España Eterna: Five Centuries Of Music From Spain 1200-1700

~ Release by Jordi Savall (see all versions of this release, 1 available)

Tracklist

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1CD: Cansós de Trobairitz
#TitleArtistRatingLength
1Vos que'm semblatz dels corals amadors
engineer:
Johann-Nikolaus Matthes (sound engineer) (in 1978)
orchestra:
Hespèrion XXI (in 1978)
recording of:
Vos que'm semblatz dels corals amadors (in 1978)
writer:
Gaucelm Faidit
Gaucelm Faidit3:55
2Estat ai en greu cossirier
engineer:
Johann-Nikolaus Matthes (sound engineer) (in 1978)
soprano vocals:
Montserrat Figueras (soprano) (in 1978)
orchestra:
Hespèrion XXI (in 1978)
recording of:
Estat ai en greu cossirer (in 1978)
writer:
Comtessa de Dia (also known as Beatritz de Diá)
Raimon de Miraval6:10
3Na Carenza al bel cors avinen
Arnaut De Maruelh5:54
4Si us quer conselh, bel' ami' Alamanda
engineer:
Johann-Nikolaus Matthes (sound engineer) (in 1978)
orchestra:
Hespèrion XXI (in 1978)
recording of:
"Si'us quèr conselh, bèla amia Alamanda..."
composer:
Giraut de Bornelh
Giraut de Bornelh9:46
5Ab joi et ab joven m'apais
engineer:
Johann-Nikolaus Matthes (sound engineer) (in 1978)
orchestra:
Hespèrion XXI (in 1978)
recording of:
Ab joi et ab joven m'apais
lyricist:
Comtessa de Dia (also known as Beatritz de Diá)
composer:
Bernart de Ventadorn (French poet-composer troubadour, fl. 12th century)
Bernart de Ventadorn5:31
6A chantar m'er de so q'ieu no voldria
engineer:
Johann-Nikolaus Matthes (sound engineer) (in 1978)
orchestra:
Hespèrion XXI (in 1978)
recording of:
A chanter m'er de so qu'eu no volria
lyricist and composer:
Comtessa de Dia (also known as Beatritz de Diá)
Condesa de Dia8:22
7S'anc fui belha ni prezada
engineer:
Johann-Nikolaus Matthes (sound engineer) (in 1978)
orchestra:
Hespèrion XXI (in 1978)
recording of:
San'c fuy belha ni prezada
lyricist and composer:
Cadenet
arranger:
Ruth Galloway
Cadenet10:24
2CD: Songs Of Andalusia (Songs From The Middle Ages And Renaissance)
#TitleArtistRatingLength
1Ah, el novio no quiere dinero[traditional]1:28
2Coma la rosa en su güerta
recording of:
Coma la rosa en su güerta (sephardic song)
composer:
[traditional] (special purpose artist)
[traditional]3:00
3Estávase la mora
recording of:
Estávase la mora (sephardic song)
composer:
[traditional] (special purpose artist)
[traditional]1:33
4Aquel rey de Francia
recording of:
El Rey de Francia
lyricist and composer:
[traditional] (special purpose artist)
[traditional]2:06
5Damos gratias a ti, DiosFrancisco de la Torre3:24
6Sobre Baça estaba el rey
recording of:
Sobre Baça estaba el rey (middle age andalusian song)
composer:
[anonymous] (special purpose artist)
[anonymous]2:06
7¡Ay que non hay¡
recording of:
¡Ay que non hay¡ (middle age andalusian song)
composer:
[anonymous] (special purpose artist)
[anonymous]1:47
8Rosa da rosas
recording of:
Rosa da rosas (middle age andalusian song)
composer:
Alfonso X el Sabio (Spanish/Castillian medieval monarch & composer)
Alfonso el Sabio2:46
9Maravillosos e piadosos
recording of:
Cantiga de Santa María no. 139 "Maravillosos e piadosos"
composer:
Alfonso X el Sabio (Spanish/Castillian medieval monarch & composer)
part of:
Cantigas de Santa Maria (number: 139)
part of:
Cantigas de Santa María
Alfonso el Sabio2:12
10Tres moricas m'enamoran
