
2:42
13Where Did the Gentleman Go
2:56
14Laura
1:42
15How Deep Is the Ocean
2:11
16June in January
2:08
17Bye, Bye Blues
1:39
18If I Could Be With You
2:15
19Daddy
engineer:
Ted Keep
producer:
Felix Slatkin and Bobby Troup
vocals:
Julie London (in 1957-10)
orchestra:
The Jimmy Rowles Orchestra (in 1957-10)
conductor:
Jimmy Rowles (in 1957-10)
cover recording of:
Daddy (in 1957-10)
lyricist and composer:
Robert W. Troup, Jr.
42:18
20I Guess I’ll Have to Change My Plan
1:50
21Mad About the Boy
engineer:
Ted Keep
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Pete King and His Orchestra
cover recording of:
Mad About the Boy
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
2:11
22Cuddle Up a Little Closer
engineer:
Don Gallese and Ted Keep
producer:
Bobby Troup
vocals:
Julie London
orchestra:
Jimmy Rowles and His Orchestra
conductor:
Jimmy Rowles
recording of:
Cuddle Up a Little Closer
lyricist:
Otto Harbach
composer:
Karl Hoschna
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:10
23When I Fall in Love
3:20
24You’d Be So Nice to Come Home To
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
double bass:
Don Bagley (on 1960-03-04)
drums (drum set):
Earl Palmer (on 1960-03-04)
guitar:
Al Viola (on 1960-03-04)
piano:
Jimmy Rowles (on 1960-03-04)
trumpet:
Bob Flanigan (on 1960-03-04)
vibraphone:
Emil Richards (on 1960-03-04)
vocals:
Julie London (on 1960-03-04)
orchestra:
The Jimmy Rowles Orchestra (on 1960-03-04)
recorded at:
Julie London’s living room (on 1960-03-04)
cover recording of:
You’d Be So Nice to Come Home To (on 1960-03-04)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:14
25Around Midnight
2:53
26Yes Indeed
2:06
27Why Don’t You Do Right
producer:
Felix Slatkin
vocals:
Julie London
recording of:
Why Don’t You Do Right?
lyricist and composer:
Kansas Joe McCoy
publisher:
Edwin Morris Music and Morley Music Co
version of:
Weed Smoker’s Dream
2:17
28Sophisticated Lady
2:34
29Love Letters
cover recording of:
Love Letters
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony and Warner/Chappell Music Ltd. (1996–2019)
part of:
The 18th Academy Award for Best Original Song (number: 2)
2:50
30Love on the Rocks
2:36

Credits

Release

ASIN:UK: B071NDN6S3 [info]