John Williams & Steven Spielberg: The Ultimate Collection

~ Release by John Williams (see all versions of this release, 3 available)

Tracklist

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1▼12" Vinyl: The Spielberg/Williams Collaboration (disc 1)
#TitleRatingLength
A1Raiders March (Raiders of the Lost Ark)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
The Raiders March (Raiders of the Lost Ark) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
publisher:
BMG Music
part of:
Indiana Jones and the Kingdom of the Crystal Skull
?:??
A2Theme (Always)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Theme (Always) (from 1990-05-18 until 1990-05-25)
?:??
A3Adventures on Earth (E.T. the Extra-Terrestrial)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
E.T. The Extra-Terrestrial: Adventure on Earth (concert arrangement) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
?:??
B1Theme (Sugarland Express)
producer:
Thomas Z. Shepard
harmonica:
Toots Thielemans (from 1990-05-18 until 1990-05-19, on 1990-05-25)
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Theme (Sugarland Express) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
?:??
B2Theme (Jaws)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Main Theme (Jaws) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
part of:
Jaws (1975 film score)
?:??
B3Out to Sea / The Shark Cage Fugue (Jaws)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Out to Sea (Jaws) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer) (in 1975)
part of:
Jaws (1975 film score)
part of:
Out to Sea / The Shark Cage Fugue (Suite From Jaws)
recording of:
The Shark Cage Fugue (Jaws) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
part of:
Jaws (1975 film score)
part of:
Out to Sea / The Shark Cage Fugue (Suite From Jaws)
?:??
2▼12" Vinyl: The Spielberg/Williams Collaboration (disc 2)
#TitleRatingLength
C1Exsultate justi (Empire of the Sun)
producer:
Thomas Z. Shepard
choir vocals:
American Boychoir (from 1990-05-18 until 1990-05-19, on 1990-05-25) and Tanglewood Festival Chorus (from 1990-05-18 until 1990-05-19, on 1990-05-25)
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
chorus master:
James Litton (conductor and choir master) (from 1990-05-18 until 1990-05-19, on 1990-05-25) and John Oliver (chorus master) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Exsultate Justi (Empire of the Sun) (from 1990-05-18 until 1990-05-25)
lyricist and composer:
John Williams (American score composer)
part of:
Empire of the Sun (1987 film score)
?:??
C2Parade of the Slave Children (Indiana Jones and the Temple of Doom)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Parade of the Slave Children (Indiana Jones and the Temple of Doom) (from 1990-05-18 until 1990-05-25)
part of:
Indiana Jones and the Temple of Doom
?:??
C3Over the Moon (E.T. the Extra-Terrestrial)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
E.T. The Extra-Terrestrial E.T. the Extra-Terrestrial: Over the Moon (concert arrangement) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
?:??
C4March (1941)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
The March (1941) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
part of:
1941
?:??
D1Cadillac of the Skies (Empire of the Sun)
producer:
Thomas Z. Shepard
choir vocals:
American Boychoir (from 1990-05-18 until 1990-05-19, on 1990-05-25) and Tanglewood Festival Chorus (from 1990-05-18 until 1990-05-19, on 1990-05-25)
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
chorus master:
James Litton (conductor and choir master) (from 1990-05-18 until 1990-05-19, on 1990-05-25) and John Oliver (chorus master) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Cadillac of the Skies (Empire of the Sun) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
part of:
Empire of the Sun (1987 film score)
?:??
D2Scherzo for Motorcycle and Orchestra (Indiana Jones and the Last Crusade)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Scherzo for Motorcycle and Orchestra (Indiana Jones and the Last Crusade) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
part of:
Indiana Jones and the Last Crusade
?:??
D37Excerpts (Close Encounters of the Third Kind)
producer:
Thomas Z. Shepard
choir vocals:
American Boychoir (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25) and Tanglewood Festival Chorus (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25)
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25)
chorus master:
James Litton (conductor and choir master) (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25) and John Oliver (chorus master) (from 1990-05-18 until 1990-05-19, from 1990-05-18 until 1990-05-25, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Close Encounters of the Third Kind: Suite (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
publisher:
EMI Music Publishing (do not use as a release label!)