recording of:
Tres moricas m'enamoran
composer:
Diego Fernández (Spanish renaissance composer, died in 1551)
part of:
Cancionero de Palacio
[anonymous]1:36
11Paseábase el rey moro
recording of:
Paseábase el rey moro
composer:
[anonymous] (special purpose artist)
Luis de Narváez2:43
12Dime a do tienes las mientes
recording of:
Dime a do tienes las mientes (middle age andalusian song)
composer:
Alonso Mudarra (Spanish composer and musician, 1510-1580)
Alonso Mudarra1:39
13Si no's huviera mirado
recording of:
Si n'os huviera mirado
composer:
Cristóbal de Morales (Spanish Renaissance composer)
part of:
Cancionero de Uppsala (number: 7)
Cristóbal Morales3:15
14Dexó la venda
recording of:
Dexó la venda (middle age andalusian song)
composer:
Francisco Guerrero (Renaissance composer)
Francisco Guerrero1:54
15Puse mis amores
recording of:
Puse mis amores (middle age andalusian song)
composer:
[anonymous] (special purpose artist)
[anonymous]1:47
16Aquí me declaró su pensiamento
recording of:
Aquí me declaró su pensiamento (middle age andalusian song)
composer:
Ginés de Morata (Iberian composer, fl. 16th century)
Ginés de Morata2:38
17Pues que me tienes
recording of:
Pues que me tienes, Miguel
writer:
Francisco Ortega (16th century Spanish composer)
Francisco Ortega2:24
3CD: Llibre vermell de Montserrat
#TitleArtistRatingLength
1O Virgo splendens hic in monte celso
conductor:
Jordi Savall (viol player, conductor and composer)
performer:
Hespèrion XX
recorded at:
Église Saint-Savinien in Saint-Savinien, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (from 1978-07-11 until 1978-07-14)
recording of:
O Virgo splendens (from 1978-07-11 until 1978-07-14)
lyricist and composer:
[anonymous] (special purpose artist)
part of:
Llibre Vermell
[anonymous]3:58
2Stella splendens in monte
conductor:
Jordi Savall (viol player, conductor and composer)
performer:
Hespèrion XX
recorded at:
Église Saint-Savinien in Saint-Savinien, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (from 1978-07-11 until 1978-07-14)
recording of:
Stella splendens (from 1978-07-11 until 1978-07-14)
lyricist and composer:
[anonymous] (special purpose artist)
part of:
Llibre Vermell
[anonymous]7:31
3Laudemus Virginem Mater est
conductor:
Jordi Savall (viol player, conductor and composer)
performer:
Hespèrion XX
recorded at:
Église Saint-Savinien in Saint-Savinien, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (from 1978-07-11 until 1978-07-14)
recording of:
Laudemus virginem (from 1978-07-11 until 1978-07-14)
lyricist and composer:
[anonymous] (special purpose artist)
medley of:
Splendens ceptigera
part of:
Llibre Vermell
[anonymous]2:16
4Los set goyts recomptarem
conductor:
Jordi Savall (viol player, conductor and composer)
performer:
Hespèrion XX
recorded at:
Église Saint-Savinien in Saint-Savinien, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (from 1978-07-11 until 1978-07-14)
recording of:
Los set gotxs recomptarem (Llibre Vermell de Montserrat) (from 1978-07-11 until 1978-07-14)
lyricist and composer:
[anonymous] (special purpose artist)
part of:
Llibre Vermell
[anonymous]7:32
5Splendens ceptigera
conductor:
Jordi Savall (viol player, conductor and composer)
performer:
Hespèrion XX
recorded at:
Église Saint-Savinien in Saint-Savinien, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (from 1978-07-11 until 1978-07-14)
