Jazz in Paris: A French Love Affair (3CDs boxset)

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD: The Best Live Concert, Volume 1
Nr.TitelBewertungLänge
1When It's Sleepy Time Down South
vocals:
Louis Armstrong
aufgenommen bei:
Le Dôme de Paris - Palais des Sports in Paris, Île-de-France, Frankreich (am 1965-06-04)
recording of:
When It’s Sleepy Time Down South
Texter:
Leon René und Otis René
Komponist(in):
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication und Sherwin Music (publisher)
3:17
2Back Home Again in Indiana
vocals:
Louis Armstrong
aufgenommen bei:
Le Dôme de Paris - Palais des Sports in Paris, Île-de-France, Frankreich (am 1965-06-04)
live cover recording of:
Indiana (Back Home Again in Indiana)
Texter:
Ballard MacDonald (in 1917)
Komponist(in):
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
4:14
3Tiger Rag
aufgenommen bei:
Le Dôme de Paris - Palais des Sports in Paris, Île-de-France, Frankreich (am 1965-06-04)
recording of:
Tiger Rag (original 1917 instrumental version)
Komponist(in):
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro und Larry Shields
1:26
4When I Grow Too Old to Dream
aufgenommen bei:
Le Dôme de Paris - Palais des Sports in Paris, Île-de-France, Frankreich (am 1965-06-04)
live recording of:
When I Grow Too Old to Dream
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1934)
Komponist(in):
Sigmund Romberg (in 1934)
publisher:
EMI United Partnership Ltd. und Robbins Music
übersetzte Version von:
Altijd zal het zomer zijn
4:09
5Perdido
aufgenommen bei:
Le Dôme de Paris - Palais des Sports in Paris, Île-de-France, Frankreich (am 1965-06-04)
live cover recording of:
Perdido (original instrumental version)
Komponist(in):
Juan Tizol
2:07
6Hello, Dolly!
vocals:
Louis Armstrong
aufgenommen bei:
Le Dôme de Paris - Palais des Sports in Paris, Île-de-France, Frankreich (am 1965-06-04)
live cover recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
5:50
7On the Alamo
aufgenommen bei:
Le Dôme de Paris - Palais des Sports in Paris, Île-de-France, Frankreich (am 1965-06-04)
live recording of:
On the Alamo
Texter:
Gilbert Keyes und Joe Lyons (US songwriter & arranger)
Komponist(in):
Isham Jones
publisher:
Forster Music Publisher, Inc. (vom 1922-08-02 bis heute) und Tell Taylor, Inc. (von 1922-03-17 bis 1922-08-02)
4:19
8A Kiss to Build a Dream On
vocals:
Louis Armstrong
aufgenommen bei:
Le Dôme de Paris - Palais des Sports in Paris, Île-de-France, Frankreich (am 1965-06-04)
live recording of:
A Kiss to Build a Dream On
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) und Bert Kalmar (in 1935)
Komponist(in):
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
Teil von:
The 24th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Strip (1951 film)
4:30
9Lover, Come Back to Me
vocals:
Jewell Brown (jazz and blues vocals, USA)
aufgenommen bei:
Le Dôme de Paris - Palais des Sports in Paris, Île-de-France, Frankreich (am 1965-06-04)
live cover recording of:
Lover, Come Back to Me (from "The New Moon")
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Verfasser(in):
Sigmund Romberg
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The New Moon: Act II
2:34
10Can't Help Lovin' That Man of Mine
vocals:
Jewell Brown (jazz and blues vocals, USA)
aufgenommen bei:
Le Dôme de Paris - Palais des Sports in Paris, Île-de-France, Frankreich (am 1965-06-04)
3:11
11Mop Mop / Blueberry Hill
aufgenommen bei:
Le Dôme de Paris - Palais des Sports in Paris, Île-de-France, Frankreich (am 1965-06-04)
3:54
2▼CD: The Best Live Concert, Volume 2
Nr.TitelBewertungLänge
1Muskrat Ramble
aufgenommen bei:
Le Dôme de Paris - Palais des Sports in Paris, Île-de-France, Frankreich (am 1965-06-04)
live recording of:
Muskrat Ramble (1926 original instrumental version) (am 1965-06-04)
Komponist(in):
Kid Ory (in 1926)
sub-publisher:
Carl Gehrmans Musikförlag
3:36
2Volare
aufgenommen bei:
Le Dôme de Paris - Palais des Sports in Paris, Île-de-France, Frankreich (am 1965-06-04)
4:35
3Cocktails for Two
aufgenommen bei:
Le Dôme de Paris - Palais des Sports in Paris, Île-de-France, Frankreich (am 1965-06-04)
live instrumental recording of:
Cocktails for Two (am 1965-06-04)
Texter:
Arthur Johnston (American composer and songwriter)
Komponist(in):
Sam Coslow
4:19
4Stompin' at the Savoy
aufgenommen bei:
Le Dôme de Paris - Palais des Sports in Paris, Île-de-France, Frankreich (am 1965-06-04)
instrumental recording of:
Stompin’ at the Savoy (am 1965-06-04)
Texter:
Andy Razaf
Komponist(in):
Benny Goodman (clarinetist and bandleader), Edgar Sampson und Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
7:41
5It's Easy to Remember
aufgenommen bei:
Le Dôme de Paris - Palais des Sports in Paris, Île-de-France, Frankreich (am 1965-06-04)
live instrumental recording of:
It’s Easy to Remember (and So Hard to Forget) (am 1965-06-04)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
4:09
6Teach Me Tonight
aufgenommen bei:
Le Dôme de Paris - Palais des Sports in Paris, Île-de-France, Frankreich (am 1965-06-04)
live instrumental recording of:
Teach Me Tonight (am 1965-06-04)
Texter:
Sammy Cahn
Komponist(in):
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), Cahn Music Co., Hub Music Co., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
2:25
7I Left My Heart in San Francisco
vocals:
Jewell Brown (jazz and blues vocals, USA) (am 1965-06-04)
aufgenommen bei:
Le Dôme de Paris - Palais des Sports in Paris, Île-de-France, Frankreich (am 1965-06-04)
live recording of:
I Left My Heart in San Francisco (am 1965-06-04)
Texter:
Douglass Cross (US songwriter)
Komponist(in):
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. und EMI April Music Inc.
4:17
8My Man
vocals:
Jewell Brown (jazz and blues vocals, USA) (am 1965-06-04)
aufgenommen bei:
Le Dôme de Paris - Palais des Sports in Paris, Île-de-France, Frankreich (am 1965-06-04)
live recording of:
My Man (Mon homme) (Channing Pollock lyrics) (am 1965-06-04)
Texter:
Jacques Charles (French librettist and theatre producer) und Albert Willemetz
Komponist(in):
Maurice Yvain
Übersetzer:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (beendet) und Éditions Salabert France
übersetzte Version von:
Mon homme
2:13
9Bill Bailey, Won't You Please Come Home
vocals:
Jewell Brown (jazz and blues vocals, USA) (am 1965-06-04)
aufgenommen bei:
Le Dôme de Paris - Palais des Sports in Paris, Île-de-France, Frankreich (am 1965-06-04)
live recording of:
Bill Bailey, Won’t You Please Come Home (am 1965-06-04)
Texter und Komponist(in):
Hughie Cannon
publisher:
Henrees Music co. und Shawnee Press Inc.