?:??
3▼12" Vinyl: Williams on Williams the Classic Spielberg Scores (disc 1)
#TitleRatingLength
A1Flying (E.T. the Extra-Terrestrial)
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
?:??
A2Theme (Jurassic Park)
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
Theme From Jurassic Park (Jurassic Park) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer) (in 1993)
part of:
Jurassic Park (1993 film score)
?:??
A3Remembrances (Schindler’s List)
recording engineer and producer:
Shawn Murphy (producer/engineer)
violin:
Tamara Smirnova (from 1995-05-25 until 1995-05-27)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
Remembrances (Schindler’s List) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
?:??
B1Flight to Neverland (Hook)
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
Flight to Neverland (Hook) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
part of:
Hook
?:??
B2The Battle of Hollywood (1941)
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
The Battle for Hollywood (1941) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
?:??
B3Smee’s Plan (Hook)
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
Smee’s Plan (Hook) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
part of:
Hook
?:??
B4The Barrel Chase (Jaws)
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
The Barrel Chase (Jaws) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
?:??
4▼12" Vinyl: Williams on Williams the Classic Spielberg Scores (disc 2)
#TitleRatingLength
C1My Friend the Brachiosarus (Jurassic Park)
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
My Friend the Brachiosarus (Jurassic Park) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer) (in 1993)
part of:
Jurassic Park (1993 film score)
recording of:
An Ailing Monster
composer:
John Williams (American score composer)
part of:
Jurassic Park (1993 film score)
?:??
C2Jim’s New Life (Empire of the Sun)
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
Jim's New Life (Empire of the Sun) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
part of:
Empire of the Sun (1987 film score)
?:??
C3The Dialogue (Close Encounters of the Third Kind)
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
The Dialogue (Close Encounters of the Third Kind) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
?:??
C4The Lost Boy's Ballet (Hook)
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
The Lost Boys’ Ballet (Hook) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
?:??
D1Theme (Schindler’s List)
recording engineer and producer:
Shawn Murphy (producer/engineer)
violin:
Tamara Smirnova (from 1995-05-25 until 1995-05-27)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
Main Theme (Schindler’s List) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
?:??
D2The Basket Chase (Raiders of the Lost Ark)
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
The Basket Chase (Raiders of the Lost Ark) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
?:??
D3The Face of Pan (Hook)
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
The Face of Pan (Hook) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
?:??
D4The Banquet (Hook)
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
The Banquet (Hook) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer)
part of:
Hook
?:??
5▼12" Vinyl: The Spielberg/Williams Collaboration Part III (disc 1)
#TitleRatingLength
A1The Adventures of Mutt (Indiana Jones and the Kingdom of the Crystal Skull)
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra)
conductor:
John Williams (American score composer)
recorded at:
Royce Hall in Los Angeles, California, United States
recording of:
The Adventures of Mutt (Indiana Jones and the Kingdom of the Crystal Skull)
composer:
John Williams (American score composer)
part of:
Indiana Jones and the Kingdom of the Crystal Skull
?:??
A2Dry Your Tears, Afrika (Amistad)
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
choir vocals:
The California State University Fullerton University Singers
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra)
conductor:
John Williams (American score composer)
recorded at:
Royce Hall in Los Angeles, California, United States
?:??
A3The BFG (The BFG)
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
flute:
Heather Clark (US flautist)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra)
conductor:
John Williams (American score composer)
recorded at:
Royce Hall in Los Angeles, California, United States
?:??
A4With Malice Toward None (Lincoln)
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
trumpet:
Thomas Hooten
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra)
conductor:
John Williams (American score composer)
recorded at:
Royce Hall in Los Angeles, California, United States
instrumental cover recording of:
“With Malice Toward None” (Lincoln)
composer:
John Williams (American score composer)
part of:
Lincoln (2012 film score)
?:??
A5The Duel (Adventures of Tintin)
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra)
conductor:
John Williams (American score composer)
recorded at:
Royce Hall in Los Angeles, California, United States
?:??