recording of:
Splendens ceptigera (from 1978-07-11 until 1978-07-14)
lyricist and composer:
[anonymous] (special purpose artist)
part of:
Llibre Vermell
[anonymous]2:08
6Polorum regina omnium nostra
conductor:
Jordi Savall (viol player, conductor and composer)
performer:
Hespèrion XX
recorded at:
Église Saint-Savinien in Saint-Savinien, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (from 1978-07-11 until 1978-07-14)
recording of:
Polorum regina omnium nostra (from 1978-07-11 until 1978-07-14)
lyricist and composer:
[anonymous] (special purpose artist)
part of:
Llibre Vermell
[anonymous]6:01
7Cuncti simus concanentes: Ave Maria
conductor:
Jordi Savall (viol player, conductor and composer)
performer:
Hespèrion XX
recorded at:
Église Saint-Savinien in Saint-Savinien, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (from 1978-07-11 until 1978-07-14)
recording of:
Cuncti simus concanentes (from 1978-07-11 until 1978-07-14)
lyricist and composer:
[anonymous] (special purpose artist)
part of:
Llibre Vermell
[anonymous]5:02
8Mariam Matrem Virginem
conductor:
Jordi Savall (viol player, conductor and composer)
performer:
Hespèrion XX
recorded at:
Église Saint-Savinien in Saint-Savinien, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (from 1978-07-11 until 1978-07-14)
recording of:
Mariam, matrem virginem, attolite (Llibre Vermell de Montserrat) (from 1978-07-11 until 1978-07-14)
lyricist and composer:
[anonymous] (special purpose artist)
part of:
Llibre Vermell
[anonymous]7:23
9Imperayritz de la ciutat joyosa
conductor:
Jordi Savall (viol player, conductor and composer)
performer:
Hespèrion XX
recorded at:
Église Saint-Savinien in Saint-Savinien, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (from 1978-07-11 until 1978-07-14)
recording of:
Imperayritz de la ciutat joyosa (from 1978-07-11 until 1978-07-14)
lyricist and composer:
[anonymous] (special purpose artist)
part of:
Llibre Vermell
[anonymous]6:52
10Ad mortem festinamus
conductor:
Jordi Savall (viol player, conductor and composer)
performer:
Hespèrion XX
recorded at:
Église Saint-Savinien in Saint-Savinien, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (from 1978-07-11 until 1978-07-14)
recording of:
Ad mortem festinamus (Llibre Vermell de Montserrat) (from 1978-07-11 until 1978-07-14)
lyricist and composer:
[anonymous] (special purpose artist)
part of:
Llibre Vermell
[anonymous]7:14
11O Virgo splendens hic in monte celso
conductor:
Jordi Savall (viol player, conductor and composer)
performer:
Hespèrion XX
recorded at:
Église Saint-Savinien in Saint-Savinien, Charente-Maritime, Nouvelle-Aquitaine (New Aquitaine), France (from 1978-07-11 until 1978-07-14)
recording of:
O Virgo splendens (from 1978-07-11 until 1978-07-14)
lyricist and composer:
[anonymous] (special purpose artist)
part of:
Llibre Vermell
[anonymous]3:23
4CD: Court Music and Songs from the Age of the Discoverers
#TitleArtistRatingLength
1Cancionero de la Columbina: Villancicos "Niña y viña"
recording of:
Niña y viña
composer:
[anonymous] (special purpose artist)
[anonymous]1:36
2Propiñan de melyor
recording of:
Propiñan de Melyor
composer:
[anonymous] (special purpose artist)
[anonymous]1:43
3Como no le andaré yo?
recording of:
¿Cómo no le andaré yo?