1:18
10When the Saints Go Marchin' In / Hello Dolly
vocals:
Louis Armstrong (am 1965-06-04)
aufgenommen bei:
Le Dôme de Paris - Palais des Sports in Paris, Île-de-France, Frankreich (am 1965-06-04)
live medley including a recording of:
Hello, Dolly! (am 1965-06-04)
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
live medley including a recording of:
When the Saints Go Marching In (am 1965-06-04)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 13983)
Version von:
When the Saints Go Marching In
4:35
3▼CD: Louis Armstrong and Friends
Nr.TitelKünstlerBewertungLänge
1Saint Louis Blues, Part 1
alto saxophone:
Henry Tyree (in 1934-10)
alto saxophone und Klarinette:
Peter du Congé (American jazz reedist) (in 1934-10)
Gitarre:
Maceo Jefferson (in 1934-10)
Klavier:
Herman Chittison (in 1934-10)
Kontrabass:
German Arago (in 1934-10)
Posaune:
Lionel Guimarães (in 1934-10)
Schlagzeug:
Oliver Tines (drummer) (in 1934-10)
Tenorsaxophon:
Alfred Pratt (in 1934-10)
Trompete:
Louis Armstrong (in 1934-10), Jack Hamilton (jazz trumpeter) (in 1934-10) und Leslie Thompson (in 1934-10)
vocals:
Louis Armstrong (in 1934-10)
recording of:
St. Louis Blues (in 1934-10)
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Louis Armstrong and His Orchestra2:45
2Super Tiger Rag
recorded in:
Paris, Île-de-France, Frankreich (in 1934-10)
alto saxophone:
Henry Tyree
alto saxophone und Klarinette:
Peter du Congé (American jazz reedist)
Gitarre:
Maceo Jefferson (in 1934-10)
Klavier:
Herman Chittison (in 1934-10)
Kontrabass:
German Arago (in 1934-10)
Posaune:
Lionel Guimarães (in 1934-10)
Saxophon:
Peter DuConge (American jazz reedist) (in 1934-10) und Henry Tyree (in 1934-10)
Schlagzeug:
Oliver Tines (drummer) (in 1934-10)
Tenorsaxophon:
Alfred Pratt (in 1934-10)
Trompete:
Jack Hamilton (jazz trumpeter), Louis Armstrong (in 1934-10), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (in 1934-10) und Lesley Thompson (in 1934-10)
vocals:
Louis Armstrong (in 1934-10)
recording of:
Tiger Rag (original 1917 instrumental version) (in 1934-10)
Komponist(in):
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro und Larry Shields
Louis Armstrong and His Orchestra3:09
3Will You, Won't Be My Baby?
alto saxophone:
Henry Tyree (am 1934-11-07)
alto saxophone und Klarinette:
Peter DuConge (American jazz reedist) (am 1934-11-07)
Gitarre:
Maceo Jefferson (am 1934-11-07)
Klavier:
Herman Chittison (am 1934-11-07)
Kontrabass:
German Arago (am 1934-11-07)
Posaune:
Lionel Guimarães (am 1934-11-07)
Schlagzeug:
Oliver Tines (drummer) (am 1934-11-07)
Tenorsaxophon:
Alfred Pratt (am 1934-11-07)
Trompete:
Louis Armstrong (am 1934-11-07), Jack Hamilton (jazz trumpeter) (am 1934-11-07) und Leslie Thompson (am 1934-11-07)
vocals:
Louis Armstrong (am 1934-11-07)
aufgenommen bei:
Studio Polydor in Paris, Île-de-France, Frankreich (am 1934-11-07)
Louis Armstrong and His Orchestra2:50
4On the Sunny Side of the Street, Part 1
alto saxophone:
Henry Tyree (am 1934-11-07)
alto saxophone und Klarinette:
Peter DuConge (American jazz reedist) (am 1934-11-07)
Gitarre:
Maceo Jefferson (am 1934-11-07)
Klavier:
Herman Chittison (am 1934-11-07)
Kontrabass:
German Arago (am 1934-11-07)
Posaune:
Lionel Guimarães (am 1934-11-07)
Schlagzeug:
Oliver Tines (drummer) (am 1934-11-07)
Tenorsaxophon:
Alfred Pratt (am 1934-11-07)
Trompete:
Louis Armstrong (am 1934-11-07), Jack Hamilton (jazz trumpeter) (am 1934-11-07) und Leslie Thompson (am 1934-11-07)
vocals:
Louis Armstrong (am 1934-11-07)
aufgenommen bei:
Studio Polydor in Paris, Île-de-France, Frankreich (am 1934-11-07)
Bearbeitung von:
On the Sunny Side of the Street (studio, 1934-11-07; compilation of Brunswick matrices 1481 1/2 wpp and 1482 1/2 wpp) von Louis Armstrong & His Orchestra
recording of:
On the Sunny Side of the Street (am 1934-11-07)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
Louis Armstrong and His Orchestra2:59
5On the Sunny Side of the Street, Part 2
alto saxophone:
Henry Tyree (am 1934-11-07)
alto saxophone und Klarinette:
Peter DuConge (American jazz reedist) (am 1934-11-07)
Gitarre:
Maceo Jefferson (am 1934-11-07)
Klavier:
Herman Chittison (am 1934-11-07)
Kontrabass:
German Arago (am 1934-11-07)
Posaune:
Lionel Guimarães (am 1934-11-07)
Schlagzeug:
Oliver Tines (drummer) (am 1934-11-07)
Tenorsaxophon:
Alfred Pratt (am 1934-11-07)
Trompete:
Louis Armstrong (am 1934-11-07), Jack Hamilton (jazz trumpeter) (am 1934-11-07) und Leslie Thompson (am 1934-11-07)
vocals:
Louis Armstrong (am 1934-11-07)
aufgenommen bei:
Studio Polydor in Paris, Île-de-France, Frankreich (am 1934-11-07)
Bearbeitung von:
On the Sunny Side of the Street (studio, 1934-11-07; compilation of Brunswick matrices 1481 1/2 wpp and 1482 1/2 wpp) von Louis Armstrong & His Orchestra
recording of:
On the Sunny Side of the Street (am 1934-11-07)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
Louis Armstrong and His Orchestra3:09
6Saint Louis Blues, Part 2
alto saxophone:
Henry Tyree (in 1934-10)
alto saxophone und Klarinette:
Peter du Congé (American jazz reedist) (in 1934-10)
Gitarre:
Maceo Jefferson (in 1934-10)
Klavier:
Herman Chittison (in 1934-10)
Kontrabass:
German Arago (in 1934-10)
Posaune:
Lionel Guimarães (in 1934-10)
Schlagzeug:
Oliver Tines (drummer) (in 1934-10)
Tenorsaxophon:
Alfred Pratt (in 1934-10)
Trompete:
Louis Armstrong (in 1934-10), Jack Hamilton (jazz trumpeter) (in 1934-10) und Leslie Thompson (in 1934-10)
vocals:
Louis Armstrong (in 1934-10)
recording of:
St. Louis Blues (in 1934-10)
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Louis Armstrong and His Orchestra3:08
7Song of the Vipers
alto saxophone:
Henry Tyree (am 1934-11-07)
alto saxophone und Klarinette:
Peter DuConge (American jazz reedist) (am 1934-11-07)
Gitarre:
Maceo Jefferson (am 1934-11-07)
Klavier:
Herman Chittison (am 1934-11-07)
Kontrabass:
German Arago (am 1934-11-07)
Posaune:
Lionel Guimarães (am 1934-11-07)
Schlagzeug:
Oliver Tines (drummer) (am 1934-11-07)
Tenorsaxophon:
Alfred Pratt (am 1934-11-07)
Trompete:
Louis Armstrong (am 1934-11-07), Jack Hamilton (jazz trumpeter) (am 1934-11-07) und Leslie Thompson (am 1934-11-07)
vocals:
Louis Armstrong (am 1934-11-07)
aufgenommen bei:
Studio Polydor in Paris, Île-de-France, Frankreich (am 1934-11-07)
recording of:
Song of the Vipers (am 1934-11-07)
Komponist(in):
Louis Armstrong
Louis Armstrong and His Orchestra2:58
8Sweet Georgia Brown
alto saxophone:
Alcide Castellanos (saxophonist) (am 1933-07-08)
alto saxophone und Klarinette:
Peter du Congé (American jazz reedist) (am 1933-07-08)
Gitarre:
Sterling Conaway (guitarist) (am 1933-07-08)
Klavier:
Freddy Johnson (pianist) (am 1933-07-08)
Kontrabass:
Juan Fernandez (Jazz double bassist) (am 1933-07-08)
Posaune:
Billy Burns (am 1933-07-08)
Schlagzeug:
Billy Taylor (English jazz and pop drummer and singer) (am 1933-07-08)
Tenorsaxophon:
Frank “Big Boy” Goudie (am 1933-07-08)
Trompete:
Arthur Briggs (trumpeter) (am 1933-07-08), Theodore Brock (am 1933-07-08) und Bobby Lee Jones (Jazz trumpeter) (am 1933-07-08)
vocals:
Louis Cole (1930s jazz vocalist) (am 1933-07-08)
recording of:
Sweet Georgia Brown (am 1933-07-08)
Texter:
Kenneth Casey (in 1925)
Komponist(in):
Ben Bernie (in 1925) und Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. und Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Freddy Johnson, Arthur Briggs & Their All-Star Orchestra3:18
9Foxy and Grapesy
alto saxophone:
Alcide Castellanos (saxophonist) (am 1933-07-08)
alto saxophone und Klarinette:
Peter du Congé (American jazz reedist) (am 1933-07-08)
Gitarre:
Sterling Conaway (guitarist) (am 1933-07-08)
Klavier:
Freddy Johnson (pianist) (am 1933-07-08)
Kontrabass:
Juan Fernandez (Jazz double bassist) (am 1933-07-08)
Posaune:
Billy Burns (am 1933-07-08)
Schlagzeug:
Billy Taylor (English jazz and pop drummer and singer) (am 1933-07-08)
Tenorsaxophon:
Frank “Big Boy” Goudie (am 1933-07-08)
Trompete:
Arthur Briggs (trumpeter) (am 1933-07-08), Theodore Brock (am 1933-07-08) und Bobby Lee Jones (Jazz trumpeter) (am 1933-07-08)
vocals:
Louis Cole (1930s jazz vocalist) (am 1933-07-08)
Freddy Johnson, Arthur Briggs & Their All-Star Orchestra3:39
10Wo ist der Mann?
recorded in:
Paris, Île-de-France, Frankreich (am 1933-07-19)
Klarinette:
Peter du Congé (American jazz reedist) (am 1933-07-19)
Klavier:
Freddy Johnson (pianist) (am 1933-07-19)
Kontrabass:
Juan Fernandez (Jazz double bassist) (am 1933-07-19)
Rohrblattinstrumente:
Peter DuConge (American jazz reedist) (am 1933-07-19)
Schlagzeug:
Billy Taylor (English jazz and pop drummer and singer) (am 1933-07-19)
Trompete:
Arthur Briggs (trumpeter) (am 1933-07-19)
vocals:
Marlene Dietrich (actress and singer) (am 1933-07-19)
conductor:
Peter Kreuder (am 1933-07-19)
recording of:
Wo ist der Mann? (am 1933-07-19)
Texter:
Max Kolbe
Komponist(in):
Peter Kreuder
Marlene Dietrich3:15
11Nobody's Sweetheart
Klavier:
Freddy Johnson (pianist) (in 1933-06)
Trompete:
Arthur Briggs (trumpeter) (in 1933-06)
vocals:
Louis Cole (1930s jazz vocalist) (in 1933-06)
recording of:
Nobody’s Sweetheart (in 1933-06)
Texter:
Ernie Erdman (Songwriter/composer and pianist) und Gus Kahn
Komponist(in):
Billy Meyers (US jazz songwriter) und Elmer Schoebel
Arthur Briggs3:19
12Grabbin' Blues
Klavier:
Freddy Johnson (pianist) (in 1933-06)
Trompete:
Arthur Briggs (trumpeter) (in 1933-06)
vocals:
Louis Cole (1930s jazz vocalist) (in 1933-06)
Arthur Briggs3:34
13I Got Rhythm
Klavier:
Freddy Johnson (pianist) (in 1933-06)
Trompete:
Arthur Briggs (trumpeter) (in 1933-06)
vocals:
Louis Cole (1930s jazz vocalist) (in 1933-06)
recording of:
I Got Rhythm (in 1933-06)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV und New World Music Co. (in 1930)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Arthur Briggs3:20