B1A New Beginning (Minority Report)
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra)
conductor:
John Williams (American score composer)
recorded at:
Royce Hall in Los Angeles, California, United States
?:??
B2Escapades for Alto Saxophone and Orchestra (Catch Me If You Can): I. Closing In
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
alto saxophone:
Dan Higgins (saxophonist and woodwind recording artist)
bass:
Mike Valerio (double bassist)
vibraphone:
Martin Grubinger (Austrian multi-percussionist)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra)
conductor:
John Williams (American score composer)
recorded at:
Royce Hall in Los Angeles, California, United States
recording of:
Escapades: I. Closing In
composer:
John Williams (American score composer)
part of:
Escapades
?:??
B3Escapades for Alto Saxophone and Orchestra (Catch Me If You Can): II. Reflections
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
alto saxophone:
Dan Higgins (saxophonist and woodwind recording artist)
bass:
Mike Valerio (double bassist)
vibraphone:
Martin Grubinger (Austrian multi-percussionist)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra)
conductor:
John Williams (American score composer)
recorded at:
Royce Hall in Los Angeles, California, United States
recording of:
Escapades: II. Reflections
composer:
John Williams (American score composer)
part of:
Escapades
?:??
B4Escapades for Alto Saxophone and Orchestra (Catch Me If You Can): III. Joy Ride
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
alto saxophone:
Dan Higgins (saxophonist and woodwind recording artist)
bass:
Mike Valerio (double bassist)
vibraphone:
Martin Grubinger (Austrian multi-percussionist)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra)
conductor:
John Williams (American score composer)
recorded at:
Royce Hall in Los Angeles, California, United States
recording of:
Escapades: III. Joy Ride
composer:
John Williams (American score composer)
part of:
Escapades
?:??
6▼12" Vinyl: The Spielberg/Williams Collaboration Part III (disc 2)
#TitleRatingLength
C1Marion’s Theme (Raiders of the Lost Ark)
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra)
conductor:
John Williams (American score composer)
recorded at:
Royce Hall in Los Angeles, California, United States
?:??
C2Hymn to the Fallen (Saving Private Ryan)
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
choir vocals:
The California State University Fullerton University Singers
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra)
conductor:
John Williams (American score composer)
recorded at:
Royce Hall in Los Angeles, California, United States
?:??
C3Dartmoor, 1912 (War Horse)
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
flute:
Heather Clark (US flautist)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra)
conductor:
John Williams (American score composer)
recorded at:
Royce Hall in Los Angeles, California, United States
recording of:
Dartmoor (War Horse)
composer:
John Williams (American score composer)
part of:
War Horse (2011 film score)
?:??
D1Viktor’s Tale (The Terminal)
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
clarinet:
Don Foster (US clarinetist)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra)
conductor:
John Williams (American score composer)
recorded at:
Royce Hall in Los Angeles, California, United States
recording of:
Viktor’s Tale (The Terminal)
composer:
John Williams (American score composer)
part of:
The Terminal (2004 film score)
?:??
D2Prayer for Peace (Munich)
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra)
conductor:
John Williams (American score composer)
recorded at:
Royce Hall in Los Angeles, California, United States
recording of:
A Prayer for Peace (Munich)
composer:
John Williams (American score composer)
part of:
Munich (2005 film score)
?:??
D3Immigration and Building (The Unfinished Journey)
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra)
conductor:
John Williams (American score composer)
recorded at:
Royce Hall in Los Angeles, California, United States
recording of:
American Journey: I. Immigration and Building
composer:
John Williams (American score composer)
part of:
American Journey (The Unfinished Journey – Celebration 2000)
?:??
D4With Malice Toward None (alternate version) (Lincoln)
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
cello:
Stephen Erdody
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra)
conductor:
John Williams (American score composer)
recorded at:
Royce Hall in Los Angeles, California, United States
instrumental cover recording of:
“With Malice Toward None” (Lincoln)
composer:
John Williams (American score composer)
part of:
Lincoln (2012 film score)
?:??