composer:
[anonymous] (special purpose artist)
[anonymous]2:22
4Recercada
[anonymous]1:38
5Fantasia
recording of:
Fantasia (unspecified)
composer:
Luis de Milán (Spanish renaissance composer, c. 1500-1561)
Luis de Milán2:16
6Pavana
recording of:
Pavana - Gallarda
composer:
Luis de Milán (Spanish renaissance composer, c. 1500-1561)
Luis de Milán1:54
7Cancionero de Palacio: Villancicos "Al alva venid, buen amigo"
recording of:
Al alva venid
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Palacio
[anonymous]3:49
8Cancionero de Palacio: Villancicos "Perdí la mi rrueca"
recording of:
Perdí la mi rrueca
part of:
Cancionero de Palacio (number: 310)
[anonymous]2:22
9Cancionero de Palacio: Villancicos "A los baños del amor"
recording of:
A los baños de amor
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Palacio
[anonymous]1:36
10Cancionero de Palacio: Villancicos "Fantasia"
[anonymous]1:40
11Cancionero de Palacio: Villancicos "Romanesca"
[anonymous]1:15
12Cancionero de Palacio: Villancicos "Pues bien para esta"
recording of:
Pues bién, para ésta
composer:
Garçimuñoz (Renaissance Composer)
part of:
Cancionero de Palacio
Garcimuñós3:20
13Cancionero de Palacio: Villancicos "Si avéis dicho, marido"
recording of:
Si avéis dicho, marido
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Palacio (number: 390)
[anonymous]1:59
14Cancionero de Palacio: Romances "Si d'amor pena sentís"
recording of:
Si d'amor pena sentis
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Palacio
[anonymous]5:13
15Cancionero de Palacio: Romances "O voy"
recording of:
O voy
composer:
Román (16th century composer)
part of:
Cancionero de Palacio
Juan Roman1:59
16Cancionero de Palacio: Romances "Qu'es de ti, desconsolado"
recording of:
Qu'es de ti, desconsolado?
composer:
Juan del Encina (Spanish composer, poet, priest, playwright, c. 1468-1529/30)
Juan del Encina5:33
17Recercadas sobre tenores: Recercada 4
recording of:
Recercada IV
composer:
Diego Ortiz (Spanish Renaissance composer)
Diego Ortiz1:42
18Recercadas sobre tenores: Recercada 5
Diego Ortiz2:20
19Recercadas sobre tenores: Recercada 6
Diego Ortiz1:19
20Canionero de Uppsala: Villancicos "Yo me soy la morenica"
recording of:
Yo me soy la morenica (Cancionero de Uppsala)
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Uppsala (number: 38)
[anonymous]1:11
21Canionero de Uppsala: Villancicos "Si la noche haze escura"
recording of:
Si la noche haze escura
composer:
Francisco Guerrero (Renaissance composer)
part of:
Cancionero de Uppsala (number: 8)
[anonymous]3:48
22Canionero de Uppsala: Villancicos "Soleta só jo ací"
recording of:
Soleta so jo ací
composer:
Bartomeu Càrceres (Spanish renaissance composer)
part of:
Cancionero de Uppsala (number: 17)
[anonymous]1:33
23Canionero de Uppsala: Villancicos "Con qué la lavare?"
recording of:
Con que la lavaré (anonymous composer, catch-all)
composer:
Anonymous ([anonymous], special purpose artist)
part of:
Cancionero de Uppsala (number: 23)
[anonymous]3:53
24Canionero de Uppsala: Villancicos "Soy serranica"
recording of:
Soy serranica (Cancionero de Uppsala)
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Uppsala (number: 24)
[anonymous]1:17
5CD: Sephardic Romances from the Age Before the Expulsion of the Jews from Spain, 1492
#TitleArtistRatingLength
1Pregoneros vay y vienen
recording of:
Pregoneros vay y vienen (late middle-age sephardic romance)
composer:
[anonymous] (special purpose artist)
[anonymous]5:10
2El rey de Francia tres hijas tenía
recording of:
El rey de Fancia tres hijas tenía (late middle-age sephardic romance)
composer:
[anonymous] (special purpose artist)
[anonymous]5:13
3Una matica de Ruda
recording of:
Una matica de Ruda (late middle-age sephardic romance)
composer:
[traditional] (special purpose artist)
[anonymous]2:52
4Palestina hermoza
recording of:
Palestina hermoza (late middle-age sephardic romance)
composer:
[anonymous] (special purpose artist)
[anonymous]1:32
5Nani, nani