14Japanese Sandman
Klavier:
Freddy Johnson (pianist) (in 1933-06)
Trompete:
Arthur Briggs (trumpeter) (in 1933-06)
vocals:
Louis Cole (1930s jazz vocalist) (in 1933-06)
recording of:
The Japanese Sandman (in 1933-06)
Texter:
Raymond B. Egan (in 1920)
Verfasser(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
Komponist(in):
Richard A. Whiting (in 1920)
Arthur Briggs3:43
15Goodbye to Summer
Gitarre:
John Mitchell (jazz guitarist) (am 1938-09-27)
Klarinette:
Joe Hayman (American saxophonist and clarinetist) (am 1938-09-27)
Klavier:
Herman Chittison (am 1938-09-27)
Kontrabass:
Wilson Myers (am 1938-09-27)
Trompete:
Bill Coleman (US jazz trumpeter) (am 1938-09-27)
vocals:
Greta Keller (am 1938-09-27)
Greta Keller3:40
16I'm Gonna Lock My Heart and Throw Away the Key
Gitarre:
John Mitchell (jazz guitarist) (am 1938-09-27)
Klarinette:
Joe Hayman (American saxophonist and clarinetist) (am 1938-09-27)
Klavier:
Herman Chittison (am 1938-09-27)
Kontrabass:
Wilson Myers (am 1938-09-27)
Trompete:
Bill Coleman (US jazz trumpeter) (am 1938-09-27)
vocals:
Greta Keller (am 1938-09-27)
recording of:
I’m Gonna Lock My Heart (and Throw Away the Key) (am 1938-09-27)
Komponist(in):
Jimmy Eaton (songwriter) und Terry Shand (jazz pianist/composer)
Greta Keller3:12
17Doing the Gorgonzola
Gitarre:
Oscar Alemán (am 1939-01-30)
Klarinette:
Danny Polo (saxophonist / clarinetist) (am 1939-01-30)
Klavier:
Garland Wilson (early 1900s American jazz pianist) (am 1939-01-30)
Kontrabass:
Louis Vola (am 1939-01-30)
Schlagzeug:
Jerry Mengo (am 1939-01-30)
Tenorsaxophon:
Alix Combelle (am 1939-01-30)
Trompete:
Philippe Brun (trumpeter) (am 1939-01-30)
Danny Polo and His Swing Stars3:07
18Montparnasse Jump
Gitarre:
Oscar Alemán (am 1939-01-30)
Klarinette:
Danny Polo (saxophonist / clarinetist) (am 1939-01-30)
Klavier:
Garland Wilson (early 1900s American jazz pianist) (am 1939-01-30)
Kontrabass:
Louis Vola (am 1939-01-30)
Schlagzeug:
Jerry Mengo (am 1939-01-30)
Tenorsaxophon:
Alix Combelle (am 1939-01-30)
Trompete:
Philippe Brun (trumpeter) (am 1939-01-30)
Danny Polo and His Swing Stars2:48
19China Boy
Gitarre:
Oscar Alemán (am 1939-01-30)
Klarinette:
Danny Polo (saxophonist / clarinetist) (am 1939-01-30)
Klavier:
Garland Wilson (early 1900s American jazz pianist) (am 1939-01-30)
Kontrabass:
Louis Vola (am 1939-01-30)
Schlagzeug:
Jerry Mengo (am 1939-01-30)
Tenorsaxophon:
Alix Combelle (am 1939-01-30)
Trompete:
Philippe Brun (trumpeter) (am 1939-01-30)
recording of:
China Boy (am 1939-01-30)
Komponist(in):
Phil Boutelje (in 1922) und Richard A. Winfree (in 1922)
publisher:
Leo Feist Inc.
Danny Polo and His Swing Stars2:58
20Polo-naise
Gitarre:
Oscar Alemán (am 1939-01-30)
Klarinette:
Danny Polo (saxophonist / clarinetist) (am 1939-01-30)
Klavier:
Garland Wilson (early 1900s American jazz pianist) (am 1939-01-30)
Kontrabass:
Louis Vola (am 1939-01-30)
Schlagzeug:
Jerry Mengo (am 1939-01-30)
Tenorsaxophon:
Alix Combelle (am 1939-01-30)
Trompete:
Philippe Brun (trumpeter) (am 1939-01-30)
Danny Polo and His Swing Stars2:56

Nennungen

Veröffentlichung

ASIN:FR: B003PN5UIG [Info]

Veröffentlichungsgruppe

Teil von:Jazz in Paris (Nummer: Box2010) (Reihenfolge: 103)