recording of:
Nani, nani (Eastern Sephardic lullaby)
lyricist and composer:
[traditional] (special purpose artist)
[anonymous]6:07
6El rey que tanto madruga
recording of:
El rey que tanto madruga (late middle-age sephardic romance)
composer:
[anonymous] (special purpose artist)
[anonymous]3:08
7Por qué llorax blanca niña
recording of:
Por qué llorax blanca niña
composer:
[traditional] (special purpose artist)
[anonymous]7:33
8Moricos los mis moricos
recording of:
Moricos los mis moricos (late middle-age sephardic romance)
composer:
[anonymous] (special purpose artist)
[anonymous]2:59
9Lavava y suspirava
recording of:
Lavava y suspirava (late middle-age sephardic romance)
lyricist:
[traditional] (special purpose artist)
composer:
[anonymous] (special purpose artist)
[anonymous]5:38
10Paxarico tu te llamas
recording of:
Paxarico tu te llamas (late middle-age sephardic romance)
composer:
[anonymous] (special purpose artist)
[anonymous]1:52
11La reina xerifa mora
recording of:
La reina xerifa mora (late middle-age sephardic romance)
composer:
[anonymous] (special purpose artist)
[anonymous]5:56
12Por allí pasó un cavallero
recording of:
Por allí pasó un cavallero (late middle-age sephardic romance)
composer:
[anonymous] (special purpose artist)
[anonymous]3:02
6CD: The Instrumental Variation Of Spanish Renaissance Music
#TitleArtistRatingLength
1Viva la MargaritaEnríquez de Valderrábano2:00
2Diferencias sobre el "Canto del Cavallero"
recording of:
Diferencias sobre El Canto del Caballero
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón2:51
35 diferencias sobre "Conde Claros"
[anonymous]1:40
4Diferencias sobre el canto de "La Dama le demanda"
recording of:
Obras de música: Diferencias sobre El canto de la dama le demanda
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón3:12
5Discante sobre la Pavana ItalianaAntonio de Cabezón2:40
6Para quien crié yo cabelios (folia)
recording of:
Libro de cifra nueva: Para quién crié yo cabellos
writer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón2:07
7Diferencias sobre la Gallarda MilanesaAntonio de Cabezón2:33
84 diferencias sobre "Guárdame las vacas"
recording of:
Cuatro diferencias sobre Guárdame las vacas (spanish renaissance instrumental piece)
composer:
Luis de Narváez (16th century composer)
Antonio de Cabezón1:23
95 diferencias sobre "Las Vacas"
[anonymous]1:40
10La Justa
recording of:
La justa (spanish renaissance instrumental piece)
composer:
Mateu Fletxa ("El Vell" or "El Viejo", Catalan renaissance composer)
Mateo Flecha el Viejo3:51
11La Guerra
recording of:
La guerra
composer:
Mateu Fletxa ("El Vell" or "El Viejo", Catalan renaissance composer)
Mateo Flecha el Viejo1:36
123 Recercadas sobre tenores: Romanesca
Diego Ortiz1:17
133 Recercadas sobre tenores: Ruggiero
Diego Ortiz1:29
143 Recercadas sobre tenores: Passamezzo moderno
Diego Ortiz3:03
15Danza altaFrancisco de la Torre0:56
16Recercada No. 2 sobre canto llanoDiego Ortiz1:36
17Recercada No. 6 sobre canto llano
recording of:
Recercada sesta
composer:
Diego Ortiz (Spanish Renaissance composer)
is based on:
La Spagna (basse dance)
Diego Ortiz0:55
183 sobre el Canto Ilano de la Alta
recording of:
Tres "Sobre el canto Ilano de la alta"
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón1:31
19Himno XI sobre "Ave maris stella VIII"
Antonio de Cabezón2:00
20Mille regrets
recording of:
Mille regrets (spanish renaissance instrumental piece)
composer:
Luis de Narváez (16th century composer)
Luis de Narváez2:30
21"Doulce Mémoire"
Diego Ortiz1:21
22O felici occhi miei
Diego Ortiz1:54
23D'où vient cela
recording of:
D'où vient cela (spanish renaissance instrumental piece)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón3:33
7CD: Renaissance Music from the Neapolitan Court
8CD: Antonio de Cabezón: Instrumental Works
9CD: Canciones y danzas de España
10CD: Diego Ortiz (Recercadas Del Tratado De Glosas) Recercadas Sobre El Canto Llano «La Spagna»
11CD: El barroco español